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Two African-American women who can "pass" as white choose to live on opposite sides of the color line in 1929 New York in an exploration of racial and gender identity, performance, obsession and repression. Based on the novella by Nella Larsen. (Sundance Film Festival)

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Marigold 

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English An elegant black-and-white drama that is staged stiffly in the first half and scripted dully in the second. Yet the story of two women who can straddle the worlds of black and white has a strong dramatic tone. The debuting Hall, however, manages to elegantly describe it rather than evoke it in a truly impressive way. In the end, Passing does not come across convincingly as either a personal story or a metaphor for black faces and white masks. ()

Malarkey 

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English An intriguing premise that falls flat in execution — something that’s becoming pretty common on Netflix. It’s not always easy to spot these duds right away. However, Rebecca Hall shows promise as a director, bringing in some creative touches that add a bit of flair to an otherwise dull story. ()

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