A látogatás

M. Night Shyamalan's latest film is an intimate and chilling thriller with a horror edge, made all the more frightening by the handheld camera format. The film pits two distinct "entities" against each other: kids making a film about their family, and their grandparents, with whom something is definitely wrong. Over the course of an hour and a half, we are offered a glimpse, through a shaky image, into a house in which truly strange things happen after 9:30 in the evening. A formally minimalist and suspenseful excursion in the form of a film that stands out especially for its premise and its rawness. (2016.02.08)

Yes, he's back. And yes, it makes me happier than anyone else. This is the found footage concept squeezed to the last drop, a masterful work with escalating tension and an epic double finale where the bedroom one almost stares the one from [REC] in the eye. But above all (and this is what quality horror films are usually about), the film has two great central child actors. I can't remember other protagonists that I cared so much about, rooted for, and experienced so strongly along with them. If the next one is thicker, I’ll give it full stars. 4 ½. (2015.09.28)

Shyamalan, jump in the sea already! The famous director has a reputation, a quality cast, better resources and technical possibilities, but his found footage is more boring than Petr Jákl’s. To be fair, some of the subtly creepy and distressing scenes, like the night shots of the frantic grandmother or the opening game of hide-and-seek, work well, and the film can also be credited with likeable child protagonists and a well-crafted narrative form, but the tension doesn't build-up consistently, there are few truly scary moments, and in the final minutes the script wasn’t just disappointing, it was awful. Another desperate attempt to reset the quality of the former machine for dense atmosphere fails again, perhaps next time... 50% (2015.11.29)

M. Night Shyamalan in good form. The Visit has the makings of the best horror film of the year. The film clearly pokes fun at Paranormal Activity in particular, but also most bland ghost films, and it manages to perfectly terrify with a mere pair of old without the use of any CGI, visual or make-up effects (It Follows just shakes its head in incomprehension). The film moves quite quickly, with scares, frightening, disturbing and chilling scenes being thrown at us from a quarter of the way through – thumbs up to Shyamalan, I was afraid I wouldn't see anything until the last few minutes. It's shot in a realistic way, the found footage form doesn't get on my nerves, there's no noisy, low-quality and epilepsy-inducing shots, the sequences with the grandmother are very scary (the hide and seek sequence and the final scene with the duvet are great), and the final, for me completely unexpected and shocking twist is one of the best of this year. Shyamalan, this was a good value ride!!! Story 8/10, Atmosphere 10/10, Scares 8/10 Gore 1/10, Visuals 7/10, Action 6/10, Entertainment 9/10. 90%. (2015.10.07)

After a long time a film that took me out of my “safe space” and caused some unpleasant feelings, which in my book is the most important indicator of really well made horror, and it needed less than thirty minutes for it – that hide and seek game already made feel a little unsettled. The film tells the story of two siblings who go on holidays to visit their grandparents, whom they’ve never met. The relationships in the family are not in the best shape, something happened to the mother of the kids and she ran away from home, but now it seems that the grandparents want to see their grandchildren at least once. The kids are fine with it and want to make a documentary about the visit. Gradually, though, it begins to be clear that something is not right with granny and grandpa. Can that be only because of senility or is there something else at play? And what about the almost unnatural night movements and the stubbornness of the grandmother, who wants her granddaughter to get into the oven? :) The Visit is above all perfect casting, both the old couple and the kids are very convincing. During the scary scenes, the grandparents look really creepy, while the kids are very likeable and funny guides in the story. And that’s where the fun is, even thought it’s not a comedy (not even with a “horror” prefix), there are plenty of parts that make you laugh. Basically, horror with a sense for black humour. Not even the found-footage or mockumentary format is a problem here, the camera is not too shaky, on the contrary, the creators have tried to put together very nice shots. Succinctly and simply put, thank you very much Blumhouse for resurrecting Shyalaman, who, by the way, is having a very good year (I like Wayward Pines). Hopefully, this collaboration will continue and the Indian director will stay on similar grounds. 9/10 (2015.09.26)