Maggio 1993: in Algeria i fondamentalisti islamici uccidono quattro suore. La quinta donna massacrata è una turista svedese. La polizia algerina cerca di insabbiare il caso. Settembre 1994: una serie di orribili delitti scuote il sud della Svezia. Un anziano signore, appassionato bird-watcher, cade in una trappola feroce. Il suo corpo viene ritrovato in pasto ai corvi, trapassato da canne di bambù. Qualche giorno dopo, nel bosco, legato a un albero si scopre il cadavere di un FIorista: è stato strangolato. Non passa molto tempo che il corpo senza vita di un ricercatore dell’università riafFIora, chiuso in un sacco, tra le acque di un lago. Omicidi crudeli, perpetrati con una tecnica che non lascia dubbi sull’esistenza di un unico colpevole. Apparentemente non esiste un movente, né s’intravedono elementi che permettano di trovare una relazione tra le vittime. Tocca ancora al commissario Wallander, del distretto di Ystad, aprire un faticoso spiraglio tra le indagini e mettere insieme i pezzi di una storia incredibile. Aiutato da una collega molto efFIciente, Kurt Wallander scoprirà quale sconcertante FIlo leghi il passato degli uomini caduti per mano di un oscuro assassino. La quinta donna non è solo un giallo appassionante, è anche un FIne romanzo sulla complessa psicologia del rapporto tra uomini e donne, un’acuta analisi di una società che ha perduto l’innocenza di un tempo e si confronta ogni giorno con crimini brutali.
Henning Mankell was an internationally known Swedish crime writer, children's author and playwright. He was best known for his literary character Kurt Wallander.
Mankell split his time between Sweden and Mozambique. He was married to Eva Bergman, Swedish director and daughter of Ingmar Bergman.
After spending much of the summer in an exhausting search for a serial killer, Kurt Wallander gets away to Italy on an idyllic vacation with his father. He returns home to Sweden tanned, relaxed and rejuvenated, but that won't last for long. An elderly car dealer, who writes poetry about birds in his spare time, is reported missing. His body is later found impaled on bamboo spikes in a trap that has obviously been deliberately set for him. It took a long time for the victim to die, and it seems apparent that someone was really angry with him.
Wallander and his team begin the investigation, but there are precious few clues to point them in the direction of the killer. In the meantime, another man, this one a florist, goes missing, and it seems clear that a diabolical killer is on the loose. This is especially scary, because serial killers are very rare in Sweden.
Nothing seems to link the victims, and Wallander and his team are pressed to the limit. Before long, everyone is exhausted from the long hours spent on the investigation, and it seems as though every time the slightest hint of a break in the case emerges, they have to go back to square one and rethink the entire thing.
This is a dark, brooding police procedural with a unique and clever antagonist matched against Wallander and his team. It's often said that a crime novel succeeds only to the extent that the villain is a worthy match for the protagonist, and that's certainly the case here. The killer has a long list of potential victims, and Wallander will be sorely tested if he and his team are going to save them. This is another very good entry in the series and should appeal to any fan of Scandinavian mysteries.
The Fifth Woman, the sixth book in the Kurt Wallander series by Henning Mankell, seems to me the best and most fully realized novel that I have read in his series thus far. It’s a serial killer book, sigh, but it complicates our view of the actual killings and isn’t just torture for torture’s sake. I’ll try to explain, if I can do so without too many spoilers, but generally we come to sympathize with the killer in some ways when all is revealed. And that implicates us in the violence in some ways that interestingly complicates the story. Can we take the law in our own hands when we feel righteous wrath?
As I have observed with earlier reviews, as I see it Mankell intends to infuse an entertainment genre--detective, thriller, police procedural--with global social issues. In the last book we dealt briefly with sex trafficking, but in this book a range of women’s issues are present throughout. We see a new (female) police chief, we see a young (female) detective of whom the older more traditional males are somewhat jealous. The series takes place in small town, provincial Sweden, which is a country known for a century for its prosperity, tolerance and liberal views of sexuality, but Mankell shows us the ways that Sweden is changing: Less tolerance for refugees, murders of women, racism, and sexism. We who live in small towns or in our heads have to see the world is changing and respond to that, like it or not. Mankell is not a nihlist noir author, he's a humanist.
This book opens with an historical incident, the murder in Africa of four nuns and a fifth woman, a Swedish woman, whose death drives all the crimes committed in the book. Questions about just what it is that women are capable of weave their way through this book: Can women be good detectives? Can they be killers? Are they strong enough ? Do they pack a suitcase differently than men? Do they in general think and act differently than men? And in this (by reputation) tolerant country in 1994, what is the extent of spousal/domestic abuse? If women are victims of crimes, are perpetrators prosecuted? Why do men hurt women, and what does this say about the direction of contemporary society?
There are several brutal crimes in this book that take place mainly against men, actually, with cruel and even seemingly sadistic aspects to them. Why? The book tacks back and forth between Kurt Wallander’s 24/7 intense yet lonely life where he doesn’t abuse people but neglects his family and his would-be lover Byba. He works all the time! He never calls. His first wife left him in part because of these things, and her first husband was also a driven cop; why would Byba agree to marry Wallander? What makes a healthy relationship for cops, or for anyone?
The resolution of this one is troubling but also (somewhat guiltily) satisfying in certain ways. Also one aspect we like is that daughter Linda has expressed interest in becoming a cop! (which if you look at the fact that there is an actual Kurt and Linda Wallander series Mankell wrote, actually happens!). And yes, we find out who the fifth woman is, with historical links between the past and present:
“Society had grown cruel. People who felt they were unwanted or unwelcome in their own country, reacted with aggression. There was no such thing as meaningless violence. Every violent act had a meaning for the person who committed it. Only when you dared accept this truth could you hope to turn society in another direction.”
Vigilante groups, on the rise in the early nineties in Europe, taking the law into their own hands, are seen as on the rise here in Scandinavia, though Mankell makes it clear such groups of individuals have always been part of Sweden, as mercenaries from WWII on. But yes, things are getting more violent in Sweden and in the world generally. What do we do about that? Mankell doesn’t have any easy answers.
There was a point in The Fifth Woman where I thought, "Christ, Wallander is getting preachy. I wonder if Mankell realizes it?" And then a couple of chapters later it came clear that Mankell did realize what was happening to his Ystad Detective because those closest to Wallander comment on his fondness for lecturing everyone around him about the ills of Sweden and his philosophy of police work. They then prod him to become a lecturer at the local police academy.
A literary snap of the fingers and Mankell makes this new trait of Wallander an acceptable part of his character. At least for me.
As for the rest of the book, it's not the strongest in the series, but it is still a page turner. I powered on late into the night to finish, and it was definitely full of suspence. Wallander himself remains one of my favourite literary detectives. I admire his doggedness, but I love him because of his emotion. He feels, sometimes too intensely to be healthy, but he feels everything, and it dooms him to loneliness. He cannot express his emotions, you see, and so he buries them and works. Works. Works. Works. I find myself caring more about him the longer the series goes on and wanting something good for him in his life. I don't think he's going to get it.
If you're new to Wallander, don't start here because he's changing, and you need to know him before to enjoy the changes. But you should enjoy this book just fine when you reach it.
later: I hadn't seen the sixth episode of the BBC Wallander until last night; I'd been saving it after I finished the book. Since I finished it yesterday I thought I should give it a watch, and it is the first time I was disappointed.
Both the mystery and the emotional core of Kurt Wallander were too distant from Mankell's book. Kurt, in the book, begins to resolve his relationship with his father, taking a week long vacation with his father in Rome, so when his father passes away there is no deep pool of despair for Kurt to dive into. But he dives intot that pool in the book, wandering around like a Basset Hound who can't find his owner.
The mystery gets short shrift too because of Wallander's whiny broodiness. We get none of the killer's POV, which offered some interesting moments in the book. We get too little of the crimes of the abusive men, the victims of the killer, and the crimes we do get are altered in ways that lessen their severity and make the men much easier to feel sorry for.
These aren't the only changes either. Anna-Britt isn't shot, it's Kurt who takes the bullet. Baiba isn't the one Kurt loves, it is a witness for the case named Vanja. His relationship with Linda is short changed. It's just plain bad.
I have serious concerns about this show going forward, and I am bummed because I was looking forward to series 3 becoming available in North America. Huge bummer for me.
Julia - 4 stars Since the first of the year, I have been on a Kurt Wallander series binge; this being the sixth that I've read in the series. (I am reading them in order, which isn't necessary since Mankell provides very efficient, two sentence recaps that give the reader all she needs to know to carry on.)With the first 40 pages I thought that this one - The Fifth Woman - just might be the novel that unhooks me from this Swedish crime novel addiction. Alas, I was wrong. I can't quite put my finger on what makes these books so enthralling ... truly the murders investigated by Ystad police officer Kurt Wallander and his team are gruesome, gross, disturbing, all of that ... yet the dialogue is spot-on, the interpersonal relationships effective, and the main character written so convincingly that you have to keep reading. Furthermore, Mankell skillfully builds suspense. Often, like in this book, the reader knows who the killer is from the get-go, perhaps not the full story of who and why and all that, which one might suspect would suck all the suspense out of a book - but no - it's almost better since as the investigation gets closer and closer, the reader can't help but tear through the pages to reach the end. I highly recommend this series for anyone who likes crime fiction. But, be careful, you'll disregard all other commitments and responsibilities once you hit page 75.
Llevaba un par de días leyendo la novela cuando tuve conocimiento del fallecimiento de Henning Mankell. Lo lamenté profundamente, pues aparte de haberle leído con asiduidad, también había escuchado entrevistas que concedió, y siempre demostraba un gran sentido común. El personaje central del detective Kurt Wallander siempre me ha parecido fascinante. Muestra su naturaleza humana en todas sus entregas, y su forma tanto de pensar como de actuar me resulta familiar y convincente. El escritor no abusa de pasajes escabrosos, como tantos otros autores, y rodea a su personaje de un aura de infelicidad que le hace tremendamente creíble con las circunstancias con las que convive. La presente novela está llena de giros. Comienza unos años atrás con el asesinato de una mujer sueca en un convento de monjas en África, y con la carta que recibe posteriormente su hija, enviada por una agente que siente remordimientos por no haber podido esclarecer el asesinato, que ha sido silenciado intencionadamente. Con la carta le remite todas las notas halladas en posesión de la víctima. A partir de aquí se suceden todos los hechos que desencadenan en la búsqueda de un supuesto asesino en serie, que elige a sus víctimas de forma que la policía no tiene ni idea de por dónde empezar a investigar. La trama se desarrolla de forma lenta pero magistral. Wallander, que acaba de pasar unos días de vacaciones con su padre en Roma, y que se siente rejuvenecido por la experiencia, se verá inmerso, sin tiempo a recuperarse del viaje, en una de las más descorazonadoras investigaciones de su vida. Otra gran obra de un gran escritor. Descanse en paz.
Poco puedo decir a estas alturas de Mankell y de Wallander, otro librazo, no nos descubre nada nuevo, ni es el mejor libro del mundo, pero hasta la fecha, todos los libros de este autor, son de una sencillez pasmosa. La realidad de la manera más sencilla y corriente me sigue deslumbrando. Son personajes de verdad, sin artificios ni inventos más allá de crear una trama que hile y le de cabida a todo. Me he hecho un poco de lio con los participantes, no con los polis, pero sí con el resto. Al criminal lo cacé nada más asomó el hocico, pero no le resta nada, al contrario, las circunstancias que rodean los asesinatos están vigentes así como el desarrollo y los pensamientos de Wallander sobre la sociedad... Me queda menos Wallander y menos Mankell... o quizá más.
Εξαιρετικό βιβλίο, το κατατάσσω στα καλύτερα αστυνομικά που έχω διαβάσει. Το θέμα του αρκετά ευαίσθητο, σε σημείο να μπερδέψει τους αναγνώστες, όπως κ τους ήρωες του βιβλίου, για το αν θέλουν να πιαστεί κ να πληρώσει ο δολοφόνος. Βάναυσοι άντρες λοιπόν και κακοποιημένες, εξαφανισμένες ή πιθανώς δολοφονημένες γυναίκες, όπως αναφέρεται στο βιβλίο. Και ένα βήμα πιο πίσω, μια σκ��ά που παρακολουθεί την πορεία αυτών των γυναικών. Μια σκιά που ίσως ανήκει σε μια γυναίκα. Μια γυναίκα που φαίνεται να έχει τεράστια σωματική ρώμη και μακάβρια φαντασία. Μια γυναίκα τιμωρό! Διαβάζεται απνευστί και η αφήγηση κυλάει σαν γάργαρο νεράκι. Σασπένς και δράση υπάρχει σε όλη την διάρκεια της αφήγησης που το κάνει ακαταμάχητο. Επίσης οι αναφορές του πόλεμο στο Βελγικό Κονγκό το 1953, αλλά και την δημιουργία πολιτοφυλακής στην σημερινή Σουηδία κ τις αναταραχές που δημιούργησε είναι πάρα πολύ ενδιαφέρουσες.
‘It occurred to Wallender that no matter when death comes, it disrupts everything. Death always arrives at the wrong time - something is left undone.’
I always feel sad at the end of a Wallender. Not just by the content but the fact that the books are finite and one day I will be reading the last one. Well ok I read the actual last book recently. But was happy to understand that I had not finished all the intervening works.
This book was an absolute cracker. A great police procedural work. I remember the first murder in the tv series of the book but fortunately little else.
Kurt’s relationship with his father has always been strained. But the trip they were to make to Rome alluded to in the last book came off.
Great story that starts with Congo mercenaries and finishes in a bird watching tower in Ystad. Loved it.
اصلا خوشم نیومد خیلی کش می داد الکی مثلا والندر شب خوابید والندر صبح بعد بیدار شد والندر فلان صبحونه را خورد والندر رفت اداره . . . و همین طور تا آخر که دوباره می خوابید بعدم اینکه آدم از قاتل اصلا بدش نمی اومد تشویقشم میکرد و اصلا دوست نداشت دستگیر شه اصلا کتاب خوبی نبود به هیچ کس توصیه نمی شود
Muy fan de la narración pausada y reiterativa de Mankell.
Quería empezar a leer la serie del inspector Wallander desde el principio, pero esta novela fue la que saqué aleatoriamente de mi estantería para participar en el ... Reto 7 del PopSugar 2020: El primer libro que toques de tu biblioteca, estantería o colección con los ojos cerrados
The Fifth Woman starts with a prologue where five women are brutally murdered by some unknown murderers in a remote place in Africa. Four of them are nuns and the fifth woman is a tourist who takes shelter with the nuns. While the nuns' death is acknowledged by the police and government, they hush up the murder of the fifth woman to avoid any political conflicts. The death of the fifth woman would have gone unnoticed if not for a policewoman who investigated this murder and who decides to write a confidential letter to the fifth woman's daughter in Sweden informing her about the tragic incident. This proves to be a turning point in the daughter's life.
The following chapters tell the reader about a series of brutal murders that take place in and around Ystad. Wallander is involved in the investigation and he tries to find the murderer before the person can cause more harm. All through the book, we see a battle of intelligence - the murderer and Wallander try to outdo themselves and prove who is smarter. We all know, every criminal makes a mistake and that is how Wallander solves the case.
The book has a very strong opening. The plot generates an amount of intrigue and dread in the hearts of the reader. The murders are brutal and dreadful, but you can't stop from reading further to know what happens next. The way Mankell ties in different story lines and introduces the twists and turns keeps you on the edge of your seat. Even though the murdered characters are of little use later on, Mankell takes the trouble of giving these characters a personality of their own.
Unlike the other mystery authors, Mankell gives a human touch to the hero of his books. Wallander is not painted as a dashing, intelligent, flawless man who every woman desires. Instead, he is shown to have problems of his own - a divorce, a daughter who does not really get along well with him and a father who is always complaining that Wallander does not devote enough time to him. Mankell not only focuses on the plot of the book, but cares to touch about other social issues. He brings in debatable issues of citizen militia and mercenaries, but never loses the momentum of the story. He even gives us a glimpse of the woes of a working mother - how difficult it is to balance a profession and family when there is no support around. This particularly touched my heart because I am a working mother myself.
This book is the tenth in the Wallander series. I read the first one and jumped straight to 10th, but it no way affected the pleasure I had in reading the book. Strong plot, interesting characters and a deep insight into the investigative procedure make this book a highly readable one.
Tengo muchos sentimientos encontrados con esta historia. Pero me gustó. O sea, probablemente hay sesgos de género pero sí me llega mucho cuando toca estos temas Mankell. Es un señoro muy agradable que realmente lo intentó. En esta entrega el detective Kurt Wallander se enfrenta a la violencia de género en todo su esplendor y sobre todo a esa fantasía que muchas tenemos de venganza. ¿será que es posible que una mujer vengativa pueda ser un monstruo o simplemente una víctima más del sistema en el que nos movemos?
Това е първата книга от Хенинг Манкел, която попада в ръцете ми. Признавам, с нея авторът успя доста високо да вдигне летвата в представите ми за това що е то истински добър трилър - жанр, за който често си мисля, че едва ли има вече нещо, с което да ме изненада или впечатли. Но животът винаги опровергава максимите, които съзнанието ни поставя. Книгата започва с бруталното убийство на четири монахини в отдалечен манастир в Африка и на случайна шведска туристка, потърсила подслон при тях - петата жертва. Няколко месеца по-късно, в Швеция, започва серия от убийства в и около района на Юстад. Убийства, които шокират полицията с своята жестокост и детайлно планиране. Привидно жертвите нямат нищо общо по между си. Първата жертва - самотен стар ерген - бивш търговец на коли, живеещ в имение с подходящото име "Усамотение", който е страстен любител на птиците и любител-поет, пишещ стихове, посветени единствено на птиците, е намерен мъртъв близо до дома си. Странното в случая е, че мъжът е паднал в дълбок ров и се е набол върху предварително заложени от убиеца заострени бамбукови пръти - по подобие на начина, по който ловците правят своите капани за диви зверове. Мистерията се заплита още повече, когато разследващите откриват в сейфа на убития мумифицирана човешка глава и шокиращ дневник на неизвестен мъж, сражавал се като наемник в африканска гражданска война. С намирането на втория труп нещата стават още по-озадачаващи... Кой и поради каква причина би убил скромен собственик на цветарски магазин и страстен любител на орхидеите точно преди отпътуването му на фото-сафари за орхидеи в Кения? Нищо не е такова, каквото изглежда. Манкел умело води повествуванието до неочакваната развръзка като пралелно с криминалната нишка изгражда образа на главния герой - инспектор Валандер. Хареса ми представянето на героя в чисто човешка светлина - не като някакъв супер-герой, а като човек със своите особености и недостатъци, със своите собствени проблеми за решаване - сложните отношенията с баща му, проблемите около развода му, трудностите в общуването с дъщеря му. Препоръчвам тази книга на любителите на жанра. Мисля, че няма да има разочаровани - тя предлага всичко, което можем да желаем от подобен вид четиво - интересна интрига, добре изградени характери, напрежение до самия край. Скандинавски съспенс от най-висока класа.
These hold depth of characters, especially Wallander and his workmates. Often times his Dad or Linda, his daughter, are studied. And this one like most of the others has a distinct perp- not just a facade of evil- but we get depths of the thoughts and perceptions for the crimes. It's appreciated that they are not just cartoon bad guys or simple heroes. Neither.
Yet I find all of these overlong with the Swedish disaffection and superfluous information of placings and situations for procedure. And it all continually morose and of course, closely fatalistic. So it becomes after the first half, oftentimes a tedious reading experience. Especially, as in this one, when you have guessed most of the onus for the crime and who is initiating.
This Fifth Woman also holds some horrific torture and cruel lingering physical injury toward death- done purposely with revenge an aspect. So it became off putting in the copy of that mind. For me, it did.
Wallander turns a page in life after losing his parent- and recognizes more and more of their similarities.
My own opinion only- but I think these Wallander make much better film pieces than they make book reads. Kenneth Branagh in the last episode of Season 4 was one of the best acted scenarios I've ever seen. It affected me to long memory. Maybe because I've seen so many friends' reactions to their own dementia? But his portrayal was authentic and awesome. Both. That made me cry. It was powerful.
Having so many books piling up, I think I'll only try the short story Wallander collection, not the full boat novels. They're too redundant and slow, even with their inclusive Swedish windows.
Those who watch Wallender may have discovered all this, but this is my first experience. Wonderful, sad, thoughtful book, a mystery in which all but the culprit's name is clear early on; solving the mystery means Wallender delves deeper and deeper into human motivation and bitterness. We watch him patiently sift through facts, weigh remembered conversations, think about centuries of human history, ponder the nature of evil and hurt, till he comes to a solution that leaves one more numb than satisfied. I have never been to Sweden, but the western society reflected here bears little resemblance to America, making it possible to draw conclusions about civilization in both great nations. Mystery writing at its best.
Τελείωσε και η Πέμπτη Γυναίκα-είχε αρκετά σημεία που υπερ-ανέλυε τις σκέψεις του επιθεωρητή και έτεινε στην πολυλογία,ΟΜΩΣ,σε καμία περίπτωση δεν ήταν δυσάρεστη αυτή η κατάσταση.Απολαυστικό από την πρώτη ως την τελευταία σελίδα. 5⭐
It is definitely a page turner but not as good as previous Wallender novels. The seemingly endless philosophizing about the ills of Swedish society and how everything is expensive could have been omitted. I did like how he said Swedish society was failing because no one could darn socks and then he is sitting beside someone on a plane darning a sock. That was amusing.
The plot of a serial killing woman is good and the suspense kept up throughout. The gruesome murders of deserving victims is imaginative. It is a bit to tidy ending with the murderer. The best bits are the police procedures and the gritty awful Swedish weather helps give atmosphere to the whole story.
One day I will have to watch the tv series. I am reluctant as usually they are done so badly.
Wallander - our favourite Introspective Detective: This book was enjoyable but overly repetitive. I like the way Henning Mankell adds a different dimension to the police investigation genre, and the setting in Sweden makes a change for the usual US / UK locales. The story itself is intelligent and well-constructed, and moves at a goodish medium-pace. One minor irritant is Mankell’s tendency to have the characters sum up the same facts at regular intervals – it seems he assumes that his readers have short memories and he needs to jog them as much as possible. Some jogging is not a bad thing, but his editor needs to snip a little.
The fifth book in the Swedish detective series, starts with the discovery of a emaciated strangled male corpse… and a few days later another male corpse is found under even more bizarre circumstances. As Wallander and co. investigate it begins to become apparent that the murdered men have something in common despite first observations saying contrary. Not as good as the other books in the series, but still worth a read for Wallander fans.
In this the 6th book of the Wallander series, our hero has just returned to Ystad from Rome with his ailing father as the story opens, and it seems he is just in time to get to work on an incredibly brutal crime. A man is found impaled on sharpened sticks in a pit. As usual in a Mankell novel, this is just the tip of the iceberg and the beginning of a number of cruel and torturous murders. While Wallander's style is to thoroughly examine every aspect of these crimes, there is a move afoot among some of the public to form a citizens' militia, making the job of the police even harder and putting them under a great deal of pressure to catch the murderer. But these are no ordinary crimes and their perpetrator no ordinary murderer -- and Wallander and his team have their work cut out for them.
Mankell's excellent writing will keep you reading until the end. In his hands, Wallander becomes quite real, and you can clearly see that he is a flawed but steady individual, an excellent investigator and a workaholic, who is always pushing his team to work harder. Mankell's plotting is exquisite and believable, and the author manages to capture the nuances of a disgruntled public and a Sweden that is changing rapidly and not always for the better.
The Wallander series overall is excellent; one of the best out there. I would highly recommend this book (as well as the series) to anyone who enjoys great crime writing in general and Scandinavian mystery novels in particular. Do not let this book be your introduction to Kurt Wallander -- defintely start with the first one in the series and read them in order.
Eh. Kind of tedious, is how I would describe this book. The climactic segment was very good, and almost worth the wait (but not quite). The lead detective character, Wallander, was hard to like: at times obnoxious and bullying, and then whiny and sullen at other times. Domestic violence was the background theme of the story and Wallender himself was not unfamiliar with dishing it out. I liked that his own experiences bothered him but it didn't help in the likability department. Also, the author makes it known from the beginning that a woman is the antagonist, so I don't think what I'm going to say next will spoil anything for anyone who hasn't read this, but feel free to stop reading now......
I found it unlikely that a modern-day police detective with years of experience would be incredulous at the mere idea that a woman could be involved with a violent crime that wasn't a crime of passion or self-defense. I know it's not common, but please. The book has dozens of sentences that are variations of, "It's unthinkable that a woman would be capable of such calculated violence". Pretty much every single character says this, and multiple times. Tedious.
Also, the editing wasn't that great (for example, a couple times they misspelled Wallender as "Walland"), and it makes me think that the translation might not be that great either.
I thought there was a lot of potential with the material, but too much time was wasted rehashing certain themes while other more rather interesting ones were barely touched on.
My first Henning Mankell and I am not impressed. Whether I would read another Mankell ? Yes I would. Kurt Wallander is interesting considering that it is one the most popular Nordic detective around. The series shows some promise.
This book is set in cold and wet Sweden, as I am given to understand most of Mankell's books are. The hunt is on for a serial killer who is on a killing spree of old gentlemen. There were some characters or instances placed in the book which did not seem to have any connection to the ongoing plot and neither could I comprehend their role. The book started off smoothly with the tension building up, plots thicken leading to the elusive killer and finally the climax is sort of a slight letdown.
I took a long time to finish off this. But did I enjoy the book ? Yes. I will try one more Mankell given the choice.
This is the sixth in the series of novels based on Kurt Wallander, an inspector with the Swedish Police based in the relatively small town of Ystad. In this book a woman starts killing men who are connected only by the fact that they have murdered or abused women. She has been documenting such cases for several years but it is the murder of her own mother while travelling in Africa which triggers her acts of revenge. The plot is complex but well worked out. As is often in the case in Wallander novels the author is particularly good at portraying investigative teamwork. I have not read any author who does this better.
Quite often in these novels disquiet is expressed about the state of contemporary Sweden. Of the books I have read this title articulates these concerns most clearly so I will state that the book has considerable merits as a crime novel and deal with this issue. Quotations and page numbers refer to the Vintage paperback, English translation by Steven T Murray, which reads very well.
Here, Kurt Wallander is musing on what he sees as a decline. ‘The Sweden that was his, the country he had grown up in, that was built after the war, was not as solid as they had thought. Under the surface was quagmire. Even back then the high-rise buildings that had been erected were described as “inhuman”. How could people who lived there be expected to keep their “humanity”? Society had grown cruel. People who felt they were unwanted or unwelcome in their own country reacted with aggression. There was no such thing as meaningless violence. Every violent act had a meaning for the person who committed it. Only when you dared accept this truth could you hope to turn society in another direction.’ (page 228)
The statement that every violent act has a meaning for the person who commits is contentious. For example, violence fueled by drink and/or drugs may have little or no meaning except for the victim. Nonetheless, there may well be some general truth in it. At no point does Wallander consider any mechanism by which society might be turned in another direction, which is probably just as well.
While discussing this subject with his daughter Linda, he uses socks as a way in. The quotation contains small omissions indicated by dots. ‘When I was growing up, Sweden was still a country where people darned their socks . . . then suddenly one day it was over. . . no-one bothered to repair them. The whole society changed. “Wear it out and toss it” was the only rule that applied. . . . But then it started to spread, until finally it became a kind of invisible moral code. I think it changed our view of right and wrong, of what you were allowed to do to other people and what you weren’t.’ (page 297)
This passage reminds me of The Amateur Immigrant, by Robert Louis Stevenson, where he points out that economists don’t tell us enough about pies.
Though he is good at it, Wallander finds police work wearing and demoralising. In the following quotation the tape referred to is the tape which marks out a crime scene. ‘His work was little more than a poorly paid test of endurance. He was being paid to endure this. The plastic tape wound through his life like a snake.’ (page 354)
Since this case is complex, additional officers are brought in from Malmö. One of these, Birch, tells Wallander about the views of an old commissioner, now retired. ‘I remember that he used to talk to us younger detectives and warn us that everything was going to get a lot tougher. The violence would get more widespread and more brutal. He said that this was because Sweden’s prosperity was a well-camouflaged quagmire. The decay was underneath it all.’ (page 362)
Since we are dealing with fiction we cannot safely assume that such views coincide with those of the author. But I believe they do.
This entire review has been hidden because of spoilers.
I love Kenneth Branagh. When I found out he was going to be in PBS's Wallander series. I was thrilled. Until I saw the series. There was something off about it. In fact, I only watched the first one and had no desire to pick up the books. Then, I watched the Swedish version of Wallander. Those were good. Those made me want to pick up the books.
Branagh was totally miscast. It's like John Hannah playing Rebus. He's a good actor, but he's wrong for Rebus. Dan Sott isn't. Whoever the Swedish guy playing Wallander is, he's wonderful.
Mankell's prose reminds very much of P. D. James. But that is the only similarity. Wallander is a world weary soul. He doubts his profession, but doesn't seem to know what else to do. Mankell's plot works, and he gets the reader to think, about justice and about what is right. I won't say anything else because I don't want to give away anything.
I enjoyed this book very much, even though know who the killer is pretty much from the beginning... we know, but we still don't know so we keep reading!
There are a few things, though, that I didn't quite understand:
After all that, I still think it's a very entertaining book and I look forward to the rest of the series.