Sarah Lin hates Patrick Chevalier. She hates his golden good looks, his charming manner, the way he seems to be able to create magic with his bare hanSarah Lin hates Patrick Chevalier. She hates his golden good looks, his charming manner, the way he seems to be able to create magic with his bare hands and does absolutely everything flawlessly, without seeming to expend even the slightest bit of effort. She hates him because every time he brushes past her, or winks at her, or jokingly flirts with her, her heart beats faster and she has trouble breathing. He is her boss, and he is godlike, and he would never even look twice at a lowly little intern who never seems to be able to do anything right.
Patrick Chevalier is madly in love with Sarah Lin, the intern in the world-famous French restaurant where they work. He is the second in command in the kitchen, he is her boss, and he knows that it is grossly inappropriate for him to even consider seducing her while she's under his tutelage. But she claims that she's going to go back to California once her internship is over in little over a month, and he might go insane if he doesn't get a chance to show her how she feels. His entire life, he has learned to keep his true hopes and dream deeply hidden, so they can't be snatched away from him. He's come to the conclusion that he has to use his wit and charm and skill to manipulate those around him to reach his goals. When Sarah in an unguarded moment lets it slip that she hates him, he's determined to turn that hate to love, just as he can turn sugar and chocolate into edible treasures.
Sarah's mother fled from North Korea and found a new life in the USA because she got pregnant and Sarah was born there. Becoming an engineer at Caltech to make her mother proud, Sarah feels as if she's let her entire family down when she gave up her high paying job as an engineer to pursue her dream to study as a pastry chef in Paris. Five months into her internship, she's wondering if she made a huge mistake. She can barely afford to pay the rent, she works until she drops, and all around her, the others in the kitchen create marvels while she feels she's a constant failure. The only woman in the whole kitchen, she struggles to keep up with the intense work, and spending so much time around a gorgeous man she's convinced could have any woman he turned his attention to, she's decided that the only way to guard her heart is by hating him intensely.
Patrick may be incredibly successful for his young age, although he never really wanted to become a chef, but an engineer. His messed-up mother made sure to crush any dream he ever had, and when he was apprenticed to up and coming Luc Leroi, one of his foster brothers, he made the best of it, using his inventiveness and intellect to excel in the kitchen. Even though no one understands why he's still content being Luc's second, when he could go off and get a brilliant career in a restaurant of his own, he knows that he is needed, and can't bring himself to leave. He also knows that he mustn't harass his pretty intern, but can't help from watching over her, trying to shield her from the hardest jobs in the kitchen, surreptitiously feeding her and making sure that he is the one who most often teaches her new techniques. He knows that she is clever and driven and just as perfectionistic as Luc, but he can't resist his protective urges. He believes himself to be sneaky, devious and ruthless and the way in which he tricks Sarah into inviting him in after a night out after work is certainly not entirely chivalrous, but while he has decided alpha male qualities (as do all of Florand's heroes), he never forces Sarah to do anything she doesn't really very much want to do.
Sarah needs to decide whether she actually wants to follow her dream to be a pastry chef and accept that she may not be a failure just because she can't keep up with insanely driven craftsmen who are at the top of their field. She comes to realise that while her birth gave her mother and sister a safe home in America, she doesn't have to live her entire life to fulfil some sort of imagined standard of perfection to prove herself worthy to them. Patrick has clearly been burned so many times growing up, and has turned the very bitter lemons of his cruddy upbringing into some fairly awesome lemonade. Yet he's desperately worried about losing Sarah once he gets his chance with her, and of all the dreams he has ever dared nurture, a relationship with her is the one that he daren't even hope he might achieve.
Compared to some of the deep emotional issues of Florand's earlier couples, Sarah and Patrick's troubles seemed a bit more low key, and it was a relief after the last two, with some very messed up protagonists and drama to work through. Parts of this book overlaps with Florand's previous book in the series, The Chocolate Heart, but I suspect it works fine on its own as well. Florand has played around with fairy tale and mythology elements in previous novels, with influences from Rapunzel, Beauty and the Beast and the myth of Hades and Persephone. In this book, there are hints of Cinderella, but while Patrick may be a prince (his surname is even Chevalier - knight), Sarah is much more than the girl who loses her shoe and heart at the ball. The author's note at the end of the book and her blog suggests that this may be the last in her Amour et Chocolat series (apparently Luc's book was supposed to be the final one, but Patrick kept stealing scenes so she had to write his story too), but she has more books planned, set in the south of France, so I suspect I will still have her delectable writing to look forward to for a while yet.
Merged review:
Sarah Lin hates Patrick Chevalier. She hates his golden good looks, his charming manner, the way he seems to be able to create magic with his bare hands and does absolutely everything flawlessly, without seeming to expend even the slightest bit of effort. She hates him because every time he brushes past her, or winks at her, or jokingly flirts with her, her heart beats faster and she has trouble breathing. He is her boss, and he is godlike, and he would never even look twice at a lowly little intern who never seems to be able to do anything right.
Patrick Chevalier is madly in love with Sarah Lin, the intern in the world-famous French restaurant where they work. He is the second in command in the kitchen, he is her boss, and he knows that it is grossly inappropriate for him to even consider seducing her while she's under his tutelage. But she claims that she's going to go back to California once her internship is over in little over a month, and he might go insane if he doesn't get a chance to show her how she feels. His entire life, he has learned to keep his true hopes and dream deeply hidden, so they can't be snatched away from him. He's come to the conclusion that he has to use his wit and charm and skill to manipulate those around him to reach his goals. When Sarah in an unguarded moment lets it slip that she hates him, he's determined to turn that hate to love, just as he can turn sugar and chocolate into edible treasures.
Sarah's mother fled from North Korea and found a new life in the USA because she got pregnant and Sarah was born there. Becoming an engineer at Caltech to make her mother proud, Sarah feels as if she's let her entire family down when she gave up her high paying job as an engineer to pursue her dream to study as a pastry chef in Paris. Five months into her internship, she's wondering if she made a huge mistake. She can barely afford to pay the rent, she works until she drops, and all around her, the others in the kitchen create marvels while she feels she's a constant failure. The only woman in the whole kitchen, she struggles to keep up with the intense work, and spending so much time around a gorgeous man she's convinced could have any woman he turned his attention to, she's decided that the only way to guard her heart is by hating him intensely.
Patrick may be incredibly successful for his young age, although he never really wanted to become a chef, but an engineer. His messed-up mother made sure to crush any dream he ever had, and when he was apprenticed to up and coming Luc Leroi, one of his foster brothers, he made the best of it, using his inventiveness and intellect to excel in the kitchen. Even though no one understands why he's still content being Luc's second, when he could go off and get a brilliant career in a restaurant of his own, he knows that he is needed, and can't bring himself to leave. He also knows that he mustn't harass his pretty intern, but can't help from watching over her, trying to shield her from the hardest jobs in the kitchen, surreptitiously feeding her and making sure that he is the one who most often teaches her new techniques. He knows that she is clever and driven and just as perfectionistic as Luc, but he can't resist his protective urges. He believes himself to be sneaky, devious and ruthless and the way in which he tricks Sarah into inviting him in after a night out after work is certainly not entirely chivalrous, but while he has decided alpha male qualities (as do all of Florand's heroes), he never forces Sarah to do anything she doesn't really very much want to do.
Sarah needs to decide whether she actually wants to follow her dream to be a pastry chef and accept that she may not be a failure just because she can't keep up with insanely driven craftsmen who are at the top of their field. She comes to realise that while her birth gave her mother and sister a safe home in America, she doesn't have to live her entire life to fulfil some sort of imagined standard of perfection to prove herself worthy to them. Patrick has clearly been burned so many times growing up, and has turned the very bitter lemons of his cruddy upbringing into some fairly awesome lemonade. Yet he's desperately worried about losing Sarah once he gets his chance with her, and of all the dreams he has ever dared nurture, a relationship with her is the one that he daren't even hope he might achieve.
Compared to some of the deep emotional issues of Florand's earlier couples, Sarah and Patrick's troubles seemed a bit more low key, and it was a relief after the last two, with some very messed up protagonists and drama to work through. Parts of this book overlaps with Florand's previous book in the series, The Chocolate Heart, but I suspect it works fine on its own as well. Florand has played around with fairy tale and mythology elements in previous novels, with influences from Rapunzel, Beauty and the Beast and the myth of Hades and Persephone. In this book, there are hints of Cinderella, but while Patrick may be a prince (his surname is even Chevalier - knight), Sarah is much more than the girl who loses her shoe and heart at the ball. The author's note at the end of the book and her blog suggests that this may be the last in her Amour et Chocolat series (apparently Luc's book was supposed to be the final one, but Patrick kept stealing scenes so she had to write his story too), but she has more books planned, set in the south of France, so I suspect I will still have her delectable writing to look forward to for a while yet....more
In an alternate history Victorian London with Steampunk gadgets, werewolves, a ruling nobility known as the Echelon, where the men are all enhanced wiIn an alternate history Victorian London with Steampunk gadgets, werewolves, a ruling nobility known as the Echelon, where the men are all enhanced with vampire blood, Miss Honoria Todd (who certainly doesn't in any way dress or appear anything like the burlesque streetwalker on the cover of the book) has been forced to move to the Rookeries of Whitechapel after the death of her father. She is working as an elocution coach under an assumed name to support her younger sister (who also takes in mending) and ailing brother, and they are all hiding from the rich, powerful and very dangerous former protector of her father's, who wants Honoria for a number of nefarious purposes. They are barely making ends meet, and when Honoria's brother takes a turn for the worse and Honoria loses her job, she has no choice but to turn to Blade, the master of the Rookeries, for help.
Normally only the members of the Echelon and their chosen servants are allowed the blue blood that gives enhanced abilities, speed, strength and an extended lifespan, but Blade survived the experiments of a nobleman and escaped into the Rookeries, where he and his men rule with an iron fist, challenging the authority of the ruling lords. He desperately wants revenge on the corrupt duke ruined his life and when he discovers that Honoria and her siblings are hiding from the same man, he extends his protection to the little Todd family. Doesn't hurt that he's instantly drawn to the prim, yet fiery Honoria, determined to make her his.
It shouldn't surprise me that books with absolutely prepostrous covers in the paranormal fantasy/romance genre can contain entertaining and well-written stories. I've seen Bec McMaster's book mentioned on a number of "If you like books by X, you'll probably enjoy..." lists, but always avoided it because of the horrible cover. In October, it was the alt book in Vaginal Fantasy Hangout and I decided to finally give it a chance. I'm glad that I did. The world building is clever and I like both the alternate history Steampunk twist and the variation on vampires and werewolves here. Apparently all the men of Echelon, the ruling families of England, are given the blood of vampires when they turn sixteen, to give them enhanced abilities and skills. They have thralls - servants, retainers, even highly cherished mistresses that they drink blood from (and who frequently get a sexual thrill from donating the blood) and are carefully monitored at all times to make sure they don't turn all the way into out of control crazed vampires.
Honoria's father was a doctor and a scientist, apparently working on a cure for the vampirism, but died before he had a chance to perfect it. The duke who was his patron wasn't above medical experiments, which early on resulted in Blade getting turned and in his initial blood craze killing his own sister. So he's pretty motivated for revenge. Honoria and her siblings were also given the "vaccine", but her brother seems to have reacted badly to it, and is slowly turning into a vampire, something Honoria is trying desperately to prevent. She is terrified of Blade, but even more scared of the duke hunting them and realises that she had to get help somewhere, even if it means surrendering as a blood thrall to the master of the Rookeries.
The characters are all interesting, and it's quite clear that McMaster is setting up a number of story lines for later books. I liked both Honoria and Blade and their romance builds gradually, even though they're attracted to one another from the start. I also liked Blade's werewolf lieutenant (who is the hero of the second book) and some of the more sympathetic Echelon lords portrayed in the book. I was especially taken with the one ruling lady who was turned by her father in general violation of the wishes of polite society, and some poking about online reveals that she's the heroine of the fifth and final book in the series. Having now tried the books, I will most likely read the full set and I really must try to remember that a dreadful paranormal romance cover doesn't always reflect the quality of the contents inside. ...more
Jane lives a pampered and privileged life, the only child of a wealthy and influential woman. She's lonely, insecure and immature. She has no real friJane lives a pampered and privileged life, the only child of a wealthy and influential woman. She's lonely, insecure and immature. She has no real friends, just people who mainly seem to take pleasure in bullying her. One day, she encounters a robot minstrel, one in a new line of highly realistic, artificially intelligent androids and her life is never the same. Though she is initially frightened by the robot, she's also fascinated by him and can't put him out of her mind.
She runs away from home, giving up everything just to be with Silver, as she names her robot lover. She learns to fend for herself and makes a life on her own. She refuses any contact with her mother or former "friends" and begins to discover a wholly different, much happier existence. Yet the factory who first created Silver wants all the advanced robots destroyed and they are searching for Jane and Silver. How long until their happy romance comes to an end?
The Silver Metal Lover was written in 1981 and for as long as I've been reading young adult fiction with any sort of romantic element, this book has been on my radar. It appears on countless lists of romantic YA and has clearly meant a great deal to a lot of readers over the years. Yet the book never seemed to interest me all that much, probably because science fiction is not a genre I read all that much and robots are a lot less appealing to me than vampires, werewolves, faeries and witches. When this was the alt book in Vagina Fantasy book club in August, and the book also fit with my Monthly Key Word AND Monthly Motif reading challenges, I decided to check it out. I suspect that it would have made a much greater impact on me if I read it when I was actually a teen in the mid-90s than it did now.
First of all, Jane really is somewhat of an exhausting protagonist. She cries ALL the damn time. She cries so much she even points out that it's amazing she doesn't dehydrate herself from all of it. She's lived a sheltered and not very exciting life, so it's not actually surprising that she has the personality of a wet sponge, I just really didn't like her much at all. Even when she developed the backbone to run away to be with her robot lover, I didn't like her all that much. The best thing she had going for her was that every single character in the book, with the exception of Silver was so much worse than her.
Silver was pretty cool actually. I prefer my robots more of the Terminator variety, frankly, but as sentient robots go, he wasn't bad. I'm sure he could have done better than Jane though. Their romance didn't really work for me, as I found Jane dull as dish-water. The book had an interesting concept, but there are just so many better YA sci-fi romances out there now, and while it was a perfectly ok book, it didn't wow me in any way. ...more
After private investigator Harper Blaine wakes up in the hospital after apparently being legally dead for two minutes, she thinks she must be having hAfter private investigator Harper Blaine wakes up in the hospital after apparently being legally dead for two minutes, she thinks she must be having hallucinations. Her world seems to get blurry, with grey mist, strange creatures and scary monsters more and more frequently. She is told to consult a university professor and his wife, who tell her that she's a Greywalker now. There is a nebulous dimension close to ours, between the human world and the after life, and those like Harper, who have been near death but returned, can access it.
Harper is really none too happy about her new powers and just wants things to go back to normal. She takes on a case to locate a missing college kid, as well as promising to track down a missing heirloom for a mysterious foreigner. As she keeps investigating her new cases, it becomes more and more obvious that she's going to need to control her entrances and exits to the Grey if she wants to survive to get paid.
This was July's main selection in the Vaginal Fantasy book club, and as I'm always fond of a good new paranormal series to sink my teeth into, I figured this was a good opportunity to try one of Kat Richardson's books. Unlike Spider's Bite, which I only barely felt I could rate 2 stars, I found a lot of potential in this book. I liked the sort of film noir feel to the book, with Harper being a P.I and doggedly insisting on endangering herself with solving cases, even after nearly dying. I liked that she doesn't just immediately take the news of the supernatural world and her new abilities in her stride, happily and almost instantly adjusting to the new status quo, which seems to be the case with some protagonists.
Unlike most of the Vaginal Fantasy picks, this book isn't very focused on romance or smexy times at all. There is some romance, but Harper is unattached at the end of the book and no obvious candidate for her long term affections appears to show up over the course of the book. There are some interesting supporting characters and I liked that she has a ferret (even though in my real life experience, they are smelly, badly behaved little beasts with very sharp teeth). That's the sort of detail that adds to the world building.
I wish the Grey had been explored and explained more in the book, but as we are getting everything from Harper's POV, and the people who are trying to teach her how to control her new powers can't directly access the Grey, I suppose it's not surprising that we can't get a massive info dump. I liked the various supernatural creatures, although it was painfully obvious to me what had happened to the college kid Harper is hired to track down long before she picks up on his trail. Although I'm not sure Richardson intended it to be some sort of great surprise either.
While there were bits of the book that got a bit confusing and vague, and I thought the final confrontation was a bit confusing, I think this series has promise, and with Kim Harrison's The Hollows series concluding in September, I am in need of new paranormal fantasy to entertain me. I will absolutely be reading more of these. ...more
This is the fourth book in the series, and as such, not the best place to start reading. This review will also contain some spoilers for book 3, The DThis is the fourth book in the series, and as such, not the best place to start reading. This review will also contain some spoilers for book 3, The Deception of the Emerald Ring, so skip this review if you're not up to date.
Despite being one of the acclaimed beauties of the ton, Miss Mary Alsworthy is facing her third season. The only actual marriage proposals she's received were from unsuitable candidates, and her attempt to secure a rich husband failed spectacularly when her intended accidentally compromised her younger sister instead and had to marry her. So now her former suitor is her brother-in-law and disgustingly happy with her little sister. Mary refuses to show them how much their domestic felicity bothers her, and she's certainly not happy with the idea that her next season will have to be sponsored by her new brother-in-law.
So when the cynical and wealthy Lord Sebastian Vaughn approaches her with an alternative, she doesn't hesitate for long. Lord Vaughn is working with the Pink Carnation (although Mary doesn't know that part) and trying to locate the elusive French spy, the Black Tulip. As the spy seems to only recruit tall, pale-skinned, dark-haired beauties as his agents, Lord Vaughn suggests that Mary help him tempt the Black Tulip out of hiding. Yup, Mary is described with raven locks and ivory skin, so I have NO idea who the lady on the cover of this book is. I keep wondering if the marketing department have any idea what's actually in the books when they design the covers? The woman on this cover doesn't fit the description of anyone in the book. Sigh. Anyway, back to the plot. In return for Mary basically acting as bait, Lord Vaughn will fund her new season and she won't have to take charity from her former admirer. As the two start working closely together, they are surprised to discover that they may have found a perfect match in each other. But there are a number of obstacles in their way, including the deadly Black Tulip.
In the present, Eloise is finally going on a date with Colin Selwick and can barely contain her happiness. When researching the Vaughn archives, she also makes the acquaintance of another history buff who seems very interested in the identity of the Pink Carnation. Possibly because she's not quite so whiny in this book, the cuts back to Eloise's story line felt a lot less intrusive than in the previous two books and I didn't actually mind reading about her all that much.
Looking at various review sites, Goodreads in particular, it's clear that not all the fans of the series were too fond of this book because both the protagonists are much more unpleasant than the heroes and heroines in the previous three instalments. Mary's thoughts about the characters in previous books are none too pleasant, she's cynical, ambitious and all her plans came to nothing when her elopement plot failed. Now she's an object of either spiteful gossip or pity, and she doesn't like it. So of course, a lot of her thoughts are filled with bitterness and spite. Frankly, the couples in the previous three books were all such good, worthy and noble people. They do risk their lives to save England from the French, after all. Having a heroine who's bitter, cynical, quite mean on occasion and maybe a bit too conceited because she's been told about her great beauty and her good prospects all her life was actually rather refreshing.
Besides, the hero of the novel is Lord Vaughn, who in the previous two books stole pretty much every scene he was in. He's tall, dark, extremely wealthy, has an impeccable dress sense and doesn't suffer fools, even a little bit. There are all manner of rumours surrounding him, with suspicions that he may have murdered his wife. Some suspect he may be a French agent, and Mary certainly wonders if he himself might be the Black Tulip when he enlists her aid in finding the spy. Vaughn has experienced most things there are to experience, and he's frankly bored and jaded. He's entirely unconcerned about his reputation and the rumours that exist about him. He's not really swayed by Mary's beauty, but cannot help but be impressed with her ruthless ambition, her candidness and her determination to secure the best possible future for herself. He understands her bitterness and her cynicism and finds a kindred spirit in her.
I think the reason I like Vaughn so much is because he reminds me of one of my favourite romance heroes, the Duke of Falconbridge from Julie Anne Long's What I Did For a Duke. As this book came out several years before Julie Anne Long's romance, I would be very surprised if Falconbridge wasn't at a little bit inspired by Lord Vaughn. And he's a Sebastian! So many awesome romance heroes out there share that name, but I laughed out loud when his first name was revealed in this book.
Because the main couple were a lot more ruthless and cynical than those in the previous three books, which I found amusing, and the Eloise bits were actually rather sweet, instead of making me want to reach into the pages of the book and slap her silly, this is by far my favourite of the Pink Carnation books. Noble heroes are all well and good, but I understand why Mary and Vaughn might find them a bit exasperating too. The fact that Mary and Vaughn continue to be cynical and scathing, even after they succumb to their mutual attraction and admit their feelings for one another is one of the things I appreciate. It would have been awful if they suddenly went all gooey and sweet.
The reason I can't rate this a full five stars or even 4.5 is because of the way the story develops in the last half. Issues and individuals from Vaughn's dark past come back and complicate the plot in a way that had me rolling my eyes, and the true identity of the Black Tulip and resolution of that plot was frankly preposterous. I can only suspend my disbelief so much. I do hope Willig will allow me the occasional jaded rake as a hero in future books too, because this was such a fun book. ...more
April 2016 - re-read: This book works a lot better when read immediately after the other two. It feels so much less like it's just a bridging book and April 2016 - re-read: This book works a lot better when read immediately after the other two. It feels so much less like it's just a bridging book and more like Stiefvater is carefully sliding all the pieces into place for the finale. After many of the interpersonal relationships were sort of fractured in the last book, they are slowly starting to mend and Blue and her Raven Boys are becoming a more solid unit again. I'd also forgotten, until I re-read the books, how much I love Mr. Grey as a character.
I am very excited about the upcoming The Raven King release, but also so worried. I'm not sure everyone is going to survive until the end, and losing any of the central core of characters is going to completely destroy me emotionally. I want Blue to be able to kiss Gansey (without him dying) and for Ronan to get to kiss Adam and for Maura and Mr. Grey to be happy together and they'll all find Glendower and that horrid third sleeper will just go away, without harming anyone at all. Is that too much to ask for?
November 2014 Blue Sargent's mother is missing, and it's quite clear that time passes differently where she's gone. This loss affects Blue deeply, although she has Mr. Grey around and her Raven Boys to take her mind off things. Blue, Gansey, Ronan, Adam and even Noah are still trying to find Glendover, looking in caves all over the area. They are told repeatedly that there are three Sleepers under the ground, and it is imperative that one of them not be woken. They now have the aid of Gansey's elderly British professor friend, Mr. Malory, who seems to find being in "the Colonies" fascinating.
Malory is not the only new arrival in Henrietta. Colin Greenmantle, Mr. Grey's former employer and a very dangerous man, is in town, keeping himself busy plotting revenge and destruction, while also teaching the Aglionby boys Latin. His wife Piper may seem vapid and distracted at first, but it becomes clear after a while why the two were drawn to each other. Ronan is determined to get Greenmantle somehow, and enlists the aid of Adam, whose affinity with Cabeswater is getting stronger, allowing him a wholly new perspective. Adam needs all the distractions he can get, he's about to face his father in court, and he's making very sure that none of his friends find out about it.
While it is always lovely to spend time in the world of Blue and her Raven Boys, this book, number 3 in The Raven Cycle is so clearly a bridging book. Unlike in books 1 and 2, where we were introduced to all the characters and a lot of dramatic things happened, most of the story is in a holding pattern here, slowly moving the pieces into place for the final act, which I'm hoping will be spectacular.
Colin Greenmantle is a chilling new potential villain, and all the ominous messages about the third sleeper promise more complications in the final book, which is out at some as of yet not confirmed point in the second half of next year. In The Raven Boys, Blue saw Gansey on the Corpse Road, and with each season passing, they are getting closer to his doom. In this book, the other boys discover that the women of 300 Fox Way have a book where they write down the names of everyone who will die in the coming year, and Adam is clever enough to figure out that Blue is so secretive about the book because one of their names is in it. She finally has someone to share her secret with, not that it makes the situation any easier.
Blue and Gansey are growing closer, but trying to hide it from the others, especially to avoid hurting Adam. Ronan and Adam conspire to remove the threat of Colin Greenmantle behind Gansey's back, as they know they're not going to be able to play by the rules, and their best friend would be deeply uncomfortable.
I love these books, but this is clearly the least engrossing in the series so far. I understand that not every book can have the intriguing setup of The Raven Boys or the thrilling revelations of The Dream Thieves, but it would have been nice if there was a little bit more development. Some pretty thrilling stuff happens in the last few chapters, but mostly this is just the literary equivalent of hanging out with friends you like. ...more
This is the second book in the Lunar Chronicles, and won't really work so well if you haven't read the first one. Start with Cinder, then come back anThis is the second book in the Lunar Chronicles, and won't really work so well if you haven't read the first one. Start with Cinder, then come back and read this review when you've caught up. Really, you don't want to be reading this review - it's going to contain spoilers about the first book. Continue reading if you don't mind, but don't say I didn't warn you.
Scarlet Benoit needs to find her grandmother, who disappeared without a trace a few weeks ago. Her ID chip was left behind, and Scarlet is convinced she's been kidnapped. The local police, however, don't suspect foul play and have rejected the case. Scarlet's determined to locate her grandmother on her own, but has few leads or clues. How is the mysterious prize fighter, calling himself Wolf, connected? He arrived in the area around the same time Scarlet's grandmother disappeared, and seems very interested in Scarlet.
How is Scarlet's grandmother connected with dangerous Lunar fugitive and cyborg Linh Cinder? The heroine of Meyer's previous book has escaped from prison along with self-styled Captain Carswell Thorne thanks to the advanced cyborg enhancements Doctor Erland gave her at the end of the last book. On the run in Thorne's stolen spacecraft, the two manage to constantly stay one step ahead of the Lunar and Earthen authorities, and discover that a former officer named Michelle Benoit may have further clues about Cinder's past.
Newly appointed Emperor Kai is still reeling from the discovery that the charming mechanic he impulsively invited to the ball is not only a cyborg, but actually a dangerous Lunar. Was his attraction to her nothing but trickery brought on by her Lunar powers? He is desperately trying to fend off the powerful and terrifying Lunar Queen, Levana, who demands that the girl be caught within three days, or there will be disastrous consequences for Earth.
In Cinder,Marissa Meyer introduced us to the Cyborg mechanic who bore a clear resemblance to the Cinderella of Grimms' fairy tales. While I liked the book, a lot of it was establishing the world and world building, and I found it a bit slow in places. In the sequel, the fantastic sci-fi world is already in place, and quite a few of the main conflicts and players have been set in motion. Or so I thought. Because Meyer proceeds to introduce more characters, with complicated back stories and motivations. There's a lot more action in this book, it moves ahead at a faster pace all the way through.
The spirited Scarlet argues with townspeople and wears a red hoodie. She's a talented pilot and loves her grandmother, who more or less raised her, fiercely. She's willing to risk pretty much anything to find her, even allying herself with the rather shady Wolf, whose motivations are a lot more murky than she likes. She's sometimes frustratingly stubborn, refusing to believe that there could be something in her grandmother's past that led her to being abducted, even when further investigations keep revealing that her Michelle Benoit hadn't always been an eccentric farmer.
Also introduced in the book is adventurer, wanted thief and confidence trickster Carswell Thorne. When Cinder is escaping from prison, she accidentally drops into his cell, and upon discovering that he has a spaceship, she reluctantly agrees to take him with her. He uses his charm like a weapon, yet she is entirely immune. In reality a cadet in the American forces, he became wanted when he stole an advanced military aircraft to go adventuring. While he calls himself a captain, he's not actually a very good pilot, and it seems that he and Cinder evade the authorities through luck more than skill.
Levana keeps being scary and villainous, and more of her plans to wage war on Earth is revealed in this book. Kai and the rulers of the other Earthen nations do their best to defy her, but without much success. While Kai has to send out forces to try to capture Cinder, he's secretly happy as long as she stays missing, even though he knows her continued freedom could have dire consequences for the people of Earth. It's a dreadful situation for a young, inexperienced ruler to be in, and when Levana's plots against Earth start coming out into the open, he does the only thing he can to try to avoid more death and bloodshed.
As in the first book, there is a romantic subplot in the book, although it's by no means the most prominent. Scarlet seems to go from distrusting and worrying about Wolf to being attracted to him very quickly, but I suppose added danger can throw people together, and he does help her look for her grandmother, even against his better judgement. I suspect Captain Thorne may become a romantic interest for the heroine in the third book, which is coming out in a day or two. I'm very much looking forward to seeing where the story goes next. ...more
The book opens with a quote from Heart of Darkness, making the reader pretty aware that this is unlikely to be a cheerful story full of rainbows, bunnThe book opens with a quote from Heart of Darkness, making the reader pretty aware that this is unlikely to be a cheerful story full of rainbows, bunnies and unicorns. Our unnamed narrator is a young Norwegian boy, not yet turned eighteen, on a rather impulsive journey to the Ivory Coast with his best friend, a former Liberian child soldier named Sam. Sam, who has lived in Norway for some years, has been told that his mother is still alive and the two boys are now trying to find her. It's revealed in brief, teasing flashbacks that they secured the money for the trip through rather shady and morally dubious means, and our narrator is on the whole, not entirely sure about how wise their course of action is.
Still, as a life-long foster care kid without any real parental figures of his own, he understands Sam's need to find his mother. He is fiercely loyal to his best friend, even if it means taking a very ill-advised journey into a foreign country ravaged by civil war. Within the first day there, they lose a large amount of money through the carelessness of our narrator, and things go from bad, to worse to really very dangerous and there is no way this is going to end well at all is there? rapidly. The narrator bought a copy of Heart of Darkness at the airport, and keeps reading and re-reading it throughout the ever more perilous journey. As well as discovering what a charmed life he has led in Norway, even without loving parents to raise him, our narrator also discovers that his best friend is a very different person in Africa than he was when they were hanging out on the streets of Oslo. Does he actually know Sam at all? Can you ever escape your past?
The book is a young adult book clearly written with boys in mind. It starts and continues at a breathtaking pace, constantly upping the danger and complications for our two young protagonists. Our narrator is never even named, and there is a very sparse gallery of supporting characters to keep track of, most of them described indirectly through words and actions. There are a lot of thorny issues dealt with in the book, not least how far is it reasonable to be expected to go in the name of friendship? Even for someone you love as a brother. It is a wild, fairly uncivilised and scary Africa depicted in the book, but a book set in a country ravaged by civil war, dealing with the issue of child soldiers would have been dreadful if it didn't show the ugly sides of such warfare. Even as the boys are dragged closer and closer to their seemingly inevitable doom, there are flashes of hope. Several of the characters are hopeful that the future of their countries will be improved, and the close friendship between the two is admirable, even as our narrator discovers that Sam might be a complete stranger to him.
This was one of the books I had to read for my Norwegian course this semester, and I doubt I would have picked it up if I hadn't had it assigned as part of my curriculum. It's good to see that even in immensely privileged Norway, there are authors who highlight the less pleasant issues in the world today, and try to make teenagers aware of it without preaching or getting sanctimonious. I have several pupils I suspect would like this book, and will recommend it to them. ...more
When Letitia "Letty" Alsworthy discovers that her older sister, the stunning Mary, is about to elope with her admirer, Lord Geoffrey Pinchingdale-SnipWhen Letitia "Letty" Alsworthy discovers that her older sister, the stunning Mary, is about to elope with her admirer, Lord Geoffrey Pinchingdale-Snipe, she is determined to stop it. Their family is in dire financial straits as it is, the scandal of an elopement would be devastating for them. Unfortunately, Letty finds herself whisked away by the crabby coachman, and in the arms of the besotted Geoffrey before she's able to stop anything at all. Add to the fact that some of Geoff's friends conveniently happen to interrupt them in the middle of the passionate embrace, and the Alsworthy's suddenly have a very different scandal on their hands. Having been caught compromising his intended's younger sister, Geoffrey has no choice but to marry her, but he's not going to be gracious or understanding about it. Luckily, the Pink Carnation needs him to go to Ireland to help intercept a French plot, and he leaves Letty at the family estate after the ceremony, with no explanation.
Letty is mortified that she ended up married to her sister's suitor, but also angry that she's not been able to explain herself properly. Mary, Geoffrey and quite a large part of polite society thinks that she's a scheming minx who plotted the whole thing to snare herself a rich and titled husband. Letty didn't even want to get married, but she's certainly not going to let her husband abandon her so soon after the wedding. If the gossips knew, the scandal would be all the greater. So she follows him there, pretending to her fellow travellers that she's a widow. When she arrives in Dublin, she discovers that her husband appears to be very publicly wooing a vacuous and flighty young blonde, with no care for the new wife he left behind in England. Little does she know that the bimbo is in fact an English spy and that she and Geoff are working together to ensnare the elusive French spy, the Black Tulip. Will Letty's appearance in the midst of their operation ruin everything? Will Geoffrey ever learn the truth about his bride, and forgive her for the terrible mix-up? Will Letty discover that perhaps she prefers Geoff's dashing cousin or perhaps the coldly elegant Lord Vaughn?
In modern day London, Eloise, who is diligently tracking Letty, Geoff and the Pink Carnation's movements in old letters, diaries and documents as part of her dissertation is constantly distracted from her work by her thoughts of Colin Selwick, who hasn't called her back, even though it's been weeks since they saw each other last. Did she completely misinterpret the signals between them?
The parts with Eloise were pretty much unbearable in this book, chick lit at its worst. Her internal monologue is constantly about Colin and bemoaning the fact that he's not contacted her. When she finally discovers why, it's quite obvious that while she thinks she's the centre of the universe and everything has to be about her, the reasons why he didn't call had a very good explanation and for reasons I completely fail to understand, he seems to still be interested in her and attracted to her. Completely baffling.
The historical sections with Letty, Geoffrey and the Pink Carnation are a hoot, however. If they hadn't been so good, the Eloise bits would probably have lost the book points. Such a fun romp and I was delighted when I discovered that the plot is partly inspired by Devil's Cub by Georgette Heyer, one of my favourite of her romances. Apparently, Willig has other plans for the calculating and beautiful Mary Alsworthy and needed a good way of separating her from Geoffrey. It's been clear in the previous two books that he was completely besotted with her, but forcing him into marriage with the younger Alsworthy sister clearly ended up being a blessing in disguise. I refuse to believe that the Alsworthy parents are not at least a little inspired by Mr. and Mrs. Bennet in Pride and Prejudice, their portrayal, characterisation and quite a bit of the dialogue felt like it could have been taken from deleted scenes from that book.
Poor Letty has always lived in her older sister's shadow. Mary is the tall, elegant, beautiful one, who everyone believes will make a very good match. Yet, after two seasons and only disappointing offers to show for it, Mary is ready to settle for Lord Pinchingdale-Snipe, who while she might find him dull and his poetry atrocious, is at least wealthy and titled. So it's quite a blow for Mary to discover that her ginger-haired, quiet, sensible and pragmatic sister appears to have stolen him away from under her nose. Letty really did only have the best of intentions in mind, but when she found herself passionately embraced and kissed in a dark coach, she responded before really thinking things through. She tries to talk both her father and Geoffrey out of the wedding, to no avail.
While she may be quiet and practical, she's clearly also secretly fierce and passionate and she refuses to be abandoned by her husband. It's clear that Geoffrey, one of the War Office's top spies because he is so anonymous, unobtrusive and extremely good at observing and reading those around him, is so worked up initially that he doesn't take the time to actually consider Letty's explanations. When he finds her in Ireland, with knowledge that could seriously jeopardise the mission were she to tell people the truth about their marriage, he recalls all his previous encounters with his beloved Mary's sister, and starts to consider that her vehement explanations of her own innocence may, in fact, not just be lies to cover up her dastardly deceit.
I like a good spy story, with disguises and clever people and plots. I love witty dialogue and couples who fall in love despite initially fighting constantly. This book has all of that. It's quite obvious to the reader that Letty is a much more suitable wife for Geoffrey than Mary, but the entertaining part is watching him figure that out, while also helping England's top spy foil an Irish rebellion funded by the French. I think this is my favourite book in the series so far, at least if I just forget all about the annoying Eloise parts. ...more
This is the second book in The Pink Carnation series, with events following on pretty much directly from the end of The Secret History of the Pink CarThis is the second book in The Pink Carnation series, with events following on pretty much directly from the end of The Secret History of the Pink Carnation. If you want to avoid spoilers for the first book, you should probably skip this review for now.
Eloise Kelly has discovered the secret identity of the elusive British spy known as the Pink Carnation, but wants to discover more about the gentleman spies of the Napoleonic era. She goes with Colin Selwick to his country house, to search through the library archives there, and discovers new information about the unmasking of the deadly and dangerous French spy, the Black Tulip.
Lady Henrietta Selwick has grown up knowing that her brother was the dashing Purple Gentian and has always wanted to get involved with the war effort against Napoleon, to the strident objections of her entire family. Now, keeping up a correspondence with the Pink Carnation in France, she sees her chance to help capture the Black Tulip, rumoured to be coming to London. Miles Dorrington, her brother's best friend, who she's known all her life, has also been tasked by the War Office to try to uncover the identity of the French agent. To track the suspected spy, he has to frequent the various ballrooms of London, which he finds rather tedious. He did, however, also promise his best friend that he'd watch out for Henrietta and scare unsuitable gentlemen away from her.
Miles and Henrietta decipher secret messages, follow suspicious suspects, attend balls and do their best to uncover the true identity of the French assassin, while fighting their feelings for the other. Neither is entirely sure how they ended up madly in love with a person they've known for most of their lives. Of course, neither realises that they're both in terrible danger, as they are on the list of people the Black Tulip has come to London to investigate, due to their closeness to the Purple Gentian.
While the framing device of Eloise, the American grad student researching all the various British spies for her doctoral thesis was enjoyable enough in the first book, it grated a bit more in this book, especially as Lauren Willig tends to switch back to the present day and Eloise's not really all that interesting life every time something really tense and exciting happens in the historical narrative. Eloise finds herself quite attracted to Colin, and after being dragged to a party at a clearly deeply jealous neighbour's, starts to wonder if he may be returning her feelings, at least to a certain extent. Her insecure internal narrative is so much less exciting than the friends developing into lovers and trying their best to keep up with the other spies in the series back in 1803. In future books, if the trend continues, I suspect I'll want to shake Eloise quite frequently, and be annoyed when I have to read about her rather than the Pink Carnation and the other 19th Century spies and their associates. Still, a fun and enjoyable story. I can see why the books have such a following. ...more
Eloise Kelly is an American history student trying to find material for her dissertation in England. Enamoured of the dashing gentleman spies of the lEloise Kelly is an American history student trying to find material for her dissertation in England. Enamoured of the dashing gentleman spies of the late 18th and early 19th Century, like the Scarlet Pimpernel and his successor the Purple Gentian, what Eloise really wants to do is unmask the identity of the most elusive spy of all, the Pink Carnation, who is rumoured to have stopped Napoleon's invasion of England in 1803.
When Eloise is allowed to browse through a cache of letters and diaries belonging to a descendant of the Purple Gentian himself, a Mrs. Selwick-Alderly, she's pretty sure she's hit the jackpot. The documents tell the story of Miss Amy Balcourt, half French and determined to join the league of the Purple Gentian. When her brother, a member of Napoleon's court, invites her back to Paris, Amy is sure that she will finally get her chance to be a spy and help the dashing Gentian foil Napoleon and restore the French monarchy. She travels to France with her brilliant cousin Jane and the formidable Miss Gwen, their chaperone.
On the boat to Calais, she meets Lord Richard Selwick, who the reader already knows is the Purple Gentian. Having grown up on a neighbouring estate to Sir Percy Blakeney, Selwick succeeded the Scarlet Pimpernel as England's most famous spy when Blakeney's true identity was revealed. His cover is that of an expert in antiquities, curating Egyptian treasures for Napoleon, usually boring anyone suspicious of his activities to tears with his dry and long winded lectures. Amy, very well versed in the classics and history herself, is fascinated with Selwick's stories at first, but becomes appalled when she realises he works for Napoleon. She considers him a traitor, and vows to avoid him as much as possible.
Of course, Selwick and Amy keep running into each other. Selwick is soon forced to admit that he's falling in love with Amy, who in turn is infatuated with the Purple Gentian. Selwick is his own rival. Meanwhile, because his feelings for Amy are making him careless, Delaroche, determined to unmask and arrest the Purple Gentian, is getting closer to achieving his goal.
The Secret History of the Pink Carnation is the first of what appears to be a fairly long series of books about flower-monikered spies trying to stop Napoleon in the early 19th Century. It's a mix between contemporary chick lit and historical adventure romance, and the combination works better than I thought it would. The framing device is Eloise's quest to find primary sources for her dissertation, but most of the book is the story of how the Lord Richard Selwick, the Purple Gentian, is unmasked because his love of Amy Balcourt, and how the Pink Carnation, a new spy on the scene, foils Napoleon's plot to invade England.
Willig herself admits to taking some pretty big liberties with the historical details in the afterword of her book, so if you're a stickler for accurate details, then you may want to avoid these books. If you, like me, adore books like The Scarlet Pimpernel and care more about being entertained by a good adventure story than whether certain historical details are a bit fudged, you should possibly check the book out. Especially if you think that The Scarlet Pimpernel would have been an even more awesome book if Marguerite actually had a more pro-active role and didn't just end up being girl hostage.
There are some great female characters in this book, not just Amy and her cousin Jane. Selwick's mother and sister are also hilarious. The men are not the only ones allowed to perform daring acts of espionage and adventure here. Level headed women are essential in saving the day. The framing device with Eloise was probably my least favourite part, with her butting heads with Colin Selwick, Mrs. Selwick-Alderly's nephew, a handsome but arrogant man determined to keep her from finding out his family's secrets. Of course he's gorgeous, and it's obvious to me that Eloise is going to fall for him in later books. Still, I'll happily read through a few chapters of the modern framing story if it gives me more adventures in 19th Century France. The next book appears to focus on Richard's younger sister Henrietta and one of his best friends, Miles. They had some pretty awesome banter going in the first book, and I can't wait to see how they go from friends to lovers. ...more
Chicago wizard and now a Warden of the White Council, Harry Dresden, gets called in by his friend Sgt. Karrin Murphy (she got demoted after helping HaChicago wizard and now a Warden of the White Council, Harry Dresden, gets called in by his friend Sgt. Karrin Murphy (she got demoted after helping Harry out in the last book) to look into a series of mysterious deaths. A lot of women have been found dead around Chicago, in what appears at first glance to be suicides, but Murphy and her team at Special Investigations can tell something is off, and Harry finds magically hidden writing that suggests the women have been killed because of their magical abilities.
As Harry begins to investigate, he starts to understand why he's not heard anything about these mysterious disappearances before. A lot of the dead women were last seen with a tall man wearing a grey cloak (just like the Wardens wear!) and others with a thin, dark-haired, attractive man, fitting the description of Thomas Raith, White Court vampire and Harry's half-brother. The fact that Thomas has been even more distant than usual lately and isn't answering Harry's calls isn't helping.
As well as trying to figure out who the identity of the serial killer, or possibly killers, and trying to clear his brother's name (because Harry is convinced his brother is innocent), Harry is trying to teach his apprentice Molly Carpenter control and self-restraint. She's excellent at hiding herself behind magical veils, and keeps trying to countermand Harry's orders and sneak along on missions she should stay away from.
I'm pretty hooked on this series now, and James Marsters keeps being an excellent narrator. Having now discovered that with the Audible app, I can play the audio books at 1.5 speed, reducing the time I spend listening (my main problem with audio books is that if I was just reading the book myself, it would be so much FASTER), but I still get full enjoyment out of them. The world building is pretty much established, and Harry's no longer a loner, trying to manage everything on his own, and as a result, is much more fun to read about. All long running serials like this become a bit like a good TV show. You don't just tune in to see what happens to the main character, the supporting cast is just as important. Murphy, Thomas and Molly are all great at keeping Harry grounded, and the conversation Murphy has with Harry about his increasingly tenuous control on his anger has been a long time coming.
At this rate, going through one or two of them per month, I have just enough credits saved up to be able to catch up in time for book 15's release in May. Then I can start impatiently waiting for new books with the rest of the world. ...more
Ash Winters is a bipolar depressive who once wrote a very clinically acclaimed novel, but now makes a living writing mystery genre fiction, w3.5 stars
Ash Winters is a bipolar depressive who once wrote a very clinically acclaimed novel, but now makes a living writing mystery genre fiction, when he´s well enough to do anything at all, that is. He feels like a constant disappointment to his friends and family and cannot remember the last time he felt happy or even content. He´s dragged along to a stag party in Brighton against his better judgement and ends up going home with Darian, an Essex model with a spray tan, elaborate coif and a ridiculously flashy outfit. He wakes up with a panic attack and leaves without saying goodbye, trying his best to forget the encounter ever happened.
But Darian tracks him down at a book signing and Ash has to admit that he´s still deeply attracted to the bouncy, talkative, orange-skinned, big-haired Essex lad. Even if Darian isn´t exactly his intellectual equal in any way, he seems to make Ash forget about his anxiety and misery while they´re together. Ash can´t bring himself to tell Darian the truth about his illness. He keeps telling himself that they have nothing in common except their sizzling chemistry, so how can they possibly have a future?
Alexis Hall first came to my attention when he did a series of very entertaining romance reviews for Dear Author, one of the many romance review sites I spend far too much of my time frequenting. I began following him on Twitter and discovered he had written his own book. Then, as is so often the case, I bought the e-book and forgot all about it. When looking for light entertainment while woolly-headed and sick with a cold over Christmas, I came across the book on my e-reader and the rest is history.
I like a lot about the book. I like that Ash has a genuine illness and that it´s quite clear that someone with a diagnosis as bipolar isn´t going to suddenly get well just because they fall in love. I like that while Darian clearly isn´t an intellectual and enjoys fashion, glamour and reality TV, he´s not actually stupid either and is a genuinely good person, whose optimism and cheerfulness is an important contrast to Ash´s gloom and fatalistic world view. I liked Ash´s literary agent, Amy, and her fiancee Max. They both seemed lovely. I liked Darian´s friends. While they are not the sort of people I would hang out with, they seemed to genuinely care for each other and support each other, which is more than I can say for all of Ash´s friends.
Which brings me to what I didn´t like. I did not like Ash´s ex-boyfriend Niall, whose passive-aggressive behaviour was clearly meant to make Ash feel guilty all the time. I didn´t feel even vaguely sorry for him, even towards the end of the book, when he breaks down and finally apologises to Ash for his controlling ways. I also, unfortunately, didn´t like Ash all that much. He´s mentally ill, yes, and unfortunately Niall´s so-called friendly advice has made him believe that he is beyond redemption or happiness, but he is far too judgemental and pretentious for much of the book and really very mean to Darian far too much of the time. I´m honestly not sure Darian should have forgiven him, considering what Ash did and how long it took him to apologise. I also feel that there should have been more grovelling. ...more
I liked Kali a lot. She’s clearly been through a horrible trauma, making her retreat to the remote island where generations of her family once used toI liked Kali a lot. She’s clearly been through a horrible trauma, making her retreat to the remote island where generations of her family once used to live. Now no one has lived there for more than thirty years, leaving only a ruined cottage for shelter. Everyone she cared for in Liverpool died in the airship attack, she herself barely survived, trapped under ruins for days. She lost her leg, but has used her remarkable engineering skills to fashion herself a prosthetic. Not wanting to be a burden to her parents, who live in India, while she’s physically recovering further, she’s taken what she was able to salvage of her many clever prototypes to settle on a tiny island in the Outer Hebrides.
She discovers quickly that she’s not as alone as she planned. On her first night there, she hears a strange hum in the distance, and when she goes to investigate, she discovers that there is a man living on the north side of the island. He is huge, and his hair and beard suggests he’s been there for some time. They slowly get to know one another, and develop a friendship while walking and exploring the island, both discovering that complete solitude was perhaps not what they wanted.
Fletcher is a Man O’War, a Steampunk sort of cyborg, who I suspect I would have known more about if I’d read any of the previous books in the Ether Chronicles. As far as I could tell, the various powerful nations of the world have airship fleets, and the most promising captains/pilots, if they have a high enough vitality rating of some sort, can be converted into Man O’Wars, who thanks to the machine parts and wiring operated into their bodies actually work as a sort of battery for their airship. The operation also makes them huge, imposing and very powerful, think Captain America in The First Avenger.
Kali discovers that Fletcher captained one of the British airships that drove the enemies out of Liverpool, but that the ship sustained so much damage that he crashed it in as remote a spot as he could (but not before making sure that as many of the crew members as possible survived. Now he’s pretty sure everyone believes him to be dead, as no one from the Navy has come looking for him or the ship. The girl he once courted reacted with disgust and fear once he returned to her after his “conversion”. He doesn’t trust that anyone else can see him as anything but close to a monster now, and is also far too aware that if it was revealed that he was alive, they’d only want him to continue powering warships. He’s sick of being a human weapon, used only for destruction.
Kali makes him realize that his actions in Liverpool were unbelievably heroic; she actually saw his ship from where she was lying trapped under most of a ruined building. Slowly, as they become closer and the trust between them grows, they reveal their back stories to one another and fight their mutual attraction, not wanting to complicate their friendship. The romance in Skies of Gold takes time to develop, which is always the way I prefer it. While their attraction to one another is pretty instantaneous, it’s certainly not surprising from Fletcher’s side. He’s been alone on the island for three months and wasn’t expecting to run into a beautiful and exotic woman. He finds it difficult to believe that Kali could return the attraction because of the rejection he’s suffered in the past.
Much of the novel is just the two of them alone on the island, and while I thought that might get weird or boring, it didn’t. Unfortunately, then “the danger from beyond the island” shows up, and is a bit preposterous. The world-building crafted, with Ether-powered machinery, clearly some sort of complicated war going on and Man O’Wars as these government-sponsored cyborgs was interesting to me, but the villain who showed up in the final third of the book, and the break neck chase to stop him from carrying out his diabolical plan got a bit too silly for me. Having now read the blurbs of the previous books in the series, I can see that there are also call-backs to previous romantic couples from earlier books, which I’m sure is nice for long time readers. I liked this enough that I’m going to be checking out more of the Ether Chronicles, hoping that the others have more convincing antagonists and final acts....more
Disclaimer! I was granted an ARC of this book by Kensington Books via Netgalley in return for a fair and honest review.
Summer Corey hates Par3.5 stars
Disclaimer! I was granted an ARC of this book by Kensington Books via Netgalley in return for a fair and honest review.
Summer Corey hates Paris. It's a city where she was frequently abandoned to be raised by ever changing nannies while her parents were globe trotting or negotiating international business deals, and it's where she felt miserable, alone and outcast in boarding school from the age of thirteen. Having been forced back from her self-imposed exile, teaching on a small Pacific island, because her father has bought her a five star hotel as a Christmas present, Summer knows that everyone is only waiting to see what the spoiled and vacuous billionaire heiress will do to end up in the tabloids now.
Of course, mistaking the internationally acclaimed chef of the hotel's restaurant, Luc Leroi, for a hotel bellboy, and propositioning him rather bluntly is not getting her off to a good start. Luc, having worked his way up from begging in the Paris metro with his gypsy father to becoming the media darling and culinary superstar of French pastry, is appalled when Summer literally falls into his arms and proceeds to offer him a yacht, before passing out exhausted as soon as he gets her to her hotel room. He plans to seduce her with the most delectable desserts, only to discover that Summer Corey, through a series of very negative associations with sweet things, never eats them.
Summer needs to stay three rainy winter months in Paris, pretending to manage a hotel, so her father will donate a satellite to the islands she longs to return to, improving their communication with the outside world immensely. Luc is determined to win her over, and proceeds to outdo himself again and again with breathtaking culinary creations that Summer continues to reject. The entire hotel watches in fascination, wondering who will crack first, the stunning heiress or the perfectionist chef.
As I have mentioned in my previous reviews of her books, Florand writes to a formula. These books have extremely temperamental, arrogant and brilliant French chefs, who nonetheless are deeply emotionally vulnerable. They all seem to fall for women who are at least partly American, with emotional issues of their own. The men try to seduce the women using culinary arts, usually involving seemingly unreal creations made of chocolate, and after a lot of back and forth where they battle their insecurities, they find their HEA.
Florand works really hard to make the readers feel sympathy with Summer, and make us realise why she has very legitimate reasons for hating Paris, and having behaved like a spoiled and outrageous brat for much of her life. To say that she has enormous daddy issues is an understatement, and she seems to think that the way to punish her parents is by throwing everything like self respect out the window and use her body to manipulate men as best she can, preferably to provoke her father as much as possible. It doesn't help that he literally blackmails her in an attempt to give up her dreams, and never really seems to compliment her for anything. But the fact remains, she's insanely wealthy and because of her upbringing, quite sheltered to the issues that less obscenely rich people have to go through, and in my opinion, it takes far too long for her to realise that her behaviour towards Luc at the start of the book is wildly inappropriate and offensive to boot.
While I normally really enjoy these romances, there was something about this book that didn't grab me as much. Whether it was the fact that Luc was so intensely controlled and refused to relinquish said control for the longest time, or it was just that it took me more than half the book to warm up to Summer as a truly sympathetic heroine, I'm not sure. All I know is that I didn't enjoy this book quite as much as Florand's earlier works. It's by no means bad, though, but I'm not going to add it to my own library until I find it for sale. The next book features Luc's second in command/foster brother as the hero, and as he is wonderful in this book, I'm looking forward to his story. ...more
Spoiler warning! Avoid this book if you've not watched the Veronica Mars movie and want to avoid spoilers for the plot of said film, because this bookSpoiler warning! Avoid this book if you've not watched the Veronica Mars movie and want to avoid spoilers for the plot of said film, because this book follows on from the events there. Hence this review will probably spoil the movie too.
Veronica is back in Neptune, working as a P.I, running Mars Investigations while her father recuperates. She's struggling to make ends meet, not to mention paying Mac, who's working as her office assistant. During spring break, a girl disappears from high profile party, and as the media attention starts hurting the profit of Neptune's businesses, Veronica is hired to find her, as the Neptune police force has proven to be useless. It turns out that the house the girl disappeared from belongs to members of a Mexican mob family. Then a second girl disappears, from the same house, and this time, the missing girl's family have connections to Veronica's own past.
As with fellow Cannonballer Narfna, I'm not actually able to stay objective in the face of Veronica Mars. I loved the show, I donated money to the Kickstarter campaign to fund the movie. Getting more stories about my favourite petite, blond, sarcastic detective, even in book form is just a blessing for me. You can disagree with the choices Veronica made in the movie to end up where she is at the start of this book, but I'm just so glad to have her back and any time I get to spend with her and the other great characters that I love, like Keith, Mac, Wallace and Logan (even though he only appears sparingly in this book) is time well spent for me.
Apparently the mystery in this was the one they were planning to initially use in the movie. I think I like it more than the movie plot, but unless the rest of this review hasn't made that clear already, I probably would've enjoyed this book if Veronica, not unlike Sookie Stackhouse in the later Charlaine Harris books, just lay around, sunbathing, running errands, going to the library and generally bemoaned her romantic misfortunes. Because I adore Veronica Mars. If I can't have her on my TV or in more movies, I will happily take her in book form. ...more
This is the third book in a series, which began with Princess of the Midnight Ball. While you don't really need to have read the second book in the seThis is the third book in a series, which began with Princess of the Midnight Ball. While you don't really need to have read the second book in the series, Princess of Glass, to fully appreciate the book, you should probably have read the first one (or at least be more than passingly familiar with the fairytale of The Twelve Dancing Princesses) to get the full experience of this book, as there are a lot of references to the events of the first book. There will also be mild spoilers for the first book in this review. You have been warned. Princess Petunia is the youngest of King Gregor's twelve flower-monikered daughters, and spent the first few years of her childhood dancing every night in the shadowy realms of the King Under Stone. The curse was broken when her eldest sister Rose's now husband Galen figured out a way to defeat the King Under Stone and trap those of his twelve sons that survived in their underground kingdom. Lately, Petunia and her sisters have been having nightmares where they're back, forced to dance with their terrifying suitors. Several of the princesses are wasting away under the strain, and it's obvious that there is still a curse hanging over them.
Petunia is on her way to the estates of a neighbouring Grand Duchess, who seems to want to make a match between the young princess and her grandson, Grigori. On the way through the woods, Petunia's carriage is attacked by highwaymen dressed in wolf masks, and Petunia is abducted once she sees the face of one of bandits. It turns out that the bandits are in fact run by a young Earl, whose lands were lost after the recent war and who's been forced to turn outlaw to support his dependants. Young Oliver knows that he's playing a dangerous game, he's now convinced he's going to be executed, having kidnapped a member of the royal family. Petunia, however, is appalled that her father has just abandoned the Earl and his people, and promises to argue his case, as long as they take her to Grand Duchess Volenskaya as quickly as possible.
Once Petunia arrives at the kindly old grandmother's house, however, it becomes quite obvious that the old lady's benevolence may be masking something more sinister. Shadowy figures roam the gardens and flock around Petunia's window at night. Petunia contacts her sisters, they will have to work together to defeat the new King under Stone and his evil brothers once and for all. Oliver must travel to King Gregor to alert him of the danger to his youngest child, even if it means risking imprisonment and even execution for his crimes.
Princess of the Midnight Ball was a creative retelling of The Twelve Dancing Princesses, while Princess of Glass borrowed heavily from Cinderella. As may be obvious to the reader from the cover, with Petunia in her lovely red cloak, the fairy tale that Princess of the Silver Woods is indebted to, is Red Riding Hood. There's the young girl on her way to a grandmother, who encounters a wolf of sorts in the woods, but those are as far as comparisons can be drawn, really. There are a number of other fairy tale elements in the book, though. There is the dastardly King Under Stone, heir to the original, and his brothers who are still intent on forcing the twelve princesses into marriage, no matter that some of them have husbands in the real world whom they love dearly. There is a wise old crone and enchanted rose bushes and a curse that must be broken. It qualifies nicely for my Monthly Motif Challenge, which this month focuses on fairy tale retellings, but it wasn't, on the whole, one of the most memorable books I've read.
The target audience for Jessica Day George's Princess books is obviously in the lower end of young adult, so they're not meant to necessarily thrill me. I still found both the previous books more entertaining than this, and here parts of the storyline felt a bit stretched, as if the author didn't quite have the idea for a full book, but went ahead and wrote it anyway, to finish off a trilogy. The characters are sweet enough, but I mainly finished this book out of a sense of completion. Hoping that the author does something new and exciting next. ...more
This review contains minor spoilers for the book. Nothing big, but if you like to approach a book completely blank, you may want to skip this.
Like hiThis review contains minor spoilers for the book. Nothing big, but if you like to approach a book completely blank, you may want to skip this.
Like his father before him, Cas Lowood travels around the country and lays restless and malevolent ghosts to rest. He and his Wiccan mother rarely stay in one place for too long, and Cas makes very sure not to get too attached to any of the locals, as he's just going to pack up and leave as soon as he's done hunting and killing the local ghost legend. With every ghost he lays to rest, Cas becomes more experienced. He hasn't told his mother (who would naturally freak out), but his ultimate goal is to track dow the spirit that murdered his father.
Now Cas is going to Thunder Bay in Ontario, to kill the murderous spirit the locals call Anna Dressed in Blood. Brutally murdered while on her way to a school dance in 1958, Anna Korlov haunts the boarding house where she used to live, wearing the blood soaked dress she died in. She has killed countless people, yet the locals always seem to find a rational explanation for why the dead people went missing. In Thunder Bay, Cas as per usual tries to stay detached and aloof, but before he can even get properly settled in, it seems he has made both new friends and jealous enemies. Carmel, the most popular girl in school (the best person to tell him all the pertinent gossip) turns out not just to be a bitchy queen bee, but actually very nice. Thomas, a geeky telepath with a witch grandfather insists on helping Cas, even when he strenuously denies needing any.
Of course, Mike, Carmel's jock ex-boyfriend is less enthusiastic about the new guy getting cozy with his girl and he and his friends trick Cas out to the haunted house where Anna is supposed to stay. The jocks want to lock Cas in the abandoned house as a joke, but their actions have terrible consequences. Cas survives, Mike is less fortunate. Why would Anna Dressed in Blood, who's supposedly killed more than seventeen teenagers, not to mention a slew of vagrants and homeless people, suddenly spare Cas' life? He can't understand it, and determines to get to the bottom of Anna's tragic death and the possible causes for her cursed afterlife.
My fellow Cannonballer scotsa1000 reviewed this about a month ago, and wasn't all that impressed. One of the criticisms was the bad-mouthing of Buffy the Vampire Slayer, which I will agree, is a serious mark in Cas' disfavour. I was pleased to see that there are only two instances in the whole book where he thinks or says mean things with regards to my beloved Buffy and her Scoobies, and considering Cas is clearly a young Sammy Winchester clone who just happens to have a supportive mother with an awesome cat instead of a mostly absentee, highly irresponsible father or a brother he has the most destructive, co-dependent love-hate relationship ever, Cas should have been so lucky to be a Scoobie. There are absolutely elements of both Supernatural and Buffy in this, and I refuse to believe that Kendare Blake isn't perfectly aware of it.
I liked the book and found it very entertaining. It was an effective little horror story, and in parts really surprisingly gory. I keep being astonished at how much graphic violence there is in YA literature nowadays. I guess the tweens and teens of today are made of hardier stock than I was, because the things I read as a teenager did not have people being brutally ripped in half for trespassing. I liked Cas' mother, who seemed like sensible, if sometimes a little bit too accepting of her son's dangerous hobby. I liked the various teen characters and that both Carmel, Thomas and the jock dudes who give Cas the stink eye have more facets than just prom queen, geek and popular guy. Cas wants so badly to stay a detached loner, but he clearly also desperately needs friends his own age. It's good for you, dude. Look at how the Winchester brothers turned out, you don't want to go down that sad, lonesome road.
What I didn't like, was the romantic storyline that felt just tacked onto the story. I honestly have no idea where the attraction between Anna and Cas came from and it seemed forced and detracted from the story rather than add to it. I don't see why just feeling sympathy with Anna couldn't have spurred Cas to help her. This book ends on a cliff hanger, and I suspect I will read the sequel at some point, if nothing else to see how Cas, Carmel and Thomas turn out. As far as I'm aware, there aren't going to be more than two books in the series, and that's unusual enough for YA these days. I should probably support an author who knows not to drag things out unnecessarily. ...more
Having finally read The Hero and the Crown, it felt like it was time for a re-read of the Damar book I had actually read. The Blue Sword is set many cHaving finally read The Hero and the Crown, it felt like it was time for a re-read of the Damar book I had actually read. The Blue Sword is set many centuries after Aerin the Dragon Slayer saved her kingdom from magical threat. Damarians now seem to be chiefly desert dwelling nomads and expert horsemen. They are now threatened both by magic wielding enemies to the north and ignorant colonists from the Homeland (read: Imperialist Britain). Corlath, the Damarian king tries to propose an alliance with the foreigners, but is ignored. He is surprised when his kelar, the magical gift (a bit like clairvoyance, but can also manifest itself in healing powers or destructive ability) all Damarian royals possess tells him that he needs to bring one of the Homeland females with him back to his people.
Burdened with the cumbersome name of Angharad Crewe, it's no surprise our heroine would rather go by Harry. Having come out to join her brother, a soldier stationed near the Damarian border after their father dies, Harry is not much like other the young ladies of gentle birth. She's tall and striking, rather impatient and more interested in riding and adventure than needlepoint and dancing. She finds the wild landscape of the desert beautiful and is just beginning to settle when she wakes up, discovering that desert warriors have abducted her and apparently intend to keep her as some sort of highly honoured hostage. Corlath treats her with every courtesy, she sleeps in his tent, eats her meals seated at his left hand and is allowed to take part in his counsels (not that she understands all that much of the foreign language in the beginning). When she drinks from the Damarians' special water, it starts to become clear why Corlath was compelled by his magic to take her from her own people - despite being a foreigner, she too has kelar and powerful enough that she can make others share in her visions of the future.
In one of her first visions, the legendary Lady Aerin appears to Harry and with threats looming at every turn, Corlath decides that a damalur-sol, a Lady Hero might be exactly what his people need to give them hope and aid them in their coming war. Harry learns to ride like the Damarians, controlling a spirited horse without bridle or stirrups. She becomes proficient with a sword and learns to speak the language. She befriends one of the big desert cats and gets to take part in the trials to find new King's Riders. During her stay with the Damarians, Harry becomes well liked and everyone seems impressed and genuinely pleased when she emerges the victor of the Rider trials (only unable to defeat a disguised Corlath himself). The longer she spends time with Corlath and his nomads, the more comfortable she becomes there. As attack is imminent, it becomes obvious to Harry that Corlath is ignoring a serious security breach and she may have to risk everything she's achieved and defy his will to ensure the safety of all the people she's grown to love.
If Aerin was a bit of an odd duck and outsider among her own people, Harry is much more so. Being quite the independent tomboy, she doesn't really fit in with her own peers and when she is abducted by Corlath, she is a literal Outlander, a stranger in a strange land. Unlike many of her fellow Homelanders, Harry is curious and open minded and with the exception of being magically drugged and spirited away from her bed in the middle of the night, she is extremely well treated by her abductor. Corlath only knows that he has to follow the calling of his kelar and when he discovers that Harry too is magically gifted, and rather strongly so as well, it becomes more clear to him why he was compelled to kidnap her. His country and people need her and being a clever leader and a good reader of people, he uses the opportunity Harry's visions of Aerin presents and has her groomed into a heroine and powerful symbol. Giving her Lady Aerin's legendary sword and making sure she is trained by the best, he helps to turn Harry into a motivating figure for his people.
Corlath might have been a dislikable character for kidnapping Harry, but it's clear that he has little choice in the matter when his hereditary magic takes control. The kelar that the leaders of Damar (as well as some of its other citizens) is gifted with can be as much a crippling curse as a gift. It's clear that ruling a dwindling kingdom threatened by foreign colonials and magically powerful enemies intent on conquest is no easy task, yet Corlath is beloved and respected, not just by his loyal Riders, but all his subjects. He never treats Harry with anything but the utmost respect and with the passage of time, they grow gradually closer.
Harry is thrown into a situation that might have made anyone freak out, but deals remarkably with it. Clearly an adventurous spirit, as soon as it's clear that she's in no danger with Corlath and his people, she tries to learn as much as possible about her new surroundings and the new culture she's become thrust into. She's polite, kind and works diligently to learn her new skills. When she arrives in the desert, she cannot mount a horse without aid, and some months later, she's good enough that she bests all the challengers and wins one of the coveted spots as King's Rider. She tries her best to fit in, but cannot ignore the lessons she's learned as the sister of a military man. Seeing that Corlath's enemies might gain a serious advantage if a strategic mountain pass goes undefended, she risks everything by going off alone to seek aid from the Homeland soldiers to secure the pass.
As well as being a wonderful adventure novel, there is also a subtle and slow-burning romance in the book which completely knocked my socks off the first time I read the book. For all that it's not really openly acknowledged by Corlath or Harry for much of the book, it's quite obvious that they are perfect for each other and it takes an excruciatingly long time before they admit their feelings to themselves or the other. I loved the book the first time I read it, and having now read the prequel, which gives this book even more depth, I am gratified that I enjoyed it just as much now as when I first discovered it. Such a lovely little book....more