A Good Year

Except for a few camera flights and typically chosen filters, it is not apparent that this little piece was directed by visual wizard Ridley Scott. What is even more surprising is that no matter what we focus on, everything in this film works fantastically. Scott delivers an easygoing, light, and incredibly charming escapade that will please not only lovers of the French countryside, warm summer evenings, candlelit dinners, or devoted winemakers. It’s a simple story with a worn-out message, but it’s presented with such a dose of nostalgia, naturalness, and lightness that it's hard to believe. It really works even without lavish visuals. The dialogues are excellent and many scenes are literally like a fairy tale, aided by the beautiful and meticulously crafted setting. Scott pays attention to every little detail, especially when it comes to the background (for example, the scene with Russel Crowe sitting by the pool reading a letter, with light fluff and dust swirling around him). Truly a heartfelt film, flawless as an escapade. Sufficiently light and playful for entertainment, yet also sufficiently intelligent and passionate not to offend with its simplicity. (12/10/2006)

I've always had an open-door policy for movies about reevaluating your current life, finding the right place to exist, and true friends, and when Ridley Scott is directing his personal emotional masterpiece and Russel Crowe plays his wanderings through Provence with emotions like never before, it's a done deal. A human and heartwarming success in the truest sense of the word. (01/03/2007)

The title of the movie promised a glimpse into the history of a world-famous tire manufacturing company. Oddly enough, it turned out to be a completely different film. The unwelcoming factory halls were replaced by the sunny Province, and the smell of rubber was more than made up for by the smell of wine. I’m not exactly a fan of Russell Crowe. There was something peculiar about this movie, though. It was set in France which I don't like, the lead role was played by an actor I don't like, the pace of the story wasn't exactly frenzied, romance wasn’t in short supply, but despite all this, the film made me feel good, and that's what counts. Admittedly, it wasn't a masterpiece, it was very soon clear how it was all going to turn out, the plot was a bit too naive at times and the main character's transformation was a little too smooth, but it still had its charm laced with nostalgia and I quite enjoyed watching it. / Lesson learned: If you cause an accident, call for help or make sure no one talks... (07/08/2022)

This is how you recongnise a good director. Scott has shown us here (and not for the first time) that he has no problem shifting from blockbuster budgets and earnings, big historical themes and megalomaniacal quests to smaller stories about real people, who admittedly have somewhat unusual moments, but we still can fully believe them. A Good Year is very a human story that caresses the soul with its easygoing, sometimes even salubrious atmosphere of sunny vineyards, refined British humour and above all Russell Crowe's acting, which is no worse than in Gladiator or A Beautiful Mind. Story-wise, it’s nothing extraordinary, it’s just wading the waters of the hackneyed theme of moral redemption by the influence of a beautiful setting full of even more beautiful memories, but what I appreciate all the more is the work of Scott, who once again managed to squeeze every last drop of both Crowe's performance and, this time, all the ripe wine out of a slightly rotting and almost empty warehouse. 85% (22/07/2014)

The most undrinkable wine in Provence, a sharpened relationship between the English and the French, cinematic "frames" that could be framed instantly, all the genre clichés piled so high it's enjoyable, sympathetic banter, a nice pace, a reformed cynic and the blue eyes of one of the most beautiful angels France has right now. Ridley Scott is a true English gentleman... (24/09/2008)