Rick Bass > Quotes

“If it's wild to your own heart, protect it. Preserve it. Love it. And fight for it, and dedicate yourself to it, whether it's a mountain range, your wife, your husband, or even (god forbid) your job. It doesn't matter if it's wild to anyone else: if it's what makes your heart sing, if it's what makes your days soar like a hawk in the summertime, then focus on it. Because for sure, it's wild, and if it's wild, it'll mean you're still free. No matter where you are.”
― Rick Bass

“I do not concern myself with my inability to feel such comfort amidst humans (other than with very few friends and family), but, rather, am simply thankful that at least dogs exist, and I’m humbly aware of how much less a person I’d be – how less a human – if they did not exist. ”
― Rick Bass, Colter: The True Story of the Best Dog I Ever Had

“A dog creates, transcribes, a new landscape for you. A dog like Colter sharpens your joy of all the seasons, and for a while, sometimes a long while, such a dog seems capable, by himself alone, of holding time in place--of pinning it, and holding it taught. And then when he is gone, it is as if the world is taken away.

Dogs like that are young for what seems like a very long time....

One you have lost a dog--especially the first you trained from a pup, the one you first set sail into the world with--you can never fully give of yourself to another dog. You can never again look at a dog you love without hedging a tiny bit, if only subconsciously, against the day when that dog, too, must leave. You can never again hunt or enter the future so recklessly, so joyously, with that weight of forethought....

As I sleep restlessly, night after night, or more often, as I lie there awake, I can see him running and I feel guilty that I am not there to honor the birds he is finding... One way or the other, he is still out there running. He will never rest.... I will always want him to know a moment's rest, and peace, and he will always know in his hot heart that the only peace to be gotten is by never resting, by always pushing on.

He is my Colter.... I am still his, and he is still mine.”
― Rick Bass, Colter: The True Story of the Best Dog I Ever Had

“The heart of it all is mystery, and science is at best only the peripheral trappings to that mystery--a ragged barbed-wire fence through which mystery travels, back and forth, unencumbered by anything so frail as man's knowledge.”
― Rick Bass, The Sky, The Stars, The Wilderness

“Write every day. Don't ever stop. If you are unpublished, enjoy the act of writing—and if you are published, keep enjoying the act of writing. Don't become self-satisfied, don't stop moving ahead, growing, making it new. The stakes are high. Why else would we write?”
― Rick Bass

“How we fall into grace. You can't work or earn your way into it. You just fall. It lies below, it lies beyond. It comes to you, unbidden.”
― Rick Bass, Colter: The True Story of the Best Dog I Ever Had

“There are none among us who have not been, even for a moment, cruel to those whom we love most, as if unable, in that moment, to shoulder any longer the magnificent weight and burden, the responsibility, of that love.”
― Rick Bass, The Sky, The Stars, The Wilderness

“[Wild animals], and the beautiful landscapes that sustain them...possess a value and a virtue regardless of our dwindling connection with them. It seems that there is a virtue and a wisdom in keeping some things beyond our reach: that the protection of wilderness itself is imperative... We have touched, and are consuming, everything. The world is very old, and we are so new. I like the feeling of awe--what the late writer Wallace Stegner called 'the birth of awe'--in beholding wild country not reduced by man. I like to remember that it is wild country that gives rise to wild animals; and that the marvelous specificity of wild animals reminds us to wake up, to let our senses be inflamed by every scent and sound and sight and taste and touch of the world. I like to remember that we are not here forever, and not here alone, and that the respect with which we behold the wild world matters, if anything does.”
― Rick Bass

“There's an enormous difference between being a story writer and being a regular person. As a person, it's your duty to stay on a straight and even keel, not to break down blubbering in the streets, not to pull rude drivers from their cars, not to swing from the branches of trees. But as a writer it's your duty to lie and to view everything in life, however outrageous, as an interesting possibility. You may need to be ruthless or amoral in your writing to be original. Telling a story straight from real life is only being a reporter, not a creator. You have to make your story bigger, better, more magical, more meaningful than life is, no matter how special or wonderful in real life the moment may have been.”
― Rick Bass

“In a way that I haven’t yet figured out how to fully articulate, I believe that children who get to see bald eagles, coyotes, deer, moose, grouse, and other similar sights each morning will have a certain kind of matrix or fabric or foundation of childhood, the nature and quality of which will be increasing rare and valuable as time goes on, and which will be cherished into adulthood, as well as becoming- and this is a leap of faith by me- a source of strength and knowledge to them somehow. That the daily witnessing of the natural wonders is a kind of education of logic and assurance that cannot be duplicated by any other means, or in other place: unique and significant, and, by God, still somehow relevant, even now, in the twenty-first century.

For as long as possible, I want my girls to keep believing that beauty, though not quite commonplace and never to pass unobserved or unappreciated, is nonetheless easily witnessed on any day, in any given moment, around any forthcoming bend. And that the wild world has a lovely order and pattern and logic, even in the shouting, disorderly chaos of breaking-apart May and reassembling May. That if there can be a logic an order even in May, then there can be in all seasons and all things.”
― Rick Bass

“It is a kind of church, back in these last cores. It may not be your church -- this last one percent of the West – but it is mine, and I am asking unashamedly to be allowed to continue worshipping the miracle of the planet, and the worship of a natural system not yet touched, never touched by the machines of man. A place with the residue of God – the scent, feel, sight, taste, and sound of God – forever fresh upon it”
― Rick Bass, The Book Of Yaak

“Nothing will get you into trouble so deep or as sad as faith.”
― Rick Bass, The Watch

“Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops…

Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…”
― Rick Bass

“Fit in where you don't: make your own space..be different..don't give in. Exist somewhere you're not suppose to, or where you don't want to. Be your own men; do what you want, and don't hurt anybdoy”
― Rick Bass, The Watch

“Is this how it is for a species that senses it is going extinct? Is there a feeling of loneliness, or unease, each morning, upon awakening?”
― Rick Bass, The Sky, The Stars, The Wilderness

“I do believe that clean air, clean water, and wild mountains and old forests are our birthrights; that a wild and healthy landscape is, or should be, a constitutional right, a freedom, to be protected and celebrated. And as with any right, there is an attendant responsibility.”
― Rick Bass

“..everyone has to do one really bad thing in life to call their life a life.”
― Rick Bass, The Watch

“We try and map boundaries, and to string fence - we try to set up a border between life and death, between man and nature, and complicity versus innocence. But the truth is, there is no complicity, there is no innocence; and there is no death, there is only life.”
― Rick Bass, The Sky, The Stars, The Wilderness

“His errors and failures have not traveled the same distance as his successes.”
― Rick Bass, The Hermit's Story

“My life, I realize suddenly, is July. Childhood is June, and old age is August, but here it is, July, and my life, this year, is July inside of July.   The”
― Rick Bass, The Wild Marsh: Four Seasons at Home in Montana

“There's the slightly intoxicating feeling that accompanies the largest blizzards—the realization that there's a chance, increasing by every second, that you are about to be trapped by beauty.”
― Rick Bass, The Wild Marsh: Four Seasons at Home in Montana

“I think the idea of holing up and hunkering down against the larger forces of the world has not lost its allure since Thoreau's time. If anything that instinct, or impulse, continues to reside in almost all of us, sometimes activated or bestirred and other times dormant but always present.”
― Rick Bass, The Wild Marsh: Four Seasons at Home in Montana

“I buried her like a pagan. I put deer bones in with her, for her journey; a blanket, for warmth; flowers, cedar fronds, stones from places we’d been, grouse feathers, a tidbit of raw venison hamburger, and a swatch of my own hair. A headstone, a footstone. I planted an aspen tree above the headstone, to give her shade, and to someday provide leaf-music in the breeze. It took a long time before I was worth a damn again. How to measure the eleven years of magic she brought to us? How, now, to say thank you? Too late, as usual, for these sorts of things.”
― Rick Bass, Colter: The True Story of the Best Dog I Ever Had

“You can't manufacture love: you can't build it back up, like a fire. You start out with a certain amount, and then you hope it is strong enough and lasting enough to sustain itself against the hard winters, and the assaults of time.”
― Rick Bass, The Hermit's Story

“Slater used to be a poet, he's nothing now, and he sort of looks on Robby and me with awe because we aren't nothing yet, we haven't given up yet, awed at me because I'm thirty-one and haven't given up yet, and at Robby because he's young and has potential.
Most people stop wanting to be a writer around the age of sixteen.”
― Rick Bass, The Watch

“There are no new stories in nature, only new observers.”
― Rick Bass, The New Wolves: The Return of the Mexican Wolf to the American Southwest

“I knew that I was losing him, and yet we all had the courage to draw closer, to weave tighter, even all the way into the end.

Fred worked in the study, under the glow of yellow light, like an angel-we could see him in there, through the glass doors-while the rest of us sat or lay on the patio under the sky and the stars. Sometimes Grandfather would reach down, searching for my hand, find it, and squeeze it. The last bloodline of my mother, I would think, holding his hand-my last, strongest blood-connection to her-and perhaps he was thinking the same, at those times.

Father and Omar intent upon the game. Grandfather and I intent upon eternity.”
― Rick Bass, The Sky, The Stars, The Wilderness

“I'm surprised when I walk right into yet another abandoned hunters' camp. Tattered plastic sheeting still hangs askew here and there. Blackened aerosol cans of Cheez Whiz sit in the fire pit, which sits in the middle of the trail. Assorted Styro-ware. Rotten leather boots. Where are these people? Are they back in civilization now, appearing to all observers to be as normal as pie, but inwardly ticking like time bombs and spreading their hot poisonous seed through the world like black-breathed plague?”
― Rick Bass, The Lost Grizzlies: A Search for Survivors in the Wilderness of Colorado

“When the longhorns could be gathered up and driven, it was theorized that the heat from the herd's mass attracted lightning. (Such was the radiant heat from a large herd that a cowboy's face would be blistered on whichever side of the herd he'd ridden by the day's end.) Their great horns also seemed to attract electricity, so that lightning and ground-electricity would bounce around from horn to horn throughout the herd - a phantasmagoric burning blue circuitry. The cracking of the cowboy's whips and the twitching of the cattle's tails also emitted sparkling "snakes of fire.”
― Rick Bass, The New Wolves: The Return of the Mexican Wolf to the American Southwest

“I live here on the Prade Ranch alone-already years beyond the age my mother was when she returned to the ranch-to the particular elements of the earth: soil, water, carbon sky. You can rot or you can burn but either way, if you're lucky, a place will shape and cut and bend you, will strengthen you and weaken you. You trade your life for the privilege of this experience-the joy of a place, the joy of blood family; the joy of knowledge gotten by listening and observing.

For most of us, we get stronger slowly, and then get weaker slowly, with our cycles sometimes in synchrony with the land's health, though other times independent of its larger cycles. We watch and listen and notice as the land, the place -life- begins to summon its due from us. It's so subtle...a trace of energy departing here, a trace of impulse missing there. You find yourself as you have always been, square in the middle of the metamorphosis, constantly living and dying: becoming weaker in your strength, finally. Perhaps you notice the soil, the rocks, or the river, taking back some of that which it has loaned to you; or perhaps you see the regeneration occurring in your daughter, if you have one, as she walks around, growing stonger. And you feel for the fir time a sweet absence...”
― Rick Bass