Khanh, first of her name, mother of bunnies > Books: mystery (94)
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0316231053
| 9780316231053
| 0316231053
| 3.10
| 25,947
| Jun 17, 2014
| Jun 17, 2014
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it was ok
| "The first time, you can’t believe how much it hurts.” "The first time, you can’t believe how much it hurts.”This is from the prologue, and no, these girls are not talking about losing the big V. This is an extremely hard book for me to rate. On the one hand, I enjoyed the writing. On the other hand, there was nothing remotely scary about it, and overall, I felt like I was led on a merry trail filled with red herrings that looked like Jenny McCarthy screaming that vaccines are evil. It was filled with teenaged pettiness, and it wasn't scary in the least. It did creep me out, but not in the "Omg this is scary!" kind of way, more like the "Oh, dude, the dad is so totally gross in a sorta Kevin-Spacey-in-American-Beauty-kind of way, like did he seriously say THAT about his little girl's best friend? Eww!" kind of way. Wow, that was a long sentence. Almost nothing happens in this book. Don't expect creepiness. From the cover, I totally thought this was going to be similar to the Japanese horror sort of books where a long-haired, scary as fuck girl crawls slowly up the foot of your bed as she slowly grins at you through blood-filled eyes. But no. Nope. Nothing like that at all. Not for a single moment did I remotely approach the feeling of fear. So here's the good: 1. The writing is quite good, bravo, Ms. Abbott 2. Family dynamics is great, even if the brother and the dad totally squicked me out sometimes Seriously, nothing happens in this book. The Summary: There are three narrators in this book, father Tom Nash, a science teacher at the local high school, and his children, Eli and younger Deenie (Denise), both in high school. It is a quiet town, it is a dead town, and it is a quiet, unevent high school life until a girl starts foaming at the mouth. Her desk overturned, clattering to the floor.That was Lise, Deenie's best friend, and everyone in school has their theories. Some dumber than others, from a grand mal seizure, here referred to as grand male by the brilliant young ladies at the school. “She had a grand male in Algebra Two,” Brooke announced, eyes popping.To pregnancy. “Is she pregnant?” whispered Kim, her tongue thrust between her wired teeth.To a sexual parasite. “He had a big house on the lake and he gave her all this great red-string Thai stick. He leaves for the Philippines, she wakes up with trich. That’s a sexual parasite. It crawls inside you.” She reached down for her bag, tangled with fringe. “So.”To Toxic Shock Syndrome... Have u heard of toxik shok? tampax can kill uThen another girl falls sick, and the town runs rampant with theories. The end. Yeah, that is literally it. The Characters: The one thing that stands out about the main characters in this book is the level of creepy sexuality within the family. I don't mean in an incestuous way, but I thought it was pointlessly sexual at many points. We have a creepy, sad dad. Tom Nash. A middle-aged schoolteacher whose wife has left him for a more exciting life and a married lover. A man who has seriously creepy observations about his teenaged daughter's friends. Lise, Deenie's best friend, whom he has watched grown up. He’d known Lise Daniels since she was ten years old and first started coming to the house, hovering around Deenie, following her from room to room. Sometimes he swore he could hear her panting like a puppy. That was back when she was a chubby little elfin girl, before that robin’s-breast belly of hers disappeared, and, seemingly overnight, she became overwhelmingly pretty, with big fawn eyes, her mouth forever open.And recalling how Lise looks in a swimsuit. Tom felt his face warm. Last summer he’d seen Lise in a two-piece. From across the town pool, from behind, he’d mistaken her for one of Deenie’s swim instructors. Carla, the graduate student in kinesiology who always teased him about needing a haircut.It's not out of place. I mean, I know perfectly well that middle-aged men (and let's be honest, most men in general) have sexual thoughts about pubescent women, but I just found it very creepy and odd reading about it in a book where it felt out of place. His son Eli, is somewhat a school stud. All the girls line up for him, he gets constant texts to hook up, and he is oddly conscious about his sister's sexuality. I don't get the sense that it is incestuous, and again, I understand that this sort of dynamic will probably exist between siblings of similar age, but not having a male sibling, I can only imagine. It's still pretty weird. There’d be those moments he was forced to think about her not just as Deenie but as the girl whose slender tank tops hung over the shower curtain. Like bright streamers, like the flair the cheerleaders threw at games.And when he's having sex in the room next to his sister, he's conscious of her, in the next room. Since then, he could only ever think about his sister, one wall away. And how he hoped Deenie never did things like this. With guys like him.So why not just avoid the situation, man. And he sees sexuality in his sister's eyes, the way another boy would see her. But she didn’t realize what they saw, looking back at her: a girl, lips slightly parted, her head tilted hungrily. What they saw was I’m ready. Let’s go.Again, I don't have a sibling, but I can't say I've ever looked at my sister in any kind of way and imagine a guy interpreting sexuality through her facial expression. It's far too much. And geez, Eli's stud status is so overemphasized in this book. He gets a ton of texts from girls wanting to hook up and sending him PIXXXX. Eli Nash looked at the text for a long time, and at the photo that had come with it. A girl’s bare midriff.His dad notices that he ignores the flocks of girls coming after him, and makes a note in his mind that it makes his son even more popular. He has to fend off the number of girls who just want to spread their legs for him. Did she want him to text her back, invite her over? To sneak her into his bedroom and nudge her shaky, pliant legs apart until he was through?Hell, even his sister Deenie falls victim to Eli's promiscuous ways. It's pretty gross, she receives lewd text messages meant for him. One of the texts had said—Deenie never forgot it—my pussy aches for u. It had to have been the worst thing she’d ever read. She’d read it over and over before deleting it.She also overhears him having sex in the next room. Ugh. Once, a few weeks ago, she’d heard a girl’s voice in there and wondered if it was porn on the computer until she could tell it wasn’t. She heard the voice say Eli’s name. E-liiii.I understand that sex is a normal thing, but in this book, it just felt squicky and out of place. There was really not much point for it in the narrative, other than a break from the constant monotony. I just really don't have a lot to say about this book. It was tremendously dull. All the characters were pretty dumb. The teenagers are nitwits. The mystery was a letdown. There's a tremendous amount of misogyny, too, because both the Tom and his son Eli don't seem to have a good opinion about any females in the book besides their daughter and sister. He could tell she was the kind of woman who told men what they wanted to hear. That didn’t strike him as a bad thing, even though he knew it should....more |
Notes are private!
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1
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Jun 22, 2014
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Jun 23, 2014
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Jun 22, 2014
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Hardcover
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3.66
| 1,205,474
| May 13, 2014
| May 13, 2014
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it was ok
| Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three bears who lived in a wee house in the woods.It was a better coming of age than Catcher in the Rye, but I also thought Twilight was a better coming-of-age than Catcher in the Rye (fuck you, Holden Caulfield). It wasn't a terrible book. I've read far worse. It's just that the writing style sometimes get on my nerves. The sentences are sometimes written fully, and oftentimes it just goes like this out of freaking nowhere. For no freaking. Reason at all. If that's the kind of thing that bothers you. Then you should probably avoid this book. This book has almost no plot. It is full of odd sentence structures and purple prose. The entire book is about a poor-little-rich-girl living with a poor-little-rich-family with the kind of ending that makes you go "WHAT THE ACTUAL KIND OF M. NIGHT SHYAMALAN FUCKERY IS THIS?!" It's not terrible. But there's almost no plot at all. The "Liars" are more "Talkers," and they have almost no relevant role in the book because this book is about a pretentious girl with nothing but #whitegirlproblems and #richpeopleproblems. The aforementioned "Liars" don't do anything in this book, they're not witty, they're not cute, they don't give off the sense of closeness and kinship that you get from growing up with someone their entire life. Hell, they're nowhere near Dead Poets Society kind of interesting. This is a coming of age, and nothing more. It has the kind of writing style that's often choppy like this. Commas are sometimes used. And sometimes not. Haphazardly. With no punctuality. No pun intended. Sentences are fragmented. The main character sometimes. Has the tendency to use overwrought, run on metaphors. To describe herself. And her headaches. Such as a helicopter blown by the wind tossed by the torrential rain in the wilds of Alaska felt by a little Eskimo girl during the first whispers of a glacial spring with the scent of violets and hints of lavender in the fields of Grasse. The Summary: My full name is Cadence Sinclair Eastman.Poor little Cadence Sinclair is wealthy. She is loved. She is one of the Sinclairs, a good-looking "old-money Democrat" family, think the Kennedys, without the political aspirations. They have names like Liberty, Taft, and Tipper. They go to Ivy League schools. They have trust funds. They have sired a generation of children, the leader of which is Cadence. Cadence and her crew call themselves "The Liars." The Liars are composed of her cousins Mirren, Johnny, and the outcast "Healthcliff," Indian love interest, Gat. The Liars supposedly cause trouble. They don't really. They do almost nothing. Cadence herself is sick. She is prone to theatrics, and she is not-so-secretly in love with Gat. She gets headaches. She feels self-pity. She is privileged. She doesn't realize it. This is the story of a wealthy, beautiful family. It’s a beautiful night, and we are indeed a beautiful family.This is the story about a girl's headaches. Why did I go into the water alone at night?This is a story about The Liars. And their spectacularly brilliant conversations for the entire fucking summer. They have baby oil spread on their bodies. Two bottles of it lie on the grass. “Aren’t you afraid you’ll get burned?” I ask.They're not the only ones bored out of their mind. The Writing: I plunge down,I really have a problem with the writing, but this is just a matter of taste. But then again, I've never been a fan of this type of prose. Needless to say, I don't like e.e. cummings. The writing is so often choppy, haphazardly punctuated. The first-person narrator also has a tendency to use very, very dramatic imagery to describe situations. Some situations are false. Then he pulled out a handgun and shot me in the chest. I was standing on the lawn and I fell. The bullet hole opened wide and my heart rolled out of my rib cage and down into a flower bed. Blood gushed rhythmically from my open wound,That, there, was a description of how she FELT. It confused me as fuck until I realized that she didn't actually get hurt, which made it even more confusing when she did actually hurt herself. Every time Gat said these things, so casual and truthful, so oblivious—my veins opened. My wrists split. I bled down my palms. I went light-headed.I thought that was her being overdramatic again, until I realized that the guy was fucking bandaging her up afterwards. The main character has a huge tendency to use purple prose. She describes her migraines like they were the end of the world, which, I understand to some people they might be, but if you're getting a fucking migraine, there's really no bloody need to get all freaking poetic about it. A witch has been standing there behind me for some time, waiting for a moment of weakness. She holds an ivory statue of a goose. It is intricately carved. I turn and admire it only for a moment before she swings it with shocking force. It connects, crushing a hole in my forehead. I can feel my bone come loose. The witch swings the statue again and hits above my right ear, smashing my skull. Blow after blow she lands, until tiny flakes of bone litter the bed and mingle with chipped bits of her once-beautiful goose.That entire passage is one of many throughout the book about her headaches. I just couldn't take it. The Main Character: “You’re filled with superiority, aren’t you? You think you understand the world so much better than I do. I’ve heard Gat talking. I’ve seen you eating up his words like ice cream off a spoon. But you haven’t paid bills, you haven’t had a family, owned property, seen the world. You have no idea what you’re talking about, and yet you do nothing but pass judgment.”Poor-little-rich-girl syndrome. She's beautiful, but wounded, and "mysterious" and revered, just for the sake of her blood alone, for the sake of her family's name alone. Think about it. If you were a Kennedy, it doesn't matter if you look like an elephant stepped on your head when you were born. People are still going to love you and worship you and whisper your name with reverence because you're a motherfucking Kennedy. It's this way with the Sinclairs, only there's no paparazzi following them around. All of the benefits, and no family curse. But somehow Cadence finds a way to be a rebel-without-a-cause anyway. She's rich. She's hypocritical about her wealth because she criticizes her own fucking family for being wealthy. She does stupid shit like give things away to random people because she can. Before the summer is over, Cadence's room will have been empty because she keeps giving shit away for no fucking reason. Cadence is unaware of others. She is spoiled. She takes her wealth for granted. She doesn't pay any attention to "the help." One night, the four of us ate a picnic down on the tiny beach. Steamed clams, potatoes, and sweet corn. The staff made it. I didn’t know their names.I'm sorry, but I can't sympathize with such a whiny person who's completely unaware of how privileged she is, headaches be damned. “Who are Ginny and Paulo?”The Love Interest: “You’re saying Granddad thinks you’re Heathcliff?”Gat is the only interesting character in the book. He is Indian-American. Gat Patil. He is the nephew of her aunt's boyfriend, and they've known each other for years. He is self-aware. Too self-aware in the pretentious way that teenagers can often be, but his character feels authentically teenaged. I liked him. He is accepted into The Liars, but he's not altogether accepted in the family. Because of his skin color, because of his lack of family money, he feels left out. And I can sympathize with him. “I’m not saying he wants to be the guy who only likes white people,” Gat went on. “He knows he’s not supposed to be that guy. He’s a Democrat, he voted for Obama—but that doesn’t mean he’s comfortable having people of color in his beautiful family.”Gat is intelligent. Reasonable. Likeable. And I wonder why the fuck he cares about a waste of air like Cadence. ...more |
Notes are private!
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1
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not set
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May 16, 2014
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May 16, 2014
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Kindle Edition
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1477870067
| 9781477870068
| B00HZ6EEN6
| 3.55
| 2,539
| unknown
| May 01, 2014
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did not like it
| Even when I was little, I knew I wasn’t like everyone else. Sure, I had the clothes and the shoes and the general skills to win superficial popula Even when I was little, I knew I wasn’t like everyone else. Sure, I had the clothes and the shoes and the general skills to win superficial popularity points. In the last couple years, I’d managed to get involved in stuff like debate and student government, but I’d never managed to be, well, normal.I've read a lot of terrible YA detective novels and this book would fit in perfectly among those unholy terrors. When I saw a YA criminal-investigation book by an actual attorney, I had high hopes, hopes that were, needless to say, dashed to the ground. I do not doubt the author's credentials in the least. I do not doubt her intelligence, I'm sure she's 1000x smarter than I am (they don't give law degrees to idiots), but this book was absolutely terrible. The YA detective novel is a difficult thing to write, the author has to: - Make the situations believable - Give the main character credibility in her actions - Portray her methods realistically, this is, after all, an under-aged character we're talking about) - Not make the actual police and prosecuting attorneys look like incompetent, bumbling fools. This book failed on all fronts. The Summary: Totally normal girls don’t wear four-inch Prada heels to the library, or stalk criminals, or wear four-inch Prada heels while stalking criminals.17-year old Ruby Rose is something else. She's got a 4.0 GPA, she's a gray-eyed blonde, she can fit a cellphone, makeup, several small kittens, in between her breasts (known as "The Cleave")... I felt for the picture of the girl hidden in The Cleave. Next to my other important stuff—cell phone, lip gloss—she was there....and she's famous! My virginity wasn’t exactly a secret. One of those trashy magazines had even broadcast it in an article called “Ruby Rose: The Virgin Vigilante.”Ruby's SWAT sergeant father was killed in action, and ever since his death, Ruby has been determined to mete out justice on his behalf. In her Prada peep-toe shoes. [image] Ruby Rose isn't your average 17-year old, no sir. She's got a closet (named Gladys) full of designer shoes that she can consult for help. I needed a few moments with my oldest and dearest friend: Gladys—aka my shoe closet.She's got a Black SUV called Big Black... Big Black, my overly tinted SUV and current best friend.Not to mention, at the tiny age of 17, Ruby Rose somehow fucking got a license to carry a concealed weapon. Of course, that license to carry is meaningless without a gun, right? Oh, she's got one, too, named Smith. I looked down at the shimmering weapon—aka Smith, my .38 Special Revolver with built-in laser sight that I’d gotten for my Sweet Sixteenth.Is there anything Ruby Rose doesn't name? Ruby Rose can kick! She can fight! She can shoot! She's trained---at the ripe old age of 17---in the SWAT obstacle courses. She can hack into the Orange County Police Department's criminal system!! And all she wants to do is bring justice to the criminals who have escaped the system! But not kill them, no. It's not ok to kill: Ruby Rose doesn't believe in killing. “Liam, it’s never OK to kill,” I said flatly. I had good reason to do it, sure, but that didn’t make it “OK.”Right. So it's just a little confusing when she kills not once... I pulled the trigger.Not twice. I aimed for the largest target area and pulled the trigger. His chest ripped open and his body lost momentum. He would never fight again.Not three times. I renewed my grip on the knife and slashed once as hard as I could, until I felt the blade slide through tissue and hit bone. He went limp.Oh, god, I lost track of the number of people that Ruby-I-Don't-Believe-In-Killing-People killed. “Things have long been out of control, Liam. I have killed, or been responsible for...” I stopped to count with my fingers. “Seven deaths now. Seven!”Killers don't faint! Definitely not. Ruby Rose is SO competent, right? She's killed so many people (while not believing in killing), she's trained her entire life to be a bad-ass motherfucker by her police dad. So naturally, in these situations, Ruby Rose would never do anything so silly as to...faint...right? A falling sensation rushed over me, and a sickening crack echoed through my skull.Shit. Ok. That was just once. That was just a fluke reaction in a school cafeteria, a visceral reaction to something. Surely she would never lose control of the situation and faint again... And I was losing consciousness.Fuck! Ok, that was a bad example. She got caught unaware and poison-darted on the beach because she was canoodling with lover boy. She will NEVER, EVER faint again. Seriously. Never. My world quickly spun out from under me. Swirling. Darkness. Pain. The last thing I saw was Liam, still on the ground, soundlessly calling out my name.OK, THAT WAS SERIOUSLY NOT HER FAULT. I mean, what kind of teen vigilante would expect a criminal to come up behind her and get caught unaware anyway. Who does that?! That's the last time. EVER. A jarring pain stabbed through my chest, and a coughing fit brought me back to reality.That was...I don't know. I mean, whatever. Let's move on now >_< Fine. The fainting thing was a bad example. Despite all her fainting, Ruby Rose of the 4.0 GPA is supremely intelligent. Not idiotic in the least. A teen vigilante so well-educated, so well-prepared as Ruby would never do anything dumb. He’d done it again. He wanted to toy with me. And I’d been stupid, impatient, and impetuous enough to walk right into his trap.Crap. Ok, that was just one example. Surely, having killed so many criminals, having tracked so many of them down, Ruby would never... Ha, I was insane. I was about to sneak out of my nice safe home and go looking for a rapist to convince him to help me. Real smart, Ruby. Best idea ever.Fuck. I give up. The Setting: This book takes place in Huntington Beach, California, in Huntington Beach High School. It could have fooled me. I grew up 5 minutes away from Huntington Beach, California. I still live around there now. I didn't get any sense of place, any sense of location at all in the setting. There were places that were just names. The Huntington Beach Pier, Pacific Coast Highway. I love those places. I drive down there. I take long leisurely summer drives down PCH for sushi with my little sister. I went to high school in Huntington Beach. It's a beautiful town. I'm not quite sure what school Huntington Beach High School has become when in the book, teenagers have "group sex parties" and teachers ditch class to go surfing on high surf days. It's fucking Huntington Beach. People go to the beach year-round. HBHS students are stoners, at worst >_> (can you tell my high school was rivals with them?) This book might as well have taken place in any generic beach town anywhere in the world. I didn't feel any authentic sense of the city. Ruby Rose: Bafflingly inconsistent. She doesn't believe in killing, but somehow she still does it. She's intelligent, yet she constantly walks into fucking stupid situations, and allows herself to be baited into killing people (which is against her beliefs! Gasp!). She's SOOOOOOOOO fucking perfect, yet she constantly puts herself down. Really, it sucks that her father died, but do you really expect us to relate to a 5-million-dollar-trust-fund blond-haired silver-eyed, buxom 4.0 GPA high school student who's got a closet full of designer shoes, who drives a GMC Denali. [image] Who's got the attention of the hottest boy in school, a cheery best friend, the ability to shoot and kick-ass in karate, and a District Attorney mother (whom she hates for some fucking reason)? Excuse me while I play the world's smallest fucking violin for Ruby. Trouble doesn't come looking for her, she seeks it out, and she cries fucking crocodile tears when things don't go her way. Oh, and her mother. Her poor District Attorney mother. Her cougar mother who checks out her boyfriend. Her Botoxed, Restylaned mother. How dare she seek out a career as a politician. How dare she not ignore her own ambition. Fuck that bitch, right, Ruby Rose? The Writing: Oh my god, so much name-dropping. From TMZ (SO MANY MENTIONS OF TMZ) “How about that I killed somebody,” I said. “I’m a Vigilante Teen Assassin. At least that’s what TMZ called me."To UGGs (I can hardly keep track of the shoe brands in this book). To the extremely silly technological references that just sounds completely fucking absurd, even to an actual geek like me. People who like computers don't actually think in computer-speak! - “So what about Taylor?” I asked, wondering why my brain had brought her up at a time like this. It was like my logical brain had a firewall and was trying to override the invading emotions. - I wasn’t drinking her Very Cherry Kool-Aid. And I definitely wasn’t getting the message she was trying to send. Like the physical contact had created a spam filter and her message was just going to the junk file. To the long, pointless, rambling extended metaphors. I stared at his lips. Were they telling the truth? Or were they like chocolate—promising happiness, providing a few moments of heaven, then ultimately betraying me, going behind my back and putting junk in the trunk?The Romance: Liam. Handsome Liam. Liam who might be a killer. It didn’t seem like a fair choice. Chocolate had total power over me—there was no denying my addiction to the dark, creamy crack. Those few moments of bliss were always enough for me to disregard the consequences. So, even if Liam was only chocolate, I wanted to taste a piece.The Romance: Liam. Handsome Liam. Liam who might be a killer. “I nearly killed my father,” he said point-blank, staring at his hands as if they might still have blood on them.Oh, but it's fine that he beat the crap out of his dad! It's just self-defense! “Protecting yourself would be calling the police, not taking a baseball bat and putting your own father in a coma for seven days.”*slow clap* Good fucking job, Ruby Rose. Recommended for people who love stabbing themselves in the eye. ...more |
Notes are private!
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1
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not set
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May 08, 2014
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May 01, 2014
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Kindle Edition
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0316098795
| 9780316098793
| 0316098795
| 4.10
| 60,636
| Jan 11, 2012
| Jan 11, 2012
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really liked it
| This is ridiculous, she thought. I’m possessed of terrifying powers. Why am I relying on a ridiculous little gun that I picked because I thought it This is ridiculous, she thought. I’m possessed of terrifying powers. Why am I relying on a ridiculous little gun that I picked because I thought it was cute? I don’t need this thing. She threw it contemptuously over her shoulder.This book is X-Men meets X-Files meets The Bourne Identity meets Johnny English. And that may sound like a clusterfuck to end all clusterfucks, but somehow it works, or maybe my mind is just trying to make it better than it is because I'm coming off a massive chain of horrible books. Whatever. I loved it. If this book were made into a movie, I can totally see Tina Fey in the lead role. [image] The good: - Witty, dry, humorous writing - A female assassin/secret agent not afraid to kill- A fun and interesting secret agency, think "paranormal MI5" - A well-executed amnesia premise - A racially diverse and fun suporting cast of characters - NO ROMANCE. CAN I GET A FUCK, YEAH?! The not so good: - Questionable character development - The length: it's a good book, but it could stand to be cut by a good 100 pages - The infodump: It's a fun infodump, but it's still an infodump The Summary: Dear You,A woman stood shivering in the rain, surrounded by a circle of dead bodies. She has no idea who she is. A letter inside her pocket informed her that she is a Myfanwy Thomas, pronounced miff-UN-nee . The letter gives her instructions, where to go, what to do. She checks herself into a hotel, as instructed, finds more letters. The next morning, she leaves the hotel, and is promptly attacked by four people, one of them the receptionist. Myfanwy's reaction is a little unexpected. She almost kills them. When she opened her eyes and took a breath, she realized that there was no one holding her. Instead, the four people were lying on the ground, twitching uncontrollably.Interesting. These letters will continue for the rest of the book. They tell Myfanwy who she was, how she grew up, most importantly, they tell her that Myfanwy now works for a secret agency known as the Checquy Group. They've been in existence for hundreds of years, and Myfanwy is a Rook. One of the highest ranking members of the group. Once you're in the Checquy Group, you don't get out. I’ve only ever heard of three people who tried to leave the Checquy, and I know the history inside and out.The Checquy Agency employs normal, loyal people, but the epistle of its powers lies in those with special powers, such as Myfanwy. I gained the power to touch people and possess instant control of their bodies. I could make them move however I pleased. I could read their physical condition, detect pregnancy, cancer, a full bladder.Only, instead of being a super secret special agent, the old Myfanwy appears to be nothing more than a "glorified paper pusher," albeit a very powerful one. So what happened? How did she lose her memories? Why did the old Myfanwy plan so carefully for such a scenario? Lots of questions. Few answers. But for now, Myfanwy's still got a job to go to. She has to step into her former life without a beat, while avoiding her colleague's questions. “Yes?” said Myfanwy. What, do these guys keep tabs on my comings and goings? “Well, I...had an appointment.” They regarded her with expectant eyes, and she was suddenly filled with a desire to shake up those proprietary stares. “A gynecologist appointment.” She smiled triumphantly at the twins. “To have my vagina checked.”And it has to be confessed that Myfanwy isn't altogether convincing at times. “I’m sorry, Rook Thomas, but your car is here,” she said.There's a lot of weird crap thrown at her, including horrifying colleagues who wouldn't hesitate to literally rip someone's face off, and acquaintances who have been alive for thousands of years. “… past century she is notable for having kneed Joseph Stalin in the groin during a drinks reception, and she played a large part in the South African diamond industry,” Ingrid went on. “She also cured one member of our royal family of cancer in the 1950s, and infected another with syphilis in the 1960s.”On her quest to find the truth about her memory loss, Myfanwy will face terrifying danger, manipulative colleagues, plagues, vampires, werewolves, mold monsters, and company parties. I can’t wear this!” Myfanwy exclaimed in horror.The Setting: This book is an infodump. I usually hate infodumping, but it was done exceedingly well in this book. Through a series of letters, the old Myfanwy explained the inner workings, the history, and the stories surrounding the infernal Checquy Agency. It's a pretty typical paranormal agency, but it is so well-presented, from the internal politics, to the ranking, to the little-known details only an insider would know. It's an old agency, it is resistant to change. Paranormal or not, some things remain the same. Occasionally, someone will point out these flaws and attempt to institute a change, but that person is slapped down. The reasons for this down-slappage are:The premise of the superpowers are similar to that of the X-Men. While most of them lack the extent of the full mutant appearance, the players within the Checquy Agency are quite dangerous and abnormal. Like the fabulously Children-of-the-Corn Rook Gestalt. Three boys and one girl. Two of the boys were identical. That’s not the weirdest thing, however. The weirdest thing was that when all four pairs of eyes opened, only one mind was looking out from behind them. This was Gestalt.f you wanted people with freakishly awesome powers who aren't afraid to use said power to maim, torture, and kill, you won't do much better than this book. Myfanwy: The good: - She is hilariously average. She is quite plain in appearance (and no, nobody falls in love with her), her body is nothing special. She has terrible taste in clothing. She likes bunnies. She loves Toblerone chocolate. She has a tendency to stumble. While the old Myfanwy was a wallflower, the new Myfanwy is more apt to put her foot in her mouth, with a preference to run and hide rather than do anything heroic. But she can't, because she's a powerful person without being able to remember it. Crap. She is jealous sometimes while never, ever slut shaming or hating another female for her appearance. In fact, one of the women with whom she works. Please let her have slept her way to the top, thought Myfanwy. No one deserves to be this beautiful and clever too.Turns out to be not only beautiful, but awesome, nice, and a great friend. - She is super super super deadly, and is kind of a special snowflake at times. My God, you were the most exciting find in decades! All of us knew about your potential. The tutors at the Estate were babbling about you to everyone!”But it doesn't piss me off because she doesn't really give a fuck. The old Myfanwy is scared, she chokes, she hates using her powers to harm. The new Myfanwy doesn't have those reservations, but she's still not inclined to get into dangerous situations because 1. She doesn't want to, and 2. She really doesn't have a clue what's going on most of the time. - Blending in: When you're an amnesiac, trying to get back into the swing of things at your paranormal MI5 workplace is kind of hard, especially when you have multiple-body-psychic-colleagues. I mean, what are you supposed to do when they're mentally killing something in front of you? Finally, after a high-pitched kiYAA!, they settled back, breathing heavily, and explained that Eliza had just broken the neck of the leader of the antler cult, and that the complex was secured.The Not-So-Good: Really, there's only one thing. Her personality change. She has amnesia, and as mentioned, Myfanwy has trouble trying to get back into things and appearing normal. She's clumsy, but sometimes, she is far, far too competent and take-charge very early on when she largely hasn't a fucking clue of what's going on. Like during her first meeting, when things get out of hand, Myfanwy decides to take charge. “Gentlemen!” she finally shouted, and her voice cut through the noise like a scythe through a poodle. There was dead silence, and everyone stared at her, stunned. “You all need to shut up and stay focused on the task at hand. Dr. Crisp, if you will turn your eyes back toward the interrogation, I wonder if you could revive the subject and question him.”This is entirely too confident, too much for me to believe. I can understand a personality change, but I can't accept that Myfanwy can be so utterly silly and incompetent-sounding on one page, while being competely take-charge in the next. The Writing: It was an old room in an old building and was decorated in a very specific style that showed the decorators were lacking both imagination and a second X chromosome.It's hilarious, but it's not like ha-ha hilarious. The author is American, but he does a damn fine job of replicating dry, deprecating British wit. The Romance: THERE IS NONE! HALLELUJAH! ...more |
Notes are private!
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1
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May 06, 2014
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May 07, 2014
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Apr 23, 2014
|
Hardcover
| |||||||||||||||
1481402110
| 9781481402118
| 1481402110
| 3.41
| 437
| Oct 07, 2014
| Oct 07, 2014
|
liked it
|
This is a well-written YA mystery, but from the blurb, I expected more darkness and more excitement. I enjoyed it, but I found it lacking on the promi
This is a well-written YA mystery, but from the blurb, I expected more darkness and more excitement. I enjoyed it, but I found it lacking on the promised darkness and suspense. The good: 1. A well-developed group of best friends, male and female 2. A realistic amount of romance 3. Psychologically complex characters 4. Great small-town atmosphere 5. A well-written love triangle based on friendship, and a light amount of romance 6. A male narrator who is neither an asshole, nor a girl in disguise. He has a crush on a girl, but he never sings odes of unrealistic poetry about the color of her eyes or her hair The not-that-great 1. The mystery---from the premise, I expected more of a paranormal twist; this is more of a Monkey's Paw sort of premise. There is only one "strange" element in this book. If you read this, be warned that this is not much more than a well-written psychological mystery 2. The pacing: it is a slow book 3. It's still a love triangle 4. The binoculars: even when explained, it's a pretty flimsy premise that felt pieced together from bits and pieces of pseudo-science The Summary: “I saw my dad,” she said shakily. “In our house. There was blood everywhere.” Natalie stopped, breathed quickly, like she could barely suck in the air. “I think he was dead.”It all started with their last trip into the Vermont woods. Riley and his friends are taking one last trip to their favorite part of the Vermont woods before winter---and the stress of senior year hits. With him are Natalie, Tannis, Trip, and Trip's girlfriend, Sarah. Sarah, whom Riley adores, unrequited. During a game of Truth or Dare, Sarah and Riley go into a cave...instead of sharing a secret, they find a box containing a pair of binoculars that are anything but ordinary. Instead of magnifying what's in front of them, they show Riley a vision... There was someone beside me in that bed.Riley is not alone, his friends see visions as well. They're not sure what the visions represent, or if they're, in fact, visions at all? Was it a mass hallucination? A psychotropic drug transplanted on the binoculars? Do the binoculars show visions of the future? Or is it something else? “Maybe it was, like, our hidden thoughts,” I said, watching her reaction. “Our deepest wishes or worst fears or some thing.”Whatever it is, not all the visions are as benign as Riley's. His friend Natalie sees her father's bloody death. And it's a death that actually happens. Natalie's father is killed, and she is a suspect. Natalie's father is a troubled man, and all her friends know it. They can't help but think that maybe Natalie had something to do with it, and apparently, so do the police. And what is the binocular's role in all this? “What if this is like that and somehow it changed Natalie?” I said, then added, “We have no idea what we’re dealing with.”The Mystery: The premise of the binocular is more of a slightly-paranormal force that drives the plot along, rather than anything paranormal or malicious itself. The binoculars are psychological mindfuck, as the teenagers in this book try to determine the visions and what they mean. In that sense, it works quite well. Think about it, if you were to have a vision of yourself lying dead on the floor, what would you think? How would you try to change it? Would you try to change your life while thinking that it's a vision of the future? Would you try to change the paths that would remove you furthest from that future? Or would you do nothing, thinking that it's your mind playing tricks on you? In that sense, it works well, but for me, I guess I wanted more than that. I wanted more meaning, I wanted more darkness, I wanted to be scared and thrilled. This book did neither for me. The Setting: It was one of the things I hated about Buford. Everyone knew too much about everyone else.Small-town Vermont. A dead-end town. Growing up in Buford, Vermont, you have two choices. Get the fuck out, or have no future. It's not a big industrial town, it is a small town of 1200, that depends on the winter and the skiing tourists. Like any backwaters location, there is a drug problem. The police force isn't that great. You will likely have known your classmates since kindergarten. The townspeople each have distinct, authentic character, however little they appear in the book. From the relaxed police officer... Some guys probably were excited by the idea of “real” police work, but Bob wouldn’t be one of them. He had a little girl and a pretty wife and seemed content to shoot the shit with the townies and write the occasional parking ticket....to the wonderful AP Physics teacher who instills passion in learning despite his four-person class. The Characters: I really loved the teenagers in this book, they each had complex psychological profiles, and I didn't feel like they were tropes at all. From Natalie, the champion skiier with a trailer trash family she wants to protect, to car-loving tough-girl Tannis, with an unexpected amount of passion and reason for her steely exterior. "I’ve watched how it is for my mom, stuck in the house—every minute she’s not working, that is—washing and cleaning and cooking and then washing and cleaning and cooking again. She’s been doing it for twenty years, and my mom’s awesome, but she’s never done any of the stuff she wanted. Live in a city, fly on an airplane, do a job where she gets to wear a suit. Kids are a straight-up dead-end boring job, and it is definitely not for me.”Outside of the five best friends, there are other side characters who are sympathetic, too. The adults are well-portrayed. They're not flawless, they're not dumb; they are humans who make mistakes, and they are people who have lives outside of their children. The Romance: There is a love triangle in the book, and it didn't bother me that much. What made the romance bearable is the lightness of it, and the fact that the people involved are friends, first and foremost. They've known each other since they were twelve. Riley wanted to date Sarah...but his friend, Trip, got to her first. Imagine about to tell your best friend that you're about to ask a girl out, only to have your best friend tell you that he's asking the same girl out. Riley played the bigger man, he let Trip date Sarah without ever confessing his feelings... And the rest, as they say, is history. Trip went with her, I stayed home, and from then on I got to watch the two of them—my sometimes best friend and the girl I’d been crushing on—fall in love. Un-fucking-believable.There's the friendship. Sarah and Riley are friends, they talk to each other, they have their close moments, but it takes awhile for their relationship to develop into romantic potential. And when they do, there's so much guilt involved that I can't hate them at all. “Oh God, Sarah.” I pulled back, away from her. I kid you not, it was probably the hardest thing I’ve ever done. “I can’t. God knows I want to.”Overall: A solid book, with great characters and good writing. The plot is slow, and the paranormal element very light and somewhat unbelievable. Recommended, with reservations. Quotes taken from an uncorrected galley subject to change in the final published edition. ...more |
Notes are private!
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1
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Apr 19, 2014
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Apr 20, 2014
|
Apr 19, 2014
|
Hardcover
| |||||||||||||||
0062259601
| 9780062259608
| 0062259601
| 3.74
| 2,049
| May 13, 2014
| May 13, 2014
|
it was ok
| “You know what I think?” I said. “I think whoever killed Erin knew about you and me and her.” I carefully sidestepped the term love triangle, since “You know what I think?” I said. “I think whoever killed Erin knew about you and me and her.” I carefully sidestepped the term love triangle, since I didn’t want to go there.Girl, you went there. This wasn't a terrible book, but it was completely generic, lackluster, and half-assed in every way. There's kind of a love triangle, and there's kind of cheating, but not really, because the two main characters kind of made swoony eyes at each other and literally nothing else for 99% of the book. There was no romance. Don't come in here expecting a love story of any sort. It's emo teenaged wangst, and that's it. Despite the tantalizing hint of a grand romance, there really wasn't anything of the sort, and trust me when I say that I'm the first to jump up and yell "THIS BOOK HAD TOO MUCH ROMANCE IN IT!" This book just had no love. The mystery is half-hearted. It was solved with an overreliance of deus ex fucking machina in which the main character is privy to everything that the police knows. There was a not-terribly-Mean Girls clique. There is a half-hearted stalker. There are people who would blurt out very convenient information with the slightest of provocation. There is a love interest who might be the killer, and who is luurved by the main character, but he's roughly as dangerous as this bunny. [image] He is just so uninteresting and completely dull in every way that I just didn't really give a flying fuck when the main character is all "I KNOW ALL THE EVIDENCE POINTS TO HIM BUT HE DIDN'T DO IT BECAUSE I KNOW HE DIDN'T DO IT. NYAH!" This book also has a somewhat offensive portrayal of Christians. Let's get one thing straight, I'm not Christian,fuck , I'm not the least bit religious. I'm against organized religion in general, and even I felt like this book portrayed Christianity in a very negative light. The type of Christianity portrayed here is the far-right, very religious type with daddy-daughter "Weddings" and "Purity Rings" and fanatically religious Mormons. This book doesn't name the religion outright, but it's pretty fucking obvious that this book talks about Mormonism. If you're easily offended by that, don't bother with this book. The Summary: I would never see Erin again.Lily Graves is just having an average day, cleaning up the cemetary in a Morticia Addams-style gown when the school Queen Bee and her archenemy, Erin Donohue shows up. Erin goes batshit crazy, blames Lily for her breakup with school jock/boyfriend of three years, Matt and proceeds to scratch and claw the fuck out of Lily. ...yanking my black hair, slapping, biting, and finally digging her nails into the delicate flesh of my forearm.Erin finally leaves, with a :DDDDDD bye! See you Monday! ^_^_^_^_^_^ (the "bitch!" is implied), only Lily will never see Erin again, because that night, Erin commits suicide. Or so they say. It turns out that not all is well with the picture-perfect Erin. For starters, Erin's boyfriend Matt has been engaging in a secret flirtation with Lily. It all started with a tutoring session, which leads to driving lessons...on his lap. “You honestly want me to sit on your lap?”Well, one thing's for sure, she'll know when he releases HIS clutch...all over her thighs. I don't know about you, but teaching someone to drive a manual shift while sitting on his lap is all sorts of stupid and dangerous. From personal experience, if a somewhat decent looking girl with a decent face with a nicely cushioned arse sits on a guy's lap, it's going to end in an erection 92.8% of the time. But Lily is charmed! She learns to drive! Hopefully not with HIS stick shift, but whatever. Erin found out about Matt & Lily, she's furious. She told everyone. And now she's dead. Naturally, the main suspect is Matt. When a woman disappears, chances are it's one of the main men in her life who did her in. Also naturally, Lily doesn't believe Matt's guilty at all. She sets out to prove his innocence. “Let it go.”The thing is that evidence keeps mounting against Matt. For one thing, Matt didn't even need tutoring---he lied about his parents and he lied to his parents---Matt wasn't going to fail his classes at all. So why did he have Lily tutor him? “What if I told you, Miss Graves,” Zabriskie continued with a touch of glee, “that there wasn’t a chance that Matt Houser would have been benched this season?”And then there's the issue of Matt arguing with Erin on the night she died. “The guy Mrs. Krezky saw arguing with Erin that night sounds exactly like Matt. Short brown hair, Potsdam Panthers jacket, and everything.”And then it turns out that Erin was pregnant. Matt was her boyfriend. It's not rocket science to assume he's the father. I tried not to think about Matt having sex with Erin.Matt is a suspect, Lily is being told by everyone to stay away from him. Naturally, she can't. “Matt is a boy with...”—she bit her lower lip—“bad intentions, I think. The more distance between you two, the better.”The Side Characters: We’d dubbed them the Tragically Normals, because they were truly living the ultimate high school experience. Good grades? Check. Lettering in sports? Check. Nice cars, cute boyfriends, adorable girlfriends, clear skin, ideal physical proportions? Check, check, check, check, and check.Clichéd, clichéd, clichéd, clichéd. We have here the Mean Girls and Boys. They're bright, shining on the outside. Outstanding students, young pillars of the community who are secretly assholes to everyone beneath them. They're petty, they're foolish, they do illegal things, they're hypocrites, they get away with it. There's the stoner, who says stuff like “You know, when I was at that pit called Potsdam High, you were the only one I thought might be able to understand my interests, seeing as how you too were mocked and ridiculed for yearning to be among the dead.” There's no depth at all to the side characters. Deus ex fucking Machina: TO: Robert R. Amidon, Chief of PoliceTo be fair, I'm not quite sure if this qualifies as deus ex machina, but the plot is helped along by so many convenient excuses, it's hard not to label it as such. Lily's mother is dating the chief of police. Thanks to that convenient little fact, Lily constantly gets tips from the police that she's not supposed to know. She works at the family mortuary so she's got details on the body (Erin's) that she's not supposed to know or see. It was odd to see Erin this plasticized and defenseless, her newly washed red hair in a halo around her vacant face, her mouth glued into a pleasant smile. On closer examination, I noticed her inner thighs were riddled with scars, as were her waist and breasts.Total conflict of interest, but whatever, right? To top it off, everyone gives Lily the information she wants. “Talk to me.” This was my one window of opportunity and I had to make the most of it. “What happened at Erin’s house Saturday night?”Mean girls? Check. One little interrogation and they're blurting out their heart's secrets to her. This is entirely unrealistic, given that the Mean Girls (or "Pathetically Normals") are Lily's sworn enemies. The Suspects: Never entirely well-thought out at all. Random suspects are thrown out of thin air, others seem to be complete red herrings that aren't subtle and witty as much as they're tremendously annoying for the reader. Lily: “This you, Lily Graves?”Lily Graves is one of those teenagers who wear all black in school and is fascinated with death. It doesn't really make her any interesting to me, because I was one of those morbid teenagers myself. My problem's not with the fact that she tries to be different, it's the fact that she has no personality and no purpose for looking and dressing the way she does. She is superficial, despite the fact that she criticizes others for being superficial. She's a normal teen who chooses to dress differently, that's all. I didn't feel that there was anything particularly special, interesting, or especially likeable about her. The Romance: I really can't bring up any quotes about the romance, because despite the fact that this book is based on the rumor of a romance between Matt and Lily, there was none. Matt is not a nice guy. We're led to think he's a nice guy, but he's not, because he cheats on his girlfriend of 3 years with Lily. It's a mental cheating, but he's trying to get to know her WHILE he has a girlfriend. “I did it because...because I wanted to get to know you, and I was too stupid to think of any other way.”HELLO, YOU HAVE A GIRLFRIEND. Matt kept on dating Erin until the very end. He didn't have the courtesy to break up with her, having acknowledged his attraction to Lily. It's not a decent thing to do. Despite his cheating, there is an absolute lack of romance in this book. Lily and Matt do absolutely nothing but make sad puppy dog "I DIDN'T KILL HER" eyes at each other. If you're going to give us a tragic couple, make it worthwhile. Overall: A halfhearted attempt at a mystery that just bored me to death. ...more |
Notes are private!
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1
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not set
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May 14, 2014
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Apr 09, 2014
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Paperback
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0062260863
| 9780062260864
| B00HLISTDY
| 3.81
| 3,291
| Sep 16, 2014
| Sep 16, 2014
|
it was ok
| She thrust her right hand forward. She thrust her right hand forward.*rolls eyes* Let's say you can buy a Dior purse for $50, in a spectacular find on clearance. Let's say you can also buy a knockoff Dior purse for $50. If they're pretty much the same value, wouldn't you want to get something that's more...authentic? Better? Designed and proven to please? That's the case of this book. There's no point in reading it when there is a superior version in Burn for Burn. The trouble with Get Even is that it's a silly, weak, watered down version of the most excellent Burn for Burn. Furthermore, it's more unrealistic, in the amateur vigilante sort of way. If you just want to be entertained, sure, go for it. If you want a more realistic scenario actually involving revenge...go for the real thing. This is inferior to Burn for Burn in every way. Furthermore...the premise is rather silly and contradictory. There is a group formed by the four girls in the book. They call themselves "Get Even" (as in...don't get mad...). Their mission is to publicly shame and humiliate bullies...and while nobody likes assholes, doesn't it just bring the anti-bullying group down to the same level of the bullies by humiliating them? I could compare it against the death penalty (and get a lot of flak for it, I'm sure) by saying it's like putting someone to death for murdering someone. I just don't like that sort of message. I feel that Burn for Burn was less blatantly hypocritical in that sense than this book ended up being. :| The characters are similar, too... The Summary: You have four "friends" each as different as can be. The overweight, socially ostracized, intellectually brilliant Margot. Margot understood the degradation, the knowledge that every set of eyes was on him, judging his overweight body, murmuring “fat ass” under their breath while they tacitly assumed the obesity was his fault.The popular, beautiful Asian girl Kitty (I guess I should appreciate the diversity, but this still feels like Burn for Burn). “Now, to introduce a short video presentation by the leadership class, your student body vice president, Kitty Wei.”Politician's daughter, hipster wannabe Bree, who doesn't give a shit about her parents' political ambitions. John might fantasize about how cool it would be to have a superstar politician and heir apparent to the governor’s mansion for a dad, but for Bree, the reality had been sixteen years of being reminded that she was the black sheep of the family who didn’t conform, didn’t appreciate her advantages, didn’t understand how important it was to maintain her dad’s carefully groomed image as the perfect family man.Beautiful aspiring actress Olivia, with a carefully groomed outer appearance and a secret shame. Olivia crouched next to her bed and groped around underneath until her hand rested on a large Tupperware container wedged behind some old shoe boxes.So. Four girls who hang out in completely separate circles. What could they possibly have in common? Well, for one thing...they are the four members of DGM. DGM is the bane of their school, Bishop DuMaine. They're well-known for pulling pranks, particularly on "bullies" who deserve it. Like a coach with a reputation for humiliating his students. His revenge from DGM is complete and utter public humiliation. Like showing a video clip of his audition for a reality TV show in front of the entire school body. “I’m Richard Creed,” he said, his best shit-eating grin plastered across his face. “But you can call me Dick.” He wore a blue wifebeater two sizes too small, and his bulky arms looked as if he’d oiled them up with an entire tub of Crisco. He jabbed a thumb at his chest. “And I’m here”—he paused and pointed to the camera—“to give you three reasons why I’m going to win America’s Next Fitness Model.”DGM is considered to be such a threat to public safety that there's even a school investigation squad established of handsome young hunks, called Maine Men designated to uncover the culprits of DGM. Well, all's well and dandy until someone gets murdered, and DGM gets the blame for it. “‘The apparent murder weapon was found at the scene,’” Margot continued. “‘Along with a moniker for a local organization. No suspects are being held at this time. Anyone with information about the incident is asked to call detectives at the Menlo Park Police Department.’”Will the members of DGM be able to get over the silly love triangles omg I'm dating my DGM member's ex-boyfriend omg insta-love omg my best friend might be in love with me drama to coordinate their super secret hand signals in order to find out the whodunnit and get the attention off themselves? The Setting: “Ronny’s a predator,” she said. “And we can stop him from hurting someone else.” Kitty thrust out her chin. “Don’t get mad!”The secret super special secret society here just feels fucking silly.Instead of a more serious premise, we have pretty much a club with special hand signals and chants. What the fuck, man? Here's the difference: whereas in Burn for Burn, we get to watch the characters slowly come together in a quest for revenge...Get Even already comes pre-formed, and fuck if it isn't silly as hell. I mean, they have their own special group hand-shake power-chant. They have ALL met before the book. Their secret group of friends (who don't appear anywhere near each other on the high school social ladder) have already pre-formed, and as such, we don't get any of the interesting dynamics that develop between them initially. This book feels shallow and silly and unrealistic. Burn for Burn worked better. We got to know the characters. We got to really FEEL their need for vengeance, that was why the premise felt realistic. That was why the premise worked. That was why I got fired up for revenge. This book is not about revenge as much as it is about vigilantism and I can't say I support that. Yes, it sucks that there are bullies in school, and yeah, it sucks if you're a victim, but I am a firm believer that karma works, and I am a firm believer that teachers and authority figures actually know their shit, and yeah, high school sucks. Trust me, I remember it well, but this, too, shall pass, and in my opinion, taking it out on the bullies, while it feels good, takes us down to the level of the bullies themselves. So that is why I can't fully support nor do I found the premise in this book enjoyable and believable. It just doesn't work for me. The connection between the girls are hardly there. “Are you sure,” Bree said drily, “you like your face that way? Because I could rearrange it for you.”They're just people who happened to join together for the same cause. There is no dynamic, no compelling backstory, no true sense of an alliance, above all, no true friendship. But when it came time to choose an outreach program for the project, all four of them picked the same one—an antibullying awareness group.Womp, womp, womp. It's a dull letdown, and a dull premise that never meshed. I never got a sense of satisfaction from the book, in whatever justifiable (or not) acts of revenge perpetrated within this book. The Characters: They feel clichéd. Yeah, I know it's a high school book. I know that it should be clichéd to a point, but there's a way of writing characters to make characters feel...real, and this book didn't do it for me. The main characters don't feel real. The people at the school don't feel real. They're more or less standardized high school tropes, like the mean girl Queen Bee. A commotion rippled through the gathering crowd, as Amber Stevens pushed her way to the front, smiling gleefully in Theo’s direction. “What a pig!”To the evil headmaster, to a druggie whose nickname is...Ed the Head. “Ladies!” A gleam of braces and a whiff of strong and probably needless aftershave were the only harbingers of the skinny sophomore who spun onto the bench between Peanut and Jezebel.A peddler of everything from homework to junk food to running a gambling ring. The jocks are overly jock-y. The cliques are severely defined. There's nothing that feels realistic about this book. I mean, sure, you could read this book. It's entertaining enough if you don't think about it, but why bother, when Burn for Burn is so much better? All quotes were taken from an uncorrected proof subject to change in the final edition. ...more |
Notes are private!
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1
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Jun 02, 2014
|
Jun 10, 2014
|
Apr 05, 2014
|
Kindle Edition
| |||||||||||||||
0552566039
| 9780552566032
| 0552566039
| 3.70
| 2,262
| Jan 31, 2013
| Jan 31, 2013
|
it was ok
| Mum laughed. “You wish it was more complicated than it is because you love secrets.” Mum laughed. “You wish it was more complicated than it is because you love secrets.”The best word I can use to sum up this amateur detective novel is "unsuccessful." In order for a detective novel to feel realistic, there has to be an incentive, a remarkable motive that drives the would-be-detective (amateur or not) to seek the answer and to right a wrong. There was no purpose in this book's "mystery" than a girls' overactive imagination and overwhelming jump to conclusion for no reason at all. The mystery is put there in order to write a book, and because of that fact, the entire "investigation" felt overwhelmingly contrived. Not only that, the characters are overwhelming tropes. There is not unbearable girl-hate in this book, but every single female character in this book (with the exception of the main character) is portrayed artificial, stupid, vain clones who are all stupidly boy-crazy, but it's ok if Jess likes a boy. The main character is unconvincing, she is not the worst main character I've ever read, but something in the way the book is written makes me feel like her personality was made up as the book goes along. I didn't hate her, but she didn't feel like a consistent person. Not only that, she constantly blushes, flushes, burns. This book tries to sell her to me as a bad-ass, analytical investigator, and I just can't see Jess as the book meant her to be seen. The investigation of the book is questionable. The main character (Jess) can only be described as "Too Stupid To Live." Jess' intelligence is highly questionable, her investigative methods are as subtle as Lady Gaga at a Mormon convention, and about as smart as putting your finger into an electric socket. I’m going to persuade [the suspect] to meet me at the top of the cliffs. The shock of seeing me will scare [them] into telling me what [they] did. [They] confess, I go back to the police with proper evidence, justice is done.”[image] The Summary: I didn’t realize how stupid I’d been until it was far too late.That sums up the book in a nutshell, but I should probably be a little more detailed than that. Jess is spending the summer with her mum and cousins in Port Sentinel. This wouldn't be a bad thing, except her mother happens to mention the fact that she looks exactly like her cousin Freya, who is her age, who is her twin in appearance. Freya, who was blonde, like me. Who had the same shape of face as me, the same pointed chin. The same slanting blue eyes. The same mouth. The same. Top to toe. The dead girl and I could have been twins.The dead girl. Freya is dead. She died last summer, of an accident. Out of nowhere right after her mother mentioned Freya, Jess starts questioning her death for no reason at all. “It was an accident, wasn’t it?”[image] Jess is absolutely fixated with Freya's death. She becomes convinced that Freya was murdered. It really bothered me that no one could tell me what had happened. If I hadn’t looked like her, maybe I wouldn’t have cared so much. But the reactions I’d had from just about everyone— that mixture of guilt and fear— made me think that there was more to the story than the tragic-accident line Mum had takenAnd naturally, the book is written to present to us the fact that Jess is right, but it does not convince me because there is no evidence other than the gut instinct about a girl Jess has never even met. "I also have the feeling I’ve come in halfway through the story and I’m never going to catch up. And I want to know more about Freya.”Jess starts seeing guilt everywhere. In people's nervousness. I might have wondered what his problem was if he hadn’t been giving me the look I was starting to expect: shock mixed with suspicion. And what looked like—but surely couldn’t have been— fear...She sees clues in the most minute of reactions. In people's eyes. In the way they react to her. How do you expect them to react, she's Freya's physical double! Like it or not, Jess is going to spend the entire summer pursuing Freya's killer. Because she knows Freya was killed. If she's not careful (ha!) she might end up in a coffin herself. “Hasn’t it occurred to you that if she was murdered, the person who did it might want you to stop dragging it all up again?” He looked back at me, his face grave. “Hasn’t it occurred to you they might be willing to kill again?”Investigative Bullshittery: If you're a teenager, and you're new in town, and you're trying to dig up a potential killer, it's probably a wise idea not to be completely fucking obvious about it. You shouldn't do things like going around, asking everyone you know about Freya and her death, which you will loudly proclaim to everyone to be a murder, not an accident. “If you hear everything, do you know who killed her?”I CAN'T UNDERSTAND WHY JESS KEEPS THINKING THAT FREYA IS MURDERED. “You’ve got a bee in your bonnet about this and I can under stand why. It would be much more exciting if she’d been killed. But there was an inquest. The coroner was quite clear. It was an accident. Death by misadventure. And I told you to stay out of it, didn’t I?”From the very beginning, from the moment she is in Port Sentinel, Jess feels like Freya is killed. I cannot understand her reasoning, and therefore I do not find the case convincing at all. Stayin' Alive: I might have been more forgiving about Jess' unconvincing investigation if she hasn't been Too Stupid To Live throughout the entire fucking case. One moment of stupidity is fine. We're all human. I've done dumb shit myself, I understand, I can forgive that. Repeated acts of stupidity is not ok. Jess constantly gets herself into dangerous situation, and she well knows that she's a fucking idiot. That's the thing, Jess REALIZES HER OWN STUPIDITY. In a life or death situation, she cannot help but shoot off her mouth to antagonize the person who is literally holding her inches from dropping into a cold, dark death. My smart mouth was going to get me killed, I thought. Really, genuinely dead. I should be begging her to let go, pleading with her, groveling so she could see I was completely in her power, but something in me wouldn’t give in. Pride, probably. Which was stupid.[image] Her instincts warn her of danger. She ignores them. I took a tiny breath, which was all I could manage. The old familiar jolt of fear kicked my heart into a canter. Oh, here we are. Danger again. I felt trapped and I was more worried about his intentions than I had been before he’d lied to me.She takes stupid risks, she deliberately places herself in danger. She uses herself as bait, and she's so fucking shocked when shit comes back to bite her in the ass. Then there was the little matter that going for a walk with him was the equivalent of painting a target between my shoulder blades and handing [her] a bow and arrow. So of course I nodded and let him put his arm around me.[image] And instincts? Life-preserving instints? Fight-or-flight gut reactions? There to be ignored. As I started to turn away I half saw a figure in the back room, standing against the wall, watching me, and my heart took off at a gallop. There was that feeling again— pure fear, ballooning out of nowhere. I refused to acknowledge it.This happens so many times. I admire her courage, but you need to stay alive in order to conduct an investigation. You need to use common sense and your intelligence. Jess does none of the above; she wins despite everything, and I cannot believe that. The Girl Hate: Every single girl except for Freya's little sister are portrayed as mindless, boy-crazy bitches. The gaggle of girls in Port Sentinel? Capricious. Disloyal. "Bimbos." "Herd animals." Clones. The rest were girls, clones of the one I’d encountered on Fore Street that morning, wearing tight clothes in ice-cream colors to show off their expensive-looking tans and impeccable figures.Every single teenaged female is stupid, an idiot who needs a Jess in their life and school them on what counts as a "slutty" dress. Girls are to be belittled, because such a tiny thing as swimming can be interpreted by Jess as being too much for them. I didn’t imagine she did much swimming. Too risky for her hair, for one thing.Jess frequently criticizes revealing clothes, tans, beauty. But it's perfectly fine if Jess is naturally beautiful, with flawless, effortless hair. Her jaw dropped as I rattled back down the stairs. “How did you have time to do your hair?”Jess is holier-than-thou. She reads books. She likes to remind us that she's cool, because she's, like, not into book tropes and all, and so not into romance. I had lasted through four chapters of the witless romantic novel I’d found on a shelf before I gave up. Just because the hero was a ruggedly handsome cowboy I didn’t see why it gave him the right to be so rude all the time.Jess makes superly grand speeches to the stupid, slutty, boy-obsessed (and of course, every single conversation between two girls in the book is about boys) bitch that romance isn't everything and she shouldn't be so dumb. “You don’t know him. He’s not like that.”She totally schools the girls for obsessing about a boy! Only it's just fine if Jess obsessed about a boy herserlf. He hadn’t come to see me. I stared at it for a long time, feeling miserable and pathetic in equal measure. What did it matter? So what if he’d decided he had better things to do than visit me? I had rationalized it to my own satisfaction: the near- miss kiss on the beach. He hadn’t meant anything serious by it and now he was scared I’d think he wanted to revisit the moment. Which I didn’t, obviously. I hadn’t even thought about it since. Not more than sixty times a minute, anyway.Oh, the hypocrisy. [image] Skip this book. For a much more successful amateur detective novel, please read Prep School Confidential. Quotes were taken from an uncorrected proof subject to change in the final edition. ...more |
Notes are private!
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1
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Mar 26, 2014
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Mar 27, 2014
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Mar 26, 2014
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Paperback
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B00G0ZQIPK
| 3.69
| 3,487
| May 06, 2014
| May 06, 2014
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did not like it
| My sister’s a slut. It’s common knowledge she’s already had sex several times, and according to gossip she gives okay hand jobs but is excellent at My sister’s a slut. It’s common knowledge she’s already had sex several times, and according to gossip she gives okay hand jobs but is excellent at fellatio.This book is about a cold-hearted teenaged girl with serial-killer aspirations who has a sister who is a 15-year old whore-in-training. It is terrible. It is slightly better than the absolutely atrocious Dear Killer, but considering how bad Dear Killer was, it’s not saying much. It’s like me saying, I’d rather sleep with 60-year old Arnold Schwarzenegger than Sylvester Stallone. For reference: [image] I'm so sorry. Or would I rather eat the flesh of a hyena after it’s taken a roll in a zebra carcass that’s been rotting for a week during the heights of an African summer or give a elephant a rectal exam without wearing gloves. They’re both deplorable options that nobody ever should be forced to make. This book is the story of a vigilante, cold-hearted serial killer who hunts down…serial killers. Oh, zee irony! It features such abominations as: 1. Slut shaming of one’s own little sister 2. A Too-Stupid-To-Live serial killer who is supposedly smart, just fucking brilliant and above all the rest of her peers at school (really!) 3. A love triangle between a 25-year old veterinarian (the main character is 17) and the high school hottie who’s got the insta-love for the MC The #1 thing that bothers me about this book is the slut-shaming and vilification of the few girls who appear in the book. For example, her little sister, Daisy. Daisy, who is blond, popular, who does decently in school…Daisy, who is a giant fake. Her popularity is milked from others, her blond hair is fake, her okay grades come from cheating, and she plays the I’m-your-best-friend game a little too well.Daisy, who is repeatedly… I walked in on her having sex last year. She didn’t miss a beat as she kept riding the guy and glanced over to me in the doorway.Presented… She’ll end up pregnant. Watch. Or with an STD.As… After you provide him with your outstanding fellatio services? I want to ask, but nod my head instead.A slut. I speculate on Daisy’s reasons behind giving so much head. I suspect she doesn’t want an STD or to turn up pregnant. But does she realize she can get an STD in her mouth? Does she realize how nasty it is to be swallowing all that spunk?Presenting your own little sister as a slut. That’s a new fucking low. I have never, ever encountered a book that does it to this fucking extent, and I am absolutely disgusted by it. The one sole intelligent girl in the book, her best friend, Reggie, never makes a physical appearance. The only other significant girl in the book is Belinda, a jealous, short, stock black ex-girlfriend who is the biggest bitch in the world. She keys cars. She has no shame. She emails photos of her having sex to the main character. The second one shows them kissing, tongues and all.Slut shaming is disgusting, female vilification is disgusting, and I am sickened by this book. The Summary: I step down and scramble through dirt and leaves, looking for my pick. I’m such an idiot.Lane is a brilliant soon-to-be-17 year old. She has always been fascinated with serial killers. She wants to be one. And what better targets for a serial killer with an FBI-agent mom than…serial killers themselves? If it is my destiny to be a killer, I’m going to need a type. And today decides that my type will be criminals—specifically, those who have managed to avoid punishment.Using her naturally brilliant skills, she starts to track down killers, murderers, would-be-criminals, and hunts them down like any good vigilante. She’s so good at it (despite said fumbles above) that the media nicknames her… …the Masked Savior.”But there’s a new serial killer in town, and The Decapitator has got his eyes on her. He begins sending her notes…threatening Lane and her family. Lane feels a sense of thrill. As he pursues her, will Lane be able to find the killer? More importantly, can she do it while her cold, cold, rational, unfeeling heart… I just don’t have emotions over the usual things, and to me that has its advantages.Start fluttering over men like…Dr. Issa, the hot 25-year old veterinarian. We click in this interesting way I’ve never really experienced before. Like there’s this magnetism between us that carries the possibility for a powerful explosion.And hot fellow high-school student, Zack, who seems irresistibly drawn to her, who seems to be a poor replacement? There is no softness, no teasing. There’s only tongues and hunger. Fortunately, I like it. Unfortunately, I’m thinking of Dr. Issa.And more importantly, can she find the killer before her poor little 15-year old sister falls pregnant from her slutty ways? I don’t bother telling her to shut up. What a slut.What a stupid bitch of a sister. Slim Lane: All I know is that I’m different. Always have been. I can’t remember a time when I didn’t know something was off in me.Lane is different, special. She is nicknamed “Slim” because of how slim she is. Naturally, she thinks she’s average, with her 5’8 height, her slimness, her wild red hair. In the real world, we’d call her a runway model. Lane is so smart. She’s in the gifted program at school. She is so different. Dr. Issa sees it. “Lane, I don’t think I’ve ever met anyone like you.”Zach sees it. “You’re intelligent. Independent. And, clearly, you’re not here to impress anyone.”Zach, who was supposed to be dating her sister Daisy. Who came over to talk to Daisy but but ends up asking Lane out instead. It’s almost like Zach came over to socialize with me and Justin.Zach, who only has eyes for Lane. Cold Killer, My Ass: People who lack emotion and fantasize about violence. Intelligent people who on the outside seem normal.She’s smart. She’s brilliant. She’s calculating. She’s cold. She loses her fucking temper. Yes, I guess I did beat the shit out of her. Rewind the clock and I could’ve handled things differently. Talked to her. Hit her once, not multiple times. I’m irritated with myself for allowing my temper such free reign.The Romance: This is messy. It’s all I can think of as we have sex. But I roll with it. I do it. I get it over with and get in the shower as soon as I can.Moan. Gasp. Give me more, baby. Oh yeah. That’s the spot. Yawn. Honestly, it’s not the worst book out there in terms of romance because whatever romance there is is so devoid of emotion. The romance and the love triangle is so detached as to be completely robotic. The sex is mechanical. This book is the emotional equivalent of using a Ti-83 calculator as a dildo. What does bother me about the main romance is that it doesn’t ring true at all. Her crush on Dr. Issa notwithstanding, there are zero sparks between Lane and Zach, which is as it should be, because as she claims, she has no emotions…but it still annoys me because Zach falls in love with Lane for any little thing she does. “What made you drink?”Spare me. Overall: you could read this book, or you could go punch yourself in the face. The latter might be less painful, and the pain wouldn’t last two hours, the length of the time it would take to read this fucking mess. ...more |
Notes are private!
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1
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Jun 18, 2014
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Jun 19, 2014
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Mar 23, 2014
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Kindle Edition
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1471115739
| 9781471115738
| 1471115739
| 3.88
| 2,634
| Aug 01, 2013
| Aug 01, 2013
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did not like it
| I lie down beside her and try to absorb everything she’s just told me about dead nannies, and about Tyler and Jesse almost killing each other over I lie down beside her and try to absorb everything she’s just told me about dead nannies, and about Tyler and Jesse almost killing each other over nothing. I’m glad I want to be a music journalist because I think I would suck at being an investigative one.No shit. The main character is so fucking passive it drives me fucking nuts. It is NOT ok to play a victim, it is NOT ok to take shit just because your mama told you to. You do NOT have to be polite to someone who treats you like crap. Fuck what this book tries to sell. Despite how rude he’s just been to me I have been conditioned by my mother to be polite at all times and so I smile at him in apology. He notices but doesn’t smile back at me, rather his eyebrows raise a fraction as though he’s taking my apology and wringing it by its neck before handing me back its broken corpse.This book represents all that is wrong with YA contemporaries. The plot (a murder mystery) is bland, the character is the dullest hipster in the world. The characters are nowhere near realistic. There is ample slut shaming, terribly clichéd characters, a love triangle, complete with endlessly cringe-inducing observations about US culture and teens from the POV of someone who has clearly not lived here for very long. It mocks Twilight... You want unicorns and rainbows and Care Bears in the sky and Twilight-style declarations of eternal love? Well— newsflash— it ain’t gonna happen, Ren....while falling right into the eternal luuurve and purity trap that made Twilight what it is. Also, unlike Edward Cullen, the voice in my head pipes up, Jesse most certainly hasn’t fallen in insta-love with me and isn’t torturing himself over the fact that he can’t be with me in case he eats me.This book has unrealistic, utterly stereotyped character, and truly atrocious writing (from the narrative POV of a girl who wants to be a writer, no less). For example, the description of a character. He has dark, quiffy hair and wide-spaced eyes, though his skin is tanned as opposed to diamond sparkly white. He has a very square jaw with a dimple in the center of his chin but alas no jet pack. I note that his eyebrow is cocked and the smile on his face is half sneer, half smirk as if he’s laughing at Eliza but she doesn’t seem to realize.Oh, and in case you're confused about the "jet pack" thing, it's because the guy being described looks like... Robert Pattinson—if you genetically spliced him with Buzz Lightyear.This book tries so ridiculously hard to be "hip," complete with numerous references to Facebook. “I guess you could call it that. They hook up every summer, but it’s not like it’s Facebook official or anything.”Urban Dictionary. There are guys with attitude, and then there’s this guy. He needs his own special category in Urban Dictionary.and several instances of extremely painful txting to name-dropping Perex Hilton (who is so 2000s), to teenagers abusing the use of "like." Which is so America. Cause, we, like, always, like, use "like" here, in like, every other, like, sentence. You know, like? “Like, what are you doing?”That's really cute, making references to a stereotype only to use it yourself in a book. This book is about a British music hipster/nanny (who does very little nannying) who takes every single opportunity to remind us of how utterly British she is, from reminding us that "nicked" means "steal," to telling us that she shops at Topshop and Oxfam, and that "college" is "university." This book is about a British girl who goes to America, only to discover that every single fucking stereotype about the United States is true. From beefy, red-necked men, to slutty size-0 girls who are terrified of carbs. CAAAAAAAARBS. Don't get me wrong, I love the Brits. I am a self-professed Anglophile, but this book just tries too hard to portray a British girl. It doesn't feel authentic. From extreme slut shaming, to girl-on-girl hate, to complete and utter failure of the Bechdel Test, to a four-year old girl with a mouth fouler than a sailor (or me). “Did you make out with Jeremy last night?” she asks from her position perched on the bath.You heard me. Four years old. I'm not sure about you, but when I was 4, I was reading the Vietnamese equivalent of the alphabet book and I wouldn't know what a skank is if one bit me in the ass. A FOUR YEAR OLD. Goodness gracious me. [image] The Bechdel Test: For those who don't know, the Bechdel Test "asks whether a work of fiction features at least two women who talk to each other about something other than a man." This book fails so hard. Every single conversation between two female character has to be about a guy. This book didn't work. Every single girl is shallow (except for the virginal main character). Every girl in this book wants to talk about guys... ...guys... “No. He’s hooked up with Summer one time I think and maybe a few local girls—they put out way more: total skanks. But last summer he was dating this college girl. Total cougar. He got major props.”...guys... “Tyler’s the biggest player on the whole East Coast,” Eliza adds. “As if I’d get with that.” She rolls onto her back and wriggles her hips into the sand. “And anyway, I don’t do sloppy seconds.”...and more guys. With trepidation I open up my e-mail. Megan has sent me about a thousand messages all asking a variation of did you pull Jeremy?Pull, is of course, British slang for kissing. Yet another reminder that she is soooooooo British. The Skinny Bitches: There is nary a positive female presence in the book. It is cliché to end all mean slutty Queen Bee clichés. The main character is refreshingly size 10. I’m a size ten to twelve with normal-size boobs—not ginormous, but not flat either. I have an average body with curves that, according to Will, are sexy.While the rest of the characters in the book are mean, skinny bitches who are terrified of carbs. Of course, the main character is SO NORMAL because she has the nerve to eat bread. BREAD. Eliza stares at it sitting on my plate and I realize that I must have committed some monumental carb faux pas. I reach for the butter and start to slather the bread with it, thinking bite me.[image] She keeps bringing up the fear of carbs. I don't get it. Is this a thing now? I mean, I confess that I watch my own food intake like a hawk, but I'm not gonna judge anyone for not eating what I eat. And the mean girls in this book just do not eat. Unlike the refreshingly plump and normal main character, who just gobbles it all up. For lunch Matt went and bought up half the supermarket—dumping a pile of crisps (they call them chips just to confuse me), cans of Coke (no diet), and sandwiches onto a towel between us, which all the girls complained about and refused to eat (carbs).[image] The Slut Shaming: From the hideous examples of a potty-mouthed four-year old, we now have the utter slut shaming of almost every single girl in the book. Even girls who are going to Yale can act like sluts. Eliza spins to face him and starts wriggling her way down him as though he’s a greased pole.Even her best friend, back in the UK, is a slut (but she's a self-professed slut, so it's all good, right?). Megan thinks anything with a Y chromosome is hot. She’s perpetually in heat. Even she admits as much (with a tonguelolling emoticon for emphasis).Girls gyrate and slither all over guys, not the other way around. The guys are just innocents in all this. It's all the girls' fault, with their seductiveness. She holds her hair over her shoulder and starts gyrating her hips and butt against a guy who has stepped into the ring of light. His hands, feeling their way along Eliza’s sides, are moving fluidly, but he isn’t groping at her.Of course, the virginal heroine thinks the slutty girls are so fucking dumb. Eliza then wraps her arms around his neck and leans pouting toward him, but the bottle is in the way and she clashes her nose against it.The girls in the book all hate each other, they call each other names, even though they are friends. “Eliza’s perfecting her Ice Queen routine.” Summer laughs, trying to break the tension.And breasts are to be shamed. She is short and not as skinny as the other three, but her boobs are quite enormous, which I imagine makes her exceedingly popular with the boys.How dare girls show their boobs. Her breasts are having their own conversation with him, one hand rests on her jutting hip bone and the other plays with a loose lock of hair.Unless they're the main character. Then it's totally OK to wear a bathing suit and show off your ass and have a cute guy rub sunscreen on you when you're in a bathing suit. “Do you want me to put some sunscreen on your back?” he asks instead.Clichéd Characters: There is not a single character in this book that felt realistic. They are all "lobotomised zombies" (spelled with an S because she's British!). The men are big. American big. He’s in his forties and big in that way I imagine only American men can be, with a tanned face, thick graying hair and teeth so white they shine like headlights.American couples dress alike! Carrie and Mike are both wearing tan trousers—I didn’t think they were the type of couple to go in for matching, but they’re American and what do I know about how Americans dress?Girls are bitches, boys are mindless idiots. Preppy slackers who drink beer and tequila and go to parties every single fucking night. Where were these people when I was a teen? The Romance: Clichéd as all freaking hell. This book is not a contemporary, it is a fantasy. A fantasy in which the ordinary, plain girl get the attention of AAAAAALLL THE BOYS. From the golden, gorgeous pre-med Harvard boy to the grease-streaked asshole "serial killer" type (but he has a heart of gold). "The mysterious, messed-up, bad boy with secrets. If I didn’t love him myself, I think I’d have to kill him for being such a cliché.”You know, when someone looks like he's going to fucking kill you, you should probably not fall in love with him. I glance upward. He’s still glaring at me, but not with irritation. He looks instead like he wants to kill me. His fingers twitch around the wrench. Unconsciously I have edged back toward the door.When there is a serial killer killing nannies, you should probably stay away. When someone is rumored to have beaten up a kid so badly he had to have his mouth wired shut, you should probably stay away. Even if you constantly notice how hot his body looks when it's stained with grease. Of course there's a fucking love triangle. But Jesse is so off-limits that if he were a place, he’d be a nuclear testing site. And Jeremy doesn’t make me not quiver. He kind of does. Is that enough? I’m so confused right now.The Writing: The main character wants to be a writer, and her thoughts in this book are all sorts of atrocious. We have narratives like this, for the grease-stained-killer-wannabe-love-interest. He is wearing jeans that fit well, but he swaggers a little in them and I wonder if he learned that in prison. He’s also wearing a white T-shirt that has a few grease marks smeared across it but which shows his muscles to obscene perfection. His whole attitude screams do not mess with me.This book is all sorts of terrible. I wanted a nice romance with a mystery, all I got was a headache. All quotes taken from an uncorrected galley proof subject to change in the final edition. ...more |
Notes are private!
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1
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Mar 22, 2014
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Mar 22, 2014
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Mar 22, 2014
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Paperback
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1616953225
| 9781616953225
| 1616953225
| 3.66
| 2,198
| Mar 11, 2014
| Mar 11, 2014
|
did not like it
| "Liv...it’s a name, a verb, a command. A notion of mortality. That’s a name ripe for some epic poetry. If I could write, I’d write you one, a poem. "Liv...it’s a name, a verb, a command. A notion of mortality. That’s a name ripe for some epic poetry. If I could write, I’d write you one, a poem.”In YA literature, I often find myself wishing I could kill the main character. This book did me a favor: it DID kill off the main character. Sadly, it didn't help. My headache persisted. You see, the girl still lives on, as an extremely irritating ghost, a tiresome, ceaselessly self-centered narrator. This book is categorized as "paranormal" only by technicality. It is nothing but nauseating, mindless wish-fulfillment. There is a girl who died in a well. If you are hoping for Anna Dressed in Blood or Ringu, you are sadly out of luck. The Big Bang Theory is wrong. The universe was created from the birth of Olivia Bloom. She is the center of the universe. Multiple ecosystems spawned from the fertility of her poop. The sun shines out of her asshole. This book is about nothing, nobody, but Liv. This book is less: [image] And more: [image] The only thing terrifying about this book is the astoundingly quick insta-love. There is a girl who is accepted to a most prestigious academy through no intelligence. She is picked up to her school by a white-gloved chaffeur and whisked off to her beautiful Gothic boarding school by a limousine. At her school, she is served by waiters at mealtime. Her things are unpacked, her room cared for by unseen servants. She has the most popular, most handsome boy in school pining for her since the moment they first lay eyes on each other. He will do anything for her. She instantly makes another guy friend who will also do anything for her. Including go to jail to help solve the mystery of her death. It's no big deal. What's more important is Liv, the dead Liv. “I appreciate the effort, man, but let it go,” Gabe said, sincerely. “You know what’s most important right now: to learn the truth and bring justice. For her.”No classes. No female friends. Stupid female rivals. Hot guys who adore her AND befriend her. This book is truly the epitome of idiotic, simpering wishfulness. The Summary: Part I: The Wish Fulfillment; Liv is an orphan. She lives with her foster parents. Don't worry, her foster parents aren't worthy of any mention in the book; they are placeholder only. Liv somehow gets accepted into the ultra-prestigious Wickham Hall. It's "the best prep school in the country." We have no idea how the fuck she gets in, except it's something vague about her art. Because her brains it ain't. My grades certainly didn’t get me into Wickham Hall. I assumed it was my portfolio.The school is beautiful. Stunning. The students are dull. Every single girl is a clone, except for Liv. They dressed the same. Their hair was almost identical. Their skin was milky with the occasional bout of freckles. Their noses even turned up in the same way. But mostly, they all talked the same.Liv, who stands out. Liv, who is the object of ostracization because every single girl hates her. Liv, who immediately falls for the most unattainable boy in school, Malcolm Astor. That’s when I noticed him. He was standing next to the headmaster, still looking at me even though the others had turned away. Our eyes met, and I quickly looked away. But I could feel his gaze linger. I desperately willed my face not to flush, my lips not to purse. Suddenly I was aware of every single muscle in my face.Malcolm Astor, who immediately singles Liv out for his specialized attention, the most prestigious First Dance at the school ball. I looked up, mouth full of bread, to see what had happened and...he was there.Not only is there Golden Boy Malcolm, but there is brooding, dark Gabe. He was skittish and intense, but his brown eyes were gentle. Still, I wanted to keep at least three feet away. He was almost exactly how I’d always pictured Vincent Van Gogh—in other words, pretty crazy.Two boys, ever so different. *rolls eyes* Classes, fuck classes. What classes? It's apparently a boarding school (and a prestigious educational institution) in name only, because it seems that all Liv does is paint and continue her courtship of Malcolm. This is a paranormal book, after all, but the only thing I found abnormal about this book is Malcolm's perfection and their courtship. They kiss within 10% of the book. They go on romantic dates. There has never been such an idealized teenaged boy as Malcolm. He takes her on trips to dark, romantic gravestones. He makes her a playlist. Malcolm let go of my hand and took out his iPod. He clicked it on and then handed it to me. A playlist called Liv, Forever was cued up.Malcolm then takes her on a romantic sun-dappled tour of the school based on that playlist. And we walked along a sun-dappled path, comfortable like two people who’d known each other forever.*gag* Malcolm offers to be her fucking canvas. He turned to me. “Draw on me.”Of course it is. Oh, wait. Isn't this supposed to be a paranormal novel? Oh, here it comes. SHE DIES! My head whipped back from its force. And that’s when everything went black.Part II: I'm pretty when I'm dead; And the wish-fulfillment continues. You see, Liv is pretty, even when she's dead. My body was cold and dull. Plump with death. I looked almost serene. My dark hair spread around my head, kind of like that famous painting of Ophelia floating in the river. Funny, I’d made so many self-portraits and yet I’d never really looked at myself and realized I was actually kind of pretty.Her so-perfect lover weeps over her, ever so dramatically. She is loved when she is lost. He kneeled on the ground next to my body and kissed my cheek.Crime-scene contamination, be damned. Liv is dead. So beautiful. So young. So tragic. Like the a sad, sad night lit by stars. I was separate from the world. I had become the star, hadn’t I? That tragic, lonely thing.Like a fallen angel, beautiful in her fragility! I imagined myself an angel. I kind of was, wasn’t I?For someone dead, she sure is full of herself. Apparently, she's a ghost now. Liv is dead! Murdered! Ohnoes! Now we must investigate her death. But however will she do that?! Enter Gabe also known as walking, talking deus ex fucking machina because he can hear ghosts. Together, the three of them will investigate her death! Liv will use her supernatural abilities as a ghost to discover who killed her!!!!!!!!!!! Part II: Love after death I waited and waited until there was enough condensation for me to write a single sentence. It took every ounce of willpower to ignore the pain in my fingertip. But I did it.Or she could just use it to write a note to her lover. Same thing, really. -_________________- The Setting: WHAT SETTING? ARE WE IN HIGH SCHOOL? You wouldn't bloody know. There is not a single instance of actually attending any class outside of art, in which they're pretty much fucking free to do what they want. It's supposed to be a beautiful Northeastern United States setting with pretty leaves, pretty buildings...and that's it. There are no relevant students because the only person the book is concerned with is Liv and those connected to her. There are no academics because Liv doesn't give a fuck about academia. There are no classes because it would interfere with Liv's social life and her courtship with Malcolm. There are a lot of walking around on the beautiful campus...because it's a beautiful campus. It was mid-afternoon so there were no stars, of course, but the leaves were every possible orange and the clouds were perfect puffs.It's not so much a school campus, as it is vacation resort. The Mary Sue: There is room for only one relevant female in this book, and there is no doubt that star is Liv Bloom. Liv is one of the most useless, self-centered character I have ever encountered. She is a heroine of the Bella Swan sort because she is completely, utterly worthless in every way but her love interests can't see it. She is an artist, but we don't really see much of that, nor is she a credible one, because her art is, well...herself. A self-portrait. Almost all my drawings are self-portraits. They don’t necessarily look like me—in fact, they rarely do—but they represent me.Yet somehow, everyone thinks she is fucking perfection. Her new art teacher raves over her talents. Talents of which we are never convinced. “You are so talented. Do you understand? Your skill is exceptional. If you unleash and add true emotion to your work, it will sing, Olivia! It will fly!”Her new boy toy knows that she is the one approximately 15 minutes after meeting her, after knowing nothing about her. “I think I’ve been waiting for you my whole life.”The Artistic References: Listen, I like art as much as the next person. I studied it for years when I was younger, but there is a way to appreciate art, and shoving it down the readers' throat isn't it. There is an incredible amount of artistic name-dropping in this book. Klimt. Pollock. Modigliani. Yue. Van Gogh. Rothko. But then images started to emerge from the darkness around us. At first they were pleasant: a Titian cherub, a Chagall angel. But then one of Bosch’s devils appeared. And Munch’s screaming terror. Francis Bacon’s agonizing Pope. And one of Basquiat’s jagged skulls.It feels forced. It feels false. It feels like the book is trying too hard. The Romance: This book is filled with the most romantic, the most unrealistic of fantasies. The perfect golden boy, the "Abercrombie & Fitch" boy. The one who recites poetry to her underneath a moonlit, star-filled sky. There was an opening in the canopy of trees where we could see the brilliant moon. And stars. Hundreds of them. He took my hand. He held it strongly—with commitment. We lay there silently for a long while until he spoke.Fuck curfew. What curfew. Is this even a school? The romance in this book is so incredibly unrealistic. It truly is insta-love. They fall for each other within 10% of the book. The Big L word is said before 33% of the book is through. The hearts go pitter and patter, but true to the art theme in this book, it has to sound good in an artistic manner. I was dying inside. Brain exploding like a Pollock. Heart melting like one of Dalí’s clocks.Malcolm is completely unrealistic. he is too perfect to be true. He cries. And he cried. He didn’t have that embarrassed look guys usually have when they cry, like the way my dad had struggled against his tears. Malcolm let go, without shame.Repeatedly. Unashamedly. I'm not saying that men can't cry, I'm saying that Malcolm's image in this book is too romanticized, too idealistic to be realistic. Malcolm talks to his dead lover's ghost. He speaks words right out of the scripts of a chick-flick romance. “You know what I wish?” he asked.The romance is completely, utterly ludicrous. As is the entirety of this book. ...more |
Notes are private!
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1
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Mar 12, 2014
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Mar 12, 2014
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Mar 12, 2014
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Hardcover
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1606844636
| 9781606844632
| 1606844636
| 3.42
| 1,193
| Sep 09, 2014
| Sep 09, 2014
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it was ok
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Actual rating: 2.5 “A story? You are recording your horrors?”Actual rating: 2.5 “A story? You are recording your horrors?”There is nothing bad about this book, but fans of The Madman's Daughter series will find that this series pales in comparison. It is so, so predictable. This book has a beautiful atmosphere, it has an enjoyable main character and narrator. However, the pacing is slow, the plot is easily foreseeable by anyone not mentally deficient, and there was not enough horror to hold my interest. The mysteries, the "hints," the murders...all fell flat. The mystery feels incomplete. This book also takes a considerable amount of liberties with Edgar Allan Poe. Poe Purists will not enjoy this book. This is going to be a very brief review (for me, that is), because there's just not much I can say about this book. I just don't have a whole lot of complaints or praises for this book. It doesn't hurt, but neither is it great. I made a reference to The Madman's Daughter and I meant it. That book is superior to this one in every way. You will find more horror in that book, you will find a better mystery, you will find a character who is not so dishwater-pale. This book is not terrible, but it is just washed out in comparison. The Summary: It seems the stories I have been told were untrue. The streets of America are not paved with gold but with uneven stones.Annabel Lenore Lee has newly arrived in Philadelphia. It is 1826. Annabel has spent the past 10 years living with her beloved mother (now deceased) in Siam (present-day Thailand). Compared to beautiful, colorful, vibrant, sunny Siam, dank, dark, gloomy Philadelphia could not be more different. Her home is beautiful, grand, a majestic mansion. A sense of unease fills my stomach as I stare up at what is to be my new home.But it's all the less welcoming for it. Life in a new country takes getting used to. From knowing "her place" as the young mistress of a house...apparentlyy, a young lady is not expected to help out around the house---as compared to Siam, where there are no class lines among the villagers and missionaries. I hurry out of bed and reach for the bucket. “Let me help you with that.”To dressing, to behaving like a young lady in a culture so completely foreign to her. “Practice makes perfect. It shall certainly take time to prove this with someone of your limited background.”Frankly, life in America sucks. She is a disgrace. Her father is disappointed in her. Annabel is unwanted, a disappointment. A disgrace. Father takes another step closer. Deep lines mark his face. He looks almost as old as Grandpere. “She bowed like a man, for God’s sake. Her manners are sorely lacking, and until they have been improved, I shall not encourage her.”The only bright spot in her life are her beloved grandfather...and a young man. Allan Poe. All is not well in Philadelphia. The headlines of the newspaper scream of murder, death, dismemberment. MURDER AT RITTENHOUSE SQUARE.The streets of Philadelphia aren't the only place that holds secrets and danger. There are mysterious figures walking her gardens at night. There is a strange, nervous, twitchy young man newly hired to watch over the grounds of the mansion. There are hidden rooms in Annabel's new home. Rooms that she should not explore. Every muscle in my body has tightened and my hand shakes when I place it upon the doorknob. I take a deep breath and try to steady my nerves, and just as I am about to turn the knob—And then there's the kindly Allan's cousin. One who terrifies her. One who holds suspicion. “Allan’s always a gentleman, that one,” Cook replies.There are many secrets and mysteries within her house, surrounding her friends, and a man she is coming to love. Annabel must confront these mysteries, as well as come to face with the darkness that may be within her. I did it because I thoughtThe Setting: There is a dark Gothic feel about this book, and it is quite atmospheric. It is to be expected, since the basis of this book is Edgar Allan Poe, after all. All I can make out is a large structure of pale stones, tall doors, and rows of windows gleaming like sharp teeth against the night.There are a ton of rains and thunderstorms, and dreary weather in general. It doesn't hold a candle to the beautiful gaslamp-lit setting in The Madman's Daughter. There are a few grisly scenes in a book, some involving the dissection of an animal. Again, there is no comparison. I was only mildly intrigued. I was never disgusted by any of the very minute gore in this book, and I longed for more blood, more horror. I never got it. The Characters: Bland. All of them. Including Edgar & Allan Poe, which is simply unforgivable. Allan Poe is more romantic lover and brooding poet than a wildly exciting hero...which is rather appropriate to the actual person, I suppose. We see Allan as he struggles to put down his words, to write his story. His attention returns to me. “Have you ever felt a story was inside you, but you could not do it justice? It’s as if there were something standing in your way, blocking you from being able to write the story, and only this other piece of you could understand whatever it was?”As for Annabel, I just don't have much to say. She is likeable, but she is so bland that I feel she has no personality at all. I like her; if we were to meet in the streets as strangers, she is the sort at which I would nod a polite hello, but I would completely forget her by the next street. Annabel is a really nice person. She is truly, genuinely nice. She is smart. She is an aspiring surgeon, which displeases her father to no ends. Annabel truly wants to please her father. She is a people-pleaser, and it upsets her so much that she keeps continuing to be a disappointment. I am saddened that I have already offended Father with my rough manners and poorly chosen gift.She has knowledge of medicinal herbs, and she constantly makes references to Siam, which is appropriate, but I felt like it disrupted the flow of the book quite a bit. Not to mention the discrepancies in the references to Siam. They don't have kimonos in Thailand. Wrong country. The Romance: There is no insta-love, but there is a fair amount of romance. I did not mind the romance. I did not mind that her heart beats quickly at the thought of Allan. It is appropriate for the time, it is expected of a sheltered young woman, with few friends, who seeks the kindness and love and acceptance that she does not receive from her own father. The romance is predictable, and unremarkable, like everything in this book. Quotes taken from an uncorrected proof subject to change in the final edition. ...more |
Notes are private!
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1
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Mar 13, 2014
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Mar 13, 2014
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Mar 06, 2014
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Hardcover
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0525954236
| 9780525954231
| 0525954236
| 3.78
| 4,424
| Feb 06, 2014
| Feb 06, 2014
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liked it
| He sighs and slows to a stop. “There are a lot of things about the world we live in that you don’t understand. Things you’ll find out in time.”Thi He sighs and slows to a stop. “There are a lot of things about the world we live in that you don’t understand. Things you’ll find out in time.”This is such a strange book. I didn't hate it, but it was just too much, too confusing. This book is like a strange mixture of Gone Girl and The Handmaid's Tale. For me, this book was so anachronistic. I liked it, and I didn't like it. It was somewhat original while being completely predictable. There was nothing outrageously terrible in this book. There's a love triangle that didn't bother me at all because for the latter 50% of the book, I was like...dafuq am I reading? D:? The last half of the book was a journey into what-the-actual-fucks-ville. I'm just so utterly confused. This book reads like a contemporary but it turned out to be a dystopian. It started off fantastically. The first 25% held my attention rapt. But sadly, this book didn't live up to its initial promise. It's a little difficult for me to express my exact feelings on it, so allow me to describe it to you through the use of Digimon. It starts off interestingly enough. There's an egg! You don't know what it holds! Oh, the possibilities! [image] The egg is cracking open!! Oh, it's so interesting! How neat! You, the reader, are intrigued. However will it evolve next?! [image] AND WE'RE ON A MOTHERFUCKING HORSE! YEAH! YEAH! This is going to be a hell of a ride. It's hard to believe that this thing hatched from just a tiny little egg, right? [image] Wait. What the actual FUCK?! How the hell did we get from a horse to...THIS?! [image] The Summary: Emma doesn't remember anything. She has been in an accident. Nobody will tell her what happened. She has to relearn everything. Her handsome husband tells her what she needs to know. Emma repeats and believes what she is told. Declan, her husband, is so kind, so loving. She just wants to please him. “You are my husband, Declan Burke. I am your wife, Emma. We were married in a small ceremony with only our closest friends atop our mountain.”Emma is attracted to her husband, but Declan is strangely reluctant to touch her. He rejects her advances. Emma feels safe in his embrace. His arms wrap around tight and hold me as if I would run away and he could not bear it. But I will not. Not ever. I want to be with him always.Emma undergoes tests after tests. She doesn't feel like a patient so much as a lab rat. She absolutely hates these tests. Emma has nightmares, she has flashbacks, in which she is someone else. After these nightmares, doctors try to question her about them. Emma always lies; there's a voice inside her head that tells her not to trust these people. This voice is called "her," "she." Emma and her mind are at war. I told you to lie, She says coolly. You don’t understand yet, but you will.Her days are a litany of tests, medication; for some reason, the doctors feel that Emma needs to be restrained. When I look down, I find I am bound to the table by Velcro straps. Instinctively, I jerk and the bindings burn and pinch my wrists.Nobody will tell her what happened. What is this accident? Why did Emma lose her memories? Very soon, we realize that something's rotten. Something's not right. This is not our world, as we know it. There is strange technology. Those take you out of the building, She tells me. Probably to other floors, too. They’re teleportation units. Teleport. Teleporting. Teleportation. You know, teleporters.Stranger still than the existence of teleporters is the slow buildup of knowledge that something is deeply wrong with this world. I recognize the acronym from one of my earlier dreams with Toni. “WTC?”There are so many questions here. There are no easy answers. Who is Emma? What is her husband hiding from her? Who is the mysterious people who appears in her dreams? Why is she in danger? “You know what I am talking about. Why do you insist on keeping my past a secret from me? If you are trying to protect me, stop. I do not need your protection. I need the truth before this gets any worse."The Setting: This is a rather unconvincing dystopian setting. There is absolutely no info-dumping at all, but it doesn't feel entirely convincing. It started off feeling like a contemporary, but we're slowly given the buildup that this world is not what it should be. Slowly, we uncover the details. It's intriguing, it is. Here we are, presumably in the future. We have teleportation technology, we have huge-ass television screens...and we have an issue with female infertility? “The women who are fertile these days,” he continues while he stands and moves to one of his bookcases, “are only fertile into their late twenties, early thirties at most. It isn’t disease or genetics, just the unfortunate way things have progressed.”This world is extremely vague, and I don't quite understand it. The background is pure telling, not showing. We're expected to believe that this happened, that that happened, without much of an explanation. Part of the frustration comes from the narrator, because of her amnesia, and her innocence and placidity and acceptance of everything as fact. The world itself is very two-dimensional. We have vague laws tossed out without much of a backdrop. He slaps his hands to his knees and stands. “I’m afraid you don’t have a choice. Birth control is illegal. Abortion is illegal, with a very severe punishment. Emma, pregnancy is not a choice. I’m sorry.”We have inconsistencies in technology and medical advancements. Her finger is healed with lasers... A couple of nurses arrive, take our vitals, and clean up our scrapes and cuts. One uses some kind of laser to heal my knuckle.While there's still trouble with using blood thinners to fix a hemorrage. We have teleportation technologies, but we're still using phones and tablets and 21st century technology. I mean, these days we're starting to have Google Glass, and etc., don't you think in a future where we can teleport around, telephones would be obsolete? The Characters: I had a lot of sympathy for Emma in the beginning, because she is so innocent, so trusting, so naive. My sympathy for her had severely diminished before the first half of the book is through. Emma makes everything feel underwhelming. She just doesn't feel like a real person with human emotions, to me. Emma ended the novel like she started, a pretty doll, slightly beaten up. The Plot: I have a problem with the flashbacks. We are pelted in every single chapter with memories, flashbacks. I get that these are important, but it felt like I was reading two separate books at the same time, without knowing what exactly was going on in either. There was no infodumping regarding the world, but there was a massive amount of infodumping regarding the characters in the flashbacks and dreams. The story itself became intriguing, to uh-oh, we're not in Kansas anymore, and then quickly turned into a clusterfuck of tremendous proportions. The book completely lost me around the 50% mark. The Romance: Very unbelievable, since from the very beginning, we are set up to hate and distrust one of the love interests. I didn't have a problem with the romance because it was unconvincing, it had no subtlety. It, like the book itself, is completely predictable. A good love triangle works because the emotions are convincing, the characters are likeable, and the reader is caught holding his or her breath to see who will emerge the victor. There was no question as to who would win in this book, it was that obvious. ...more |
Notes are private!
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1
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Feb 24, 2014
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Feb 25, 2014
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Feb 23, 2014
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Hardcover
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B00IBSUHDS
| 4.13
| 27,444
| Nov 05, 2013
| Nov 2013
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it was ok
| “What’s a man like down there?” “What’s a man like down there?”Brilliant description, brilliant! If ever there was an enjoyable book featuring a Mary Sue of a heroine, this is it. Despite my rating, I liked reading this book, because it was a funny, quick, fast, very light read. My main problem: that's just it. There is absolutely zero complexity in the book, it was funny, but there was absolutely nothing more to it. It is completely devoid of substance with an utterly convoluted plot. And really, was there a need to include a love triangle when the main character in the book is all of 15 years old. Was it necessary to make her so completely perfect, so utterly capable, so tremendously intelligent, so flawlessly absorbing, particularly to the male sex? [Sophronia] had not yet received lessons in seduction, or she might have understood the appeal of sharp confidence, a topping figure, and green eyes. All Sophronia’s intellect was directed at something other than attracting male companionship. These things combined to make her particularly appealing to gentlemen.Fifteen years old, ladies and gentlemen. Our main character is fifteen years old, with the unconscious seduction of a young Lolita. With the brilliant analytical skills of a young Holmes. With the philosophical brain of Archimedes. I liked Sophronia, despite her blind perfection, but she could have been so much more. My enjoyment of the book is impeded partially by the lack of complexity and the absence of any sort of depth within this book's characters, be they main characters or part of the side cast. I can't give you a summary for this book because I'm not quite sure what I just read. There will be no detailed plot/character analysis because the characters are so utterly tongue-in-cheek that it's impossible to provide a criticism of them without realizing "well, she's SUPPOSED to be so completely trite and superlatively annoying because she is meant to be a satire of an YA fiction trope." I'm sure there is a way to critically analyze literary satire. My brain's just not quite that far-reaching yet. No summary. Why? Half an hour after reading it, I remember absolutely nothing about it, and I can't even tell you what the hell the main plot was. I don't know what the mystery is, neither do I know how the plot was resolved. I had a lot of fun reading it, it was tremendously humorous. But that's it. I don't know what I just read beyond the humor, beyond the whimsical characters and the funny little steampunk world in which our book is set. I can't tell you what the book is about, what the big spy-related plot is, but I can tell you that Monique is a bitch. That Dimity is in love with Lord Dingleproops. That Vieve is a 10-year old girl who likes to dress as a boy. That there is a love triangle, in which the sootie Soap and the supercilious Lord Felix are both in love with our Queen of the Mary Sues (I like her, but there is absolutely no denying that she is a Mary Sue) Sophronia. I can tell you that Sophronia carries around a little dog-thing (Bumbersnoot) as a purse. Those minute details, I can tell you. Those minute details, I remember. Just not the central plot itself. I'm dead fucking serious. There are a lot of good things about this book. I said it was a quick read and a very amusing one, and it really was. The writing is awesome; it is funny, it is flippant, it doesn't take itself seriously at all. I laughed more than once. Dimity was so pretty and chattery, she quite overpowered the average male. Many gentlemen were unable to cope with abundant chatter, which is why they so often married it.It is absolutely amusing, the book is rampant with silliness. The characters are a parody of British high society, complete with utterly ludicrous names, like the previously mentioned Lord Dingleproops, Professor Shrimpdittle, or else absurdly apostrophed names, like Miss Plumleigh-Teignmott. The steampunk setting can best be described as "twee." We have gidgets and gadgets aplenty. We have whoozits and whatzits galore. Odd little thingamabobs, a steam-powered toy puppy. An "electrosplit goopslimer port." A "Thrushbotham pip-monger swizzle sprocket." There are mechanical maids---clangermaids, mechanical footmen---or rather, footmechs. Airships and dirigibles. Steam-puffing mechanical objects. Oddgobs. It is all terrifyingly, delightfully cute. The school setting itself was pretty awesome, and I wished there were more insights and lessons for me to learn within the incredibly interesting-sounding classes. Seriously, where were these classes when I was still in school. We have classes on "drawing room music and subversive petit fours," "Hive and pack dynamics as part of the modern aristocratic system," "rapid walking in full skirts," "tea and delusions," "portion allotment, puddings, and preemptive poisonings." The discussions in classes were the best part of the book, for example, during a lesson in "distribution, use, and application of stealth spy rocks," the class had this amazing discussion on men's facial hair. The discussion evolved to the interesting question of whether a gentleman could tattoo a secret message upon his chin, then grow out his beard, thus transporting said message into enemy territory with no one the wiser. Would a man want a message permanently upon his chin? That was the quandary. And could one legitimately ascribe nefarious intent to any many with a full beard as a result?Me too, Dimity. Me, too. ...more |
Notes are private!
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1
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not set
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Jan 04, 2014
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Jan 04, 2014
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Hardcover
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0751537284
| 9780751537284
| 0751537284
| 3.80
| 269,781
| Jun 14, 2005
| 2005
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did not like it
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January 3, 2014 Dear Khanh of 2006, I am your older, wiser self. Many things will happen in the years that have elapsed before you become the me of toda January 3, 2014 Dear Khanh of 2006, I am your older, wiser self. Many things will happen in the years that have elapsed before you become the me of today. You will fall in love. You will break hearts. You will get your heart broken (karma's a bitch). You will change jobs. You will graduate from college. Most importantly, you will become more intelligent, you will learn the art of advanced thinking because really, all college teaches you is how to get good grades by regurgitating textbooks. When you are older, as you begin to read critically, you will learn to appreciate a good book, and you will be able to identify literary bullshit when you see it. That's all this book is. Literary bullshit. This book is dramatic rubbish, artistic gibberish. It is nothing more than a glorified travel brochure. Seriously, younger Khanh, what the fuck were you thinking when you enjoyed this book? You thought it was sweet, you thought it was romantic, you thought the writing was beautiful. Really? Really? Between 2006 and 2014, you will be able to identify purple prose when you see it. You will realize that flowery prose is not good writing. Correlation does not imply causation, and good writing does not necessarily encompass a good plot. You will be able to recognize a deus ex fucking machina when you see it. Oh, I know that you learned about deus ex machina in AP English. You learned a lot of things in English class. You learned about symbolism, foreshadowing, all that good shit, but really, it does you no fucking good unless you are able to identify it when you see it. And clearly, you did not see the tremendous, horrifying, abominable (that's a hyperbole) overuse of deus ex fucking machina upon your first perusal of this book. You will realize that a good epistolary book involving several different characters should have the characters be actually fucking distinct. Did you seriously think this book was realistic in any way, when you cannot distinguish between the narrative of an old man, an older man, and that of a girl as she grows from her early teens? Did you ever for a moment think upon the complete absurdity of the letters and the storytelling, particularly when said letters and spoken stories were told in excruciating minutiae. Is that realistic in any way? In your letters, have you ever once mentioned the trivialities of your evening routine, particularly when it made absolutely no relevance whatsoever to whatever point you were trying to make? While I waited I poked up the fire, added another log, set out two glasses, and surveyed my desk. My study also served me for a sitting room, and I made sure it was kept as orderly and comfortable as the solidity of its nineteenth-century furnishings demanded. I had completed a great deal of work that afternoon, supped off a plate brought up to me at six o’clock, and then cleared the last of my papers.When you tell a story to your friends, have you ever once mentioned the drumming of your fingertips when you're trying to tell a story of---supposedly---the utmost importance? I drummed my fingers on the desktop. The clock in my study seemed to be ticking unusually loudly tonight, and the urban half darkness seemed too still behind my venetian blinds.I know you are young and stupid, but you are not that stupid. Please don't tell me that this book fooled you in any way. Did you seriously buy into the letters and the "stories?" Fucking letters. Fucking stories. Bullshit attempts at letters and storytelling and an epistolary timeline that is everything overwrought, all that is overdramatic and completely devoid of sense and rationality. I would beg for a little bit of sensationalism over sense, because overall, the plot of this story is entirely lacking in anything remotely resembling fascination, anything that would captivate and hold the imagination rather than lulls it to sleep. You endured over 700 pages of this balderdash for a story that doesn't even bring any sense of excitement. Vlad Tepes holds no danger. He is the equivalent of a grown-up high school bully. Once powerful, he no longer holds any amount of thrall. The only remnants of his power are the few close hangers on, the few douchebags foolish enough to cling onto the remains of a long-diminished power. That high school bully might scare a few odd child here and there, with his posturing, with his scowls. You, as an adult, are no longer afraid. You, as an adult, should know better than to buy into this book's aesthetically pleasing, inconsequential claptrap. Reluctantly yours, An older, a more erudite, a considerably more critical - Khanh ...more |
Notes are private!
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1
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Jan 03, 2014
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Jan 03, 2014
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Jan 03, 2014
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Paperback
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1402285515
| 9781402285516
| 1402285515
| 3.78
| 14,798
| Oct 01, 2013
| Oct 01, 2013
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it was ok
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[image] - So, Khanh, what did you think of this book? - I'll tell you what I think, after I brush my hair. Did you guys know the average human loses any [image] - So, Khanh, what did you think of this book? - I'll tell you what I think, after I brush my hair. Did you guys know the average human loses anywhere from 50 to 100 hairs a day? - No, I didn't know that, but it's irrelevant. I'm asking you now, what did you think of this book? - Well, there are many important facts to take into consideration when I rate a book. For example, I have to look at the characters. I have to think about the plot, and the setting. For example, if it's a dy--- - KHANH! WHAT DID YOU THINK ABOUT THE FUCKING BOOK? ANSWER THE FUCKING QUESTION. - Well, my opinion of the book may vary, depending on my moo--- - GIVE. ME. A. FUCKING. ANSWER. - Oh, I'm sorry. Was I supposed to give a straight answer without going off topic or going off on stupid tangents? Why should I, when this fucking book keeps dancing around the answer and using a million various types of delaying tactics instead of giving ME a straight answer. You know what happens when someone doesn't give me an answer to something in real life? I go fucking ask someone else. I go pursue something until someone tells me what the fuck is going on. Chloe's detection and questioning is limited to two people, who, despite claiming to be her ally, doesn't tell her a fucking thing, and to further add to my frustration, Chloe doesn't fucking ask anyone else. There are a ton of people in school. GO FUCKING ASK AROUND. It is not detection when the main detective is an idiot who can't get her fucking head on straight and get a fucking clue already, instead choosing to focus on her inexplicable feelings about a baaaaaaaaaad, traaaaagic boooooooooy. Actually, two. Both of whom are textbook clichéd. The gorgeous, golden boy whom every girl in school adores. The tragic, too-beautiful-to-be-true juvenile delinquent with a heart of pure fucking gold. While we're going on tangents, let me just go make some cookies, since we have two such cookie-cutter characters on hand. There is a horrifying lack of credibility in this book. YA novels have an uphill climb in general, when it comes to a teenager or teenagers unsolving mysteries. It further stretches the boundaries of belief when the main character lacks rationality and the plot and elements involved within the book doesn't lend itself to credibility as well. Summary: The copywriter who wrote this book's summary doesn't seem to have read it very closely. Chloe is a junior in high school; when we meet her, it is in May, and she's trying to not flunk her classes in the last few weeks of school. She has poor impulse controls, and is prone to acting out in a self-sabotaging manner, for example, pulling a fire alarm in a sadly misguided attempt to spare her best friend from a moment of embarrassment. Chloe is a poor student with high aspirations; she wants to get a Ph.D in psychology one day, which is a pretty lofty dream since Chloe can barely read a page of her textbook without falling asleep. Which she does, in study hall. When Chloe reawakens, it is November, and she cannot remember anything that has happened, but one thing is clear: her life (and it is her life, not an alternate universe or a parallel universe) is drastically changed. Chloe is now a senior in high school, she has already taken the SATs, receiving a tremendously high score of 2155. While by no means on track to becoming valedictorian and being courted by Ivy Leagues, like the summary suggested, Chloe is doing significantly better in school this year, with a 3.90 GPA. She is also apparently a model student, the ideal daughter, the ideal girlfriend, too, which is a surprise, since Chloe didn't have one six months ago. Her best friend, Maggie, is no longer talking to her, and she is suddenly one of the most popular girls in school. Her new boyfriend is Blake Tanner, the golden boy in school, the brilliant jock, the volunteer, the boy every parent want their daughter to date. Chloe should be happy, but she is inexplicably attracted to the school's juvenile semi-juvenile delinquent bad boy, who is a brilliant genius despite his cold, brooding exterior. Are you guys gagging yet? Chloe doesn't know what happened in the past 6 months, but she's determined to find out. She pursues clues from out of fucking nowhere, while fighting against her inexplicable feelings of attraction for the bad boy who keeps pushing her away. Will Chloe ever stop throwing herself at Adam long enough to find out the truth? The Plot: A fucking mess. Chloe spends half the time deliberating about her feeeeeeeeeelings towards the boy she shouldn't be looking at, much less crushing on, while she's dating the most wanted boy in school. In between her emotions, Chloe finds the time and bumps fuck-as-all-hell randomly into clues that might help her solve the fucking mystery. Along the way, nobody, and I mean fucking NOBODY gives her a fucking straight answer, and Chloe doesn't seem very persistent in getting a straight answer from anyone either. Clues? What fucking clues. Out of fucking nowhere, her friend mentions the name "Julien" and all of a sudden, Chloe decides THIS IS IT. JULIEN IS THE KEY TO SOLVING THE MYSTERY OF MY AMNESIA. I WILL DO EVERYTHING I CAN TO GO FIND HER. And conveniently, her former best just happens to be taking a trip to Southern California, where Julien now lives, off we go to San Diego! BAM! Can you say deus ex machina Yes. Deus ex fucking machina. Because instincts, feelings, feeeeeeeeeelings, are essential to solving a mystery. Not facts. Never facts. Chloe is trying to solve her amnesia and nobody fucking gives her an answer. This book would have been 200 pages shorter if Chloe had actually been persistent in getting people to fucking talk. Chloe seems to think that only two people in the world are capable of giving her an answer of what happened within the past 6 months: her former best friend, Maggie, and her shouldn't-be-crushing-on-him-because-she's-already-got-a-bf secret love, Adam. I wanted to strangle them all, Maggie and Adam for beating around the fucking bush, and Chloe, for being one of the dumbest, least persistent detectives to ever grace an YA novel. So it goes pretty much like this for the entire book: Chloe: I don't remember what happened, guys ;_; I've got amnesia and I don't know what happened the previous 6 months of my life. Can you guys tell me please????? Maggie: I HATE YOU AND I DON'T WANT TO TALK TO YOU EVEN IF YOU CLAIM NOT TO KNOW WHAT HAPPENED. Ok, fine, I trust you and we're friends again, but I just don't wanna talk about it, ok? The events that I keep bringing up are so mysterious that I don't want to give you details!!! You were so mean to me! SO MEAN. I told you what would happen. I'm going to be mysterious and vague like that because we're such good besties. Chloe: @______@ Adam? Please, honey sweetie pumpkin boo pie? Adam: *smirks* I don't know. Maybe. It's not that important. I mean, I know you're hurting and all, but I am, too. You should remember what happened, because it involved US. And am I that unimportant to you? Go away now. No! Don't! Come back! I like you, a lot. But I'm still not gonna tell you a fucking thing. Let's gaze into each other's eyes. Chloe: But...my memorie---oh, sure, babe ^_______^ God, you are so tragically beautiful. [image] The Premise: When dealing with a contemporary YA setting, situations and events have to feel real, particularly when the premise revolves around a mystery. A plot involving a teenaged character playing detective is hard enough to swallow without me constantly scratching my head thinking about the inconsistencies and inaccurate-seeming details within the book. I am a very critical reader; others may overlook such minor details. I do not. For example, if there's one thing all high school seniors know, it is the fact that crap grades for the previous 3 years will not get you anywhere NEAR a fucking Ivy League-grade school, even taking into consideration a high comprehensive test score. After "awakening" in November, Chloe has supposedly been courted by some very excellent schools, thanks to her excellent performance in school for the past 6 months, despite a previously crappy high school transcript. Are you fucking kidding me? For one thing, honey, it was SUMMER for 3 months. You've only been in school THIS year for 3 months, if that. That is NOT enough time to get your fucking GPA up to 3.9, considering in November, your grade reports for the autumn quarter hasn't even come out yet. For another thing, if you were to submit your transcript to a college for approval, it will NOT have shown your very recent excellent performance, just all the crap you've been doing for the past 3 years. Nice try, book, but no deal. I don't buy the Chloe-turned-into-a-perfect-pretty-princess-in-6-month-with-the-ideal-life one bit. Yeah. Details. Sigh. ...more |
Notes are private!
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1
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Dec 03, 2013
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Dec 04, 2013
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Dec 03, 2013
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Paperback
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1250030935
| 9781250030931
| 1250030935
| 3.49
| 3,255
| Oct 22, 2013
| Oct 22, 2013
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did not like it
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[image] If you want a 19th century detective novel based on a loving sister's journey for justice for her baby sister, as this book promised, keep walk [image] If you want a 19th century detective novel based on a loving sister's journey for justice for her baby sister, as this book promised, keep walking. There is nothing to see here. If you wanted to read about a sanctimonious, passive-aggressive, holier-than-thou bitch of a sister and her personal journey to find her sister's killer through pure fucking luck for no other reason than to assuage her personal guilt in the role she played in contributing to her so-called-beloved sister's death, then by all means, settle in, my dear friend. It's the biggest lie on earth to slap a "detective" label on this book, because it relies on no other methods of detection besides the overuse of a literary device that I absolutely fucking hate called deus ex fucking machina. If I happen to capture the #1 most wanted on the FBI's Top Ten list because the criminal happened to be hiding underneath my car as I ran him over unknowingly, it doesn't make me a fucking bounty hunter because there is no fucking skill involved beyond that of pure bloody luck. What happens within this book doesn't make it a fucking detective novel because there is no methodology whatsoever besides the dilletante actions of a TSTL socialite/missionary and the unenthusiastic dabblings of a wealthy Detective Sergeant who plays at being a fucking police detective. I say play, because to him, it is nothing but play. The ass wanker is actually happy to have a murder to investigate because he's so fucking bored with his fucking job, which begs the question of why he's actually working as a detective at all when he can clearly afford to do something else with his useless waste of a brain. There is a thing as outright murder, in which a person actually takes another person's life, but that's not the only way to kill someone. And then there's involuntary manslaughter, in which the killer has less culpability. For example, leaving a charged gun in the open where a child can reach it. That person may not have pulled the trigger, but they are still responsible for a death. I hereby accuse Beret Osmundsen of involuntary manslaughter. The victim: her sister. I'm only being mildly facetious, but I do find her grossly negligent and excessively cruel in her treatment of her "immoral" sister, Lillie. You may recall that I have a sister, who is around 10 years younger than I am, whom I adore. She and I are exactly the same age apart as the sisters in this book, Beret and Lillie. I read this book because I love historical novels featuring amateur female detectives, and the premise of a sisterly vengeance is one that I love. I wish I had never read this book. What a disgusting waste of my time. What a travesty of a book. I have never read a criminal investigative book with so much rampant victim-blaming and slut-shaming as this book features. Find a pair of glasses. Cover it with some red cellophane. Listen to some Rammstein. Open up a white-supremacy website and some anti-feminism forums and read through a few pages. Then you'll get a feel of how I felt while reading this book. There was a lot of anger, a lot of rage, a lot of fucking fury and disgust at the level of sly-hate-disguised-as-love within this book. As for sisterly love? Sisterly grief? What fucking grief? One of Beret's first thoughts upon finding out that her sister has been cruelly murdered is to cry "from rage as she realized she would never be able to extract the remorse from Lillie that was due." Beret's mindset throughout her investigation is that of "I AM SUCH A GOOD PERSON BECAUSE I LOVE MY SISTER DESPITE THE FACT THAT SHE FLIRTS WITH ANYTHING WITH A PENIS, AND SHE'S SUCH A FUCKING SLUT THAT SHE PRETTY MUCH ASKED TO BE MURDERED BY BEING STABBED SEVEN TIMES WITH A PAIR OF SCISSORS." Summary: DAMMIT. Beret. Beret. Her name is Beret. Not Sombrero. Get your The Characters: This is usually the part in the review where I go over whether a character is complex or not, her development, blah blah blah. Fuck that. I fucking hated Beret's guts, and here are the reasons why you should, too. Beret: Missionary, my ass. For someone who supposedly does so much good works as a missionary, Beret is a hypocritical, snobbish, judgmental bitch. There are two types of missionaries: one who truly do good, and the other who simply do good for the sake of feeling good about themselves. I believe Beret is the latter. She is such a snob. She looks down on the newly wealthy in Denver for their garish tastes in clothing, housing, furniture, despite being new money herself. Despite working with the poor, the beaten, the unfortunate at her mission, Beret has a surprising lack of sympathy for the prostitutes who work at the brothel in which they used to work. The prostitutes there are seductive, sly, nefarious whores. Nothing more. There is zero sympathy for those women or for their circumstances. Beret is also judgmental of people based on their appearance. Apparently, if you're ugly, you're shit out of luck, and anyone who looks upon an ugly person kindly, like her aunt, must be a fucking saint. Jonas looked directly at Beret now, and she saw the freakish scars on his face and thought what a good woman her aunt had been to pick up such an ugly child, a child other society women might find offensive, and take him into her home. [She] had been the soul of compassion.Beret is also surprisingly racist, despite the fact that she's a missionary. I get it, it's the 19th century, racism is rampant, but I would hope to think that a missionary might be kinder, but no. Beret is horrified that her sister had been a prostitute, and even more horrified to realize that her sister might have entertained a Negro. Her words, not mine. And also, Chinaman. I understand the use of these words in a historical context, but given that there is no use and no room and no point relevant to the plot, is the inclusion of such racist, cruel words even necessary? Beret claims to love her sister. She is a fucking liar. Remember what I said about culpability earlier? Yeah. Usually when a character cries "I killed her!" I'm the first to say "NO YOU DIDN'T, YOU DUM DUM HEAD." In this case, yes, Beret almost killed her sister. It's the fucking 19th century. There ain't a lot of options for a very young, very vulnerable woman when she has been cast out onto the streets by her sister and guardian who should have been taking care of her, no matter what she's done. And what does Beret do? Throw Lillie out of the house on a transgression. I told him Lillie should be cut off until she saw the error of her ways and apologized, and that’s exactly what he did.Beret throws Lillie out of the house that Lillie also owns, by their late parents' will. Beret cuts off Lillie's access to money, money that is Lillie's. Lillie doesn't know she couldn't be thrown out of her home and therefore leaves. What's worse is that Beret convinces everyone, their lawyer, their remaining family, that Lillie is incompetent and immoral and undeserving of receiving her own inheritance. And then Lillie ends up in a brothel, stabbed to a bloody death by seven scissor wounds. Beret believes it's Lillie's fault for bringing her murder upon herself. Indeed, everyone she talks to seems to think Lillie deserved it. Beret found herself hating Lillie and thinking her sister deserved what she’d gottenLillie is so beautiful, that looking upon her sister's corpse, Beret asks the detective whether he has fallen in love with her corpse, too. Fuck you, Beret. Lillie is a seductive child. She goes after anything with a dick. She is cruel, she is manipulative. It is Lillie's beauty that leads men to behave like fools around her. It is not the men's fault at all. Beret hated Lillie and tossed her out because she caught her sister in bed with her husband. Aaaaaaand... You would think after working with so many poor women who’d been abused by their husbands or been forced to sacrifice their honor to their employers that I would have known the man was always at fault. But I’m afraid I reacted like a typical scorned woman. I blamed the other woman—my sister.Yeah, typical. Fuck you, Beret. Act like a whore, get murdered, it's what any ho deserves, right? Fuck you, Beret. Lillie: I get that the book is trying to make Lillie into a bad character. It doesn't work. Why? HER CHARACTER. Always, always, ALWAYS, it's HER CHARACTER. Why is she so bad? IT'S HER CHARACTER. Why does she constantly seek attention from men? IT'S HER CHARACTER. Why do men always fall in love with her? IT'S HER CHARACTER. Why is she so despicable? IT'S HER CHARACTER. Fuck her character. This ain't some Freudian shit, and I'm not a 5-year old who you can spoon fucking feed into believe someone is bad simply because you fucking tell me she is. You want me to hate a character, you better fucking give me a good fucking reason. We get to see glimpses of Lillie from childhood to present, and I see a little girl who grew from a somewhat spoiled childhood into someone who's the fucking Whore of Babylon. Give me some fucking proof because I don't fucking buy what I was given. Setting & Plot: I can't help but wonder that this book needed a better editor, for surely, 5 minutes on Wikipedia can tell you much. Like the fact that there are no skyscrapers in New York in the year 1885. I read historical books because I want to forget about the present. I live in a time where social media and modernity hits me in the face every 5 seconds and I want to get away from that. When I read a historical novel, I want it to be historically accurate, and I don't want modern details sneaking in that slaps me back rudely into the present. I'm sure the word "criminologist" existed in 1885. I'm sure hot running water existed in 1885. I'm pretty fucking sure that the use of either is not prevalent, and I really don't want to see it in my 19th century-based novel. I'm sure that the word "crush" existed, in fact, it was recorded as being first used in 1884 in the modern context. Would it have been commonly used in 1885? Fucking no. Yeah, I'm anal about details. Get over it, or get a better editor. The plot is straightforward enough, but there is a minute amount of detection, and a considerable amount of accidental discovery and stupidity. Frankly, there was no point for having Detective Sergeant Michael in the book in the damn place. Beret at first suspected that he is a political appointee, and also believes that the police are largely incompetent. Well, she was right, because the police and the Big, Brawny Detective himself are completely and utterly useless in this novel. Their role seem limited to poring over corpses, making some vague hypotheses, and the rest of the time is spent making googly eyes at each other in some odd, macabre courtship ritual over death. Which is not to say Beret herself is any more competent, rather less, and still considerably more despicable. As I mentioned previously, there is an ample amount of stupidity within Beret. She continually gets herself into dangerous situations, despite knowing better, and ends up being saved only by an act of Providence, which is to say, things happen by chance to rescue Beret's dumb ass once too many time for me to believe. Fuck this book. ...more |
Notes are private!
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1
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Nov 23, 2013
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Nov 25, 2013
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Nov 23, 2013
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Hardcover
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0803737742
| 9780803737747
| 0803737742
| 3.22
| 707
| Nov 14, 2013
| Nov 14, 2013
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did not like it
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Voodoo? More like fucking doo-doo. My reviews usually follow a pattern: introduction, summary, analysis of characters/settings/plot. Fuck that shit. I Voodoo? More like fucking doo-doo. My reviews usually follow a pattern: introduction, summary, analysis of characters/settings/plot. Fuck that shit. I am so incandescent with anger that I can hardly think straight right now, much less formulate a fully analytical review. You want a summary? Look at the fucking summary on the book's page. I'm not gonna fucking bother because the problem with this book goes beyond that. But in brief: the characters are nothing offensive, nothing special, lacking in personality, development, complexity; in essence, they lack essence. The plot is dull, full of fucking holes, because at the very end I still can't figure the fuck out why the hell the special-snowflake that is our main character is so bloody special in the first place and why the hell her powers came out of freaking nowhere when throughout the book she's been all "Nooooo, nooooooooo, I don't want anything to do with voodoo, despite my heritage as the great-great granddaughter of Zee Great Voodoo Queen, Marie Laveau." Despite having such a grand fucking heritage, she's still completely moronic and Too Stupid To Live, wanting to rush off to visit a woman who wants to buy some freaking Panther Plasma (you heard me right, Panther Plasma) to create some kind of Avada-Kedavra-related spell. Ok, so the woman wants to use this plasma whose only purpose is to be used to KILL SOMEONE, let's just go running off to fucking visit her before consulting the adults. [image] But the stupid characters and the hole-ridden plot are the least of my complaints about this book. Here we go: Let's start off with two definitions: Misappropriate: /transitive verb/ 1. to put to a wrong use. 2. to apply wrongfully or dishonestly (dictionary.com) Example: This book misappropriates the traditional folk religion of Voodoo by twisting it into a form that is fucked up beyond recognition in order to make the religion fit into the plot. Whitewashing: (slang) the entertainment industry's attempt at making ethnic characters more appealing to the white, money-spending masses by making exotic characters less ethnic and more "white." (urbandictionary.com) Example: This book whitewashes the entire traditionally Haitian/African-based Voodoo religion by making every single practitioner white, or if not white, so mixed as to appear merely "exotic-looking." I am absolutely aghast at the rampant amount of cultural and religious inaccuracies and inconsistencies within this book. [image] New Orleans? What New Orleans: This book takes place in New Orleans. You might have heard of it. It's a city in Louisiana, valued because of its cultural heritage, its mishmash of culture. It was also absolutely devastated, ravaged, destroyed, gutted to the ground thanks to a little event known as Hurricane Katrina some 10 years ago. The city is still recovering. It is still a mess. Not that you'd know from reading this book. I read books based on the South for the atmosphere. There is no atmosphere in this book. Besides some name-dropping of places, besides the mention of the heat, besides for like...2 paragraphs of some broken-down places in New Orleans, this place might have taken place in Wichita, Kansas, for all I know. But wait! It still could be Wichita, Kansas. They've got hot summers and poor areas, too! There is absolutely nothing in this book that makes the city of New Orleans into a real place for me. As for the poor? What poor? The people in this book are the rich few, the privileged few of New Orleans. They're voodoo guild leaders. They just happen to be millionaires, driving Range Rovers and Lexus and Mercedes and blue SUVs living in their plush, posh mansions on First Street and taking their yoga classes. New Orleans is an extremely diverse city: you wouldn't fucking know it from reading this book. Let me refer you to this page on New Orleans' cultural diversity (boy, I'm just a fountain of fucking education tonight, aren't I?). To sum it up: White: 22%, black: 60%. And then let's see how diverse this book is: OH, WAIT, IT'S NOT. From what you can tell about this book, the characters are like....99.754% white, and the rest are a mix of "exotic" golden, caramel skin, chocolate-colored eyes. Not a single fucking black person to be found anywhere within 500 miles of this book. Everyone is blonde, red haired, chestnut-haired, copper-haired. “Just about,” Claire said. A strand of her long blond hair fell forward. She tucked it behind one ear and continued transcribing the woman’s list.Well, that is such an important sentence. I would never know what happens with the plot if Claire's blonde hair didn't fall over her shoulders. Claire is just so, so pretty! OH WAIT, ONE CHARACTER HAS BLONDE DREADLOCKS. THAT MAKES IT ALL OK BECAUSE BLACK PEOPLE WEAR DREADLOCKS. Just kidding. Fuck you, book. Everyone is "pale skinned," "porcelain skinned." Anyone not completely white, anyone who is mixed-race is "exotic." Any accent that is anything but American is "exotic." Fuck the word exotic. It is paternalistic, it is patronizing, it reeks of cultural insensitivity when you lump everyone whose coloring is different than you into one fucking word because you can't be fucked to distinguish them otherwise. And blue eyes. So. Many. Blue. Eyes. Voodoo is the religion of white people: You heard me. I didn't know whether to laugh or to cry throughout this book. Back to our theme of the day: edumacating. Voodoo is a West-Indies/African-based folk religion. Its practitioners are mostly black. "Fuck that," says this book. "Let's make all the LEADERS of the Voodoo religion into white people or else barely mixed people. Let's completely whitewash Voodoo uses to making "doll babies" (voodoo dolls) and some mild chanting and summoning." Let's also conveniently ignore the fact that so few people actually practice Voodoo as to make it barely register in the country's statistical demographics, yet these leaders are as rich as fucking TV evangelists with their millions of weekly worshippers. SCREW THE DETAILS. Voodoo is not a pretty religion. There are many types of it, let's keep it simple and stick to traditional Haitian Voodoo. It uses music, chanting, dance, spirit possession, animal sacrifice. Yeah, animal sacrifice. Speaking in tongues? Ever watch a documentary? It's bloody, it's dirty, it's not clean, it's deeply spiritual. It's scary, and it's not something you fuck around with lightly, and turn into a spiffy little ritual with white tunic wearing practitioners as this book does. This book completely whitewashes the elements of traditional Voodoo into a neat, clean little package of mysticism. It limits the extent of it to pretty much loas, houngans, some herbs and spells, and voodoo dolls. And a little bit of blood, thrown in for good measure. The books? OH, THERE ARE VOODOO MANUALS. Seriously, there's African Potions and Recipes for Love and Authentic Haitian Voodoo for Health and Wellness. The chanting? It's more like something a bunch of Wiccan priestesses would chant under a full moon: Ancient Priestesses of the light,FUCKING SERIOUSLY? IT RHYMES? The quasi-Voodoo people in this book are the leaders of the Guild, a bunch of largely white families in charge of the Voodoo religion. They have members in Europe, Asia, all over the world. Once a secret, old-school voodoo society, the Guild of High Priests and Priestesses had become too large for them to know each and every member.No, Voodoo isn't a religion restricted to portions of the West Indies, the South, and some regions of Africa at all. *rolls eyes* The Guild are wealthy, they hold an annual Priestess' Ball where all the people get dressed up and all the women put on fancy headdresses. A large portion of the beginning of the book is devoted to the clothes shopping and planning for the annual Priestess' Ball instead of the actual fucking plot. Fuck the whitewashing, fuck the cultural misappropriation, fuck the lack of diversity, fuck everything about this book. Way to take over a culture for your own use, Tom-Cruise-and-the-Last-Samurai style. ...more |
Notes are private!
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1
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not set
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Nov 16, 2013
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Nov 16, 2013
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Hardcover
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0062229036
| 9780062229038
| 0062229036
| 3.85
| 3,673
| Sep 24, 2013
| Sep 24, 2013
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it was ok
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There was no single element that was terrible about this book, but the plot and the characters just didn't combine to form a book that I found remotel
There was no single element that was terrible about this book, but the plot and the characters just didn't combine to form a book that I found remotely plausible. The plot is weak, the main character is unlikeable, the mystery barely exists, because it was so predictable, the side characters are black-or-white. Beyond that, the best test for a book is my enjoyment...and I just didn't enjoy this book. Summary: Wick Tate has had a hard life. Her mother is dead. Her father is a felon on the run (see what I mean about parents in YA novels? Dead or gone). Wick is 16, almost 17, and a skilled hacker. So skilled, it is pretty damn unbelievable. She is living with the perfect family. Truly, Wick and her little sister Lily, have lucked out as far as foster families are concerned. Todd and Bren are youngish foster parents, they are wealthy, they are caring, they are pillars of the community, and they provide for Wick and Lily in every way. Despite that, Wick has no faith in them. 16-year old Wick makes a living on the side with her hacking skills as a private investigator for disgruntled wives and girlfriends who want to check up on their significant others. She hacks into bank accounts. She looks for evidence of cheating through email and social accounts. She looks for their other jobs. She maintains her anonymity in all of this. Meanwhile, a detective named Carson has been trailing Wick everywhere she goes. He is investigating her deadbeat father's case, and seems to have a personal vendetta for Wick. He thinks her, a 16 year old girl, capable of aiding and abetting her meth-lab-operating father in his disappearance. His intrusion is borderline stalking. At school, a girl named Tessa Waye, has died. Suicide. Wick doesn't buy it, because someone mysteriously sent her Tessa's journal on the day she died. From then on, Wick begins the investigation into Tessa's death with the aid of a fellow student. The Plot: This is a teenage amateur detective novel of the lightest order, because it really does not take a genius to figure out the "whodunnit." I thought I had it completely figured out 25% of the way in, and it turned out, I was right. This may be a quasi-detective novel, but it's no Agatha Christie. There's not much guesswork at play here. This is a problem for me, because in as much as I don't like a mystery novel where the ending comes fuck out of nowhere, I also like to be able to think a little for myself. I like to play armchair detective. I like a little guesswork. I love mysteries, and part of that is my love of figuring things out, to follow subtly given clues and see if I made the correct guess. There was no such subtlety in this book. The bad guy was so obvious that my 12-year old self reading The Baby Sitters' Club Mysteries could have figured it out. The villain was so blatant that it took away much of the enjoyment that a reader derives from reading a mystery. The events rather stretch the boundaries a little bit. I'm willing to be flexible when it comes to fiction, but really, am I supposed to believe that at the age of 16, Wick has been a hacker/cyber investigator for 3-4 years? Let's go back in time. 3-4 years ago, Wick was being bounced around in foster homes. Her mother committed suicide when she was 11. Her father started his meth lab when Wick was 5. Wick also has a younger sister, Lily, of whom she is overwhelmingly protective. Am I supposed to believe that during all this time, during her childhood full of abuse, living on tenterhooks because her father was a drug dealer, dealing with her mother's depression, trying to take care of her baby sister---somehow in the fuck of all this mess that is her life, Wick manages to also become a brilliant hacker at the age of 12? While being bounced around in foster homes? The answer is no. Am I supposed to believe that every single fucking adult in this book are idiotic, incompetent, completely incapable, as Wick does? You see, adults mess things up even when they’re trying to fix them. No. Check that. They mess things up especially when they’re trying to fix them. I mean, think about how they tried to save us from our dad, how they tried to help my mom. Failure all the way around.The answer is no. Am I supposed to empathize with a main character with a chip on her back the size of Russia? Who believes that the whole world and its' cousin in law is out to get her? The answer is no. Am I supposed to believe that a it's wise to leave a message on a dead girl's Facebook account, leaving the provocative message of "I know who killed me" and expect to stay nice and safe while she draws the killer out? The answer is no. Am I supposed to believe that a teenaged girl would kill herself and nobody---not even the police---would even think to look at her online accounts and emails and her life, given this day and age to see what went wrong? The answer is no. Am I supposed to believe that withholding evidence from the police is a wise idea because a kid can investigate the deaths so much better than professionals? The answer is no. Am I supposed to believe that the entire police department are stupid and corrupt, and one detective is so fiendishly evil that he would call Wick "trash" to her face? That he would believe a16 year old GIRL capable of such trickery and wiliness that he would tail her around constantly? The answer is no. Yes, I know the police can be corrupt. Humans are corrupt. Law enforcement officials are human. But it stretches my belief when everything is so black-and-white as Wick would see it. The overwhelming sense of this book is that because Wick BELIEVES everyone is incompetent and evil, it is true. Life doesn't work that way. The Main Character: Wick is not a likeable heroine. The summary says it all: "Wick has a bad attitude and sarcasm to spare." It is wholly evident in the book. She sees herself as Robin Hood when she engages in hacking. I don't think she is quite so noble. I didn't like Wick. She is selfish. She has no trust in authority figures, even when said authority figures are trying their very best to do right by her and her sister. According to Wick, the entire world is false. They smile at her with a Cheshire Cat's grin. She trusts no one but herself. Given her past, I can overlook her attitude and distrust, but only to a certain extent. Wick's overwhelming attitude can only be overlooked for so long before it grated on my nerves, and I found myself barely able to tolerate her. Her evolution in the book for the better is seen only in that she stops being an asshole and somewhat ceases her bitchy commentary towards everyone in her life. Wick is selfish. She has a good life, she won the fucking foster family lottery. Yet she seeks to endanger it at every turn by doing her highly illegal hacking jobs. It puts her and her sister in danger of losing their home with Todd and Bren. Lily, the wise 11-year old, sees it, and points it out to Wick. Wick doesn't give a crap, because she doesn't care, and she trusts no one but herself. Chip on her shoulders, indeed. The Romance: The lurve hit me from out of nowhere. Really. Griff has been her classmate for years, they've barely spoken, then all of a sudden he breaks into her bedroom, and Wick thinks "Hey, he's not so bad after all," and then a few days later, this happens out of no-fucking-where: Everywhere he’s touching and everywhere he’s touched is lighting up. I feel like I’ve swallowed the sun.Wha---what? How?! Do I believe that? The answer is no. ...more |
Notes are private!
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1
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not set
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Nov 11, 2013
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Nov 11, 2013
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Hardcover
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1423187733
| 9781423187738
| B0851ZKZ3G
| 4.09
| 34,297
| Apr 10, 2014
| Apr 15, 2014
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liked it
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Actual rating: 3.5 “Don’t take this the wrong way, but I’m not proud of it. Even though you didn’t have that damn necklace on, as far as I knew, youActual rating: 3.5 “Don’t take this the wrong way, but I’m not proud of it. Even though you didn’t have that damn necklace on, as far as I knew, you were still with Del. And I’m not big on making out with another guy’s girlfriend."The apocalypse has arrived, and the signs started with Khanh liking a bad-boy love interest within an Armentrout novel. I've read a lot of Armentrout books, and I have to say that this was my favorite in her repertoire. It was not amazing, but like all Armentrout works, it is immensely readable, and unlike most Armentrout works, it didn't give me a pounding headache. I have always loved the amnesia trope, and this book did the trick. More details later, but in short, here's the good and the sort-of-bad. Honestly, there wasn't anything truly atrocious about this book. There were a few moments that made me cringe. Specifically, they were the moments when Sam felt like she had to get physical with her boyfriend in order to be a good girlfriend. I didn't like the intonation that it was the girl's fault if she could not get into the attraction, that is was her duty to be sexually fulfilling in order to have a functional relationship. Thankfully, that only happened twice in the book. The good: 1. A non-bitchy heroine for a change 2. A bad-boy love interest who turns out to be likeable, even by Khanh standards 3. No Mary Sue syndrome 4. There's an actual FAMILY, they have family interactions! The MC is not an orphan! The (sorta) bad: 1. The MC is Too-Stupid-To-Live at times, and too meek in others; she trusts too easily 2. The plot was extremely predictable: I guessed the whodunnit within the first 20% of the book 3. The "amnesia" excuse was believed by everyone, which is a far stretch to me 4. There was no subtlety: there are extremely obvious and caricaturized Mean Girls. The bad guys all but wore "VILLAIN" signs around their necks. The hints and clues were so loud a 5-year old could have guessed 5. Extremely shallow female friends The bad: 1. The forced physicality between Sam and her boyfriend The Summary: “She thinks I did it?” My voice was small, hoarse. “She thinks I did something to Cassie?”A girl wanders the streets, battered and bruised. She doesn't know where she is, she doesn't know who she is. It turns out that she is Samantha Jo Franco, and her life appears to be pretty fucking sweet on the surface. She's got loving parents, a twin brother, not to mention the fact that her family is immensely wealthy. We drove past them...in our Bentley.She lives in a house that makes a mansion look like an apartment. Samantha is good-looking. She's got a loving steady boyfriend. She's headed to Yale next year. So what could be wrong? “Cassie Winchester is your best friend. She disappeared with you.”Oh, there's that little matter. Not only has Samantha's memories disappeared, but so has her best friend, Cassie. And the trouble doesn't end there...you see, Samantha---the old Samantha...was a huge bitch. “You were a terror to everyone who knew you."It turns out that there is a Mean Girl clique at her school, and Samantha was the queen bee. She ran a campaign of terror, lording it all over her classmates. Everyone in school hated her, with good reason. “Just a couple weeks ago, you called her”—she lowered her voice—“a fat bitch whose thighs were capable of setting the world on fire."To make it worse, someone's leaving her strange notes. Drawing in a shallow breath, I unfolded the slip of paper.And she's having hallucinations of Cassie...if that's what it is. There's a whole lot of adjustment to be made. Sam's got to come to terms with who she was, and who she is now. She has to determine who's her friends, and who's her enemy. She has to sort out her feelings between her childhood friend Carson, the son of "the help," and her handsome, blue-blooded boyfriend Del. There are relationships to be rebuilt between her family and her twin brother Scott, and she's going to have to rebuild some broken friendships. And try not to get herself killed in the process of remembering what happened the night Cassie disappeared. Who killed Cassie? There are no shortage of suspects. “There’s a huge list of people who were angry with her, but to kill her? I don’t think so.”And one of them may be Cassie herself. "Right now, if it turns out that she was murdered, you’re their number one suspect.”Samantha: “You’re not an idiot, Sam.”I actually liked Sam a lot. I found her switch from bitchy before-Sam to completely passive after-Sam to be a bit of a stretch, but she is the first Armentrout main character who didn't make me want to strangle her. Sam is really nice, but also incredibly meek at times. Due to her amnesia, she is incredibly innocent, and she asks a lot of questions, which is reasonable, but also frustrating at times. “Jeez, this is like talking to a toddler.”She is pretty smart, she has some common sense. When Sam receives mysterious notes, she knows she needs to keep them as evidence, despite her brother's protestations to the contrary. But she can be, as she said, "incredibly naive." Sam didn't realize that she was a suspect in Cassie's disappearance. That's just really unbelievable. “The big deal is that you were most likely the last person who saw Cassie—you were probably with her when...when whatever happened to her occurred.”She trusts people too easily. Sam doesn't have her memories, she doesn't know who she can and can't trust, and yet she seems to intuitively feel who she can trust---and she turns out to be right, without much credibility on the reader's part. And to top it off, she sometimes acts foolishly. Sam returns to the possible scene of the crime alone. She runs off to be by herself, leaving her family to worry. But she is never outrageously stupid, and I liked her as a main character. I feel like she grew up along the way, I feel that she became self-aware. She eventually becomes strong, but never a bitch. The Credibility: My main fault with this book is the credibility. I don't mean the amnesia premise, I mean that everyone buys into it so quickly. Before-Sam was a bitch. Why did everyone all of a sudden believe that she has amnesia? Because before-Sam was a manipulative bitch, wouldn't it be so much easier for everyone to think that she had been lying all along? Everyone seems to buy the amnesia premise without much convincing, and I found that hard to believe. No Subtlety: The mystery was extremely obvious to anyone reading this book. The bad guys says things too quickly, too brightly, they smile too falsely, too easily. Sam has a knee-jerk reaction to them. I liked this book, but I like more depth to my investigative mysteries, and I found this book to be rather shallow. The Mean Girls: Sam's friends are horrible people. Almost all the females in this book are bitches. They're beautiful and manipulative. They're petty. They're shallow. They're absurdly snobby. They're outrageously racist. “Look, Pham or Long Duck, whatever your name is, turn around."The Mean Girls clique is one element of Armentrout's book I could do without. The Romance: There is a love triangle in the book, and it is so half-hearted that I can't even be bothered to complain about it. What surprised me was my "like" (not love, like) for the bad-boy-motorcycle-riding love interest. It started off badly enough, as the newly-amnesiac Sam falls into insta-love for an asshole who hates her. “Is that my boyfriend?” I whispered, hopeful and scared all at once.And he also rides a motorcycle. Spaaaaaaaaaaaaaaaaare me, please. But as it turned out, he's...kind of a nice guy. For one, he doesn't want to be a cheater. “I don’t like Del,” he admitted, staring straight into my eyes. “He’s a dick, and you’ve always deserved better than him, but I’m not that kind of guy. At least, I’m trying to not be with you.”Sam has a boyfriend, Del. She's not attracted to Del, she's attracted to Carson. Technically, she's cheating on Del mentally. But the thing is, Sam realizes that cheating is not right. I needed to figure out how I felt about Del if there was any hope for us because stringing him along wasn’t fair. If I was no longer the girl who’d fallen in love with him, it wasn’t right to keep up this...this charade.I liked Carson. I liked Sam. Their romance didn't hurt, and neither did this book. ...more |
Notes are private!
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1
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Apr 15, 2014
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Apr 16, 2014
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Oct 18, 2013
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ebook
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