Directed by:
Darren AronofskyScreenplay:
Darren AronofskyCinematography:
Matthew LibatiqueComposer:
Clint MansellCast:
Sean Gullette, Mark Margolis, Ben Shenkman, Ajay Naidu, Stephen Pearlman, Clint Mansell, Lauren Fox, Ari Handel, Scott Franklin, Oren Sarch, Lloyd J. SchwartzPlots(1)
Pi, also titled π, is a 1998 American surrealist psychological thriller film written and directed by Darren Aronofsky in his directorial debut. A brilliant mathematician teeters on the brink of insanity as he searches for an elusive numerical code in this critically acclaimed sci-fi thriller. Maximillian Cohen (Sean Gullette) is on the verge of the most important discovery of his life. For the past ten years he has been attempting to decode the numerical pattern beneath the ultimate system of ordered chaos - the stock market! As Max verges on a solution, chaos is engulfing the world around him. Pursued by an aggressive Wall Street firm set on financial domination and a Kabalah sect intent on unlocking the secrets contained within their holy texts, Max races to crack the code that looms before him. What he discovers is a secret for which everyone else is willing to kill. (Via Vision Entertainment)
(more)Videos (2)
Reviews (9)
Insane weirdness that sucks you in at the beginning and spits you out absolutely exhausted by the end. It’s one of those films that I don’t really know how to judge, I could give it two or even four stars with a clean conscience. The combination of black and white images, psychotic music and the various noises in the background works wonders, while the short runtime makes Pi something relatively bearable. I’ll never watch it again, though, I’m not a fan of maths, and letting someone make me feel depressed voluntarily isn’t among favourite activities, either. My rating is something between 40 and 80 percent… ()
Another disappointment from Darren Aronofsky. I almost can't believe the same guy made the great The Fountain. Pi is stupid. A nonsensical bluff about a genius mathematician whose seizures are nothing like the hallucinations from Requiem for a Dream (yes, they are also as long, expected and headache-inducing) and who spends the whole time poring over numbers that perhaps 99% of the audience cannot understand, but the director keeps overwhelming us with them, perhaps to give us the impression that this weird freak is really a genius. He wants to figure something out, but no one knows what. Except for his similarly afflicted professor. And some kind of company that keeps chasing him. And a Jewish secret sect that is looking for the same number as our protagonist, and looking for it because that number means... a stupid point. Seriously, I had my work cut out for me to make it to the end - the unintentionally funny (i.e., awkwardly ridiculous and self-parodying) end. Such a short film and yet so long. Thanks at least for the black and white pictures, which I have a weakness for.__P.S. I never liked math, but that's not related to my rating. ()
3.141592... Our school teacher claimed that math is fun - but, as Aronofsky proves here in this stylized rollercoaster ride, she was lying, because math can make you go completely psycho. A very Lynch-style movie and, whether or not it corresponds to your taste in movies, it will certainly leave a deep impression in you. Primarily thanks to the extraordinarily portrayed atmosphere of paranoia (or whatever that feeling is called). While the viewer experience isn’t so intense throughout the movie, you will be haunted by Pi for a long time after. Probably for as long as it takes you to say the entire value of π. ()
What Aronofsky started here, he later perfected in Requiem for a Dream. While the directorial invention here falls far short of the quality of his later work, it gives a hint of the direction Darren Aronofsky's work would take. Once again, a very compelling theme, this time about the boundary between genius and the pursuit of knowledge that turns into uncontrollable madness, is wrapped in a nerve-wracking atmosphere through which the viewer is introduced to the shaky and ever-worsening psychological state of the protagonist. 85% ()
I like self-destructive characters and Darren Aronofsky managed to write a script that presents such a character. It's clear from the beginning that it can't end well, but it doesn't matter, because there is a build-up, and it's incredible. Darren manages to capture the madness of the mind in an absolutely surreal way just by the way he uses the camera and editing. Moreover, black and white suits the film perfectly. This is definitely one of those debuts that are worth it. ()
Ads