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0451488334
| 9780451488336
| 0451488334
| 4.34
| 780,021
| Oct 1989
| May 03, 2016
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it was amazing
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The Pillars of the Earth has been hailed as one of the most triumphant novels of all time for decades now, and it deserves every acclaim it earned. The Pillars of the Earth has been hailed as one of the most triumphant novels of all time for decades now, and it deserves every acclaim it earned. “When things are simple, fewer mistakes are made. The most expensive part of a building is the mistakes.” If you have been following my reading journey this year, you would know that I’ve been struggling to encounter a book in the genres I tend to read—fantasy and science fiction—that blew me away. In fact, even though we’re in the month of July already, I still haven’t found any fantasy book this year that I would give a full 5 out of 5 stars rating. The Sun Eater by Christopher Ruocchio are exceptions, of course, but that series is more science fiction and space opera. This situation has pushed me to look into The Pillars of the Earth, the first book in a series of standalone novels titled Kingsbridge by Ken Follett. For the past 4 years, it has been in my to-read pile, and circumstances and reading mood have made my decision to read it this year. All of you were right. I’m not disappointed. This book did it for me. This riveting reading experience is what I’ve been looking for this year, and I’m gratified to give this doorstopper a 5 out of 5 stars rating. “I imagined it. I wrote it. But I guess I never thought I'd see it.” Picture: The Pillars of the Earth by Ludwig Seibt [image] I don’t think you need to hear me repeat what the premise of The Pillars of the Earth is about. If you’re like me, you might have heard it is about building a cathedral in the fictional city of Kingsbridge. At least, that is the simplest way to explain what the premise of the novel is about. And yes, essentially, The Pillars of the Earth IS a story that revolves around building an iconic cathedral. But is it ONLY about that? No. Far from it. There’s so much more to The Pillars of the Earth. So much more. It is a story about faith, war, survival, poverty, family, love, responsibility, and unity. This isn’t to say the cathedral building aspect is inferior compared to the others, but the explanation of architecture and the act of cathedral building isn’t what we would advertise to lure readers into trying to read a historical fiction that is supposed to be page-turning. But trust me. Despite the massive size of the novel, at 410,000 words long, this book never succumbed to boredom. I strongly believe many authors, not just historical fiction authors but fantasy and sci-fi writers as well, can certainly learn a thing or two from The Pillars of the Earth. “Having faith in God did not mean sitting back and doing nothing. It meant believing you would find success if you did your best honestly and energetically.” Picture: Kingsbridge Cathedral by Sebastian Wagner [image] Many components contributed to turning this historical fiction novel into one of the best books in history. Follett ensured every chapter—comfortable or uncomfortable to read—was integral to the narrative. I never felt a specific chapter was useless to the overarching storyline. Whether it is written to augment our investment in the characters or enrich the themes of the novel, no chapter ever felt futile to me. This is something that I unfortunately faced a lot lately in the fantasy genre. It seems like the books are written unnecessarily longer than they should be, and I am speaking as someone who loves reading big books, like The Pillars of the Earth proved. But in this case, by making sure every dialogue, interaction, and relationship the characters make feels crucial, even the premise of building a cathedral in medieval times can altered into one of the most engaging reading experiences. “Nevertheless, the book gave Jack a feeling he had never had before, that the past was like a story, in which one thing led to another, and the world was not a boundless mystery, but a finite thing that could be comprehended. ” Picture: Kingsbridge Chapter by Sebastian Wagner [image] I have always been fascinated by grand buildings and architecture. I think we humans are built to generally be amazed at the creation of massive proportions, whether they are man-made or by nature. The Pillars of the Earth effortlessly pushed me to look into the origin of things and REALLY think about their creation. To remember how much effort, advancement, devotion, sacrifice, struggle, luck, and determination are needed. It is physically impossible to construct a cathedral of this magnitude alone. Not only during the year 1100s when the story of The Pillars of the Earth takes place. But even now, in our lifetime and society, even putting every resource we have into account, it is still impossible to build a cathedral by yourself. This is a feat that can only be accomplished through an immense amount of resources, association with other people, unity, teamwork, meticulous calculation, and many more working in harmony toward the same goal. I was constantly fascinated by every technicality Follett wrote into this book. However, as I said, this book is not only about building a cathedral. There's no shortage of intense and harrowing sequences, and I did not expect how well-written the characters would be in this 40-year-long epic storyline. “She loved him because he had brought her back to life. She had been like a caterpillar in a cocoon, and he had drawn her out and shown her that she was a butterfly.” Tom the Builder, Ellen, Jack, Aliena, Richard, and Prior Philip. These are some of the most recognizable protagonists of the novel. Before reading The Pillars of the Earth, I kept hearing how much people loved Prior Philip, and I’m not surprised why. I still don’t know whether my favorite character is Jack or Philip, but one thing I definitely know is this. Every character in The Pillars of the Earth has their own strengths and weaknesses. The relationship they forged became one of their sources of energy and hope to fight back against the evil and injustice of the world, especially one caused by the actions of the Triple W gang and one bully I’ll refrain from mentioning. I will get to the villains in the next paragraph. But back to my point. By making the protagonists flawed, it felt easier to recognize them as real characters and individuals. Even Prior Philip, who most of the time is kind-hearted, generous, and virtuous to serve his faith is not an exception to this. Philip, too, has his own agenda, and sometimes he will enforce his will to get what he wants. I loved the character development the characters had. Their survival tale will be stories that I always remember. When I finished the novel, I reflected on how the 40 years of tumultuous events changed them, and I feel satisfied to have read where their conclusion ended. However, if I haven’t been clear enough in this review, I need to emphasize this once more... The Pillars of the Earth is not a book for the faint of heart. “You never know… There may come a time when savages like William Hamleigh aren't in power; when the laws protect the ordinary people instead of enslaving them; when the king makes peace instead of war. Think of that - a time when towns in England don't need walls!” Let me tell you this. Out of every book in every genre I read, The Pillars of the Earth has some of the most despicable, disgusting, and malicious villains I have ever come across. William Hamleigh, Walter, and Waleran Bigod, especially William Hamleigh. Again, there is another character, but it will be a spoiler to name him. All you need to know is this. The mind of these villains will test your patience. Follett did not shy away from putting us readers in the mind and perspective of the villains for a long time while they were thinking sleazy and abysmal acts, not even when they proceeded to execute them. Imagine every nasty action a villain could do in historical fiction novels, and you will most likely see them in the pages of The Pillars of the Earth. I fully understand if readers do not want to read The Pillars of the Earth because of this. But personally speaking, I think having the POV of a villain—more of the time than not—elevates the tension and compelling factor of the narrative. Knowing how far William Hamleigh and his goons will go to achieve whatever selfish desire he wants has made me feel terrified for the characters because I know none of them are safe from danger. This kind of fear for the characters—in my opinion—means I am engrossed in the story and the lives of the characters I grew to care about. And Follett accomplished that. It is a sign of a great book. Picture: The Pillars of the Earth User Interface by Sebastian Wagner [image] It is known in the construction of a cathedral, even though there is a master builder, that support and cooperation from other people are imperative. Same as books. Ken Follett mentioned the struggle and skills he needed to weave the beastly tome that is The Pillars of the Earth to completion. Without the help of other people, it will not be possible. Not only that, Follett also mentioned it is only thanks to the viral and continuous spread of word-of-mouth that The Pillars of the Earth reached the success it has. The glimmering quality and the worldwide fame of the story and the success of The Pillars of the Earth are as grand and rich as a Gothic cathedral. The popularity and success of the novel have spawned TV shows and video game adaptations as well; both are well-received. Knowing how much I enjoyed reading The Pillars of the Earth makes me excited to read the sequel as soon as possible. Especially when many readers have concluded that World Without End is somehow superior. I will read World Without End when I am in the middle of a 5-star book drought again. Or, who knows, maybe I’ll read it sooner than expected. But until then, I will end this review by saying The Pillars of the Earth is one of the best historical fiction novels ever penned. “Human beings have the capacity to rise above mundane circumstances and touch the eternal.” You can order this book from: Amazon | Blackwells (Free International shipping) You can find this and the rest of my reviews at Novel Notions | I also have a Booktube channel Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Aliysa, Ambrosius, Andrew, Andrew S, Annabeth, Anne, Arliss, Barbara, Bev, Cade, Chris, Christopher, Cullen, Dan, Donuts, Dylan, Edward, Elaine, Elias, Erich, Feanor, Francesca, Frank, Gary, Gregory, Hamad, Helen, James, Jenn, Jesse, Joie, Jonathan, Katrina, Kim, Kristina, Lara, Lourdes, Luis, Melinda, Michael, Michael, Mike, Miracle, Mordie, Nicholas, Radiah, RCT, Redmischief, Rue, Samuel, Sarah, Scott, Sean, Shawn, Stephanie, Trish, TS, Wick, Woodman, Xero, Yuri, Zoe. ...more |
Notes are private!
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Jun 27, 2024
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Jul 14, 2024
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Jul 26, 2020
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Hardcover
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125085055X
| 9781250850553
| 125085055X
| 4.41
| 86,122
| Nov 05, 2020
| Feb 15, 2022
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it was amazing
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I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo Dawnshard is a magnificent warm-up to the upcoming Rhythm of War. Dawns I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo Dawnshard is a magnificent warm-up to the upcoming Rhythm of War. Dawnshard is a novella, or short novel, in The Stormlight Archive series by Brandon Sanderson. I think many of you have known that I am a devout fan of Sanderson’s Cosmere universe. No, seriously, I love the Cosmere universe so much that I actually felt annoyed when Sanderson decided to focus on Skyward instead of finishing Mistborn: Wax and Wayne series first. But let’s get back on topic. I knew Dawnshard will be a wonderful book, and I knew it will provide character development and other necessary information for the future of the series. What I didn’t expect, however, was that it will shed light on so many Cosmere hints and revelations. Dawnshard takes place after Oathbringer and before Rhythm of War, it follows the story of Rysn as she’s tasked to go to Akinah. I haven’t read any previous chapters released for Rhythm of War, but I know for sure that the events that happened in Dawnshard display immense implications for the future of Roshar and the entire Cosmere universe. It is frankly insane. I just don’t know how Sanderson does it. This novella exceeded Edgedancer in every possible way, and I’m so pleasantly surprised by how important it was on the grander scheme of the Cosmere. “That was the thing about omens—they were made up. Imagined signals of something nebulous. So why not make them up to be something positive?” I never thought about it before, but Sanderson’s decision to put Rysn and Lopen as the two POV characters in this novella is such a brilliant move. Approximately half of the book takes place in a seafaring travel section, but it was never boring; Sanderson developed Rysn, Lopen, Cord, Huio, and also include stunning revelations about Cosmere in this section; entire book, actually. One of the things that Sanderson tried to do carefully in Dawnshard is to make sure the representation of disabled characters—mainly paraplegic—is done right. He has consulted and did his research. Now, I will not be presumptuous and say he has done it well; I believe this can only be judged by someone with the same issue, and I’m not. However, I would like to digress that this book made me feel more empathetic towards them. One of my younger brother’s legs is disabled since he was born, and this book occasionally made me stop and think about what he went through growing up. “Everyone else pranced around without ever having to worry they were a burden to others. Never remaining in the same place—when they longed to move around—because they didn’t want it to be a bother. They didn’t know what they had. But Rysn knew exactly what she’d lost.” Do note that this doesn’t mean that Dawnshard is a gloomy book. I think Sanderson’s books, all of them, aren’t like that. Sanderson always makes sure to include positivity in the bleakest of moments, and this feeling of invigoration I got from reading his books is something that I’ve come to truly appreciate from his works. This is why Lopen’s POV matters more. Lopen was hilarious in the main novels, and I personally found that Dawnshard deepens his characterizations further. Come to think of it, Lopen reminded me a lot of Wayne—another supporting character I loved—from Mistborn: Wax and Wayne series. I loved the positive attitudes that he brings with his existence; he genuinely just wants the people around him to be happy. “But it’s nice to make people laugh at you for something you do, and not something you can’t control. You know?” However, as much as I praised Rysn and Lopen, I have to say that the most pleasant surprise in character development, for me, was Huio. I didn’t think of him as remotely important in the main series so far, but Dawnshard successfully and efficiently established him as one of the supporting characters to watch out for. The same can also be said for Cord, Chiri-Chiri, you know what? Consider what I just said moot point because it applies to practically everyone now. I’m just seriously impressed with Dawnshard; I liked Edgedancer but Lift infuriated me non-stop there, and she made me hate the word ‘pancake’. Not only the overall content of Dawnshard felt so much more important to the scope and main story of The Stormlight Archive, but it also extrapolates the importance of having a positive mindset in the daily course of our lives. Superstition or bad omens are a big theme in Dawnshard, and Sanderson showcases examples of why sometimes bad omens can be turned around by simply shifting our mindset and perspective. “You could always defeat gloomy Passions with optimism and determination. Even the worst highstorm dropped fresh water.” One last thing before I conclude this review, which somehow ended up being longer than I expected. I’ll make this as spoiler-free and vague as possible, but if you’re caught up or understand the mechanism behind the Cosmere universe, Dawnshard is about to stun you with many mindblowing insights. One of the biggest hints is the implication that materials from other worlds in the Cosmere could be traded and appear in different worlds now. Aluminum is here, and I’m sure it will be as well in Rhythm of War and so on. Think about the usage of Aluminum in Mistborn series. From reading Oathbringer, we knew this could happen, but to see it appearing here (unless I’m mistaken) is truly a sign of great things to come in Rhythm of War and pretty much all future Cosmere books. Also, if I have to mention a growing and worrying issue from reading The Stormlight Archive so far, it would be that the characters and their healing power have become way too powerful. Well, Dawnshard has pretty much exhibited how this issue will be negated; several counter-mechanism has been shown, and our beloved characters will probably suffer more. Soon. “Sometimes you need to accept what you’ve lost, then move forward. Then you can instead realize what you’ve gained.” It’s astounding to me that there’s still so much about this relatively short book I could talk about here, but I’ll stop for now. I hope the day will come when Rysn becomes one of the main characters in the main novels. In less than 300 pages, I already preferred reading Rysn as one of the main POV characters compared to Shallan. There, I’ve said it. I would like to say that Dawnshard isn’t mandatory to read, but I can’t. Honestly, I’m still shocked and amazed by all the revelations I attained from reading this short novel. Dawnshard is an incredible appetizer before we devour the next main menu in The Stormlight Archive: Rhythm of War. More importantly, this is a must-read volume for many of us who’s adapting “Journey before destination” in our lives as we make our way through traversing every single piece of art in The Stormlight Archive and Cosmere universe. Needless to say, this is an amazing novella/short novel. Last but not least: I am ready for the Rhythm of War. Sidenote: Currently the ebook of Dawnshard is only available for Kickstarter backers. If I’m not mistaken, the ebook will come out on the 10th of November on Amazon and other stores. The physical copy will be published next year. You can pre-order the book from: Amazon UK | Amazon US You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Alya, Annabeth, Blaise, Devin, Diana, Edward, Hamad, Helen, Jimmy Nutts, Joie, Lufi, Michelle, Mike, Miracle, Nicholas, Zoe. ...more |
Notes are private!
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Nov 06, 2020
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Nov 06, 2020
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Jul 19, 2020
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Hardcover
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4.19
| 181,092
| Oct 15, 1994
| Mar 16, 2010
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really liked it
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4.5/5 stars Lord of Chaos could potentially become the best book by Robert Jordan for me. Let the Lord of Chaos rule, and rule it did. “Asha’man, kil4.5/5 stars Lord of Chaos could potentially become the best book by Robert Jordan for me. Let the Lord of Chaos rule, and rule it did. “Asha’man, kill!” If you’ve read Lord of Chaos, you will know what those two iconic words signified. To say that I was worried before I dived into Lord of Chaos can be classified as an understatement. Just a brief summary, yes, The Fires of Heaven has rekindled the fire in me to continue reading The Wheel of Time after almost three years of hiatus from it. And I’m glad I continued, and now, persevere I shall. The book that made me quit The Wheel of Time for years was The Shadow Rising, a book often claimed by many of the fans of the series to be Jordan’s best work. Long story short, I believe my binge-reading of the series and out-of-control high expectations towards The Shadow Rising back then were hugely responsible for my downfall with the series in 2019. Why am I repeating myself on this? Well, Lord of Chaos is another one of the books in the series that has received a similar level of praise. Plus, with 389,000 words, it is also the second biggest book in the entire series, just 4,000 words shorter than The Shadow Rising. Fortunately, the result is the exact opposite of me reading The Shadow Rising. Lord of Chaos, despite some of its expected flaws, stands strong as the best book in the series (so far) for me. Even more than The Great Hunt and The Fires of Heaven. If The Fires of Heaven rekindled the fire in me with the series, Lord of Chaos burned it brighter. “First things first; take care of what can be done now before worrying too long over what might never be.” One step at a time indeed. One book at a time. One book every few months. That is my mindset as I go through The Wheel of Time, and for now, this marathon reading process has worked incredibly well for me with the series. Lord of Chaos begins with the biggest prologue of the series so far. At 70 pages long, the prologue could’ve worked as a short story or even a short novella. But I must say, I enjoyed reading the prologue. The story in Lord of Chaos revolves around Rand al'Thor, the Dragon Reborn, struggling to bind the nations of the world to his will. Rand is still trying his best to forge the alliances of Light necessary to fight the Shadow. The preparation for Tarmon Gai’don, the Last Battle, continues. But as always, other powers seek to command the war against the Dark One. Not willing to let Rand in control, factions (especially Aes Sedai in this book) are racing to manipulate The Dragon Reborn to their respective side. In the meantime, as the realm of men falls into chaos and discord, the Dark One and his bloody servants polish their plan to assault The Dragon Reborn. “Then forget honors and remember the Last Battle. Everything I do is aimed at Tarmon Gai’don. Everything I tell you to do will be aimed at it. You will aim at it!” It is very much necessary for me to begin by saying, especially for first-time readers of the book, do not expect battle scenes or war scenes entering into Lord of Chaos. You will be sorely disappointed if you do. Yes, there is the highly praised Battle of Dumai's Wells, but overall, Lord of Chaos, despite the coolness and the implication of the book title, doesn't feature a lot of battle scenes. Also, unlike the previous books, do not expect a battle against one of The Forsaken here. Let alone war scenes, I think the only battle scene in this book occurred in the final chapter, and it is not a battle against one of The Forsaken. However, this is not bad news. Jordan managed to make the novel better for it. I will elaborate more on this later as spoiler-free as possible. But first, before I talk about all the goods, let's talk about some of the expected flaws of the novel, which have existed since the previous books, in my opinion, and gotten relatively better here in comparison. They are the pacing—or verbosity—and the main female characters. Shockingly, I will be talking about the miscommunication trope being used here in a better light. “A fool moans when fortune takes him down, and it takes a true fool to moan when fortune takes him up. I have heard from plenty of readers who love the series that, for them, they've encountered the invasion of the infamous slog of the series in Lord of Chaos. And I cannot fault them for this. Robert Jordan has always been great at writing the beginning and the closing chapters of his books in the series, and that situation did not change here. After the massive prologue, I continue to enjoy reading almost every page of Lord of Chaos for the first quarter. And then, after that, the pacing ground to a halt until around the 65% mark of the book. By the way, I read Lord of Chaos and every book in The Wheel of Time using my Kindle, hence why I used percentage in my review. But yeah, it was challenging, and even boring occasionally, to go through the verbosity of details in dresses and clothing while the plot seemed to move as slowly as possible. However, I must say, compared to The Shadow Rising, or even The Fires of Heaven that I enjoyed very much, the pacing in Lord of Chaos was overall better. Hey, at least we don't have the boring-to-tears circus plotline here. “Never make a plan without knowing as much as you can of the enemy. Never be afraid to change your plans when you receive new information. Never believe you know everything. And never wait to know everything.” I will always maintain my words that The Wheel of Time (so far anyway, but I don't think this opinion will change) is a series that would've been improved if it received another round of editing and trimming. Although I do love intricacies in settings and locations, I, as a reader, do not care too much about reaching this level of detail in clothing and dresses. I feel like they delayed some of the greatness of the series. As a comparison, I feel like Sanderson's way of describing clothing in his books is on the right level of detail I usually love to read. But all of these boiled down to me saying that this pacing and detail, whether you like it or not, has existed in every book in the series so far. I expected them to be there, and by taking a few months' breaks after finishing each book in the series before I read the next installment, I feel like I could tolerate and sometimes appreciate them much better now. Plus, I loved reading the execution of the themes of courage, leadership, and duty in Lord of Chaos. Even if we have to drown in verbosity to get glimpses of them here and there. “Duty is heavier than a mountain, death lighter than a feather.” Once you had that mountain firmly on your shoulders, there was no way to put it down. Another thing I would like to talk about before I move on to the main highlights of the novel. I am not a stranger in voicing my dislike towards how the main female characters behave in the series, and no, I doubt this situation will change throughout the series. The topic of gender versus gender caused by SO MANY years of prejudice and dominance won’t vanish instantly. It is one of the dominant themes of the series. And I have mentioned plenty of times that I did not like Elayne, Aviendha, and definitely not Nynaeve. To be more precise, I have not yet, and I have no idea whether that will change in the later books. We will find out eventually. Although I understand why they behaved a certain way, I feel like the non-stop repetition of their behavior made them more annoying than they should. Honestly, the only female characters I have liked in the series so far were Min—as proven further in this book—and Moiraine. But admittedly, I did not find myself angered over the main female characters here. I know. It is surprising. I was frequently angered by how Elayne and Nynaeve behaved in The Fires of Heaven. But from my perspective, it was more balanced here. The only character I did not enjoy reading about here, and not in a good way, was Faile. What a failure of a character. How Perrin continuously obsessed over her is beyond my wool head. “A wife isn’t a trooper to go running when you shout. In some ways, a woman is like a dove. You hold her half as hard as you think is necessary, or you might hurt her.” Now let's talk about all the great things of Lord of Chaos. And I will begin by saying that I love how the miscommunication trope is utilized here. NOT completely. Never completely. It is still too much in many sections, but remember what I said earlier in the review that the story in Lord of Chaos did not get so good until we reached the 65% mark of the book? Yes, that has something to do with the game-changing development (even if it happened too abruptly) relating to the female characters. After we reached this point, I felt the plot and the character development in Lord of Chaos started moving forward compellingly. And guess what, the conflict surrounding the final 35% of the book mainly happened because of miscommunication and prejudice. I feel like it was executed magnificently. I was constantly holding my breath as I read through the pages of these chapters. The deadly tension in the atmosphere and conversations were undeniably palpable. And I will have to admit that the miscommunication, this time, was rightfully used to heighten the stake of the narrative. Of course, this kind of result is only possible due to (here are the main highlights of the novel for me) Rand al'Thor, Mazrim Taim, and the Asha'man. “Never be hostile unless you must, Moiraine had said, but above all never be overly friendly. Never be eager” Every scene with Rand al’Thor, Mazrim Taim, and the Asha’man was undoubtedly the best part of Lord of Chaos for me. Look, I do not know where Rand usually stands in the list of favorite characters according to the fans of The Wheel of Time. But for now, Rand and Mat are constantly battling for supremacy as my top favorite character in the series. His romances aside, which I do not think Jordan ever handled well anyway, Rand has undergone an immense character development from his first appearance in The Eye of the World. I also think Rand is a genuinely humane main character. His actions, his arrogance, and how he started to accept his role as The Dragon Reborn, everything just felt so believable. I still have a lot of books in the series to read, and I already feel that the result of his character arc will become one of the best in epic fantasy. It IS already one of the best after reading Lord of Chaos. The amount of responsibility and ordeals he has to juggle is utterly overwhelming. It is beyond human. Rand’s internal grapple with Lews Therin Thelamon was always immersive to me, and I am constantly amazed by Rand's perseverance to stay sane. How he remains sane facing the chaos and suffering he has to endure is inspiring. This is on top of so many individuals ceaselessly assuming bad things about him even when he always tries to do good for the world as best as he can as The Dragon Reborn. “I am the Dragon Reborn. Denying won’t change it. Wishing won’t change it. I’m not the man you knew back in Emond’s Field." Introducing Mazrim Taim and the Asha’man in this book is one of the best things Jordan has done for the series so far. Aes Sedai has an irreplaceable hatred toward male channelers, and Mazrim Taim is the exact opposite. I felt intimidated by Mazrim Taim’s presence, and the existence of the Asha’man provides intriguing complexity in the story and confrontations between males and females as it—for better or worse—will shift the political and power dynamics of the world. I say it’s about time; this is what the series needs. Conflicts will happen. Changes will be inevitable. Most likely with sacrifices and death. But Tarmon Gai’don will come eventually, and there is no way of facing it without cooperation between the males and females channelers. I can't wait to find out how all of these will develop. “You need a name. In the Old Tongue, Aes Sedai means Servants of All, or something very close. The Old Tongue doesn’t translate easily… Another word in the Old Tongue is asha’man. It means guardian, or guardians. Or defender, and maybe a couple of other things; I told you, the Old Tongue is very flexible. Guardian seems to be best, though. Not just any defender or guardian, though. You could not call a man who defended an unjust cause asha’man, and never one that was evil. An asha’man was a man who defended truth and justice and right for everyone. A guardian who would not yield even when hope was gone.” The Light knew, hope would go when Tarmon Gai’don came, if not before. “That is what you are here to become. When you finish your training, you will be Asha’man.” Lastly, I need to mention, once again, that the last 35% of Lord of Chaos was an easy 5 stars epic fantasy material, in my opinion. All the buildup, the accumulating rage I poured, and the devastating result of prejudice, self-assumption, and miscommunication exploded in the final chapter. As I said earlier, there were close to no battle scenes in Lord of Chaos. But the politicking, manipulation, and intensity sparked by wonderful momentum building between the characters were evident in the text. For years, there has been a LOT of hype and praise about The Battle of Dumai’s Wells. I approached this battle with a cautious expectation but also feelings of excitement, and you know what? The chapter successfully delivered an intensely memorable scene. It was immensely impactful and satisfying. I believe it is one of the best chapters of the entire series. It is a relatively short chapter for such an eventful climax sequence, and I wish it had been a bit longer. However, every sentence in the chapter, especially after all the momentum building and adding my vivid imagination, certainly enhanced the weight of the battle scene. In this one chapter alone, I spotted at least three REALLY iconic lines that will stand the test of time. One of them being… “Kneel and swear to the Lord Dragon, or you will be knelt.” God. Even typing that passage makes me want to reread the last few chapters. Thousands of participants were involved. Lives were cleaved. Vengeance enacted. Armies converged, wolves howled, weapons brandished, lightning weaved, and a rolling ring of Earth and Fire ignited an explosion of blood and flesh. It was a day of carnage. It was a day of fire and blood. Picture: Lord of Chaos by Gregory Manchess [image] Judging from the length of this review, I think you will have noticed that I loved Lord of Chaos despite some of its apparent flaws. Suffice to say that this is the best installment of the series so far. And personally speaking, Lord of Chaos, the sixth novel in The Wheel of Time by Robert Jordan, could potentially become the best book solely written by him for the series, not including the one that is written by Brandon Sanderson. We will find out, eventually, whether that becomes the case or not. I am saying this because I know where I'm at with the series. The upcoming four books in the series after this, from A Crown of Swords up to Crossroad of Twilight, are supposedly the infamous slog installments of the series. And I never heard any fans of The Wheel of Time consider any of the subsequent five books, including Knife of Dreams, as their personal favorites. I will make sure to lower my expectations going into them. Obviously, just like how I did not predict I would enjoy Lord of Chaos this much, I will be super happy to be proven wrong. Lord of Chaos went above and beyond my expectation, going as far for it to be included in my list of favorite books. If all goes according to plan, I will read A Crown of Swords in November or December. Until then, let the Lord of Chaos rule. The wheel weaves as the wheel wills. “We are always more afraid than we wish to be, but we can always be braver than we expect.” You can order this book from: Blackwells (Free International shipping) You can find this and the rest of my reviews at Novel Notions | I also have a Booktube channel Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Andrew, Andrew W, Amanda, Annabeth, Diana, Dylan, Edward, Elias, Ellen, Ellis, Gary, Hamad, Helen, Jimmy Nutts, Joie, Luis, Lufi, Melinda, Meryl, Michael, Mike, Miracle, Nanette, Neeraja, Nicholas, Reno, Samuel, Sarah, Sarah, Scott, Shawna, Xero, Wendy, Wick, Zoe. ...more |
Notes are private!
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1
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Jul 11, 2022
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Jul 21, 2022
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Jul 08, 2020
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Kindle Edition
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0345516400
| 9780345516404
| B009I6NUXQ
| 4.09
| 12,407
| Aug 1998
| Dec 09, 2008
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it was amazing
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I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo It’s unbelievable that this insanely terrific story is hidden behind t I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo It’s unbelievable that this insanely terrific story is hidden behind this horrific cover art. Heroes Die was absolutely bloody and glorious. “Does it matter? When you tell a story loud enough and long enough, a story that plays right into people’s worst fears of betrayal, it grows its own truth.” To both Del Rey Books and Orbit, Heroes Die desperately needs a better cover art. Honestly, the cover art to both the US and UK edition was so ugly that I stayed away from reading this book for years. If it weren’t due to many reader’s praises for it, I doubt I would’ve picked this up. Now that I’ve read it, I can confirm that the cover arts failed—in every possible way—to capture the greatness of the book. Yes, readers don’t judge the content of a book based on its cover art, but the cover art does influence a reader’s decision—especially me—to check out a specific book further. Heroes Die is so criminally underrated; everything about it was so ahead of its time, and I’m still in shock that this was first published in 1998. That’s 23 years ago! I have faith that if Heroes Die is re-released these days—with a better and brand new cover art—it will attain the wide-praises it rightfully deserves. ”The reasonable man adapts himself to the world: the unreasonable man persists in trying to adapt the world to himself. Thus all progress depends on the unreasonable man.” Throughout the land of Ankhana, Caine is known as the Blade of Tyshalle—a relentless and unstoppable assassin who has earned his reputation by killing his share of monarchs, commoners, villains, and heroes. At home on Earth, Caine is Hari Michaelson—a famous superstar due to his adventure as Caine in Ankhana. Now, from this premise, it’s easy to jump up to the conclusion that Hari/Caine is a good-at-everything-he-does type of protagonist, but that’s really not the case. Caine is limited by rules and shackled by a rigid caste society; his role as an Actor—providing entertainment to people on Earth by killing people on Overworld as he takes the role of Caine—also means that he’s answering to someone in a higher position. The story in Heroes Die, the first book in Acts of Caine series by Matthew Woodring Stover, revolves around Hari/Caine’s mission to save his missing ex-wife—Pallas Ril—that disappeared in the land of Ankhana. The best way to describe Heroes Die is this: “It’s a piece of violent entertainment that is a meditation on violent entertainment—as a concept in itself, and as a cultural obsession. It’s a love story: romantic love, paternal love, repressed homoerotic love, love of money, of power, of country, love betrayed and love employed as both carrot and stick. It’s a book about all different kinds of heroes, and all the different ways they die. It’s a pop-top can of Grade-A one-hundred percent pure whip-ass.”—Matthew Woodring Stover I don’t think I’m capable of describing this book in a spoiler-free way better than that. Heroes Die contains a lot of themes elaborated through several characters, and I like to think of Heroes Die as an examination regarding human’s obsession with violence in entertainment and stories. I mean, think about it, this novel is filled with violent/explosive action scenes, and the fact that I loved the action sequences in this book so much showed that Stover’s idea hit the spot for me. However, it is very important to make sure that actions/gore/violence was never done for shock value; Stover pulled that off by centering the narrative on his multiple well-written characters. ”Those who make peaceful revolution impossible will make violent revolution inevitable.” Despite the slow start, Heroes Die was intriguing from the beginning, and most importantly, the overall quality of the novel only gets better and better with each passing chapter. Heroes Die is often known for its action sequences, but I think it would be amiss to not mention the magnificent characterizations; it is undoubtedly one of Stover’s biggest strengths as a writer. In the grimdark subgenre, it’s pivotal for an author to succeed at making sure his reader will care and feel invested in their morally grey characters; Stover nailed this. Hari/Caine is an anti-hero, and he’s so utterly well-written that I can’t help but root for him. As I’ve said earlier, I appreciate the fact that Caine isn’t a Gary Stu; he’s indeed cunning, badass, and extremely skillful at what he does, but he’s challenged with a lot of difficulties. Plus, there are several characters in the novel that are far stronger than Caine. Finding out whether Caine will succeed/failed in what he sets out to do was a page-turning reading experience. “You’ve already beaten the worst enemy you’ll ever have—that voice in your head . . . It tells you the fight’s already over . . . whispers there’s nothing you can do . . . If you beat that voice, it’s a victory that can’t be taken from you. You might die, but you’ll die fighting.” Stover has mentioned that every character in Heroes Die carries their own individual themes, and it was incredibly evident in the narrative. I don’t think Heroes Die would’ve been this good if it was centered exclusively on Hari/Caine. Stover utilized multiple POV perspective narrations to make sure the themes of greed, self-doubt, loyalty, selfishness, ideal, entertainment, love, and violence were displayed effectively. And get this, Caine isn’t the only well-written character of the novel. Ma’elKoth, for example, is one of the most intimidating villains I’ve come across, and at the same time, I was also in awe of his presence. Berne, on the other hand, was thoroughly sick and violent. Then there’s also Pallas Ril, and her relationship with Caine made the story even more engaging. “Opposites attract, but similarities bind.” Obviously, this review wouldn’t be complete without me mentioning Stover’s brutal action sequences. This is an adrenaline rush in book form. If you’re not fond of reading intricate action sequences, Heroes Die might not be for you. But if you—like me— always craves superbly-written battle scenes in SFF, read this book ASAP. Seriously, whether it’s close-quarter combat or large-scale battle sequences, Stover has the capability to execute them brilliantly. Matthew Stover himself is an avid martial artist, and he has mentioned that practically everything that Caine did in this novel is possible to enact in real life. Caine is not Ma’elKoth, and Caine isn’t a god; he’s an intelligent and extremely skillful assassin. I loved Stover’s action sequences; they’re vivid, energetic, furious, and easily visualized. This doesn’t apply exclusively to the close-quarter combat, and I don’t want to spoil you on this, so let’s just say that Heroes Die is staggeringly more epic than I expected. Stover gradually leads everything towards an epic-scale heart-pounding crescendo, and I was left completely amazed. “My father would say: freedom that can be taken away was never real in the first place, and maybe he’s right. Maybe that freedom was always only a figment of my imagination—but it was an illusion I cherished. Shattering an illusion is the insult we never forgive.” I was totally captivated by Stover’s writing style; there’s a spellbinding quality assurance in the way he commanded his words. Almost the entirety of the novel was told through a multiple third-person POV narration, but during Caine’s chapters, Stover switched to a first-person present-tense narration. This worked marvelously in favor of creating a powerful sense of immediacy and immersion; to me, just like the audience in the story, it seemed as if Stover wanted his readers to REALLY feel like they’re in Caine’s head and shoes, and it worked. It’s all so impeccably done; the closest prose I can think of during Caine’s perspective is Pierce Brown’s prose in Red Rising Saga series—my favorite sci-fi series of all time. “God, I’m old. That’s all I can think for long seconds, all I can feel, every god damned day of my life piled onto my back. You have to be young to take shit like this. You have to still be young and adaptable, and full of optimism. You have to still believe in happy endings, to believe that suffering has a point, that death is not a meaningless extinguishing of consciousness. You have to be young enough to still hope that shit happens for a reason.” Stover said that the whole concept of Acting in the book is to give the audience the feeling of having been to a place more raw and exciting than their everyday reality, and that’s exactly how I felt reading Heroes Die. Spectacular characters-development, intricate world-building, thought-provoking passages, and vicious action sequences; let me repeat this once again: do not judge this book based on its cover art. Heroes Die is grimdark science fantasy at its best. Reading this was not as simple as saying I was one of the audience witnessing Caine’s blood-crazed Adventure. I was the Actor inching towards daylight… “I am invincible. I am the Blade of Tyshalle. I am Caine.” You can order the book from: Amazon UK | Amazon US | Book Depository (Free shipping) | Bookshop (Support Local Bookstores!) You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Alya, Annabeth, Ben, Blaise, Devin, Diana, Edward, Ellen, Hamad, Helen, Jimmy Nutts, Joie, Lufi, Melinda, Mike, Miracle, Nicholas, Seth, Shaad, Summer, Zoe. ...more |
Notes are private!
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Feb 23, 2021
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Feb 27, 2021
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Jul 08, 2020
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Kindle Edition
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B005T54IAY
| 4.29
| 70,186
| Jun 01, 1987
| Oct 18, 2011
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it was amazing
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Once upon a time, a man decided to read Robert McCammon’s book. It became one of the best decisions he has ever made. “I used to be an optimist, a lOnce upon a time, a man decided to read Robert McCammon’s book. It became one of the best decisions he has ever made. “I used to be an optimist, a long time ago. I used to believe in miracles. But do you know what happened? I got older. And the world got meaner.” I did not start my journey reading McCammon's books here. My first time reading McCammon's book was four years ago, and it was a book depicting a coming-of-age story of a Boy’s Life in Zephyr, Alabama. Reading that book felt like finding a gold mine to harvest. I did not look for it; it called me to read it suddenly. And somehow, Boy's Life became one of my favorite books. Ever. If you know my reading taste, you will most likely know that my favorite genres to read are epic fantasy, science fiction, and historical fiction. I rarely venture outside these three genres. Not because I avoid other genres, but mostly because I still have SO MANY books I want to read in my three favorite genres. But I like to occasionally read outside of my comfort zone. That usually leads me to read literary fiction or horror novels. I will argue that, sometimes, horror can be categorized as fantasy as well, and I think Swan Song has some elements that belong in the fantasy genre due to some of its emphasis on supernatural and magical elements. But anyway, if you have heard the title Swan Song, you might have heard it is often compared or judged against The Stand by Stephen King, another super popular and highly praised post-apocalyptic fiction. And where do I stand on my judgment? I think The Stand is great, Swan Song is vastly superior. So this isn't just a review of Swan Song, but also a comparison of my experience reading The Stand and Swan Song for the first time, and why at the end of the day I think the latter is better. “How many could possibly be still alive in that holocaust, he wondered. No. A better question was: How many would want to be alive? Because in his briefings and research on nuclear warfare, one thing was very clear to him: The hundreds of millions who perished in the first few hours would be the lucky ones. It was the survivors who would endure a thousand forms of damnation.” Swan Song is arguably Robert McCammon’s most famous book. Similar to The Stand, it is one of the most highly-praised post-apocalyptic classics, and I will contribute my resounding praises to it. Stephen King did a superb job in showing the terrifying effects of a deadly plague that almost annihilated the entire USA in The Stand. Swan Song did not revolve around a plague. Instead, McCammon terrifically displayed the devastating results of World War III, or in other words, nuclear war. As you can guess, America, as it was, is gone forever, and every surviving citizen has to go beyond their utmost best to survive the aftermath of this calamity in a brutal wasteland born of rage, fear, radiations, monstrous creatures, and marauding armies. This is probably not a unique premise for a novel, especially not in 2022, but remember, this book was first published in 1987, and McCammon's execution of the story instantly hooked me. Swan Song truly stand out and deserves its classic status. I am serious about this. From how the crimson tornado of fire advanced and filled the sky, blue streaks of lightning lanced through the clouds, tons of blackened earth gouged, and a million dreams of humanity shattered hypnotized my mind-vision, I knew from the beginning through the way it is written that I was in the presence of a special book. “Thinking about how many millions might be lying dead out there warped Josh’s mind, like trying to figure out how big the universe was, or how many billions of stars winked in the skies. But right now there was just this little girl, sobbing in his arms, and she could never see the world in the same way as before. No matter what happened to them she would forever be marked by this moment—and Josh knew he would as well.” It is bloody incredible. McCammon tells a story filled with themes I've read about countless times, but the deliverance was nothing short of outstanding. Swan Song can get pretty bleak, violent, and depressing. There's no doubt about that. Horrible actions were undoubtedly accomplished, and one among many things in the book, let's not even get started on how creepy Job's Mask is. I did not know anything about this book entering into it, except that it is a post-apocalyptic novel, and I was surprised (in a good way) by some of the events and descriptions in the book. In its horror aspect, I think the description of Job's Mask is one of the creepiest and most unnerving imagery I've ever read. However, it would be a huge mistake to say Swan Song was utterly full of darkness. “God A’mighty, what’s the point of livin’ if you don’t fight for what you hold dear?” One of the most dominant themes of Swan Song is to find and brighten that tiny light of hope in the forced immersion of ruinous landscape and evil. The definition of a swan song in our world is a metaphorical phrase for the final gesture, effort, or performance given before death or retirement. And it fits this book. In this story of good versus evil (just like The Stand) or defiance against malevolent force, through the ensemble cast of characters, McCammon explored the meaning of a man letting the real beast within taking control of themselves. But more importantly, McCammon also examined the importance of virtue in the presence of despair and destruction. McCammon achieved this by using his characters, prose, and multiple plot device, and I think everything was done brilliantly. “Everybody’s got two faces, child—the outside face and the inside face. The outside face is how the world sees you, but the inside face is what you really look like. It’s your true face, and if it was flipped to the outside you’d show the world what kind of person you are.” I thoroughly loved McCammon’s prose. I already voiced this when I read Boy’s Life, and even though Swan Song is done in a different tone and narration style to Boy’s Life, it was once again, excellent. Here’s the thing. McCammon employed a third-person omniscient narration style here; this is something common in novels published in the 80s and early 90s. It is also, statistically, one of my pet peeves, and why books published pre-1990 tend to not work with me. I often find third-person omniscient narration or head-hopping jarring and distracting to my immersion and investment in the story and characters. In one paragraph, I read the story from one character’s thoughts, and in the next one, I have to read the story from another character’s perspective. There's nothing wrong with doing this, but personally, having this repeated throughout the book USUALLY ends up annoying me. But that is not the case with Swan Song. I was incredibly invested in all the main characters. Protagonists or antagonists, the narrative always felt engaging and intimate. McCammon nailed the voice of every single character so distinctly. I never felt distracted; skillful focus and care were put toward the characterizations, character relationship, and their respective development. “Swan wanted to know more about everything—to learn to read better, if books could be found; to ask questions and learn to listen; to learn to think and reason things out. But she never wanted to grow up all the way, because she feared the grown-up world; it was a bully with a fat stomach and a mean mouth who stomped on gardens before they had a chance to grow.” Every character has a crucial role in Swan Song. Swan, Josh, Sister, Paul, Mule, Killer, Robin, and the despicable Roland and Macklin. Nothing felt wasted on the tome. If I discuss the magnificence of each character in this review, we will spend all day talking about this book. Instead, I will say this. If I'm forced to choose favorites, Swan, Josh, and Sister were my favorite characters in the book. Even more so for Swan and Josh because this duo embodied some of my favorite tropes to their maximum effect: found family and badass and child duo. How this duo endured, persevered, fought, and cared for each other in the apocalypse was inspirational. And you know what, amazing characterizations is also one of the main things that made The Stand by Stephen King—mostly—so damn good. What is it that made Swan Song better than The Stand for me, then? Well, at 303,000 words, which is shorter than The Stand by more or less 160,000 words, and I know this might enrage some of Stephen King's fans, Swan Song is much more worthwhile and ultimately more satisfying and rewarding to me. “She knew also that he’d almost taken the apple, but at the last second his unthinking rage and pride had won. And she’d seen that he hated her and hated himself for wanting to take a step beyond what he was; but he’d been afraid of her, too, and as she’d watched him stagger away Swan had realized that forgiveness crippled evil, drew the poison from it like lancing a boil.” I will say straight out say this as simple as possible. I think The Stand has one of the most disappointing and anti-climactic ending sequences I've ever read. I just cannot believe, after reading through 400,000 words and more than 1,000 pages long, after all the awesome build-up and development, the final confrontation itself started and ended so instantaneously. It left a sour taste in my mouth, and I found this lack of intense action scenes quite common in older novels. Again, there's nothing wrong with shorter battle or confrontation scenes. But I, as a reader, especially when I'm reading an epic scale novel (whatever the genre is), I'm the type of reader who prefers a long pulse-pounding set of action/climax sequences. And Swan Song, despite being published in 1987, delivered that for me. I read the final—more or less—200 pages of Swan Song in one sitting. Believe me when I say, with how busy I am now in my life, compelling me to read 200 pages in one sitting is close to impossible. But all the meticulous build-up and crescendo toward the epic convergence resulted in unforgettably explosive, breathtaking, and emotional final pages. Sleeping hours were happily sacrificed as I greeted the dawn of a new day after devouring such a gratifying reading experience. “Finding someone you loved, and someone who loved you, was half the battle.” Swan Song is one of the best post-apocalyptic stories I've read, and it is also one of the best standalone novels of all time. It is dark, violent, engaging, filled with profound hope and beauty, and extremely worthwhile. Swan Song has been called a classic for decades, and I think it rightfully earned its legendary status. Out of McCammon's long bibliography of books, I've read only Boy’s Life and Swan Song, and both of them are included in my list of favorite books and standalone novels of all time. That's two for two. I already feel at ease calling Robert McCammon one of my favorite authors. One more favorite book from him, and he will certainly be on my list of favorite authors of all time. I still have so many books by McCammon to read, and now I am struck with a dilemma. What is next? Well, after doing research and hearing many great things, I think my next venture with McCammon's books will not be a standalone, but it will be a series. The series is named Matthew Corbett. I cannot predict when I will read the series yet, as it depends on my reading mood, but I heard there is only one book left in the series anyway. So it is likely, I will begin my journey in reading Matthew Corbett when I hear some news regarding the approximate or final publication date of the last volume in the Matthew Corbett series. If I can wait that long. But for now, for Boy's Life and Swan Song that I absolutely loved, let me end this review by saying thank you so much, Robert McCammon. Bravo, and thank you so much for writing these books. “Even the most worthless thing in the world can be beautiful… it just takes the right touch.” You can order this book from: Blackwells (Free International shipping) You can find this and the rest of my reviews at Novel Notions | I also have a Booktube channel Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Andrew, Andrew W, Amanda, Annabeth, Casey, Diana, Dylan, Edward, Elias, Ellen, Ellis, Gary, Hamad, Helen, Jesse, Jimmy Nutts, Joie, Kristina, Lana, Leigh, Luis, Lufi, Melinda, Meryl, Michael, Mike, Miracle, Nanette, Neeraja, Nicholas, Reno, Samuel, Sarah, Sarah, Scott, Shawn, Xero, Wendy, Wick, Zoe. ...more |
Notes are private!
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1
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Sep 21, 2022
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Sep 30, 2022
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Jun 29, 2020
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Kindle Edition
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1250207088
| 9781250207081
| 1250207088
| 4.09
| 639
| Dec 01, 2020
| Dec 01, 2020
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really liked it
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I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo ARC provided by the publisher—Tor Books—in exchange for an honest revi I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo ARC provided by the publisher—Tor Books—in exchange for an honest review. 4.5/5 stars An incredibly well-polished and absorbing sequel; out of all the books and series I’ve read this year, Hollow Empire is quite likely THE sequel that has the most significant improvement in overall quality over its predecessor. Yes, I know what I just said can be considered an insane statement, especially because I’ve read so many magnificent sequels this year, but I must always be honest. I liked City of Lies, but the quality’s improvement in Hollow Empire blew my mind; it completely hooked me cover to cover. And this goes to the cover art as well, not just the content of the novel. The cover art by Greg Ruth is so stunningly beautiful, and I actually wondered whether the content could actually live up to it. No need to worry, Hawke’s storytelling skill did the cover art justice, and she starts the story with one memorable sentence: “You never get used to poisoning a child.” And with that first sentence, the twists and turns in Hollow Empire, the second book in the Poison Wars series by Sam Hawke, begins. The story in Hollow Empire takes place two years after the end of City of Lies. The first book was focused around a besieged city, I personally feel that Hawke has outdone herself with this sequel. The unstoppable assassinations, deadly poisons, and thrilling mysteries in a conflict and investigations against an invisible enemy just fit the tone and strength of this series so much. Mysteries were compiled before our two main characters were able to solve the first conflicts they stumbled upon. Seriously, the troubles that Jovan and Kalina encountered in this book piled on non-stop that Hamilton’s “Non-stop” would be applicable as the main themes for these exhausted Oromani siblings. I really loved reading Hawke’s plotting capability; this isn’t an easy book to write, and I’m sure Hawke has her fair share of pain writing it. However, the result was so worth it. Plots or small scenes that I, at first, thought were unnecessary sneaked on me; no spoilers, but none of them were ever redundant. Great plotting aside, I think the key elements that enhanced the reading experience of this book over its predecessor was the characters development and the balance in their spotlight. When I was reading City of Lies, I was hugely in favor of Jovan’s POV chapters; I felt that Kalina didn’t have enough time to shine in the first book. Fortunately, that’s not the case here. Kalina’s role in the story is so much more crucial and involved now, and I honestly can’t decide which POV chapters I liked more in this sequel. Both Jovan and Kalina use their respective skill to investigate and find solutions to their predicaments, and Hawke did an excellent job in showcasing the depth of their familial relationship. I also found Jovan and Kalina to be so refreshing as main characters; Jovan’s anxiety issues or Kalina’s disabilities were never portrayed as weaknesses, and I highly enjoyed reading the development of their stories. In addition to Jovan and Kalina, Tain and Dida were easy-to-care side characters. To make things better, although these characters were so likable, due to the nature of the invisible villains and treacheries embedded in the narrative, I was left constantly questioning everyone’s—except Jovan and Kalina—motives and possible hidden agenda. That’s how good Hawke was. Hollow Empire also shed light on the detailed world-building and cultures of this world. Hawke’s description of the environment, clothing, and differences in cultural behavior never hinder the pacing. The prose was well-written, and the action sequences were explosively better. Also, in City of Lies, each chapter starts with an epigraph of a specific poison—their description, symptoms, and proofing cues. In Hollow Empire, each chapter starts with an epigraph that entails an off-screen poisoning incident in the past that enriched the history and lore of the world. These epigraphs are made more hilarious and entertaining because Hawke uses real-life authors and bloggers as the victims of the respective incident. Here’s one example with Nicholas Eames, the author of Kings of the Wyld and Bloody Rose, as the victim: “Incident: Poisoning of Lord Niceames, son of the 2nd Duke of Marutia. If you’ve read and enjoyed City of Lies, I will give you a fair warning that Hollow Empire is about to become your on-demand addiction; reading this will spark your new reading obsession, and there’s no antidote for it. With genuinely likable sibling and family, an engaging plot brimming with mysteries that are stacked upon another mysteries continuously, intricate world-building, and devastating magic, Hawke has her reader’s heartstrings at her grasp, and she played with them as cruel as possible. This was such a wonderful, emotional, and satisfying reading experience. Hollow Empire is one of the best books published this year, and it’s easily one of the best sequels I’ve ever read. Treat yourself with a gift for surviving this nonsensical year by reading one of the best books to come out this year. You can thank me later. Official release date: 26th November 2020 (UK) and 1st December 2020 (US) You can pre-order the book from: Amazon UK | Amazon US | Book Depository (Free shipping) | Bookshop (Support Local Bookstores!) The quotes in this review were taken from an ARC and are subject to change upon publication. You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Alya, Annabeth, Blaise, Devin, Diana, Edward, Hamad, Helen, Jimmy Nutts, Joie, Lufi, Michelle, Mike, Miracle, Nicholas, Zoe. ...more |
Notes are private!
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1
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Nov 2020
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Nov 05, 2020
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Jun 04, 2020
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Hardcover
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1529411351
| 9781529411355
| B09BMZL5V9
| 4.33
| 1,591
| Aug 04, 2022
| Aug 04, 2022
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it was amazing
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Priest of Crowns is a heartbreaking, ferociously blood-soaked, and unforgettable ending to the War for the Rose Throne. “This and no other is the roPriest of Crowns is a heartbreaking, ferociously blood-soaked, and unforgettable ending to the War for the Rose Throne. “This and no other is the root from which a tyrant springs; when he first appears he is a protector.” After four years, Priest of Bones was published in 2018, War for the Rose Throne is officially finished. And with it, McLean has shown he is the right man for the right task of delivering the final pages of Tomas Piety’s memoir. I am not exaggerating when I continuously state War for the Rose Throne quartet is one of the most underrated, engaging, and page-turning series I’ve read. I first opened the first pages of Tomas Piety's memoir in 2019, and even then, I already considered myself late to the series. It is an injustice and a shame how underrated this series is. The criminally underhyped status of War for the Rose Throne proved how unfair the publishing business and life are. Think about it, War for the Rose Throne was very close to being discontinued! For those who asked, that is why it is impossible to find any physical US edition of Priest of Gallows and Priest of Crowns. And I think it is the publisher's loss to discontinue such a great series. Yes, yes, money matters most, blablabla. Unfortunately, I am admittedly a selfish reader who prioritizes reading a terrific series to completion. Thankfully, Jo Fletcher (the UK publisher) is willing to push forward with publishing the rest of the series to the end. And here we are, at the end of the bloody road. “There’s a thing I’ve noticed about people, especially rich people: the face they present in public is often very different to their true selves.” Seeing that this is the final book of the series, and this is not a spoiler-filled review, I will refrain from talking about the details of the plot in Priest of Crowns. I will assume that if you have read the series up to this installment, or if you have not started the series at all, you will want to read everything inside this book as blindly as possible. And I can allow that. Allow me to, however, mention some elements that were done so brilliantly in this book or throughout the series. I may sound a bit repetitive in my review, but allow me your forgiveness. Honestly speaking, there is close to zero praises about the novel that I haven’t shouted about in my past three reviews for Priest of Bones, Priest of Lies, and Priest of Gallows. If you loved the previous three books, you are guaranteed to love Priest of Crowns as well. Every strength of the narratives in the past three books is back one last time. McLean is exceptionally consistent with his storytelling quality. Deadly deceit, blades unsheathed, merciless torment, inevitable betrayal, harsh truth, and gory explosions were evident in the text of Priest of Crowns. This magnificent novel provided a dark and very fitting finishing touch to Tomas Piety's memoir with a lot of food for thought. To my mind, the last page of this novel will direct readers to retrace Tomas's Piety journey in Ellisburg and Dannsburg from the beginning of Priest of Bones. You will see everything in a new light, and I think you will love it. ‘No one cared what the common folk said. No one ever does, until they finally rise in fire and violence.’ If you have heard praises about War for the Rose Throne, I am pretty damn sure you will have heard reviewers, myself included, talking about the insanely distinct narration of the main character. And this is true from the first page of Priest of Bones to the last page of Priest of Crowns. Maybe even more so in the entire Priest of Crowns. So far, I have read more than 600 fantasy novels, and I can say with temerity that Tomas Piety has one of the most distinct and memorable voices in the entire fantasy genre. His manner of speech and speaking has become a character of its own. When I praise Abercrombie's books and writing, one of the things I always appreciate from his writing is how easy it is to tell which character is speaking or which character we're reading about without names being mentioned. Abercrombie nailed down his character voices and inner thinking superbly well. And this is the level of immersion McLean, or should I say, Tomas Piety, demonstrated impeccably in his writing, too. ‘Be very wary of an old man in a young man’s game.’ Throughout my time reading the series, there were many moments when I was fully immersed that I forgot this is a series of books written by a real author for us to read. Tomas Piety sounded like a REAL person, and I mean that in every sense of the word. McLean is a messenger to tell his story. This Peaky Blinders-inspired series infused with swords and magic never once felt like any of the characters behaving out of character. Never. If there were any, there are explanations for them eventually. Also, War for the Rose Throne is a grimdark fantasy series with profoundly deep character study. Tomas Piety always says we, as a person, always have levers that move us. Whether they are love, money, ambition, respect, power, authority, family, or something else, no human is exempt from their respective levers. This point revolving around motivation is constantly backed up by the narrative, and in Priest of Crowns, we get to witness the truth of what moved Tomas Piety the most, and it may not be what you think. ‘Sometimes a leader has to make hard decisions, and the simple fact of the matter is that sometimes, inevitably, the decision will be the wrong one. Wrong decisions have consequences, always, and this was no different.’ It's safe to say that Tomas Piety has become one of my favorite characters in fantasy. But it is also worth acknowledging that my admiration for his character doesn't mean I agree with all of his actions. No way. Especially NOT in Priest of Crowns. I feel this is not something I have to say as I think it should be common sense already, and I am not just speaking about this book. However, some readers still think a fictional character's behavior, even when they're villains or anti-heroes, is immediately representative of the author's real views or philosophies. This is simply not true; it's not that simple. And deluding yourself into thinking IT IS just feels incredibly childish, self-righteous, and practically begging for so many books to be banned. How can you write villain or anti-hero POV chapters without them thinking or doing questionable actions? I can think of Tomas as one of my favorite characters while disagreeing with many of his actions. I am sure readers won't agree with many of Tomas's actions in Priest of Crowns as it was the same for me. But it matters more to me that Tomas, or any character, feels on-point and logical with their character development and personality. How he always acts like he owns any place or environment he enters for the first time, how he struggles in choosing friends or ambition, and more. And the characterizations and development were undoubtedly executed so nicely in Priest of Crowns and the entire series. This notion is not exclusive to Tomas Piety but to other supporting characters in the entire series. Bloody Anne, Rosie, Jochan, Billy, Mina, and many more are characters I will remember. ‘To be prepared to lay down your own life to save that of someone you love is the greatest love of all. It is perhaps the very definition of what love is, and I knew Anne understood that.’ Lastly, before I close this review, I want to say McLean's balance in handling political machinations & pulse-pounding action scenes. War for the Rose Throne is a series filled with scheming and manipulations, and none of them ever felt bored. If anything, they are some of the best parts of the series. I noted that Priest of Gallows was a book embedded with more political intrigues than any other books in the series, and in a way, that is clearly true. But not entirely correct because the entire series has always been full of that. What I really loved about Priest of Crowns, though, is the balance that McLean handled. In terms of pacing and execution, it felt like a return to Priest of Lies, my favorite book of the series with Priest of Crowns now. The set pieces of the story are constantly moved from one place to another. And devastating and tension-packed confrontations always follow where the money goes. I have so many praises for this book and series. I declared so many times on my Youtube channel that War for the Rose Throne should be titled the slump-killer, and that title feels more unmistakable now in Priest of Crowns. I never felt bored reading Priest of Crowns, not even for one page. The fatal lies we tell ourselves, the explosive cunning and its repercussion, and the unstoppable descent into chaos were all remarkably put on the pages. And everything eventually leads toward the jaw-dropping ending that will make you think of every Tomas's action for the entirety of the series. ‘That was war, and so was this: a different sort of war, perhaps, but a war, nonetheless. Lies had replaced cannon, aye, and there were fewer soldiers on the field, but this action was no less deadly.’ Priest of Crowns is a relentlessly gripping, grim, and emotional conclusion to the War for the Rose Throne. With this series completed, McLean has moved War for the Rose Throne from my list of favorite ongoing series into becoming one of my favorite completed series. I will certainly miss Tomas Piety and his narration. So few fantasy series in the market reached such an outstanding level of distinctive narration. This absolutely suspenseful series that started clearly inspired by Peaky Blinders has transformed into its own thing since Priest of Lies, and now I am grateful to have read the series to its completion. Among other things, the words inside a great book and series are the levers that moved me. And for the rightly suitably grimdark fantasy (or dark fantasy, whatever you want to call it) reader, War for the Rose Throne contained all the right words, phrasing, and story guaranteed to satisfy our endless thirst for great books. Bravo to Peter McLean and Tomas Piety for delivering this amazing grimdark fantasy series. If you haven't started War for the Rose Throne yet, you are missing out. Please, read this series. Especially if you're a reader who loves morally grey main characters, gangster stories, a soft magic system, and addicting narration. You can't go wrong with giving the page-turning War for the Rose Throne a read. ‘That was how it was done: it was all in the phrasing. The right choice of words can normalise the most insane of ideas, and fast. These are the levers that move people, as I have written.’ Series Review: Priest of Bones: 4.5/5 stars Priest of Lies: 5/5 stars Priest of Gallows: 4.5/5 stars Priest of Crowns: 5/5 stars War for the Rose Throne: 19/20 stars You can order this book from: Blackwells (Free International shipping) You can find this and the rest of my reviews at Novel Notions | I also have a Booktube channel Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Andrew, Andrew W, Amanda, Annabeth, Casey, Diana, Dylan, Edward, Elias, Ellen, Ellis, Gary, Hamad, Helen, Jesse, Jimmy Nutts, Joie, Kristina, Lana, Leigh, Luis, Lufi, Melinda, Meryl, Michael, Mike, Miracle, Nanette, Neeraja, Nicholas, Reno, Samuel, Sarah, Sarah, Scott, Shawn, Xero, Wendy, Wick, Zoe. ...more |
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Sep 17, 2022
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Sep 20, 2022
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May 30, 2020
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Kindle Edition
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B08LB55TP9
| 4.29
| 1,941
| May 27, 2021
| May 27, 2021
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really liked it
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I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo ARC provided by the publisher—Jo Fletcher—in exchange for an honest re I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo ARC provided by the publisher—Jo Fletcher—in exchange for an honest review. 4.5/5 stars Priest of Gallows was addictive and instantly immersive as ever. Oh my, it’s been two years since I’ve read Priest of Lies, and it’s good to be back here reading this series. For the uninitiated, War for the Rose Throne is one of my ongoing series at the moment, and Priest of Gallows, the third and penultimate installment in the series, is one of my most anticipated books of the year. Peter McLean has delivered another incredibly engaging volume, and Priest of Gallows may just be the most intimate and thought-provoking book of the series so far. “People may revere the idea of heroic veterans, but they very seldom have the time or the charity for the broken, battle-shocked men and women that are the reality of what war produces.” Priest of Gallows begins with an iconic first sentence: “One murder can change the fate of a nation.” And from there, we’re immediately back inside the narration of Tomas Piety, one of the most distinctive voices I’ve read in fantasy. Seriously, I have missed Tomas Piety’s narration. So much. I’ve said it times and times again, and another repetition shall be executed; the narration of Tomas Piety is truly one of the standout strengths of the series. I won’t go into any details on the plot because this is the penultimate installment already, and I don’t think I can touch on the details of the plotline without spoilers. However, it will benefit readers to know that this one is the series’ most political installment so far, and it’s all handled incredibly well. I never felt bored reading this book, and it was utterly captivating to me to be reading about Tomas’s struggle with navigating the land and treacheries of Dannsburg. As Tomas said, this is an entirely new territory of conflicts for him, and each step he took led him to deeper troubles. “The world of intrigues wasn’t my natural environment. I was a soldier and businessman, for Our Lady’s sake. Politics was a foreign country to me, and I would have been quite happy for it to stay that way, but it seemed that wasn’t going to be the case.” There was a passage where Tomas said that wartime makes more sense than peace now, and to hear that directly from Tomas is a big deal on how bad the situation is for him now. With a boss as smart, ruthless, and intimidating as Dieter Vogel, it is not a surprise that Tomas is facing a lot of struggles. This, of course, doesn’t mean that politics and betrayals are the only things that this novel has it going for. Surprisingly, Priest of Gallows dived inside Tomas’s psyche and feelings more than ever. It is an intimate book; there were several outbursts of emotions that were so heartbreaking and palpable. The past never lets up, and dramatic changes are constantly coming to the life of these characters. They have to deal with it the best they can. Those are the times they lived in. “Change, as I say. It’s something we all have to make our peace with, in time. It’s seldom pleasant and never easy, but it’s a fact of life and nothing to be done about that.” We have been in Dannsburg in Priest of Lies briefly, and in here, almost the entire narrative takes place in this city; the city of lies, whispers, and treachery. As I mentioned earlier, this is a heavily political novel, and there weren’t many battle scenes being showcased. But this doesn’t mean that McLean loses the steam power of the narration; dialogues, voices, intrigues were all brilliant. Plus, we still get to witness the terrifying display of cunning. Respect, power, and authority are the lever that moves Tomas Piety, and they’re scarce in Dannsburg. If there’s one thing that I wanted more out of Priest of Gallows, I wanted more interaction between Tomas and the Pious Men. It is understandable, though, that this isn’t possible here due to circumstances and the direction of the story. “No one is ever simply an enemy, a lone faceless thing to be fought and killed. That was what was drilled into us in the army, to be sure, but that didn’t make it true. Every enemy soldier in any conflict has a family back home, people who love them and depend on them, but the army doesn’t want you thinking of the enemy’s family when you ram a spear through his guts.” By the way, it was insane to hear that this series was almost canceled. Thankfully, that didn’t happen; the Goddess of Fortune has smiled, and she gave this series a chance to be completed. Publishing books can be a terrifying business sometimes, but those are the times we live in. I would’ve been emotionally distraught if this series was canceled; I love this series, and if it was canceled, I wouldn’t appear as a cameo in this book! Yes, I appear on a page in Priest of Gallows to be brutally murdered. How can I not love this series further? Thank you so much to Peter McLean, or Tomas Piety, for this honor. Here’s the passage that depicted the murder: [image] Priest of Gallows is another thrilling work by Peter McLean. In addition to constructing the most thought-provoking narrative of the series so far, Priest of Gallows has also set the stage for a memorable climactic finale. War for the Rose Throne has only one book left, and I’m sure there will be no peace in it. Can McLean pull off the magnificent conclusion to the series? I’m sure he can. As Tomas Piety would say, he’s the right person for the right job, and he’s the right messenger for Tomas Piety’s story. Official release date: 27th May 2021 You can pre-order the book from: Amazon UK | Amazon US | Book Depository (Free shipping) | The Broken Binding (Use my code: NOVELNOTIONS121 for discount!) The quotes in this review were taken from an ARC and are subject to change upon publication. You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Alya, Annabeth, Ben, Blaise, Devin, Diana, Dylan, Edward, Ellen, Gary, Hamad, Helen, Jimmy Nutts, Joie, Lufi, Melinda, Mike, Miracle, Nicholas, Sarah, Seth, Shaad, Summer, Wendy, Zoe. ...more |
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May 2021
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May 04, 2021
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May 30, 2020
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Kindle Edition
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0007349173
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| 4.35
| 27,034
| Jan 01, 1992
| Sep 02, 2010
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really liked it
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4.5/5 stars This is the second series I finished this year, and it’s a thrilling and rewarding conclusion to the Riftwar: Empire trilogy. “Love4.5/5 stars This is the second series I finished this year, and it’s a thrilling and rewarding conclusion to the Riftwar: Empire trilogy. “Love doesn’t demand; it accepts. It has taken me my life to learn this.” Here we are. Mistress of the Empire is the third and final book in the Riftwar: Empire trilogy by Raymond E. Feist& Janny Wurts. The story begins three years after the events of Servant of the Empire, and it’s the most relentless start to any book in the trilogy. Seriously, the first quarter of Mistress of the Empire was a brutal and non-stop exhilarating ride. Incredibly dangerous situations visited Mara and her friends non-stop, and I was worried and hooked by the narrative. If you’ve read the series up to this final installment, then you should be familiar with the tone, themes, and writing style of the series. Honor, culture, love, family, and changes are still dominant in this concluding volume. I love how the authors built upon the previous two books. I did mention in my review of Servant of the Empire that I thought it was satisfyingly conclusive already; as it turns out, there’s still more story arc to close, and it all felt so organic. “Honor was only a glorified word for emptiness, and no sane replacement for the promise of continued life.” It’s bittersweet to be saying goodbye to these characters. Since the first book, Mara has become one of my favorite heroines in fantasy, and this notion gets stronger and stronger with each book. The authors have done such a terrific job in giving the protagonists and antagonists personalities and motivations that add up to the tension-packed politics and narrative. In Mistress of the Empire, beside Mara, we get to dive deeper into the characterizations of Hokanu, Lujan, and Arakasi. This novel can also be surmised as their books, not just Mara, and the development of these characters was all superbly done. A lot of emotional—mostly sorrowful—events occurred in this book as the dangerous cultures of Tsuranni continues. Servant of the Empire has established that things need to change, but it’s not easy to change hundreds of years of traditions even if they’re dangerous. Sacrifices and hard decisions are necessary, and I’ll leave you to find out for yourself. “True honor does not condone murder. True power must equally shield the weak that we, for centuries, have thoughtlessly trampled under our feet.” Admittedly, though still an incredible read, Mistress of the Empire is—by a small margin—my least favorite of the trilogy. Unlike the previous two books where I was immersed cover to cover, I did struggle a bit in the middle section—the parts of Thuril, specifically—of the novel. Mistress of the Empire is a different sort of book in comparison to the previous two books. Both Daughter of the Empire and Servant of the Empire revolved around the bloody Game of Council; it was engaging and constantly interesting to see Mara and her friends trying their best to outwit their opponents. This is still true to a certain extent here. However, Mistress of the Empire has a larger focus on the Great Ones, cho-ja, and powerful magic usage so much more than before. And for this specific trilogy, I prefer the low scale of magic exhibited in the previous two books. Overall, though, these are minor issues on the grander scheme of the novel and trilogy. Their inclusion did bring a stunning climax sequence and satisfying ending, after all. Picture: Mistress of the Empire by Miguel Coimbra [image] With Mistress of the Empire, what I’ve repeatedly said in my previous two reviews can now be fully confirmed, Riftwar: Empire trilogy has become one of my favorite series. Although I loved this trilogy so much, this is also where I’ll say goodbye to Riftwar Cycle. I’m not too much of a fan of Riftwar Saga. I will, however, be reading through Janny Wurts’s bibliography further, starting with To Ride to Hell’s Chasm next before diving into her magnum opus: Wars of Light and Shadow. I couldn’t even finish Riftwar Saga, but her involvement in Riftwar: Empire trilogy gave the series and world a quality that’s too good to ignore. Regardless of whether you’ve read The Magician by Raymond E. Feist or not, I highly recommend this spin-off trilogy. “You have taught me the true meaning of a warrior’s creed. Any man can die fighting enemies. But the real test of honor for a man is to live and learn to love himself.” Series review: Daughter of the Empire: 5 stars Servant of the Empire: 5 stars Mistress of the Empire: 4.5/5 stars Riftwar Empire: 14.5/15 stars You can order the book from: Blackwells (Free International shipping) You can find this and the rest of my reviews at Novel Notions | I also have a Booktube channel Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Andrew, Annabeth, Ben, Blaise, Diana, Dylan, Edward, Element, Ellen, Gary, Hamad, Helen, Jimmy Nutts, Jennifer, Joie, Luis, Lufi, Melinda, Meryl, Mike, Miracle, Nicholas, Samuel, Sarah, Sarah, Shaad, Xero, Wendy, Wick, Zoe. ...more |
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1
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Aug 20, 2021
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Aug 26, 2021
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May 07, 2020
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Paperback
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0007349165
| 9780007349166
| 0007349165
| 4.32
| 30,424
| Sep 01, 1990
| Sep 02, 2010
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it was amazing
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Servant of the Empire is an incredible, political, and massive sequel to the excellent Daughter of the Empire. “You people never cry enough… UnServant of the Empire is an incredible, political, and massive sequel to the excellent Daughter of the Empire. “You people never cry enough… Uncried tears remain inside you, like poison.” If you watched my recent video on my booktube channel, then you should know that I’ve been hospitalized for the past two weeks. During that torturous time, three books kept my sanity intact; Servant of the Empire was one of them. I’ve mentioned how much I loved Daughter of the Empire; I approached this sequel with much excitement and also a touch of caution because I didn’t want to disappoint myself from having too high expectations. So is it better than Daughter of the Empire? I’ll say that it’s just as good. Servant of the Empire in comparison to its predecessor is a much bigger novel; it’s almost 900 pages long, and although—understandably—some readers think it’s too long for its own good, I personally was thoroughly impressed. “The most brilliant moves within the Game of Council were those that came without warning. The tranquil passage of days only made her skin creep, as if assassins lurked in hiding at her back.” The story in Servant of the Empire continues more or less a year after the events of the previous novel. Once again, we follow the story of Mara Acoma as she continues her fight with the Minwanabi clan. I don’t think it’s a spoiler to say that Mara, at this point, isn’t a newbie at this brutal Game of Council anymore; she’s an expert at it now. This, however, doesn’t mean that her path towards victory will be easily achieved? Somehow, it’s the other way around. Due to several circumstances and oppositions, Mara’s journey in this novel was relentlessly full of hardship. It’s true that the themes still mainly revolve around honor, freedom, loyalty, love, and faith, but there is one significant plus believable change done to these. “Love by itself is the healer, not honour, not need, not duty.” In the first novel, we’ve seen the insane capability of these characters to uphold their honor and words. But in this novel, the authors decided to make things more interesting by having the characters truly observe the extreme culture and traditions they cultivated for so many years. What if, after all these times, the tradition they believed in was subconsciously used to mask greed and ambition? What if honor was a justification for hatred and violence? These are intriguing and incredibly relatable to many situations in our life, and I loved reading about them. “Those who cling to tradition blindly, or out of fear of change, are fools.” I’ve seen reviews saying that there’s a love triangle in this novel, and I have to disagree with them. Mara is one of my favorite heroines in the fantasy genre, and after reading this novel, my admiration for her character just grew further. First, although romance is a part of this novel, not a lot of pages were spent on Mara deciding who she needs to pick, but more importantly, the dilemma that Mara encountered is not as simple as saying that she’s in a love triangle conflict. It was so obvious who Mara would pick if she didn’t have any responsibilities whatsoever, and I think the authors did an excellent job in using her relationship with Kevin to build her character magnificently; it gives more depth, complexity, and personality to Mara. “You always warned me that love was a tangle. I never understood until now just how much of one, and how many were the thorns.” In addition to Kevin, obviously, there were a lot of other supporting characters that improved Mara’s characterizations, but these supporting characters shine in their own way. I absolutely loved every scene with Arakasi, Keyoke, and Nacoya. The respective relationship that Mara has with these characters felt so genuine, and the characterizations for them all were excellent; their interactions with each other were compelling that I became so attached to them all. The prose of the authors were accessible, and they flow so well. Plus, there were a myriad of powerful passages that I wish I can share with you all, but they’re filled with spoilers. Picture: Servant of the Empire French Edition by Miguel Coimbra [image] “Battles did not always go as intended; the brilliant man, the master tactician, was the one who could turn setbacks to advantage.” Similar to Daughter of the Empire, Servant of the Empire is imbued with many bloody political conflicts, but this sequel featured a few battle-heavy chapters that pleasantly surprised me. The authors showed a great handle on how to develop tension and explode them, not only through clash of swords but also through competition of tactics and espionage. Intensity and atmosphere felt palpable, and it helps a lot that the villain introduced in this book—Tasaio—was so diabolical and terrifying. One last thing, if you’ve read The Magician, then you’ll know who Milamber is. Although I don’t think it’s necessary to have read The Magician to enjoy this one, it would still be beneficial because seeing Milamber’s iconic actions in The Magician replayed through the perspective of other characters that witnessed his power made the scene felt even more powerful. “That you have lived as you have lived for centuries is no license for this cruelty. All here are now judged, and all are found wanting.” Servant of the Empire is a superb pulse-pounding political and emotional installment that retains all the greatness of its predecessor. I still can’t believe that it took me this long to get to this trilogy; I know I still have one book left in the trilogy to read, but this has already become one of my favorite trilogies. I will be reading the final book, Mistress of the Empire, next month. I’m curious how the trilogy will end because the ending of this novel was pretty conclusive already; if the authors wanted to, they could’ve ended the series right here and I would’ve been satisfied. Lastly, as I mentioned at the beginning of this review, this was one of the novels that helped keep my sanity intact during the worst two weeks of my life. I want to say thank you so much to Raymond E. Feist & Janny Wurts for writing this trilogy. Your art is fully appreciated. “The common folk are never caught up in the affairs of the powerful – unless they have the misfortune to find themselves in the way. Then they die. Otherwise, their lives go on, each day of work like the next.” You can order the book from: Blackwells (Free International shipping) You can find this and the rest of my reviews at Novel Notions | I also have a Booktube channel Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Annabeth, Ben, Blaise, Devin, Diana, Dylan, Edward, Ellen, Gary, Hamad, Helen, Jimmy Nutts, Jennifer, Joie, Luis, Lufi, Melinda, Mike, Miracle, Nicholas, Samuel, Sarah, Sarah, Shaad, Summer, Wendy, Wick, Zoe. ...more |
Notes are private!
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Jul 13, 2021
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Jul 19, 2021
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May 07, 2020
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0007349157
| 9780007349159
| 0007349157
| 4.29
| 39,191
| Jan 01, 1987
| Sep 02, 2010
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it was amazing
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Daughter of the Empire is a magnificent page-turning political intrigue with an amazing heroine to root for. I am seriously shocked by how good this w Daughter of the Empire is a magnificent page-turning political intrigue with an amazing heroine to root for. I am seriously shocked by how good this was. Considering the disappointment I felt from reading Magician by Raymond E. Feist, I was equally excited and terrified of reading Daughter of the Empire. But I loved it. I loved it so much. This book triumphed over Magician in every possible way. Now, I’m not sure whether the significant increase in quality is due to Feist’s improvement as a writer or whether this is because of Wurts’s collaboration; it could be both. However, Feist himself mentioned in the acknowledgment of Magician that Janny Wurts made this trilogy so much better; I believe him, and I’ll elaborate more on this later. Let me make it clear once more; I disliked Magician, and I couldn’t even force myself to continue to Silverthorn, but this? It’s easily one of the finest starts to a series I’ve read. “If you would engage in the Game of Council, woman, you must know that the pieces you manipulate are flesh and blood. For the future, if you continue it is right that you should remember.” Daughter of the Empire is the first book in Riftwar: Empire trilogy by Raymond E. Feist and Janny Wurts. Riftwar: Empire is a spin-off—and second—series in the Riftwar Cycle, and I don’t usually say this, but I don’t think you need to read Riftwar Saga to enjoy reading this one. It would be beneficial, of course, but not mandatory; there are only a few really small cameos from Magician. The story in Daughter of the Empire follows Mara Acoma, the youngest child of the ancient and noble Acoma family, who is about to take her pledge of servitude to the goddess Lashima. However, the ceremony is disrupted by news of her father and brother’s death in battle. Despite her grief, Mara now has to take up the mantle of the Ruling Lady of the Acoma and participate in the ruthless Game of Council. This is a terrible and harsh responsibility for Mara; she has no experience in politics, and yet the Game of Council is the deadliest contest of politics in the Empire. And this is one of the reasons why the book is incredibly brilliant. “Who is to be more feared, one who acts from ambition or one who acts for the needs of survival?” As you can probably guess, Daughter of the Empire is a political-heavy novel. And by the nature of politics, it often means there’s a lot of scheming and talking; these are indeed true to this novel as well. That said, it is immensely important to note that Daughter of the Empire was never boring. It’s the complete opposite, the stakes are dangerously high throughout the entire book, and not a page ever feels like they’re wasted. Mara constantly risks death or destruction with every scheme planned and word uttered. The characters must always pay attention to what they say and do. The Game of Council is utterly bloody and vicious, and the tradition of Kelewan demands honor to be upheld at all cost that every action and words spoken will be taken into account. The thrilling plotline and the superb characterizations definitely made Daughter of the Empire a “one more chapter” book for me. “Another lesson, child: men are easily injured over matters of the heart. More often than not, those wounds are long in healing. You may have won this round of the game, but you have also gained a deadly enemy. None are more dangeroys than those in whom love has changed to hate.” The decisive factor on why I love this book so much more than Magician is the great focus on the characterizations. Magician felt burdened by issues I often encountered in many fantasy books published pre-1990; that I’ve read so far anyway. What do I mean by this? Well, either the prose is outdated, or the narrative didn’t feel as character-driven as I preferred, or sometimes even both. Fortunately, that’s certainly not the case here. It felt effortless for me to care for Mara; she’s flawed, humane, honorable, determined, inspiring, and her character’s development was developed astonishingly well. From the impactful first chapter, I was already hooked by Mara’s story. Seeing Mara—who doesn’t possess any physical prowess—navigate the ruthless Game of Council by relying solely on her wit, intelligence, cunning, and heart was engrossing. And it’s not just her; the supporting characters and opponents, whether they have a POV spotlight or not, were so well-developed that they enhanced the quality of Mara’s story. I loved reading Mara’s relationship with Nacoya, Arakasi, Papewaio, Keyoke, Lujan; I loved reading her trying her best to outsmart her enemies. Honestly, from reading this book alone, Mara already became one of my favorite heroines of all time. And I still have two more books in the trilogy to go! “If doubts, even uncertainty, were permitted to grow, she risked paralyzing her ability to make decisions in the future… Regret must be banished, despite her momentary sorrow, and indecision must be forever kept at bay.” The world of Kelewan isn’t a new setting; it’s a setting visited in Magician. I’ve enjoyed what I’ve read of Tsuranni and Kelewan in Magician, but I always felt that there’s still so much untapped potential in the world-building. Thanks to the collaboration with Janny Wurts, the world of Kelewan and the culture and traditions of Tsuranni felt intensely vivid and well fleshed out. I didn’t get this sense of immersion at all from reading Magician; when I was reading this book, it felt like I was truly there with Mara, and I experienced the Ancient Japanese-inspired culture. Bushido, honor, promises, and words matter to/beyond life and death for them. In addition to the intricate culture, traditions, settings, and politics, we also get a more detailed look at the Cho-ja and their behavior. Also, unlike Magician, it is worth noting that Daughter of the Empire has close to zero portrayal of magic being used in the story. Don’t start this novel expecting there will be a lot of magic usage. Picture: Daughter of the Empire French Edition by Miguel Coimbra [image] “Life and death, and the winning of glory according to the code of honour, were a subject central to the Tsurani civilization.” I’ve been praising Janny Wurts a lot on this review, but I can’t help it; the collaboration with her gives the series and prose a compelling strength that I wanted from Magician. The character’s emotions were palpable, and the chapters flow more naturally. Plus, the authors’ capability to set up a scene is absolutely incredible. I’m not kidding; the chapters are indeed longer than I usually prefer, but in every chapter, it felt like there’s a proper beginning, middle, and its own climax sequence. The tension, atmosphere, and character-building were damn good. With the exception of this novel, I haven’t read anything by Janny Wurts yet, but her involvement in giving the Feist’s Game of Council an astoundingly gripping narrative reassured me that I must read more of her books in the future. “Learn the nature of self, accept all aspects of self, then the mastery can begin. Denial of self is denial of all.” Extraordinarily good and breathtaking, Daughter of the Empire exceeded my expectations wonderfully. As I always say, it’s a rare occurrence for me to be clicking this well with a fantasy book published before the year 1990; I’m not even born yet when this book was published for the first time! It’s political fantasy done right, and I’m so curious to find out whether or how the remaining two books in the series will be able to top this one. If they succeeded, though, then that means Riftwar: Empire trilogy will be a new entry to “one of my favorite trilogies of all time” list. You can order the book from: Amazon UK | Amazon US | Book Depository (Free shipping) You can find this and the rest of my reviews at Novel Notions | I also have a Booktube channel Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Alya, Annabeth, Ben, Blaise, Devin, Diana, Dylan, Edward, Ellen, Gary, Hamad, Helen, Jimmy Nutts, Joie, Luis, Lufi, Melinda, Mike, Miracle, Nicholas, Sarah, Sarah, Seth, Shaad, Summer, Wendy, Wick, Zoe. ...more |
Notes are private!
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1
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Jun 12, 2021
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Jun 15, 2021
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May 07, 2020
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Paperback
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0356514943
| 9780356514949
| 0356514943
| 4.00
| 31,926
| Sep 08, 2020
| Sep 10, 2020
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really liked it
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I have a Booktube channel now! Subscribe here: https://www.youtube.com/channel/UCRjh... ARC provided by the publisher—Orbit—in exchange for an honest r I have a Booktube channel now! Subscribe here: https://www.youtube.com/channel/UCRjh... ARC provided by the publisher—Orbit—in exchange for an honest review. 4.5/5 stars This will most likely be my favorite fantasy debut of 2020. Honestly speaking, The Bone Shard Daughter was not on my radar despite people’s excitement on Twitter—where I found out about this book—back when the acquisition was first announced. Some of you may know this already, but my interest to read a book—without any review from someone I trust—by a new author whose work I haven’t read before depends solely on the cover art of the debut, and thankfully, the gorgeous cover art by Sasha Vinogradova revealed last month did grab my attention. As for the content of the book, let’s just say there are many good reasons why Andrea Stewart earned a six-figure deal for this trilogy. The Bone Shard Daughter is the first book in The Drowning Empire trilogy by Andrea Stewart. The story takes place in an empire consisting of many islands. On these islands, the bone shard magic wielded by the emperor fuels monstrous constructs that enforce law and order. For decades the emperor has reigned, but now his rule is failing, whispers of revolution travel across the Empire’s islands. One of the main characters, Lin, is the emperor’s daughter and heir who spent her days trapped in a palace of locked doors and secrets; she’s doing everything she can to earn the respect plus approval of his father by mastering the forbidden art of bone shard magic. At the same time, she also must uncover the secrets behind her fractured memories. Revolution, justice, identity, love, and family are some of the main themes in this book, and Stewart executed these themes magnificently through her wonderful cast of diverse characters. “The days we’d spent swimming and fishing at the beach, the first time I’d kissed her, the dreams we’d shared – I was now the only keeper of these memories, and that was the truest sort of loneliness. There were so many things I still wanted to tell her, to share with her.” I feel that lately, with new SFF releases, it’s getting harder for me to find a debut that utilized more than three or four POV characters; Stewart uses five POV here, and she exacted a relatively unique storytelling style to it. Two of the main POV characters—Lin and Jovis—are written through a first-person perspective, while the other two main POV—Phalue & Ranami—and one side POV characters—Sand—are written in third person perspectives. This type of narrative decision typically has a chance of backfiring miserably, but that’s simply not the case with Stewart’s debut. The constant changes between the first-person and third-person POV chapters enhanced the distinctive strength of the character’s voices. Not only all of the main characters came from a different background, but all of them were also carefully developed and characterized throughout this novel that’s infused with splendid pacing. Lin, as I mentioned before, is the daughter of the Emperor. Although Lin’s story felt separated from all the other POV characters for almost the entirety of the book, her story was the most gripping as it is full of espionage and mysteries that kept me immersed and guessing thoroughly. Seriously, when I thought I had everything figured out—and to be fair, I did predict a lot of the revelations—Stewart blindsided me with an unpredictable stab that made me went “alright, I didn’t see that one coming. This is surprisingly twisted. I love it.” Lin was one of the two main characters who attained the most spotlights, the other one being Jovis, a smuggler who survived the drowning of Deerisland and is now searching for his lover. In his journey, quite early at the beginning, Jovis met a mysterious fox with a magical power—Mephis. The relationship development between Jovis and Mephis was one of my favorite parts of the book; I have always been a fan of animal companion in SFF or any kind of story, and I feel that Stewart has done a terrific job in building their relationship. “Little by little, he’d become more than just an animal, but a companion he couldn’t see himself being parted from.” I would like to also praise Stewart on her achievement in writing Phalue and Ranami’s relationship. Phalue and Ranami did receive less spotlight compared to Lin and Jovis, but this doesn’t mean their POV chapters weren’t interesting to read; their relationship and disputes still felt genuine and believable. Whether we like it or not, social status does affect romantic relationships in real life, and I personally think that Stewart captured the difficulty of being in this kind relationship incredibly well. Do note that The Bone Shard Daughter isn’t a romance-heavy book; Phalue and Ranami’s relationship was effectively used to discuss elaborate the hardship that arises from being in poverty and wealth. The differences in their background caused differences in perspectives, and despite how much they loved each other, it is bloody challenging to truly understand what the other person is going through unless you live in their shoes. This applies to both sides, it’s not only the poor who has troubles in their life, the wealthy one just faced a different kind of problem that can be equally deadly, and this balance is what made Stewart’s take on this conflict better than usual. “It’s hard to remake one’s view of the world, to admit to complacency. I thought remaking myself for you was hard enough, but doing that was something I wanted. I didn’t want to realize how much I’ve hurt the people around me, and that’s what confronting my beliefs meant. We all tell ourselves stories of who we are, and in my mind, I was always the hero. But I wasn’t. Not in all the ways I should have been.” I loved learning more about the constructs—built from parts of dead animals—and the bone shard magic involved to reanimate them; I found the act of imbuing commands into these constructs and the repercussion of failing to be fascinating. The bone shard magic actually reminded me of scriving—inserting commands to inanimate objects—from another series I loved: The Founders Trilogy by Robert Jackson Bennett. Excluding Lin’s POV that has a large focus on these bone shard magic and constructs, things are moderately light on the high-fantasy world-building scale—for now anyway—but it’s undoubtedly is one. The mystery behind how The Endless Sea swallowed islands that were shown at the beginning of the book remains an unsolved mystery. The Drowning Empire is an apt series name, and I do believe we’ll learn more about this phenomenon and the Alanga in the sequels. It helps a lot that Stewart’s prose felt clean, well-polished, and comfortable to read. There were no curses, cussing, and there weren’t many gory scenes; even action sequences were relatively scarce. However, Stewart was able to keep the tension and emotion in each scene intact through her engaging dialogues, descriptions, and writings that conjured vivid imagery. Try taking a read at the first chapter of the free excerpt provided; to me, it was like seeing the characters move and speak right in front of my eyes. Also, if the first chapter isn’t obvious enough, this is clearly an Asian-inspired fantasy. The first chapter that introduced a ridiculously high expectation scene set by Lin’s father is pretty much how every Asian parent behaves; as an Asian, I can confirm this. “One foolish choice is like a rat you let go. It will spawn more consequences than you first thought possible.” “A very good” is what Mephis would definitely say regarding the quality of this debut. I certainly enjoyed it very much. The ending ended satisfyingly—there’s no cliffhanger—and it still left me excited to read the sequel as soon as I can, despite this book being fourth months away from its official publication. I have been a fan of books published by Orbit for the past three years now. In fact, I do think that they’re the best SFF publisher for newer releases at the moment, and The Bone Shard Daughter is the recent addition to their catalog of stunning quality. Here’s a list of my favorite debuts both written and read in the past three years: Kings of the Wyld by Nicholas Eames in 2017, The Poppy War by R.F. Kuang in 2018, The Gutter Prayer by Gareth Hanrahan in 2019; other than The Poppy War, all of these books are published by Orbit. The Bone Shard Daughter by Andrea Stewart will be the best fantasy debut of 2020. Don't miss it. P.S: The UK hardback edition of The Bone Shard Daughter is cheaply priced at $15 on Book Depository right now. For comparison, that’s the same price as its US Kindle edition. I suggest pre-ordering this book NOW. The link is down below. Official release date: 10th September 2020 (UK) and 8th September 2020 (US) You can pre-order the book from: Amazon UK | Amazon US | Book Depository (Free shipping) The quotes in this review were taken from an ARC and are subject to change upon publication. You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Devin, Hamad, Joie, Mike, Miracle, Nicholas. ...more |
Notes are private!
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2
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Jan 30, 2023
May 2020
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Feb 2023
May 02, 2020
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Apr 18, 2020
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Hardcover
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9791189320294
| B0DHMKY6ST
| 4.47
| 31,839
| Sep 26, 2019
| Sep 26, 2019
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it was amazing
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I will level (pun fully intended) myself with you; this was by far the most badass and engaging LitRPG I’ve ever read. Some of you may already know tha I will level (pun fully intended) myself with you; this was by far the most badass and engaging LitRPG I’ve ever read. Some of you may already know that I’m a huge fan of manga/manhwa; I’ve been reading it since I was a kid, and I will always continue to do so. I don’t usually post a full-review of a manga/manhwa series I’ve read here, but Solo Leveling demands, at least, a little write-up because my god, everyone needs to bless their eyes and mind with the entertaining experience of reading this. It takes a lot for a manga/manhwa series to blow my mind now, and Solo Leveling accomplished this feat non-stop. Solo Leveling is a manhwa adaptation—illustrated by Gi So-Ryeong (기소령) and Jang Sung-Rak (장성락)—of a completed series of light novels with the same title that’s written by Chu-Gong. The official blurb from the light novel did a great job of explaining the premise without spoiling anything, so I’ll copy it here: “10 years ago, after “the Gate” that connected the real world with the monster world opened, some of the ordinary, everyday people received the power to hunt monsters within the Gate. They are known as "Hunters". However, not all Hunters are powerful. My name is Sung Jin-Woo, an E-rank Hunter. I'm someone who has to risk his life in the lowliest of dungeons, the "World's Weakest". Having no skills whatsoever to display, I barely earned the required money by fighting in low-leveled dungeons… at least until I found a hidden dungeon with the hardest difficulty within the D-rank dungeons! In the end, as I was accepting death, I suddenly received a strange power, a quest log that only I could see, a secret to leveling up that only I know about! If I trained in accordance with my quests and hunted monsters, my level would rise. Changing from the weakest Hunter to the strongest S-rank Hunter!” It’s a simple premise, nothing revolutionary, but it’s executed magnificently; Sung Jin-Woo’s journey in his endless pursuit of a stronger power was simply a blast to read. And I’m not saying that the manhwa is without its flaws. The author seemed to have forgotten—for almost 50 chapters—that the reason Sung Jin-Woo became a hunter in the first place was to earn money to pay for the medical expense of his sick mother. Plus, Sung Jin-Woo is just extremely overpowered. But you know what? I don’t care. This manhwa is a personification of badass main character and action scenes, and everything worked well for the story and medium; I’m willing to overlook the minor flaws in favor of the powerfully engrossing and immensely addictive reading experience. Also, I loved the nod to other popular franchises: One Punch Man training method, Alex Armstrong from Full Metal Alchemist cameo, and the design of Artorias the Abyss from Dark Souls. I could be wrong about these, of course, but they seemed too similar to be considered a coincidence, especially the later story arc resemblance to the Chimera Ant arc from Hunter x Hunter. Case in point: Picture: Igris from Solo Leveling. [image] Picture: Artorias the Abyss from Dark Souls video game. [image] Gi So-Ryeong (기소령) and Jang Sung-Rak (장성락) are virtuoso of illustrations; I truly believe that the reason this manhwa reaches the popularity and acclaim it has now is due to their irreplaceable contributions as an artist. The level of explosive actions and vivid artworks displayed in this manhwa, for the lack of a better term, is godlike. A picture is worth a thousand words, and rather than hearing me ramble on about how beautiful and well-drawn the illustrations are, I’ll provide proofs instead: [image] [image] [image] Yes, every single panel of this manhwa is drawn with at least the superb caliber shown above. Solo Leveling is an outstandingly phenomenal manhwa that deserves all the praises it gets and more. Forgive me for saying this, but Season 1 of this series alone has made every other LitRPG I’ve ever experienced pale in comparison. Seriously, I honestly never thought I would ever read a LitRPG as addictive, mind-blowing, and page-turning as this, but here we are. I highly recommend this to pretty much everyone. Only Season 1 has been completed at the moment, but trust me when I say that this manhwa is going to take over the world. Join in the hype now. I can’t wait for Season 2 to begin and see the—hopefully—terrifying challenges the Sung Jin-Woo encounter. You can find the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Devin, Hamad, Joie, Mike, Miracle, Nicholas. ...more |
Notes are private!
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1
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Apr 03, 2020
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Apr 05, 2020
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Apr 04, 2020
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Paperback
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1474606210
| 9781474606219
| 1474606210
| 4.53
| 55,953
| Nov 17, 2016
| Jun 13, 2019
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it was amazing
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I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo An absorbing literary masterpiece embedded with every range of emotion I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo An absorbing literary masterpiece embedded with every range of emotions. “Tell our stories to the world, and never forget that we exist so long as someone remembers us.” To express how much I loved The Labyrinth of the Spirits, and the entirety of The Cemetery of the Forgotten Books, is a challenging task that I never predicted would ever happen to me, but attempt it I shall. I think it’s a seriously missed but redeemable opportunity that many readers didn’t continue reading the series after they finished The Shadow of the Wind. For the sake of comparison, there are more than 436k ratings for The Shadow of the Wind on Goodreads at the time of writing this review, The Labyrinth of the Spirits has 22k ratings. Don’t get me wrong, The Shadow of the Wind is an incredible book that worked great as a standalone; I won’t deny that. However, believe me when I say that there’s more—so much more—to the astonishing tales you’ve read in The Shadow of the Wind. If you truly want to experience the full magnitude of Zafón’s astounding talent as a master storyteller, and I can’t emphasize this highly enough, it is mandatory for you to read all four books in this series. Picture: The Labyrinth of the Spirits VII: Ariadna and The Scarlet Prince by Vincent Chong [image] The Labyrinth of the Spirits is the fourth and final volume in The Cemetery of Forgotten Books series by Carlos Ruiz Zafón. I can only speak from my own experience, although it has been stated that you can begin your journey through this series from whichever installment, I strongly suggest you read it in publication order. I personally believe that the key points, characterizations, and revelations would work so much better this way. The story in The Labyrinth of the Spirits mostly follows the tale of Alicia Gris, at least for the first half, as she tries to unravel the most shocking conspiracies in the history of Spain. I was surprised by this at first, but knowing Zafón, I immediately knew there was no need to worry; nothing he writes in this quartet was ever redundant, everything is always important. The Labyrinth of the Spirits is the biggest book in the series, and Zafón had time to build and develop a new story—that’s how it seemed at first anyway—and characters from scratch before connecting all the dots that shaped the tapestry of tragedy, regrets, ambition, and love. It is a bittersweet tale that utilizes everything established in the previous three books; stories within stories, passion for books, reading, writing, and many more, eventually ending these extraordinary stories with an extremely satisfying conclusion. “You’d be surprised at how often one looks in the present or in the future for answers that are always in the past.” The Cemetery of Forgotten Books is a series filled with well-written characters that are deeply flawed and complex. Daniel Sempere, Fermin, Bea, David Martin, Alicia Gris, many more characters I refrain from mentioning to avoid spoilers, and I’m happy to say that their respective stories reached a proper closure here. All of the characters throughout the series, one way or another, played an irreplaceable role in this maze of lives and destiny. The characters have become so real to me that the appearances/mentioning of their names sparked invoked a reaction; I was scared for them, I cared about their journey, and during their pursuits of better lives and truths, the heartbreaking revelations they stumbled upon… hurts. When the memories buried under mountains of silence resurface and act as a harbinger of pain instead of light, my heart actually broke together with the characters; I was stunned. “Nobody must know what I have explained here. Nobody must know the truth, because I’ve learned that in this world truth only hurts, and God loves and helps those who lie.” That’s how engrossed I was by the stories and characters that Zafón has crafted throughout this novel and quartet. These broken souls have gone through many gangrenes of hope, and I genuinely want them to find happiness. Whether they truly find happiness or not, you should read the series and find out for yourself. “Sometimes, when the gods aren’t looking and destiny loses its way, even good people get a taste of good luck in their lives.” There isn’t much more I can say regarding the magnificence of this novel without elaborating upon spoilery details, and I don’t want that; I want you to be surprised and amazed by Zafón’s masterful storytelling just like I did. However, allow me one more opportunity to praise Zafón and Lucia Graves’ translation. As always, the prose was utterly unputdownable, atmospheric, immersive, and evocative. For the first time in the series, Zafón uses both third-person and first-person narration told from the perspective of multiple characters, and this helps demonstrates the complexity and astounding accomplishment that Zafón has achieved with his large-scale stories. Juggling and showing events from multiple characters instead of just one this time definitely boost the strengths of the narrative immeasurably. I found Zafon’s prose to be highly relatable, and as always, there were a myriad of quotes I highlighted throughout the novel that I wish I can share with you. Unfortunately, I can’t; the quantity would require a section of its own. “A painting is never finished. The trick is to know at what point to leave it unfinished.” Picture: The Labyrinth of the Spirits by Vincent Chong [image] I have traversed through these labyrinths of stories, and I will conclude by saying that I loved this finale even more than the critically acclaimed The Shadow of the Wind. This novel is a brilliant masterwork that every reader must read; Zafón has concluded The Cemetery of Forgotten Books terrifically. I’ll even go as far as claiming that The Labyrinth of the Spirits is my number one favorite non-SFF novel at the moment. The gigantic puzzle constructed by words throughout the series has reached its spellbinding completion. Thrilling mystery, compelling narrative, endearing characters, and engaging prose have been demonstrated effortlessly. Not a single page of this 800 pages novel was dull to me, and I feel both satisfied and sorrowful that the time of farewell is here. Goodbye for now The Cemetery of Forgotten Books, I’m confident we’ll meet again. Thank you to Lucia Graves for the superb English translation, and most of all, thank you to Carlos Ruiz Zafón for writing such an outstanding series. “Stories have no beginning and no end, only doors through which one may enter them. Series Review: The Shadow of the Wind = 4.5/5 stars The Angel's Game = 4.5/5 stars The Prisoner of Heaven = 4.5/5 stars The Labyrinth of the Spirits = 5/5 stars The Cemetery of Forgotten Books = 18.5/20 stars You can order the book from: Book Depository (Free shipping) You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Devin, Hamad, Jimmy Nutts, Joie, Mike, Miracle, Nicholas. ...more |
Notes are private!
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1
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Jun 2020
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Jun 05, 2020
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Mar 05, 2020
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Paperback
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1780222858
| 4.13
| 104,825
| Nov 01, 2011
| Apr 11, 2013
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really liked it
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4.5/5 stars Both Daniel Sempere and David Martin already have their respective background told, now it’s time for Fermin Romero de Torres’s past to be 4.5/5 stars Both Daniel Sempere and David Martin already have their respective background told, now it’s time for Fermin Romero de Torres’s past to be revealed. “One mustn't dream of one's future; one must earn it.” The Prisoner of Heaven is the third—and penultimate—installment in The Cemetery of Forgotten Books series by Carlos Ruiz Zafon. The story takes place in Barcelona 1957, and it mainly revolves around connecting the plot-threads prepared in The Shadow of the Wind and The Angel’s Game; at the same time, bringing new revelations and mysteries through Fermin’s past. It’s stated at the front page of the book that you can begin your journey with the series from whichever installment you choose; I highly disagree with this. I actually have no idea why that was stated, yes, technically you can understand the main story, but it is the nuances and familiarity with the characters established in the previous two books that made this book so damn engrossing. I strongly advise you to read this series in publication order. There were so many moments and scenes in this book that would lose their impact if you haven’t read the previous two books first. Picture: The Prisoner of Heaven by Vincent Chong [image] I didn’t expect I would find myself this invested with the characters of the series, but the characters, at this stage of the series, have truly come alive for me. Daniel Sempere, David Martin, Julian Carax, Fermin, and many more side characters are fully fleshed-out characters with distinctive personalities and voices. In The Shadow of the Wind, we have known that Fermin—one of the character that made the first book astonishingly good—had a damaged and harrowing past that was never conveyed to the readers; it is here we finally get to see the revelations of his dark past and how the story of the Sempere family, David Martin, and Fermin connects with each other. Daniel and Fermin’s friendship, which was one of the main highlights of the first book, returns in its full force and more due to the truth behind Fermin’s background, and I loved reading every page of this book. “I've always thought that anyone who needs to join a herd so badly must be a bit of a sheep himself.” I’ve mentioned that The Shadow of the Wind has a melancholic mood to the narrative, and The Angel’s Game retained a bleak and depressing tone throughout its story. The Prisoner of Heaven felt like the calm before the storm. The story and characterizations are spot-on, and the pacing was engrossing. Additionally, the low page count of the book made me finish reading it in one day. There’s no denying that this was very unputdownable, but I honestly would’ve preferred this installment to be longer. One of the great things about the previous two books was how Zafon’s quality of narrative tightened with more pages read; there were contemplations, philosophical discussions, mysteries, relationships building, and the fiery passion for books. All of these, unfortunately, felt shortened or even missing due to the low page count. “The world's very small when you don't have anywhere to go.” In a way, The Prisoner of Heaven felt like an impactful interlude that functions as a convergence of plotlines prior to proceeding towards the final installment of the series. Gripping, incredibly well-written (and translated) as always; my experience with this series so far already made me want to shout continuously that this is one of my favorite non-SFF series of all time, but I don’t want to jinx it now; I shall leave that bold claim until I’m done reading the entire series. The stages for the grand and twisted conclusion have been set, let’s find out whether The Labyrinth of the Spirits will be able to conclude this quartet satisfyingly or not. You can order the book from: Book Depository (Free shipping) You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Devin, Hamad, Joie, Mike, Miracle, Nicholas. ...more |
Notes are private!
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1
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May 21, 2020
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May 21, 2020
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Mar 05, 2020
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Paperback
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0753826496
| 9780753826492
| 0753826496
| 4.00
| 168,170
| Apr 17, 2008
| Apr 29, 2010
|
really liked it
|
4.5/5 stars The Angel’s Game is another incredible book by Carlos Ruiz Zafón. It’s as good as The Shadow of the Wind in a different way. More than a mo 4.5/5 stars The Angel’s Game is another incredible book by Carlos Ruiz Zafón. It’s as good as The Shadow of the Wind in a different way. More than a month has passed since I finished reading The Shadow of the Wind that enthralled me, and not gonna lie, I had an inkling of dropping the series after continuously hearing from so many people that the continuations aren’t really worth the read. I can’t say about The Prisoner of Heaven because I haven’t read it yet, but The Angel’s Game, in my opinion, was definitely worth the read. “Every book has a soul, the soul of the person who wrote it and the soul of those who read it and dream about it.” I’m honestly quite shocked by the significant drop in average ratings for The Angel’s Game, the second installment in The Cemetery of Forgotten Books quartet by Carlos Ruiz Zafón, on Goodreads. It is indeed a different kind of book than its predecessor, there’s no more story within a story, no more coming-of-age, and the story itself takes place before the events that occurred in The Shadow of the Wind. However, Zafón did retain sufficient elements that made the first book superb into his narrative here, and I do believe that The Angel’s Game has the alluring storytelling capability that the first book has. The themes in The Angel’s Game focuses more on writing, ambition, faith, loneliness, found family, and the dark side of humanity. The story has a gothic horror feels to it; it is bleaker, and it’s definitely more depressing than the first book. This, however, doesn’t mean a drop in storytelling quality, Zafón’s prose (plus Lucia Graves’ translation) never fails to captivate me. This is a hefty book; it’s almost 700 pages long, and I never felt bored reading it. “Every work of art is aggressive, Isabella. And every artist's life is a small war or a large one, beginning with oneself and one's limitations. To achieve anything you must first have ambition and then talent, knowledge, and finally the opportunity.” The characterizations of the main character, David Martin, and the individuals he met—especially Isabella and Sempere family—along his journey were so well-done. Do note that David Martin isn’t a complete kind-hearted person like the protagonist of the previous book, Daniel Sempere, who’s very easy to get attached to. David is cynical, he sometimes treats people horribly, and he lives a relatively harsher life compared to Daniel. Unlike Daniel who’s accompanied by his dad and Fermin, David’s life is one of loneliness and strings of bad lucks. I found his struggle to find love and companions offers a look—a darker one—into a life of hardship that many people encounter in real life. The complexity of David’s journey drew me into the story thoroughly; he may not always be likable, but there’s a strong sense of consistency in his character development that I enjoyed reading. Also, although you can read this book without reading The Shadow of the Wind first, the meaning behind the appearance of the Sempere & Sons bookshop would lose its effect. “I stepped into the bookshop and breathed in that perfume of paper and magic that strangely no one had ever thought of bottling.” Another thing that I found to be awesome was the changes in tone. The Angel’s Game takes place in the same location as The Shadow of the Wind, and I loved how Zafón made sure that a different time-period would give a different kind of atmosphere. The Shadow of the Wind, to me, felt more melancholic, at times tragic, but sprinkled with hope and heartwarming friendship. The city of Barcelona portrayed in The Angel’s Game felt, as I mentioned before, bleak and depressive. Picture: The Angel’s Game by Vincent Chong [image] I know I’ve mentioned in my previous review, but seriously, reading this series makes me want to visit Barcelona. I want to see the places mentioned, that still exists, in this book with my own eyes and find out what kind of feelings will be sparked in me. Although the story told in The Angel’s Game felt like it’s a different kind of book compared to The Shadow of the Wind at times, I must once again praise Zafón’s astounding prose and Graves’ translation. I’m getting repetitive here, but the two books in the series that I’ve read so far are embedded with countless quotable passages, and I’m sure the remaining two books in the series will follow the same treatment. Just look at this passage about envy below: “Envy is the religion of the mediocre. It comforts them, it soothes their worries, and finally it rots their souls, allowing them to justify their meanness and their greed until they believe these to be virtues. Such people are convinced that the doors of heaven will be opened only to poor wretches like themselves who go through life without leaving any trace but their threadbare attempts to belittle others and to exclude - and destroy if possible - those who, by the simple fact of their existence, show up their own poorness of spirit, mind, and guts. Blessed be the one at whom the fools bark, because his soul will never belong to them.” Isn’t that just so well-written? And there’s still so many more I haven’t shared yet on this review. As to what prevented me from giving this book a full 5 stars rating, the climax sequences ended a bit unsatisfyingly for me. The Shadow of the Wind felt and worked totally well as a standalone; the conflicts have been resolved, revelations were unveiled, and the book ended very satisfyingly. The climax sequences in The Angel’s Game felt messy and quite convoluted to me. Plus, the ending itself raises more questions—I assume these will be answered in the remaining two books—than answer them, and it left me feeling slightly unsatisfied upon finishing. “Whether we realise it or not, most of us define ourselves by opposing rather than by favouring something or someone. To put it another way, it is easier to react than to act.” The good thing about the conclusion, though, is that finishing The Angel’s Game certainly makes me so excited to start reading the next installment ASAP. It took me more than a month break after reading The Shadow of the Wind before I decided to finally pick this up, I doubt it would that long before I dive into the next book, The Prisoner of Heaven. The Angel’s Game is a dark, thrilling, and gripping installment in The Cemetery of Forgotten Books series. For a series outside my favorite genre—fantasy—to read, this has been a crazy and twisted ride that I highly enjoyed so far, and I look forward to finding out how the story will develop from here. “We spend a good part of our lives dreaming, especially when we're awake.” You can order the book from: Book Depository (Free shipping) You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Devin, Hamad, Joie, Mike, Miracle, Nicholas. ...more |
Notes are private!
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1
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May 07, 2020
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May 09, 2020
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Mar 05, 2020
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Paperback
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1474609880
| 9781474609883
| 1474609880
| 4.30
| 657,387
| Jan 01, 2001
| Jan 01, 2018
|
really liked it
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4.5/5 stars An astonishingly engaging story within a story type of novel; the passion for books and reading introduced in the first chapter was just an 4.5/5 stars An astonishingly engaging story within a story type of novel; the passion for books and reading introduced in the first chapter was just an appetizer before all the interconnecting twists and turns. I’ve been having a lot of good lucks lately in reading books outside of epic fantasy—my favorite sub-genre. The Shadow of the Wind is a novel that I’ve heard so many positive things about for several years; it is one of those books that’s often recommended by readers, regardless of their main preferences sub-genre of reading. And now that I’ve read it, I can understand why it received all the critical acclaims. Sheer brilliance in storytelling and writing aside, The Shadow of the Wind is a book about books, a story about a story, and it would be difficult for readers—who obviously love books—of all kind of genre to resist the charm in the narrative. I’m going backward here because The Shadow of the Wind was published first, but if you’ve read and loved The Ten Thousand Doors of January by Alix E. Harrow, I think you’re going to love this novel as well. These two books have many similarities in themes and their approaches to the passion for books and its mystery + coming-of-age centered plotlines. “In the shop we buy and sell them, but in truth books have no owner. Every book you see here has been somebody’s best friend.” The Shadow of the Wind is the first book in The Cemetery of Forgotten Books quartet by Carlos Ruiz Zafón. The story takes place in Barcelona, 1945, and here’s the short premise of the novel. On his eleventh birthday, Daniel Sempere wakes up and finds out that he cannot remember the face of his mother anymore. To cheer him up, Daniel’s father takes him to the secret of the Cemetery of Forgotten Books, a library that holds the books forgotten by the world, just sitting there waiting for the right reader to choose a book that will hold a special meaning to them. Daniel selects a book titled The Shadow of the Wind by Julian Carax, and he falls in love with it immensely, then he seeks other books written by Julian only to find out that someone has been destroying every book written by the author. He may just be holding the last copy of the author’s work, and he’s trying to solve the mystery behind this bizarre incident. “Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.” As I mentioned, The Shadow of the Wind is a story within a story. It tells a coming-of-age story of Daniel Sempere as he tries to unravel the mystery behind Julian Carax and the disappearances of his novels. Despite this novel has been published for more than a decade—almost two decades in its original language—now, I somehow was able to approach this book knowing close to nothing; I plan to keep it that way for future readers who stumbles upon this review. Let me, however, say that I’m pleasantly surprised by how much I grew to care about the characters in this novel, especially for Daniel and Fermin—Fermin is hands down my favorite character of the book. Daniel’s story and the secrets he unravels continuously gripped me, Fermin’s personality plus his dialogues are so intoxicating, and most of all the friendship these two nurtured is incredibly heartwarming. “One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep.” I haven’t been to Barcelona, what I know of it, I see, learn, and heard from other people and other media. However, there’s a super atmospheric quality that’s so immersive to Zafón’s writing; when I was reading the book, it feels like I was truly there. I’m in a similar situation with my friends, in that I haven’t read the book in its original language, and because of this, I can’t gauge the accuracy of the translations. But as far as reading the book in English goes, the translation done by Lucia Graves flows absolutely well. There were a few flashback sections where I found the book to be slightly uneven in its pacing, but for the majority of the novel, Zafón’s prose and Graves’ translations were extraordinarily compelling and accessible. I’m serious; I lost count on how many passages I highlighted because they were so well-written and relatable to me. “Bea says that the art of reading is slowly dying, that it's an intimate ritual, that a book is a mirror that offers us only what we already carry inside us, that when we read, we do it with all our heart and mind, and great readers are becoming more scarce by the day.” Picture: The Shadow of the Wind by Vincent Chong [image] There’s simply no scarcity of insightful and wise remarks within this novel that brims with resonating themes of growing up, love, found family, friendship, and books. In equal measure, it’s also filled with revenge, loss, and tragedy. The Shadow of the Wind is an amazing piece of literature that begins and concluded its story in a richly satisfying way. Do note that although this is the first book of a quartet, the novel worked wonderfully well as a standalone; I’m actually surprised that there are three more books in the series. If any one of the sequels is as good as this one, then I know I’m in for more unforgettable stories to read. “I was raised among books, making invisible friends in pages that seemed cast from dust and whose smell I carry on my hands to this day.” You can order the book from: Book Depository (Free shipping) You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Devin, Hamad, Joie, Mike, Miracle, Nicholas. ...more |
Notes are private!
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1
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Mar 27, 2020
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Mar 29, 2020
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Mar 05, 2020
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Paperback
| |||||||||||||||
1526648172
| 9781526648174
| 1526648172
| 4.32
| 1,623,362
| Sep 20, 2011
| Sep 02, 2021
|
really liked it
|
4.5/5 stars Beautifully heartbreaking and tragic, Madelline Miller’s first novel burst with palpable emotions. Countless amazing things have been raised 4.5/5 stars Beautifully heartbreaking and tragic, Madelline Miller’s first novel burst with palpable emotions. Countless amazing things have been raised and sang for the Miller’s craft on The Song of Achilles and Circe, and that speaks volumes on how ridiculous it is that it took me this long to finally get around to reading it. In truth, there was a hesitancy inside me; The Illiad, the stories of Achilles, Hector, and Odysseus are stories that I’ve read and heard about so many times before in several mediums. In my mind, before I read this book, I simply didn’t think that I would love reading another retelling surrounding this tale again. As you can guess from my high rating, Miller has righted the wrong notion that nestled deep in me. “True. But fame is a strange thing. Some men gain glory after they die, while others fade. What is admired in one generation is abhorred in another." He spread his broad hands. "We cannot say who will survive the holocaust of memory. Who knows?" He smiles. "Perhaps one day even I will be famous. Perhaps more famous than you.” If there’s one thing that we can agree and admire about Achilles, it would be his strength. Almost every story about the legend of Achilles portrayed him on a similar nature; he’s a mortal who possesses godlike abilities for battles. Bow down before his prowess. And it’s not like Miller didn’t include Achilles’ skills for devastation in her retelling; she did magnificently. However, Miller goes above and beyond by humanizing him through Patroclus’ eyes. Miller starts the story from Patroclus’ and Achilles’ childhood, and she successfully showed the genuine development in their characterizations and relationship that the passage of time can’t prevent. “He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.” The entire novel is told exclusively through the first perspective of Patroclus, and this is what sets Miller’s retelling apart from so many other media. This reading experience reminded me of reading Lancelot by Giles Kristian. Both Giles Kristian and Madeline Miller did the same thing with their craft. Through Patroclus’ view, we get to see Achilles’ vulnerability, and we also get to see Achilles’ aptitude for virtues that most of the time were concealed in many retellings. I thought knowing how the journey will end for these characters would diminish my experience, but the opposite occurred; the hindsight in the finality of their story actually elevated my reading experience extensively. For example, there were lines—I won’t mention them in my review—about Hector repeatedly spoken by Achilles that act as a dagger that inflicted a sharp cut to the heart every time it’s unsheathed. “There are no bargains between lion and men. I will kill you and eat you raw.” There’s an enchanting quality in Miller’s prose. For almost a decade, hundreds of thousands of readers/reviewers around the world have been charmed by her writing style, and now you can definitely count me among these entranced readers. What I found to be the most incredible aspect of this novel is how well-conveyed were the feelings of the characters; they popped out of the pages effectively. It is always crucial to learn what truly matters in life and to never lose sight of them; trust, pride, jealousy, and the seduction of glory tests Patroclus’ and Achilles’ relationship to its maximum limit. The pacing was great, and the last five chapters of this novel capture the everlasting brilliance of the horror and tragedy in this tale. The sense of grief, the meteoric fury, and the comfort that love provides amidst blood and death felt profoundly physical to me. “And perhaps it is the greater grief, after all, to be left on earth when another is gone.” The cover art of this book usually depicts the golden armor/helmet/lyre of Achilles, and there’s an underlying message behind these cover arts; it contains mandatory advice that you should prepare yourself before reading this book. Guard your heart and mind carefully; there’s a prophecy conjured that they won’t remain unscathed after you read the breathtaking lyrics written in The Song of Achilles. Every page was a bait to lure me away from reality, and I devour those bait willingly. I look forward to reading Circe very soon to witness more of Miller’s talent, and more importantly, to put her storytelling as an item to be locked in my memories. “I am made of memories.” Aren’t we all, Patroclus? You can order the book from: Book Depository (Free shipping) You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Devin, Hamad, Joie, Mike, Miracle, Nicholas. ...more |
Notes are private!
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1
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Mar 25, 2020
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Mar 26, 2020
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Mar 01, 2020
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Hardcover
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B00IWTTPOI
| 3.88
| 23,947
| Jun 17, 2014
| Jun 17, 2014
|
it was amazing
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I read The Lightning Tree in Rogues anthology, and this review is specifically for The Lightning Tree only. Cozy, sweet, and memorable, The Lightning T I read The Lightning Tree in Rogues anthology, and this review is specifically for The Lightning Tree only. Cozy, sweet, and memorable, The Lightning Tree is a must-read novella for every fans of Bast and enthusiast of The Kingkiller Chronicle. The Lightning Tree is a short novella in The Kingkiller Chronicle series by Patrick Rothfuss, and the plot revolves around a day in the life of Bast—Kvothe’s apprentice and one of my favorite characters from the main series—that takes place roughly a month before the start of The Name of the Wind. You can read this story in an anthology called Rogues that’s published in 2014. Honestly, I’m going to admit that I can’t go through a year without reading something in The Kingkiller Chronicle. I have a serious withdrawal from the world of Temerant, it’s been three years since I first ventured into Kvothe’s story, that’s much shorter than many other readers who have waited more than a decade, and I can’t help coming back to this world and Rothfuss’s writing; I love every story in The Kingkiller Chronicle so much, and The Lightning Tree is no exception to that notion. “Then the wind stirred and Bast saw something white. He felt a sudden chill, fearing it was a page torn free from the book. Few things angered his master like a mistreated book.” Ah, Kvothe, I understand your feeling regarding books with all my heart. It’s incredibly magical how ALL of Rothfuss’s works in The Kingkiller Chronicle series improved significantly on reread; I liked/loved them on my first read, but I absolutely loved them on reread. There are so many amazing intricacies to the world he has crafted, and it’s only on reread you begin to notice just how much details Rothfuss has imbued into the world of Temerant. Now, The Lightning Tree doesn’t move any part of the main story within the series forward; as I mentioned, it’s a day in the life of Bast, and it happened before the first novel even begin. And yet still, there’s a new detail to discover, especially regarding the Fae, their magic, and of course, Bast’s personality. Rothfuss doesn’t waste words; prose-wise, I personally think he’s one of, if not the, best in the entire genre. This particular quote that I’m going to show you next is just a very tiny glimpse of the enormous talent in his writing: “So much was so easy. Glamour was second nature. It was just making folk see what they wanted to see. Fooling folk was simple as singing. Tricking folk and telling lies, it was like breathing. But this? Convincing someone of the truth that they were too twisted to see? How could you even begin? It was baffling. These creatures. They were fraught and frayed in their desire. A snake would never poison itself, but these folk made an art of it. They wrapped themselves in fears and wept at being blind. It was infuriating. It was enough to break a heart.” I loved reading every page of this story, and I can sing with utmost confidence that The Lightning Tree is one of my two favorite novellas of all time, the other one being The Emperor's Soul by Brandon Sanderson. Every moment of silence in the plot intensified the scene effectively, the emotions of the characters were evocatively written, and the banter made me smile, and the tribute to George R. R. Martin—let’s not even get started with Bast’s errand to find carrots—made me laugh. They say that lightning doesn’t strike the same place twice, but there’s an exception to Rothfuss’s books. From my perspective, the second lightning that strikes The Lightning Tree ended up being more impactful and powerful than the first occurrence, and this phenomenon is applicable to all of his books. You can order the book from: Book Depository (Free shipping) You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Devin, Hamad, Joie, Mike, Miracle, Nicholas. ...more |
Notes are private!
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2
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Mar 02, 2020
Apr 05, 2017
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Mar 02, 2020
Apr 05, 2017
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Mar 01, 2020
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Kindle Edition
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1473225272
| 9781473225275
| 1473225272
| 4.38
| 1,264
| Dec 03, 2020
| Dec 03, 2020
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it was amazing
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I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo ARC provided by the publisher—Gollancz—in exchange for an honest revie I have a Booktube channel now! Subscribe here: https://www.youtube.com/petrikleo ARC provided by the publisher—Gollancz—in exchange for an honest review. A Fool’s Hope wonderfully surprised me; it is one of the finest middle installment I’ve ever read. Alright, it is frankly unbelievable and ridiculous that many fantasy readers haven’t started reading this trilogy yet. I finished reading We Are the Dead earlier this year, and I was amazed by it already. A Fool’s Hope, the second book in The Last War trilogy by Mike Shackle, somehow managed to exceeded over its predecessor in every possible way. “That’s the point. The problem when you think you’re an invincible fighting force is that you stop learning, evolving. It makes you predictable. Then the Egril showed us that we were only too beatable. We stopped being afraid of anyone. We stopped growing as warriors.” The story in A Fool’s Hope starts immediately from where the first book ended, and it revolves around the Jia’s continuous war and revolution against the Egril. I’m genuinely impressed by Shackle’s storytelling capability in keeping a tight focus on the plot, action scenes, pacing, and characterizations. In the first quarter of the book, I thought I had an inkling of where the story was going; I was proven wrong, and the book became much better for it. Similar to the first book, this series has a way to keep me keep on turning the pages. No chapters were wasted; something important always happens in every chapter, and almost all of them ended in a cliffhanger. The page-turning strength of the book was so strong that it made me missed my meals, my gastric pain was triggered, and instead of eating real food, I continue to devour this story. Although A Fool’s Hope is essentially a bloody vicious war and survival story, there’s still a huge concentration on the emotional themes of leadership, responsibilities, duties, and family that enhanced the intense reading experience. “I’m not a leader. No one’ll listen to me.” The progression of the characters was astounding. War changes everything, and just within two books, so many pivotal events have happened to the characters. The best spoiler-free examples for this would be Tinnstra and Dren. If you’ve read my review of We Are the Dead, then you’ll know that I’ve mentioned that both Tinnstra and Dren were, for the first half of the novel, infuriating to the max. In this book, they constantly developed in a very organic way into becoming a relatively better individual who’s willing to stand up for what’s right. This, of course, didn’t happen exclusively to Tinnstra and Dren; Zorique and Yas also went through their own spectacular character development. I honestly can’t even decide which POV I liked most reading this time; they were all so equally compelling. “People needed strength to follow, someone who could make hard choices when the time came, a leader they could believe would keep them alive. Ralasis was none of those things, but he could pretend with the best of them.” Tinnstra’s relationship with Zorique continues to be a glowing spark of hope in the darkness, and I loved reading their brief training montage and moments of relative peace. Despite all of their personal flaws, I’m incredibly invested in these character’s stories; their feelings—positive or negative—were palpable. Shackle shows that ordinary people, when forced by dire and dangerous circumstances, will and can hone their untapped leadership and unleash their necessary brutality to protect what matters most to them. To make things even better, in this more or less eight POV-characters narrative, Shackle also includes characters from Egril’s side. We have seen Darius Monsuta’s cruelty in the first book. This time Shackle adds Mateon, and the addition of his POV displays the humane side of Egril’s individuals; maybe the differences between good and evil, in the end, can simply be defined by where their belief/loyalty lies. “War’s orchestra played its merry tune in the distance explosions, screams, steel beating steel and the Gods only knew what else. Yas barely noticed it. Death and destruction had become as commonplace as birdsong.” I could go on and on about the character’s development, but it would require me to spoil some details from the book, and I don’t want that; all the anticipations plus the twists and turns here should be experienced by each respective readers themselves. However, before I close this review, allow me to once again highlight that the easy-to-imagine quality of Shackle’s action sequences is, in my opinion, highly reminiscent of Abercrombie’s writing style. This isn’t a hopeful book; bad things and destructions happened frequently. Most of the battles in the first book utilize close-quarter combat with no magic involved; A Fool’s Hope featured a lot more magical power usage, and it was awesome. Shackle’s violent battle scenes always felt vivid and cinematic in my imagination; every scene was immersive. I was able to see the devastation inflicted, I was able to hear the sound of explosions, and it felt like I was in a constant state of battle/caution mode together with the characters when I read the book. It was THAT immersive. “Solving a problem or winning a battle always amounted to the same thing: concentrating on what was in front of you. Deal with that first. Worry about the rest later.” I don’t have anything else to say. Believe me, I have purposely left out most of the best elements contained within the pages of this magnificent book. The story was unpredictable, the pacing was relentlessly gripping, the battles were blood-stained pulse-pounding, and the character’s internal and external emotions were palpable. A Fool’s Hope is one of the best fantasy novels of the year. Shackle has outdone himself by crafting such a heart-hammering sequel, and I’ll go as far as saying that it’s one of the best middle-book installment I’ve ever read. Personally, I don’t think it’s a fool’s hope to think that the third book would finalize The Last War as one of my favorite trilogy of all time. This is a sequel done right, and I can’t wait to find out the upcoming onslaught to come in the final book of the trilogy. The Last War is indeed coming, and I won’t miss participating in it. Official release date: 3rd December 2020 You can pre-order the book from: Amazon UK | Amazon US | Book Depository (Free shipping) The quotes in this review were taken from an ARC and are subject to change upon publication. You can find this and the rest of my reviews at Novel Notions Special thanks to my Patrons on Patreon for giving me extra support towards my passion for reading and reviewing! My Patrons: Alfred, Alya, Annabeth, Blaise, Devin, Diana, Edward, Hamad, Helen, Jimmy Nutts, Joie, Michelle, Mike, Miracle, Nicholas, Zoe. ...more |
Notes are private!
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Oct 14, 2020
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Oct 17, 2020
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Feb 25, 2020
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4.34
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it was amazing
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Jul 14, 2024
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4.41
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it was amazing
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Nov 06, 2020
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Jul 19, 2020
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4.19
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really liked it
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Jul 21, 2022
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Jul 08, 2020
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4.09
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it was amazing
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Feb 27, 2021
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Jul 08, 2020
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4.29
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it was amazing
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Sep 30, 2022
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Jun 29, 2020
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4.09
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really liked it
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Nov 05, 2020
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Jun 04, 2020
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4.33
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it was amazing
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Sep 20, 2022
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May 30, 2020
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4.29
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really liked it
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May 04, 2021
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May 30, 2020
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4.35
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really liked it
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Aug 26, 2021
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May 07, 2020
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4.32
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it was amazing
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Jul 19, 2021
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May 07, 2020
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4.29
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it was amazing
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Jun 15, 2021
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May 07, 2020
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4.00
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really liked it
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Feb 2023
May 02, 2020
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Apr 18, 2020
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4.47
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it was amazing
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Apr 05, 2020
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Apr 04, 2020
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4.53
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it was amazing
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Jun 05, 2020
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Mar 05, 2020
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4.13
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really liked it
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May 21, 2020
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Mar 05, 2020
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4.00
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really liked it
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May 09, 2020
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Mar 05, 2020
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4.30
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really liked it
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Mar 29, 2020
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Mar 05, 2020
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4.32
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really liked it
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Mar 26, 2020
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Mar 01, 2020
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3.88
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it was amazing
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Mar 02, 2020
Apr 05, 2017
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Mar 01, 2020
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4.38
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it was amazing
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Oct 17, 2020
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Feb 25, 2020
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