Boys Don't Cry

Hilary Swank is truly incredible, and I couldn't believe that an actress with such strong personal charm could portray a boy so believably. But as much she and Chloe Sevigny excel in front of the camera, Kimberley Peirce somewhat flounders behind it. The story has a strong idea and its unpleasant atmosphere easily gets deep under the skin, but the two hours drag on terribly and most of the characters are portrayed in such a way that you can hardly establish a relationship with them. After it was over, I was left with the nagging feeling that it was really all about Hilary Swank and her short haircut walking determinedly for a well-deserved Oscar, and that the rest of the film was already lost in a vague haze. For me, therefore, 3 1/2*. (12/11/2012)

A breathtaking performance from Hilary Swank against prejudice in its most crystallized form. From this urgently presented drama, the desire for love and understanding resounds painfully loud and clear, especially in the closed circle of characters and hypnotically immersive environment in which it takes place. For me, however, this environment is disrupted by overly literal and almost unbearable escalation of hostility. Nevertheless, the multiple performances by the actors, the excellent direction by an unknown director, and the discriminatory theme leave a lasting impact. (24/07/2007)

A film with such a strong theme should first and foremost feel believable and credible, which the filmmakers have clearly and quite convincingly managed to do. That "believability and credibility" is achieved here with the help of the actors and the script, which is vital from the author's point of view. The unique performance of Hilary Swank, who at certain moments is perhaps not even acting anymore, but simply "is" the guy, combined with an excellently written story, together create a familiar whole that warns, shocks, moves, and digs very deep into your heart. (30/09/2010)

I considered giving it a fifth star, but the characters lack depth. The screenwriter assumed that the issue of sexual identity and the intense, bloody conflict at the end would suffice for viewers and settled for insufficiently developed characters within the framework of a real criminal case. Thanks to the acting performances, it's enough, and Hilary Swank will struggle to surpass this role. Her transformation overshadowed the others - which is unfortunate because practically all the actors are good, with Chloë Sevigny deserving at least a mention. From a directorial standpoint, it's slightly above average, and among other film elements, the quality music must be noted. Overall impression 80%. (15/02/2008)

I’m not a big fun of indie films from an indie environment about indie people. The last half hour is impressive, but I still can’t appreciate the annoying eternity that preceded it. What captivated me the most is how it’s possible that the characters believe Hillary Swank is a boy. She’s good in it, but… seriously? (08/06/2011)