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The latest adaptation of the Boston Strangler serial killer case from the early '60s is remarkable primarily because its main character is the legendary journalist Loretta McLaughlin (1928-2018). Keira Knightley captures all the attention and reshapes the traditional perspective on a case that was never satisfactorily resolved. This has made it a compelling subject in the world of true crime. Hulu's production is very good and could definitely hold up in movie theater distribution.

Henry Selick seems to need to lean on a solid vision. Formally, Wendell & Wild is an excellent affair, but it doesn't have a chance to catch on like Coraline or The Nightmare Before Christmas. The animation is a beautiful sight, but the script betrays several gaps, whether in pacing or logic. However, if you want to refresh your autumn film list, you can comfortably add Wendell & Wild to the less demanding section.

The labeling of this series as a work at least partially derived from the classic epistolary novel by Choderlos de Laclos is misleading. It has nothing in common with his narrative and completely misinterprets the epistolary form. The story doesn't unfold in the pages of letters; instead, letters are merely an overused prop. Valmont, the libertine adventurer, is transformed into a gigolo driven by a desire for wealth and status, and the Marquise Isabelle de Merteuil becomes a portable title. Even though it presents itself as quality TV show with a lavish historical production, the main storyline is merely a confident young adult romance about love without a happy ending. A total disappointment, and the only noteworthy performance is Carice van Houten in a supporting role, which is simply not enough.