Reżyseria:
Roger MichellScenariusz:
Aline Brosh McKennaZdjęcia:
Alwin H. KuchlerMuzyka:
David ArnoldObsada:
Rachel McAdams, Harrison Ford, Diane Keaton, Patrick Wilson, Jeff Goldblum, John Pankow, Matt Malloy, Patti D'Arbanville, Noah Bean, Vanessa Aspillaga (więcej)VOD (4)
Opisy(1)
Producentka lokalnych wiadomości, Becky Fuller (Rachel McAdams) znalazła w końcu wymarzoną pracę w wielkim mieście – przejmuje władzę nad porannym programem nadawanym z Nowego Jorku. Jednak już od samego początku to, co miało być spełnieniem marzeń, zaczyna przemieniać się w koszmar. Na jej drodze na szczyt kariery pojawia się poważna przeszkoda: legendarny Mike Pomeroy (Harrison Ford), ekscentryczny, zarozumiały i zupełnie nie nadający się do współpracy prezenter wiadomości, który może stać się największym przekleństwem Becky... i jedyną szansą na uratowanie programu. Decyduje się na spróbowanie czegoś nowego: zestawienie ze sobą szorstkiego stylu byłego prezentera Pomeroya z rozgadaną i stale przekomarzającą się gospodynią porannego programu Colleen Peck (Diane Keaton). (UIP)
(więcej)Materiały wideo (3)
Recenzje (9)
Who knew so much chaos could unfold at a morning TV station? Stress flying everywhere, dealing with people, deadlines looming—it’s enough to make anyone lose their mind unless you’re a workaholic. But the real star here is Rachel McAdams. She not only brushes off the stress, she’s too busy powering through to even acknowledge it. The only issue? Sometimes the movie moves so fast, it feels like even a herd of bulls couldn’t keep up.
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“I’ve had lunch with Dick Cheney.” Since I have a weakness for both ladies, I cannot judge this film differently, and Harrison Ford is also in great form – a guarantee that you will laugh at the well-written one-liners at the right moment. In a time of crisis, it is not surprising that instead of being about her relationship with a man, Morning Glory is about Becky’s relationship with her work, which is a substitute for family, without that somehow bothering any of the characters. But before that family can take shape, however, Becky has to fight hard for her new job and defend her position in a cut-throat environment. The screenwriter doesn’t put any more obstacles in her way than is necessary to create the usual dramatic arc. In short, you know that everything will turn out okay, no stress – a certainty that only Hollywood fairy tales offer today. This thoroughly escapist film would not be complete without a very rousing soundtrack: “Strip Me” by Natascha Bedingfield can now cheer me up more effectively than high-quality chocolate (and what’s more, it doesn’t make me gain weight). A film for joy. 85%
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Fortunately, it doesn’t follow the usual romantic template, and it’s also a very good mood lifter. The vital Rachel McAdams was, as always, a delight to the eye and spirit, but the main star, who through dryly delivered lines takes care of 90 % of all the clever humour, is Harrison Ford's utterly divine portrayal of the bumbling journalist. Harrison has needed a role like this, played with honest insight, for years.
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A refreshing take on the romantic comedy genre, proving it can be done without the usual overused clichés that get more tiresome with every repeat. Harrison Ford's charisma and Rachel McAdams' effortlessly charming performance carry the film just fine. 70%.
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I don't expect much from movies of this type, but I'm glad when they have some meat to them. I was missing it here in the first half. Yes, that's right... It was almost a disaster. Thankfully saved with an omelet from Harrison Ford at the end and a generally funnier second half. I don't need to see it again. Unless HBO starts airing it three times a day.
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