Regie:
Wes CravenScenario:
Wes CravenCamera:
Petra KornerMuziek:
Marco BeltramiActeurs:
Max Thieriot, John Magaro, Denzel Whitaker, Zena Grey, Frank Grillo, Nick Lashaway, Dennis Boutsikaris, Shareeka Epps, Hannah Hodson, Emily Meade (meer)Streaming (1)
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In the sleepy town of Riverton, legend tells of a serial killer who swore he would return to murder the seven children born the night he died. Now, 16 years later, people are disappearing again. Has the psychopath been reincarnated as one of the seven teens, or did he survive the night he was left for dead? Only one of the kids knows the answer. Adam "Bug" Heller was supposed to die on the last night the Riverton Ripper wrecked havoc on that terrifying night. Unaware of terrifying crimes being committed to the seven children, he has been plagued by nightmares of their murders while not aware if they hold true or if he is simply imagining the images that haunt him. But if Bug hopes to save his friends from the monster that has returned, he must face an evil that will not rest... until it finishes the job it began the day he was born. (officiële tekst van distribiteur)
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Nonsense with a killer disguised as a condor! The trailer was not that bad, but the feature length could not hide Craven’s weaknesses (he’s never been consistent, so the hopes that the fourth Scream will be good remain alive). At times, it felt as if the plot of My Soul to Take had come from yet unexplored corners of screenwriting stupidity. It’s dumb, ridiculous, without atmosphere and with zero interesting murders. In modern slashers, it’s not enough for the killer to eviscerate their victims once with a knife (mostly out of frame). Also, Bug, the blond guy, is probably the most moronic protagonist since the invention of cinema. This film intellectually raped, murdered, buried, unburied and desecrated me. I don’t recommend it.
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Wes Craven mixes the teen slaughter flick formula with the schizophrenic insecurity of the main character and the strange symbolism of a predator devouring carcasses, and the result is such an incredibly muddled mess of WTF moments that it’s difficult to believe that the same filmmaker made the most sophisticated instalment of the Scream franchise with such a solid grasp a year later.
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