3096 Tage
Regie:
Sherry HormannKamera:
Michael BallhausMusik:
Martin TodsharowBesetzung:
Antonia Campbell-Hughes, Thure Lindhardt, Amelia Pidgeon, Trine Dyrholm, Dearbhla Molloy, Roeland Wiesnekker, Ellen Schwiers, Erni Mangold (mehr)Streaming (6)
Inhalte(1)
Wien, 2. März 1998. Die 10-jährige Natascha Kampusch ist auf dem Weg zur Schule, als sie von dem arbeitslosen Nachrichtentechniker Wolfgang Priklopil in einem Lieferwagen gezerrt wird. Unter seinem Haus hat er bereits ein geheimes Verlies ausgehoben. Diese karge, winzige Gefängniszelle soll nun für die nächsten achteinhalb Jahre zu Nataschas neuen Zuhause werden. Doch das Mädchen zerbricht nicht in der Gefangenschaft... (Constantin Film)
(mehr)Kritiken (2)
I avoided this drama for a while, thinking it wasn’t the kind of story you rush to watch as soon as it’s released. But when it popped up on TV, I gave it a try. In terms of intensity, 3096 Days holds its own against some of Hollywood’s best dramas, with the haunting twist that this one is based on a true story. That’s what makes it so unsettling. The actresses playing Natascha were fantastic, and Thure Lindhardt’s portrayal of Priklopil was spot on—his character is one that will forever baffle psychologists. The film itself is cold and detached, sticking to the facts, but in this case, that approach works.
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The story of Natascha Kampusch is quite scary in itself, and I was curious how it would be translated into a film. I have to say I was expecting something a little more disturbing than this. The atmosphere must have been truly insane at times, but the film failed to turn that to its advantage. It portrays something that is definitely not right, but it gives you the impression that the girl didn’t suffer all that much. Is it really so hard to make something that will rip your heart out? I mean, it's a true story... A documentary about Natascha and her testimony would have a much more depressing atmosphere.
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