Bette Davis

Ruth Elizabeth "Bette" Davis (/ˈbɛti/; April 5, 1908 – October 6, 1989) was an English-American actress of film, television, and theater. Regarded as one of the greatest actresses in Hollywood history, she was noted for her willingness to play unsympathetic, sardonic characters and was reputed for her performances in a range of film genres, from contemporary crime melodramas to historical and period films, suspense horror and occasional comedies, although her greatest successes were her roles in romantic dramas. After appearing in Broadway plays, Davis moved to Hollywood in 1930. However, her early films for Universal Studios (and as a loanout to other studios) were unsuccessful. She joined Warner Bros. in 1932 and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract. Although she lost the well-publicized legal case against the studio, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema's most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative and confrontational. She clashed with studio executives and film directors as well as many of her co-stars. Her forthright manner, idiosyncratic speech and ubiquitous cigarette contributed to a public persona, which has often been imitated. Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts and Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue ten Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and three times divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 film, television and theater roles to her credit. In 1999, Davis was placed second behind Katharine Hepburn on the American Film Institute's list of the greatest female stars of classic Hollywood cinema. Davis appeared in Dangerous (1935) as a troubled actress and received very good reviews. E. Arnot Robertson wrote in Picture Post: I think Bette Davis would probably have been burned as a witch if she had lived two or three hundred years ago. She gives the curious feeling of being charged with power which can find no ordinary outlet. She won the Academy Award for Best Actress for the role but commented that it was belated recognition for Of Human Bondage, calling the award a "consolation prize". For the rest of her life, Davis maintained that she gave the statue its familiar name of "Oscar" because its posterior resembled that of her husband, whose middle name was Oscar, although, the Academy of Motion Picture Arts and Sciences officially makes reference to another story. She appeared in three other box-office hits in 1939: The Old Maid with Miriam Hopkins, Juarez with Paul Muni, and The Private Lives of Elizabeth and Essex with Errol Flynn. The last was her first color film and her only color film made during the height of her career. To play the elderly Elizabeth I of England, Davis shaved her hairline and eyebrows. During filming, she was visited on the set by the actor Charles Laughton. She commented that she had a "nerve" playing a woman in her sixties, to which Laughton replied, "Never not dare to hang yourself. That's the only way you grow in your profession. You must continually attempt things that you think are beyond you, or you get into a complete rut." Recalling the episode many years later, Davis remarked that Laughton's advice had influenced her throughout her career. At John Garfield's suggestion of opening a servicemen's club in Hollywood, Davis—with the aid of Warner, Cary Grant, and Jule Styne—transformed an old nightclub into the Hollywood Canteen, which opened on October 3, 1942. Hollywood's most important stars volunteered to entertain servicemen. Davis ensured that every night, a few important "names" would be there for the visiting soldiers to meet. She appeared as herself in the film Hollywood Canteen (1944), which used the canteen as the setting for a fictional story. Davis later commented, "There are few accomplishments in my life that I am sincerely proud of. The Hollywood Canteen is one of them." In 1980, she was awarded the Distinguished Civilian Service Medal, the United States Department of Defense's highest civilian award, for her work with the Hollywood Canteen. Her film choices were often unconventional: Davis sought roles as manipulators and killers in an era when actresses usually preferred to play sympathetic characters, and she excelled in them. She favored authenticity over glamour and was willing to change her own appearance if it suited the character.
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"Now, Voyager" (1942) Bette Davis and Paul Henreid between scenes Now Voyager, Orry Kelly, Vera Ellen, Bette Davis Eyes, Dorothy Lamour, Bob Fosse, Betty Davis, Marcello Mastroianni, Christopher Plummer
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"Now, Voyager" (1942) Bette Davis and Paul Henreid between scenes
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Bette Davis, "Now Voyager," 1942 - Brilliant!
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PETRICHOR
Bette Davis │ Now, Voyager, 1942
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la plus belle pour aller danser
Bette Davis, Marilyn Monroe - 'All About Eve' (Joseph L. Mankiewicz, 1950)
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Bette Davis
Bette Davis (wondering if this is Bette Davis)
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Bette Davis, 1939 (We Had Faces Then)
"When I was a girl, in the 60s, I’d come home from school, and I’d turn on the old movie channel, then I’d plump down on the couch with my girlfriends and take lessons from Bette Davis on how to scare the hell out of a man." Meryl Streep on Bette Davis.
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Bette Davis
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Bette Davis // Hair: red - Eyes: blue - Height: 160 cm - Background: English - Nationality: American
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Relatos e Historias Noir – Medium
Bette Davis in All About Eve as Margo Channing. My absolute all time favourite fabulous!
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Bette Davis, 1930s
wow, pure glamour. bette davis.
Now Voyager (1942) Bette Davis’s transformation from a deeply dowdy (read: traumatized) 30-ish homebody to the glamorous woman of the world she becomes once she gets away from her soul-crushing mother ….. Jean Harlow
Give Me My Pillowsi: Photo
Now Voyager (1942) Bette Davis’s transformation from a deeply dowdy (read: traumatized) 30-ish homebody to the glamorous woman of the world she becomes once she gets away from her soul-crushing mother …..
an old black and white photo of a woman in a dress with her eyes closed
20 of the Bitchiest Bette Davis Quotes
I have found another wonderful actress! I want all her movies :) #whateverhappenedtobabyjane #allabouteve