Regie:
Daina ReidDrehbuch:
Hannah KentKamera:
Bonnie ElliottBesetzung:
Sarah Snook, Greta Scacchi, Damon Herriman, Lily LaTorre, Georgina Naidu, Trevor Jamieson, Shabana Azeez, Genevieve MorrisStreaming (1)
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Fertility doctor Sarah begins her beloved daughter Mia’s seventh birthday expecting nothing amiss. But as an ominous wind swirls in, Sarah’s carefully controlled world begins to alter. Mia begins behaving oddly and a rabbit appears outside their front door — a mysterious birthday gift that delights Mia but seems to deeply disconcert Sarah. As days pass, Mia becomes increasingly not herself, demanding to see Sarah’s long-estranged, hospitalized mother (the grandmother she’s never met before) and fraying Sarah’s nerves as the child’s bizarre tantrums begin to point her toward Sarah’s own dark history. As a ghost from her past re-enters Sarah’s life, she struggles to cling to her distant young daughter. (Sundance Film Festival)
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Ein durchschnittliches Horror-Drama, in dem die Beziehung einer Mutter zu ihrer kleinen Tochter harten Prüfungen ausgesetzt ist, wenn Geister aus ihrer Vergangenheit auftauchen. Es ist oft gesehen, nicht aufregend und langsam. Die 100 Minuten scheinen unglaublich lang zu sein. Ein wenig Attraktivität erhält der Film in der zweiten Hälfte durch die Kulisse des australischen Outback, ansonsten fällt mir nicht viel ein, warum man ihn sehen sollte.
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Well, well, someone here tried to copy Ari Aster’s Hereditary or Jennifer Kent’s Babadook. But Daina Reid, the director, completely missed the essence that makes the aforementioned films popular with critics and fans alike, resulting in an annoyingly pretentious borefest incapable of arousing any emotion beyond an intense wish that the insufferable boy and his unlikeable mother would be brutally slaughtered by some supernatural entity no later than than thirty minutes into the film.
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