Gattaca

Ich gehöre wohl zu den Leuten, die Gattaca nicht auf Anhieb mochten, denn irgendwie verstehe ich die hohen Bewertungen und den ganzen Hype um einen Film nicht, der als einer der fantasievollsten und anspruchsvollsten Science-Fiction-Filme der letzten Jahrzehnte gilt. Ich persönlich halte Gattaca für einen Film, der sich durch seine minimalistische Optik und sein beispielloses Thema der Genetik zwischen einem CGI-Sperrfeuer von Spezialeffekten bewegt - aber der Film hat bei mir keine tieferen Spuren hinterlassen, über die es sich lohnt, weiter nachzudenken. Kurz gesagt, einer dieser Filme, die ich mir irgendwann in der Zukunft noch einmal ansehen möchte, damit mein reiferes Ich ihn zu schätzen weiß - aber für den Moment bleibe ich bei einer durchschnittlichen Bewertung. (03.02.2016)

A very pleasant surprise. Honestly, I was afraid of this film. A sci-fi film without action sounds terrible, but it ended up being a very beautiful and productive film that literally gave up on effects and turned out more than great. Perfect actors, an interesting and original idea that made me watch with suspense until the end. 75% (04.04.2014)

Andrew Niccol really is the man. His first screenplay, his first project that got turned into a movie and it was a work of genius. On top of that, you get great actors such as Ethan Hawke and Jude Law, who do a terrific job making the story more human because no matter what Gattaca might pretend to be it’s a very civil sci-fi movie, which is based on an original idea and which makes you constantly think about it. The only thing I’m sorry about is that I saw this movie when I was still very little. Back then, I wasn’t able to understand it and even after all those years I can’t be excited enough about it to give it a five-star review. (06.12.2015)

Gattaca is literally the embodiment of the sci-fi genre's essence and, in every respect, a highly exceptional film where all the ingredients that make up a good artistic work are perfectly harmonized and balanced. An imaginative script that utilizes the latest scientific discoveries and envisions where these insights and new technologies could lead society. Sensitive, highly professional direction that evokes strong emotions without cheap effects, and a cast with no visible weaknesses delivering numerous excellent performances. Gattaca is already here, we just haven't fully realized it yet, but in about twenty years, we will fully face what is depicted in Gattaca. Overall impression: 100%. It is astonishing that such an exceptional film could be made with such a small budget. (13.06.2006)

Is it possible to make a good sci-fi film without hi-tech weapons, futuristic vehicles, slow-motion shots, and generally without any hint of the future (apart from the opening title)? Andrew Niccol proved that it is! At first glance, the entire film is based on a strongly utopian vision of the world, where people are divided into genetically perfect and... genetic waste. The utopia, however, lasts until every more sensible viewer reflects on the message of the film and, whether they like it or not, acknowledges that a frontal clash with this problem may indeed happen at some point. Niccol, however, doesn't scare the viewer with his apocalyptic vision (as his fellow sci-fi filmmakers often do) but presents it as a stark fact that the viewer must accept in order to engage with the story. That's why Niccol avoids all flashy, but attention-diverting tricks mentioned at the beginning. That we are indeed a bit further in the future is only hinted at by Niccol through sparse facts, such as flying to various planets and their moons. Yes, the entry ticket to Gattaca can also be taken into account. Thanks to the camera work of Sławomir Idziak, who uses an unhealthy yellow filter to shoot both interiors and exteriors where the story takes place, Niccol managed to create the atmosphere that every viewer expects from a genre film. Ethan Hawke's smooth performance, with Jude Law hot on his heels, and even a small role by Xander Berkeley (as a doctor), is so impressive that it makes the timid stumbling of Uma Thurman somewhere in the background all the more regrettable. Even though Gattaca doesn't hold any trump cards to dazzle us with, it's still a film that's not easily forgotten. Which, in the absence of the bombastic visual effects, is an almost superhuman feat. (12.06.2005)