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Stanley Elkin

Stanley Elkin’s Followers (120)

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Stanley Elkin


Born
in Brooklyn, New York, The United States
May 11, 1930

Died
May 31, 1995

Website

Genre

Influences
William Faulkner, Albert Camus, Saul Bellow, John Barth


Stanley Lawrence Elkin was a Jewish American novelist, short story writer, and essayist. His extravagant, satirical fiction revolves around American consumerism, popular culture, and male-female relationships.

During his career, Elkin published ten novels, two volumes of novellas, two books of short stories, a collection of essays, and one (unproduced) screenplay. Elkin's work revolves about American pop culture, which it portrays in innumerable darkly comic variations. Characters take full precedence over plot.

His language throughout is extravagant and exuberant, baroque and flowery, taking fantastic flight from his characters' endless patter. "He was like a jazz artist who would go off on riffs," said critic William Gass. In a review of G
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Average rating: 3.65 · 3,631 ratings · 486 reviews · 50 distinct worksSimilar authors
Living End

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The Magic Kingdom

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Mrs. Ted Bliss

3.18 avg rating — 357 ratings — published 1995 — 21 editions
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The Franchiser

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3.94 avg rating — 284 ratings — published 1976 — 19 editions
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The Dick Gibson Show

3.67 avg rating — 299 ratings — published 1971 — 2 editions
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Criers & Kibitzers, Kibitze...

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3.98 avg rating — 180 ratings — published 1965 — 23 editions
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Searches and Seizures

4.05 avg rating — 146 ratings — published 1973 — 16 editions
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Bad Man

3.79 avg rating — 151 ratings — published 1968 — 27 editions
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Van Gogh's Room at Arles: T...

3.13 avg rating — 177 ratings — published 1993 — 6 editions
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George Mills

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3.74 avg rating — 145 ratings — published 1982 — 18 editions
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Quotes by Stanley Elkin  (?)
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“I don't believe less is more. I believe that more is more. I believe that less is less, fat fat, thin thin and enough is enough. ”
Stanley Elkin

“It’s like everything else. The price of Torahs is higher in Alaska.”
Stanley Elkin, The Rabbi of Lud

“There’s something comforting, almost soothing, about realism, and it’s nothing to do with shocks of recognition — well it wouldn’t, since shocks never console — or even with the familiarity that breeds content, so as much as with the fact that the realistic world, in literature, at least, is one that, from a certain perspective, always makes sense, even in its bum deals and tragedies, inasmuch as it plays — even showboats and grandstands — to our passion for reason. The realistic tradition presumes to deal, I mean, with cause and effect, with some deep need in readers — in all of us — for justice, with the demand for the explicable reap/sow benefits (or punishments), with the law of just desserts — with all God’s and Nature’s organic bookkeeping. And since form fits and follows function, style is instructed not to make waves but merely to tag along, easy as pie, taking in everything that can be seen along the way but not much more and nothing at all of what isn’t immediately available to the naked eye.”
Stanley Elkin, Criers & Kibitzers, Kibitzers & Criers

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