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Glen Castinho
Editorial Department, Visual Effects, Additional Crew
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Credits | |
| 86 titles |
| Films in Production (2 titles) | Budget | Status |
|---|---|---|
|
Post-Prod
|
|
|
Post-Prod
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| Past Film & Video (78 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
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INR 600MM
|
$2MM
|
||
|
$8.5MM
|
$12MM
|
$35MM
|
$48MM
|
|
$1.4MM
|
|||
|
$883K
|
|||
|
$608K
|
|||
|
||||
|
$7MM
|
|||
|
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|
$1MM
|
|||
|
$6K
|
|||
|
$332K
|
|||
|
||||
|
||||
|
$23K
|
|||
|
INR 1.3B
|
$19MM
|
||
|
INR 2B
|
$1.9MM
|
$1.9MM
|
$16MM
|
|
||||
|
$19K
|
|||
|
€520K
|
$6K
|
||
|
||||
|
||||
|
||||
|
$29MM
|
$1.4MM
|
$3.1MM
|
$4.3MM
|
|
$12K
|
|||
|
||||
|
||||
|
€1.4MM
|
$8K
|
||
|
£200K
|
$10K
|
||
|
INR 600MM
|
$380K
|
||
|
$643K
|
|||
|
INR 550MM
|
$72K
|
||
|
||||
|
PLN 5MM
|
$696K
|
||
|
||||
|
$6.2MM
|
|||
|
PLN 500K
|
|||
|
€800K
|
$3K
|
||
|
$88K
|
|||
|
$55K
|
$84K
|
$235K
|
|
|
||||
|
$2K
|
|||
|
||||
|
$8K
|
|||
|
PLN 500K
|
|||
|
PLN 291K
|
|||
|
||||
|
$25K
|
|||
|
$6.5MM
|
|||
The Red Spider (2015)
Digital Intermediate Colorist, Digital Intermediate Head Of Department, Digital Intermediate Supervisor |
€1.3MM
|
$230K
|
||
Disco Polo (2015)
Digital Intermediate Colourist, Digital Intermediate Head Of Department, Digital Intermediate Supervisor |
$2MM
|
$4.3MM
|
||
|
PLN 25MM
|
$195K
|
||
|
|
PLN 25K
|
|||
|
||||
|
$24K
|
|||
|
||||
|
PLN 24MM
|
$7.8MM
|
||
|
||||
|
||||
|
$7MM
|
|||
|
|
||||
Last Floor (2013)
Digital Intermediate Colorist, Digital Intermediate Supervisor, Digital Intermediate Colorist (Alvernia Studios), Digital Intermediate Supervisor (Alvernia Studios) |
$3.2MM
|
|||
|
||||
Wszystkie kobiety Mateusza (2013)
Digital Intermediate Colorist, Digital Intermediate Supervisor, Digital Intermediate Colorist (Alvernia Studios), Digital Intermediate Supervisor (Alvernia Studios) |
||||
|
INR 410MM
|
$647K
|
$1.6MM
|
$18MM
|
In the Shadow (2012)
Digital Film Colorist (Alvernia Studios), Digital Intermediate Supervisor (Alvernia Studios) |
CZK 70MM
|
$1.2MM
|
||
Vamps (2012)
Digital Film Colorist (Alvernia Studios), Digital Intermediate Supervisor (Alvernia Studios) |
$16MM
|
$548
|
$3K
|
$93K
|
|
$71K
|
|||
The Giant Mechanical Man (2012)
Digital Colorist (Alvernia Studios), Digital Intermediate Supervisor (Alvernia Studios) |
$2K
|
$7K
|
$7K
|
|
|
$12MM
|
$2MM
|
$7.9MM
|
$35MM
|
Jez Jerzy (2011)
Digital Film Colorist (Alvernia Studios), Digital Intermediate Supervisor (Alvernia Studios) |
PLN 2.6MM
|
$685K
|
||
How to Get Rid of Cellulite (2011)
4k Digital Intermediate Supervisor (Alvernia Studios), Digital Film Colorist (Alvernia Studios) |
$2.4MM
|
|||
War of Love (2010)
4k Digital Intermediate Supervisor (Alvernia Studios), Digital Film Colorist (Alvernia Studios) |
$5.2MM
|
|||
|
€3.2MM
|
$490K
|
||
|
$1MM
|
|||
|
NOK 890K
|
$1.1MM
|
| Past Television (5 titles) | Episodes |
|---|---|
|
12
|
|
|
Malik Bin Al Rayb (2016)
(TV Series) - Digital Intermediate Consultant (30 episodes, 2016), Supervising Digital Colourist (30 episodes, 2016)
A Knight Dismounts (2016)
Season 1,
Episode 30
-
Digital Intermediate Consultant,
Supervising Digital Colourist
|
30
|
The Promise: Brother of Fawza (2015)
(TV Series) - Colorist (1 episode, 2015), Digital Intermediate Consultant (1 episode, 2015) |
1
|
|
1
|
| Self (1 title) |
|---|
|
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