Keith

I have one major problem with this movie... I strongly dislike Keith! On top of that, I don't like the bland, bland Natalie either. I felt less emotion from this film than I do from any simple comedy. The tennis setting didn't impress me either, so I’m only considering the script. It could have been used a hell of a lot differently, though. So I’m joining those who "don't understand why it has such a high rating". (26/06/2011)

Two completely different halves. Up until about the 50th minute, it was pretty much getting full marks from me – I was enjoying it immensely, it was charmingly silly in an endearing way, and both main protagonists gave very likeable and enjoyable performances. I also didn't mind the insanely formulaic story – a girl from a "good American family" who has her future planned down to the last detail at Duke, Harvard, Yale, Virginia, or wherever, who "at the request" of her parents works her ass off in some sport and of course chooses only partners from good, or rather distinguished, social backgrounds. On top of all this, she lives in permanent stress and fear of disappointing her creators, who always and in all circumstances want the best for her (and above all know what the best is, even though they have never experienced it themselves), because she herself (thanks to them!) does not have to compromise on education and later employment. Just another American story about a mysterious hero who wins the heart of a seemingly shallow, respectable, small-town girl with his unconventionality, individuality, and utter disgust for established social conventions. If it weren't for the second half, the final impression of all of Keith would be much more natural, gentle, and unforced. It's a shame, because this could have been a rather charming indie about the clash and convergence of two people from different social classes. (22/09/2011)

After twenty minutes, I still hadn't figured it out, but after ninety, I was applauding. As soon as Keith lightly undermined the role of a carefree person who is never bothered and annoys you with his unwavering enthusiasm, I suspected that with a bit of luck, I could fall in love. And I did. The most human film in a long time, masterful directing by Todd Kessler, who in my eyes has become the harbinger of the future (though inexplicably for me, a successful filmmaker's career did not await him), and last but not least, a perfect soundtrack like an extract from my favorite music style. It's wonderful. (07/08/2009)