Directed by:
Edgar WrightCinematography:
Bill PopeComposer:
Nigel GodrichCast:
Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Ellen Wong, Anna Kendrick, Brandon Routh, Alison Pill, Jason Schwartzman, Johnny Simmons (more)VOD (5)
Plots(1)
Scott Pilgrim (Michael Cera), besides being the bass player in an average garage band called Sex Bob-omb, doesn’t have a lot going for him, he has no job, isn’t very popular and doesn’t have a girlfriend. But his life changes dramatically when he meets Ramona Flowers and becomes her boyfriend. Life seems great; he finally has a girlfriend who he really cares about but now must tackle a dangerous mission in order to keep her. He must defeat all of Ramona’s evil ex boyfriends who are coming to kill him! (Universal Pictures UK)
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Reviews (16)
With this film, it really depends on whether you are willing to accept the rules that apply in Scott Pilgrim's world, where funny words fly through the air or spectacular battles between rivals in love take place. Personally, I failed to submit to these wacky rules, which is why this film felt a little too over-the-top and absurd at times. That it is a very original mix of ideas and sequence of images, there is no doubt. But it just didn't entertain me as much as it should or could have. In short, a wild shower of colour, nice scenes and effects, but all wrapped up in a rather strange story that unfortunately didn't engage me. ()
If someone has watched, read, listened, and recorded plenty of things, and they can also film in such a way that it is perfectly entertaining, then we’ve got nothing to worry about. During the screening, I wanted to chant and cheer loudly, and after it was over, I wanted to go back to the box office and do it all over again. This sort of "style geyser" cannot be absorbed the first time around. This is the second film this year where inventive British filmmaking has made an incredible splash for Hollywood money. ()
Unfortunately, it just made me more and more bored... I once tried to read “Scott Pilgrim," but the book seemed pretty useless to me and intended for people about a hundred years younger than me, and I must say that the adaptation is very much faithful in this regard. There are plenty of ideas here, though, because Edgar Wright is a toyer, but the plot didn't interest me at all from about halfway and I felt like the avalanches of all sorts of cool things primarily numbed and suffocated me. ()
An incredibly original visual action ride, packed from beginning to end with directorial tweaks, graphics, and situational and verbal humour; every sentence is a joke. Scott Pilgrim is thoroughbred fun that demands a lot of attention from the viewer if they want to get all the jokes. If you ignore the superficial shiny tinsel, what’s left is a straight line that recycles old clichés with unprecedented vigour, relies on the repetition of one motive and takes place in an internally inconsistent and utterly insane world, but nobody cares. That would be very bad, but the protagonist is an ordinary geek who’s probably never come up with anything original (pick-up line), he only cares about one thing (video games) and his world and life cannot be considered deep or complex. The only question left is whether this film can be considered as a portrayal of the world through the eyes of Scott Pilgrim, or whether I’m just looking for things that aren’t there. Either way, it was a lot of fun. 9/10 ()
A story built completely on its head, cool fight scenes, even better editing and Edgar Wright, aka "the guy who made Shawn of the Dead and Hot Fuzz"? Why the hell not? I had a lot of fun and I guess the fact that I've never read the comics and don’t get very excited for computer games, which are paid homage to in a big way, had a lot to do with my experience. Scott Pilgrim is truly a visual treat with an extremely original story coupled with some excellent ideas (the deveganization) that managed to get me properly excited as a viewer, but at the same time with a lot of places and twists that somehow I just couldn't adjust to and their wackiness and pointlessness bothered me. Yet the film does not contradict itself at all, on the contrary, it is clear from the first scenes what direction it will take, but you know, I must have taken a wrong turn somewhere along the way and didn’t find Wright again until the end. I was expecting a lot more, with Pegg and Frost things work clearly better for Wright. 60% ()
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