Réalisation:
Jon FavreauScénario:
Justin MarksPhotographie:
Bill PopeMusique:
John DebneyActeurs·trices:
Neel Sethi, Bill Murray, Ben Kingsley, Idris Elba, Lupita Nyong'o, Scarlett Johansson, Giancarlo Esposito, Christopher Walken, Garry Shandling (plus)VOD (4)
Résumés(1)
LE LIVRE DE LA JUNGLE est une toute nouvelle aventure en prises de vues réelles dont le héros est Mowgli (Neel Sethi, qui fait ici ses débuts sur le grand écran). Élevé par une famille de loups, le « petit d'homme » n'est désormais plus le bienvenu dans la jungle : le redoutable tigre Shere Khan (voix originale d'Idris Elba), qui porte encore les cicatrices de sa confrontation avec les hommes, s'est juré d'éliminer celui qu'il voit comme une menace. Forcé d'abandonner le seul foyer qu'il ait jamais connu, Mowgli entame un extraordinaire périple à la découverte de sa propre identité, avec pour guides Bagheera (voix originale de Ben Kingsley), une panthère qui se montre un mentor sévère, et Baloo (voix originale de Bill Murray), un ours à l'esprit libre et ouvert. Sur sa route, Mowgli va rencontrer des créatures de la jungle dont certaines ne lui veulent pas seulement du bien, comme Kaa (voix originale de Scarlett Johansson), un python à la voix et au regard hypnotiques, ou le Roi Louie (voix originale de Christopher Walken), un singe beau parleur qui tente d'amener le garçon à lui révéler le secret de la fleur rouge fascinante et mortelle : le feu. (Walt Disney Company France)
(plus)Vidéo (28)
Critiques (14)
Une présentation fantastique des possibilités techniques d'Hollywood avec des effets spéciaux si incroyables que Mowgli en chair et en os est l'animal le moins intéressant du film. Et il y a tellement d'animaux là-bas. ()
Un magnifique film familial de pure aventure qui rend honneur au genre et qui présente de grandes chances de devenir un classique pour enfants, pouvant, d'ici quelques années, prétendre à un statut similaire à celui que possède aujourd'hui L'Histoire sans fin par exemple. Une réalisation visuelle et technique à couper le souffle, une histoire captivante, émouvante et chargée d'émotions ainsi qu'une série de séquences délicieusement réalisées de manière dynamique. ()
Jon Favreau never really appealed to me as a director. Iron Man is a retrospectively weaker Marvel movie that stands and falls mostly on Robert Downey Jr. (and don’t get me started on the second one), Cowboys & Aliens is awful and Zathura is pretty good. Nothing more. So when he took a swipe at The Jungle Book, which everyone knows, I didn't particularly care for it. Which makes the result all the more enjoyable. It's not that it's a perfect film, at times it's quite choppy in terms of story (the part with monkeys could have been shorter), but as a film with ambitions to entertain young and old viewers alike, this journey among digital animals simply works. Favreau handles the action scenes, the suspenseful moments and the humour, and he also keeps an eye on the visuals. The Jungle Book is gorgeous, and the wilderness can even bear comparison to Avatar's Pandora. There's plenty to look at and I imagine the little ones will stare at the screen with utter delight, whether it's Baloo cackling, Sher Khan terrifying or Scarlett Johansson hissing. This is not a cinematic revolution or a film that will go down in history, but it’s a very proper genre film where almost everything works as it should. Well done. And I wouldn't mind seeing it a second time. ()
You watch this technological marvel and the thought flies through your mind that "The future is now" and the reassurance of the significance of the giant leap forward filmmakers have made in the development of CGI animation and effects of the last two decades, something that filmmakers in the "pre-Jurassic" period could only dream of. This is undoubtedly the pinnacle of contemporary Hollywood's technical capabilities, and I can smell some technical Oscars. And please, I write this as a viewer who’s not at all fond of the digital coloring books that abound in movies today and prefers practical effects. But here there are no digital orgies that would look out of place, everything looks very believable and alive. When I realize that all the natural surroundings were created in a computer, it just blows my mind. The experience is enhanced by the wonderful book, and if its story teaches at least a few child viewers to love animals, this film is worthwhile. ()
I do admit that at first I didn’t really feel like watching this flick. It was somehow getting under my skin that animals in a real, non-animated world could speak and that they spoke English. But after about ten minutes and several nice shots, I decided to bear with the film to see what would come out of it. I mean the book itself, written by Rudyard Kipling, had a very clever plot. And well, what eventually came out of it was one of the most beautiful digital films that I have ever seen. I don’t think you will be able to see such beautiful shots of the jungle anywhere else. It might be because of the digital effects. But it is a treat to watch it and once you’ve watched it, you will realize that you will never see a better adaptation of Kipling’s book in your lifetime. ()
Photos (70)
Photo © Walt Disney Studios
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