Work in Progress

Playful Technology-Mediated Audience Participation in a Live Music Event

Authors:

Fares Kayali,

Oliver Hödl,

Geraldine Fitzpatrick,

Thomas Wagensommerer,

Johannes Kretz,

Susanne KirchmayrAuthors Info & Claims

CHI PLAY '17 Extended Abstracts: Extended Abstracts Publication of the Annual Symposium on Computer-Human Interaction in Play

Pages 437 - 443

https://doi.org/10.1145/3130859.3131293

Published: 15 October 2017 Publication History

Get Access

Abstract

This paper presents the evaluation of playful technology-mediated audience participation (TMAP) during three music performances in a recent music event. It captures preliminary impressions from a wide range of perspectives and includes critical reflections of music artists, video analysis and qualitative interviews with audience members to cover hypotheses designed to capture both the artists' and the audience's point of view. Results indicate a willingness from both sides to engage in playful TMAP, and a high potential for exploration and playful collaboration within the audience, but the experience is restricted by the need to retain control on the side of artists and the need for clear instructions, feedback and reliable technical systems on the side of the audience.

Supplementary Material

suppl.mov (chipwp109.mp4)

Supplemental video

Download
81.34 MB

References

[1]

Zafer Bilda. 2011. Designing for audience engagement. Interacting: art, research and the creative practitioner. Libri Publishing Ltd., Faringdon (2011), 163--181.

Google Scholar

[2]

Mine Dogantan-Dack. 2012. The art of research in live music performance. Music Performance Research 5 (2012), 34--48.

Google Scholar

[3]

Oliver Hödl, Geraldine Fitzpatrick, Fares Kayali, and Simon Holland. 2017. Design Implications for Technology-Mediated Audience Participation in Live Music. In Sound and Music Computing 2017, Helsinki, Finland, July 5--8, 2017.

Google Scholar

[4]

Oliver Hödl, Fares Kayali, Geraldine Fitzpatrick, and Simon Holland. 2016. TMAP Design Cards for Technology- Mediated Audience Participation in Live Music. In 2016 Conference on Human Factors in Computing Systems, San Jose, US, may 7--12, 2016, Workshop on Music and HCI. ACM, 1--4.

Google Scholar

[5]

Fares Kayali, Christoph Bartmann, Oliver Hödl, Ruth Mateus-Berr, and Martin Pichlmair. 2017. Poème Numérique: Technology-Mediated Audience Participation (TMAP) Using Smartphones and High-Frequency Sound IDs. In Intelligent Technologies for Interactive Entertainment: 8th International Conference, INTETAIN 2016, Utrecht, Netherlands, June 28--30, 2016, Revised Selected Papers. Springer, 254--258.

Google Scholar

[6]

Dario Mazzanti, Victor Zappi, Darwin G Caldwell, and Andrea Brogni. 2014. Augmented Stage for Participatory Performances. In Proceedings of the International Conference on New Interfaces for Musical Expression 2014. 29--34.

Google Scholar

[7]

Johannes Chrysostomus Wolfgang Gottlieb Mozart. 1793. Anleitung so viel Walzer oder Schleifer, mit zwei Würfeln zu componieren so viel man will, ohne musikalisch zu seijn, noch etwas von der Composition zu verstehen. J.J. Hummel, Berlin-Amsterdam.

Google Scholar

[8]

Martin Pichlmair and Fares Kayali. 2007. Levels of Sound: On the Principles of Interactivity in Music Video Games. In Proceedings of the Digital Games Research Association 2007 Conference: Situated play.

Google Scholar

[9]

Lawrence M Zbikowski. 2002. Conceptualizing Music: Cognitive Structure, Theory, and Analysis. Oxford University Press.

Crossref

Google Scholar

Cited By

View all

Campreguer França NMaurer BAltarriba Bertran F(2024)Towards Lenses for Reviewing Playfulness in HCIExtended Abstracts of the 2024 CHI Conference on Human Factors in Computing Systems10.1145/3613905.3650888(1-8)Online publication date: 11-May-2024
https://dl.acm.org/doi/10.1145/3613905.3650888
Johansen Svan Berkel NFritsch J(2022)Characterising Soundscape Research in Human-Computer InteractionProceedings of the 2022 ACM Designing Interactive Systems Conference10.1145/3532106.3533458(1394-1417)Online publication date: 13-Jun-2022
https://dl.acm.org/doi/10.1145/3532106.3533458
Woźniak PKarolus JLang FEckerth CSchöning JRogers YNiess JKitamura YQuigley AIsbister KIgarashi TBjørn PDrucker S(2021)Creepy Technology:What Is It and How Do You Measure It?Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems10.1145/3411764.3445299(1-13)Online publication date: 6-May-2021
https://dl.acm.org/doi/10.1145/3411764.3445299
Show More Cited By

Index Terms

Playful Technology-Mediated Audience Participation in a Live Music Event

Recommendations

Enhancing Multimodal Interaction Between Performers and Audience Members During Live Music Performances
CHI EA '21: Extended Abstracts of the 2021 CHI Conference on Human Factors in Computing Systems

Live performance provides a good example of enthusiastic interaction between people gathered together in a large group and one or more performers. In this research, we focused on elucidating the mechanism of such enthusiastic group interaction (...
The Effect of Social Interaction on Facilitating Audience Participation in a Live Music Performance
C&C '19: Proceedings of the 2019 Conference on Creativity and Cognition

Facilitating audience participation in a music performance brings with it challenges in involving non-expert users in large-scale collaboration. A musical piece needs to be created live, over a short period of time, with limited communication channels. ...
The Role of Live Visuals in Audience Understanding of Electronic Music Performances
AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences

There is an identified lack of visual feedback in electronic music performances. Live visuals have been used to fill in this gap. However, there is a scarcity of studies that analyze the effectiveness of live visuals in conveying feedback. In this paper,...

Comments

Information & Contributors

Information

Published In

CHI PLAY '17 Extended Abstracts: Extended Abstracts Publication of the Annual Symposium on Computer-Human Interaction in Play

October 2017

700 pages

ISBN:9781450351119

DOI:10.1145/3130859

General Chairs:
Ben Schouten
Eindhoven University of Technology and Amsterdam University of Applied Sciences, the Netherlands
,
Panos Markopoulos
Eindhoven University of Technology, the Netherlands
,
Phoebe O. Toups Dugas
New Mexico State University, USA
,
Program Chairs:
Paul Cairns
University of York, UK
,
Tilde Bekker
Eindhoven University of Technology, the Netherlands

Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

Publisher

Association for Computing Machinery

New York, NY, United States

Publication History

Published: 15 October 2017

Check for updates

Author Tags

Qualifiers

Work in progress

Funding Sources

FWF Austrian Science Fund

Conference

CHI PLAY '17

Sponsor:

SIGCHI

CHI PLAY '17: The annual symposium on Computer-Human Interaction in Play

October 15 - 18, 2017

Amsterdam, The Netherlands

Acceptance Rates

CHI PLAY '17 Extended Abstracts Paper Acceptance Rate 46 of 178 submissions, 26%;

Overall Acceptance Rate 421 of 1,386 submissions, 30%

Other Metrics

View Article Metrics

Bibliometrics & Citations

Bibliometrics

Article Metrics

9
Total Citations
View Citations
308
Total Downloads

Downloads (Last 12 months)30
Downloads (Last 6 weeks)5

Reflects downloads up to 22 Oct 2024

Other Metrics

View Author Metrics

Citations

Cited By

View all

Campreguer França NMaurer BAltarriba Bertran F(2024)Towards Lenses for Reviewing Playfulness in HCIExtended Abstracts of the 2024 CHI Conference on Human Factors in Computing Systems10.1145/3613905.3650888(1-8)Online publication date: 11-May-2024
https://dl.acm.org/doi/10.1145/3613905.3650888
Johansen Svan Berkel NFritsch J(2022)Characterising Soundscape Research in Human-Computer InteractionProceedings of the 2022 ACM Designing Interactive Systems Conference10.1145/3532106.3533458(1394-1417)Online publication date: 13-Jun-2022
https://dl.acm.org/doi/10.1145/3532106.3533458
Woźniak PKarolus JLang FEckerth CSchöning JRogers YNiess JKitamura YQuigley AIsbister KIgarashi TBjørn PDrucker S(2021)Creepy Technology:What Is It and How Do You Measure It?Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems10.1145/3411764.3445299(1-13)Online publication date: 6-May-2021
https://dl.acm.org/doi/10.1145/3411764.3445299
Martins GGomes GConceição JMarques LSilva DCastro TGadelha Bde Freitas RSantos CBento Villela MGasparini IUchôa Conte T(2020)Enhanced interactionProceedings of the 19th Brazilian Symposium on Human Factors in Computing Systems10.1145/3424953.3426492(1-9)Online publication date: 26-Oct-2020
https://dl.acm.org/doi/10.1145/3424953.3426492
Viola FTurchet LAntoniazzi FFazekas G(2018)C Minor: a Semantic Publish/Subscribe Broker for the Internet of Musical ThingsProceedings of the 23rd Conference of Open Innovations Association FRUCT10.5555/3299905.3299960(405-415)Online publication date: 19-Nov-2018
https://dl.acm.org/doi/10.5555/3299905.3299960
Turchet LBarthet M(2018)Jamming with a Smart Mandolin and Freesound-based AccompanimentProceedings of the 23rd Conference of Open Innovations Association FRUCT10.5555/3299905.3299956(375-381)Online publication date: 19-Nov-2018
https://dl.acm.org/doi/10.5555/3299905.3299956
Turchet LBarthet M(2018)Jamming with a Smart Mandolin and Freesound-based Accompaniment2018 23rd Conference of Open Innovations Association (FRUCT)10.23919/FRUCT.2018.8588110(375-381)Online publication date: Nov-2018
https://doi.org/10.23919/FRUCT.2018.8588110
Viola FTurchet LAntoniazzi FFazekas G(2018)C Minor: a Semantic Publish/Subscribe Broker for the Internet of Musical Things2018 23rd Conference of Open Innovations Association (FRUCT)10.23919/FRUCT.2018.8588087(405-415)Online publication date: Nov-2018
https://doi.org/10.23919/FRUCT.2018.8588087
Turchet LFischione CEssl GKeller DBarthet M(2018)Internet of Musical Things: Vision and ChallengesIEEE Access10.1109/ACCESS.2018.28726256(61994-62017)Online publication date: 2018
https://doi.org/10.1109/ACCESS.2018.2872625

View Options

Get Access

Login options

Check if you have access through your login credentials or your institution to get full access on this article.

Cited By

Index Terms

Recommendations

Enhancing Multimodal Interaction Between Performers and Audience Members During Live Music Performances

The Effect of Social Interaction on Facilitating Audience Participation in a Live Music Performance

The Role of Live Visuals in Audience Understanding of Electronic Music Performances