Réalisation:
Isaac FlorentineScénario:
David N. WhitePhotographie:
Ross W. ClarksonMusique:
Minos MatsasActeurs·trices:
Scott Adkins, Mykel Shannon Jenkins, Mark Ivanir, Hristo Shopov, Borislav Iliev, Lateef Crowder, Ilram Choi, Robert Costanzo, Marko Zaror (plus)VOD (1)
Résumés(1)
Huit combattants d’élite sont réunis dans une même prison par un mystérieux syndicat qui organise des combats clandestins avec à la clé : la liberté pour le vainqueur et des millions de dollars aux organisateurs. Blessé physiquement et moralement par son dernier combat, Boyka débarque dans cet enfer et il devra montrer tous ses talents pour conquérir sa liberté. (texte officiel du distributeur)
(plus)Vidéo (1)
Critiques (8)
Simple, direct, efficace, avec une excellente conclusion. Je ne donnerai pas de quatrième étoile car c'est trop évident, mais j'attendrai d'autres films d'action de Florentine. ()
Undisputed III: Redemption pulled off the unthinkable—I watched an action-packed fight film where the camera didn’t shake all over the place, and I could actually enjoy every punch and kick with total clarity. And to top it off? The fight scenes were packed with insanely sharp choreography and effects. What’s even better? The whole movie is full of these epic fights. And the best part? The film isn’t dumb, the characters are surprisingly likable, and the final showdown is so intense it deserves to be studied in action movie history for decades to come. Seriously, how did this group of B-movie filmmakers figure out what we’ve been asking for all along—a movie where you can see everything without feeling dizzy? I couldn't believe my eyes. It's an absolute knockout, and that final fight? Pure perfection. This is the kind of action I hope we see more of in the future. Please, more of this! ()
Scott Adkins as a living, breathing special effect. It is enough for the film to have him and a capable choreographer; nothing else is needed. The third instalment of the Undisputed franchise does not have as substantial a screenplay as the two preceding films in the series and was made with an obviously lower budget, but none of that matters, since all of it is offset by the preference for arena-scale storytelling and the full use of the main attractions. This time, Adkins is given room to showcase not only his charisma, but especially his physical virtues in contact choreography with other athletes in front of the camera. Director Isaac Florentine knows very well that he can discard everything else and invests what he saves on narrative and extras in the choreography and preparation of the fightscenes. Thanks to Adkins and the other athletes, he can indulge in long, breathtaking shots with an imaginative combination of punches and acrobatics that none of the contemporary blockbusters can pull off. ()
This is certainly not my favourite genre, but I still quite liked Undisputed III. The fights at least are perfect, what bothered me more than a little, though, was the black and white friendship that doesn’t fit very well. The film is actually quite silly from the start, “surprisingly” it never taxes the brain too much, but I expected that. Not enough for three stars, but it was decent fun. ()
If you think about it for even a second, you’ll probably get the urge to kill yourself on the edge of the DVD player. Boyka speaks Latin, takes up religion, and hangs out with chatty negros. The corruption of the prison system has grown to international proportions and so the muggles are beating themselves up in the spirit of globalization. But if you wave your hand over it, Issac Florentine serves you a brawler from another dimension of filmmaking categories because you won't see anything like it in the "family entertainment" category. The uncompromising nature of it sticks out immensely, the fighters abound with a very diverse collection of skills, and it all happens in long, furiously uncut takes. You didn't necessarily have to have grown up on it, but if nothing else, you should definitely nod at the physicality of those involved. Within its genre, I give it 4 ½. ()
Annonces