Archive for the ‘ Submission Call ’ Category

FUMPTRUCK – OPEN SUBMISSION CALL



FUMPTRUCK
is open for submissions. This is an anthology for and about the worst (and what will turn out to be the 2nd worst) President of the United States of America, to be edited by Anonymous. Submissions loosely opened post-election and already the book is close to three-quarters full, but there is still time to be a part of this project. Send anything to 47@nettirw.com. As you can tell by the tentative cover, the contributor list is growing quickly, so sooner is better.

There are no strict guidelines, other than to keep word count on the shorter side to make room for as many contributors as possible, and unfortunately there can be no payment. This will be non-profit, so anything (every last cent) raised will go directly to a scholarship for a creator (or plural, depending funds raised) impacted by this 2nd disaster.

What to send: fiction, nonfiction, poetry, artwork of any kind, letters, essays, scripts, plays, or anything else creative that might make for an interesting contribution (and could actually be printed within a book). Please note that we are receiving a lot of wonderful poetry, but don’t let that deter you if that is your medium.

What’s needed most: nonfiction, open letters, essays, artwork, and experimental pieces.  

 
We are planning to include a lot of artwork, such as this wonderful contribution by L.A. Spooner. There will be work from award-winning artists from around the world, for many were invited and many quickly responded.
 
Do you have something visual you want to contribute: a doodle, a watercolor, or maybe artsy photography? Send it along!
 
This started out as a fun idea before the orange president first took office, and then resurfaced during the last election and fizzled, and finally has resurfaced again now that there will be an orange man in the oval office once again. There were enough asking for this anthology to happen that it could no longer be ignored. So, let’s do this!
 

TABLE OF CONTENTS (so far)

Dedication
Artwork by L.A. Spooner
“Numb” by Anonymous (poem)
“Beyond Idiocracy” by Anonymous (fiction)
“Armageddon Smiles” by G.O. Clark (poem)
“A Somewhat Level-Headed Response to the Recent Election” by Stephen Kozeniewski (essay)
“Bol” by Faiz Ahmed Faiz, translated by Usman T. Malik (poem)
“Inconceivable” by Zoje Stage (fiction)
“MAGA” by Max Booth III (poem)
“Gut Punch” by Dino Parenti (fiction)
“You Can Feel Your Insides Move” by Hannah Rebekah Graves (poem)
“Warrior Song” by Anonymous (poem)
Artwork (TBA)
“A Difference in Opinion” by MJ Sydney (nonfiction)
“Tyrannus Trump” by Karen Poppy (poem)
“Fumptruck” by Michael Bailey (song)
“Pearly Gates” by Jeff Strand (fiction)
“Lobster in Chief” by Pedro Iniguez (poem)
“Oath of Office” by JG Faherty (fiction)
“If the Article ‘Ever Feel Like You’re Living in a Collapsing Society’ Was a Poem” by Tonya Liburd
“Cofveve: A Trio of Prose Poems” by Eugen Bacon (w/ illustrations by Elena Betti)
“The Candidate” by Harrison Demchick (flash fiction)
“Trumpy Talk” by Elizabeth Massie (song)
“You Are Trapped in a Coma” and “There Is Nothing Wrong with You” by Holly Lyn Walrath (poems)
Artwork (TBA)
“Upper Crust” by Michael Paul Gonzalez
“Leader of the Free World” by Matt Panfil (short film, via QR code), and artwork (woodcut)
“Fetal Attraction” by Amanda Worthington (fiction)
“Unnamed” by Dominque Hecq (poem)
“TBA” by Anonymous (letter)
“The Paradox of Humanity as an Alphabetic List” by Jetse de Vries (list)
“Taco Truck” by Nick Kolakowski (fiction)
“Cult” by Jeff Oliver (poem)
Artwork by Jenny Kiefer (linocut)
“Repentance” by Laura Ruth Loomis (fiction)
“Confession” and “Address on the Mall” by Indran Amirthanayagam (poems)
“The Weaving Dead” by Scott Edelman (fiction)
“Genesis II” by Anonymous (scripture)
“The Persistence of Memory” by Joshua Ginsberg (flash fiction)
“The Fool on the Hill” by Lisa Morton (fiction)
“De-Human” by Anonymous (poem)
Artwork by Anonymous
 

GUIDELINES 

Manuscripts must include contact information on the title page, as well as author name (or pseudonym) and page numbers on subsequent pages (for anonymous submissions, keep reading); 12pt font, double-spaced; there are no hard guidelines for auto-rejections, but understand the basics of professional manuscript formatting before submitting. If you are submitting anything other than a manuscript, include as an attachment and send a few words for clarity.

Payment: A contributor copy of the paperback edition. We wish we could do more, but this is a charity anthology to raise funds for a creative scholarship (or scholarships, if highly successful), and so all publishing costs and printed books are coming out-of-pocket.

Rights: First World Rights in English or reprint rights, depending on the submission; all rights revert to the writer immediately upon publication, although 12 months exclusivity is requested for original works, except for inclusion in a personal or “best of” collection, which is always okay. All other rights remain with the author and contracts will protect the writer.

Submission window: Now until filled. At this rate, it could be as early as the end of 2024.

Reprints: Yes, but originals are preferred. The anthology will consist of at east 2/3 original work.

Instant rejections: romance, erotica, gore for the sake of gore, violence for the sake of violence, works that contain hate speech or discrimination of any kind other than to fight against such horrible things, anything illegal, any works that threaten the lives or safety of others (including the orange turd), and anything generated by artificial means.


ANONYMITY

If you wish to remain anonymous, please state so with your submission. These are (and will be) difficult times, so anonymity will be respected and honored if you choose that option.

If curious about the “Anonymous” contributors already announced, these are NYT bestselling authors, award-winning artists, and others who simply would rather not have their name attached but want to be a part of this project. We only ask that if you recognize any of the anonymous contributions to keep that to yourself.


ARTIFICIAL INTELLIGENCE

All submissions will be checked for the use of generative artificial intelligence in their creation using detection software and will be automatically rejected if found to include influence. Likewise, any who submit such material will be banned from future submissions.


ADDITIONAL INFORMATION

Publication: 2025 (early in the year). The presidential inauguration is held on January 20th, and the president-elect becomes the president immediately after sworn in, so January 20th or soon after is a real possibility. This anthology is happening super-fast!

Formats: Paperback and eBook only.

Due to the number of submissions we are currently receiving, non-acceptances will be announced by way of a form response as quickly as manageable. Allow a few months before inquiring, although we expect quick turnarounds. For submissions that reach the “maybe pile,” additional time for consideration will be requested until the anthology is filled.


HOW TO SUBMIT

Email 47@nettirw.com with the submission attached. Feel free to include a short bio and information about your particular demographic (representing the underrepresented is a passion of the editors), or your passion behind your submission, but no other information is needed.


More announcements soon . . .

SILENT NIGHTMARES – OPEN SUBMISSION CALL

Silent Nightmares will be open for submissions the month of December, 2024. This anthology of dark holiday horrors will be co-edited by Chuck Palahniuk and Michael Bailey, who will be eagerly sifting the slush for Haunting Stories to Be Told on the Longest Night of the Year.

Cover artwork by Ben Baldwin.

If you want to play along, send a submission using the guidelines below between 12:01 a.m. on December 1st (your time zone) through midnight on December 31st to be considered. Submissions sent before or after that window will go unread.

A portion of the anthology will be filled by invited writers, but submissions open to the public in December. Expect nothing but the best. The list of personally invited writers is incredible, and both Chuck Palahniuk and Michael Bailey want to showcase your work alongside them.


GUIDELINES

Manuscripts must include contact information on the title page, as well as author name (or pseudonym) and page numbers on subsequent pages; 12pt font, double-spaced; there are no hard guidelines for auto-rejections, but understand the basics of professional manuscript formatting.

Original fiction: up to 5,000 words.

Payment: $0.10 / word (ten cents per word) capped at 5,000 words, and a contributor copy of each edition published (hardcover, paperback, eBook, and potentially audiobook and a limited collector’s edition). For collaborative works, payment will be split equally between collaborators.

Rights: First World Rights in English, and audio rights; all print rights revert to the writer immediately upon publication, although 12 months exclusivity is requested, except for inclusion in a personal or “best of” collection. All other rights remain with the author.

Submission window: December 1st – December 31st, 2024 (31 days, ending midnight your time). This gives you from now until the end of the year to work on something original. Submissions received before or after this window will be auto-rejected and go unread.

Reprints: No.

Instant rejections: reprints, excerpts, nonfiction, young adult, poetry, romance, erotica, gore for the sake of gore, violence for the sake of violence, works that contain hate speech or discrimination of any kind other than to fight against such horrible things, and anything generated by A.I.


ARTIFICIAL INTELLIGENCE

All submissions will be checked for the use of generative artificial intelligence in their creation using detection software and will be automatically rejected if found to include influence. Likewise, any who submit such material will be banned from future submissions.


ADDITIONAL INFORMATION

No simultaneous submissions.

Illustrations: Similar to previous Written Backwards titles, accepted stories may include illustrations. If an artist is used, they will be paid professional rates and the use of A.I. will not be allowed,

Publication: 2025 (sometime before the holidays).

Formats: Hardcover, paperback, eBook, and potentially audiobook and a limited collector’s edition.

Due to the number of submissions anticipated, non-acceptances will be announced by way of a form response as quickly as manageable.

Allow up to 3 months before inquiring. For submissions that reach the “maybe pile,” additional time for consideration will be requested until the anthology is filled.


HOW TO SUBMIT

Email silentnightmares@nettirw.com with the story attached (.docx, .doc, .rtf only; no PDF). Feel free to include a short bio and information about your particular demographic (representing the underrepresented is a passion of the editors), but no other information is needed.


OTHER INFORMATION

Please do not use this opportunity (as many have in the past) to query about other potential projects. Written Backwards is not open at this time to fiction collections, poetry collections, novellas, novels, anthology ideas, or any other projects.

Written Backwards has always highlighted the work of diverse writers from around the world and will continue to do so, which is why this anthology will open for submissions and will pay professional rates (equal pay and promotion for all writers). While not many like the term “literary,” that is what this anthology is looking for: groundbreaking work that break normal conventions and will stand the test of time, propelling emerging and undiscovered writers into the mainstream.

If unfamiliar with previous Written Backwards anthologies, it is highly recommended to read previous titles, which you can find on the Anthologies page, or anything written by either Chuck Palahniuk or Michael Bailey. Familiarizing yourself will better your chances of landing a spot in Silent Nightmares.

All accepted works will meet active membership requirements for organizations such as the Science Fiction & Fantasy Writers Association (SFWA), the Horror Writers Association (HWA), and others.

All contracts protect the writer.


More announcements soon, but in the meantime, check out the wonderful snowflake image below, also created by Ben Baldwin, which will be used in the anthology.

YOU, HUMAN – OPEN SUBMISSION CALL FOR VOL. 2: NOVELETTES

Update 10/22/2024: Oghenechovwe Donald Ekpeki is no longer co-editor for this project or involved in any way, and so the anthology will be edited only by me. I am currently reading through submissions (and loving them), so expect announcements soon!

Submissions are now closed for You, Human, Vol. 2. If you submitted a story, please wait until the beginning of 2025 before inquiring. The guidelines below are for information purposes only for the previously open submission window.

YOU, HUMAN

The first volume of You, Human (2016) won the Benjamin Franklin Award for science fiction and is the most successful and widely-read anthology published by Written Backwards. Josh Malerman’s story “The Jupiter Drop” was also nominated for the Bram Stoker Award for Superior Achievement in Long Fiction and is currently in development as a major motion picture.

If you need to catch up, it is highly recommended to read the first volume of You, Human before submitting work for consideration.

The second volume will again not only feature legends of the craft but showcase today’s emerging talent, and will be edited by Michael Bailey. The anthology is invite-only around the submission window (with more announcements revealed soon), but submissions are open to the public in September specifically for novelettes.

What does it mean to be alive? What does it mean to be real? What does it mean to exist? What does it mean to be human? Once again, Asimov’s Three Laws of Robotics will be re-evaluated and revised to help define humanity, this time by novelettes (7,500 – 15,000 words max).

Three Laws of Humanity:

  1. A human being may not injure another human being or, through inaction, allow another human being to come to harm.
  2. A human being must obey the orders given it by other human beings except where such orders would conflict with the first law.
  3. A human being must protect its own existence as long as such protection does not conflict with the first or second laws.

GUIDELINES

Manuscripts must include contact information on the title page, as well as author name (or pseudonym) and page numbers on subsequent pages; 12pt font, double-spaced; there are no hard guidelines for auto-rejections, but understand the basics of professional manuscript formatting.

Original fiction: 7,500 – 15,000 words. The sweet spot is 7,500 – 10,000 words. Nothing under 7,500 words will be accepted, and likewise nothing over 15,000 words. No reprints. No poetry.

Accepted genre(s): Dark sci-fi and all blended sub-genres (horror, fantasy, etc.)

Payment: $0.10 / word (ten cents per word) capped at 5,000 words, and a contributor copy of each edition published (hardcover, paperback, and eBook). So, $500 per story. For collaborative works, payment will be split equally between collaborators.

Rights: First World Rights in English; all rights revert to the writer immediately upon publication, although 12 months exclusivity is requested, except for inclusion in a personal or “best of” collection published after the anthology. All other rights remain with the author.

Submission window: September 1st – September 30th, 2024 (30 days, ending midnight your time). This gives you from now until the end of September to work on something original. Submissions received before or after this window (unless requested) will be auto-rejected.

Exception: Writers previously published in any Written Backwards anthology may submit work at any time, regardless of the submission window. Basically, alumni are always invited.

Reprints: No.

Instant rejections: stories under 7,500 words, stories over 15,000 words, reprints, excerpts, nonfiction, young adult, poetry, romance, erotica, gore for the sake of gore, violence for the sake of violence, works that contain hate speech or discrimination of any kind other than to fight against such horrible things, and any writing influenced by A.I.


ARTIFICIAL INTELLIGENCE

All submissions will be checked for the use of generative artificial intelligence in their creation using detection software and will be automatically rejected if found to include influence. Likewise, any who submit such material will be banned from future submissions.


ADDITIONAL INFORMATION

Simultaneous submissions are fine, but please notify if your submission is accepted by another venue. Please only submit one manuscript at a time and wait for a non-acceptance (rejection) prior to submitting again, with no more than 2 submissions total. Depending on the amount of stories received, there may not be an opportunity for a second submission.

Illustrations: Similar to previous Written Backwards titles, accepted stories may include illustrations. If an artist is used, they will be paid professional rates and the use of A.I. will not be allowed,

Publication: 2025 (to be determined).

Formats: Hardcover, paperback, and eBook.

Due to the number of submissions anticipated (typically 1,000 – 1,500, sometimes as high as 2,500), non-acceptances will be announced by way of a form response as quickly as manageable.

Allow up to 3 months before inquiring about a submission. For submissions that reach the “maybe pile,” additional time for consideration will be requested until the anthology is full.


HOW TO SUBMIT

Email YH2@nettirw.com with the story attached (.docx, .doc, .rtf only; no PDF). Feel free to include a short bio and information about your particular demographic (representing the underrepresented is a passion of the editor), but no other information is needed.


OTHER INFORMATION

Please do not use this opportunity (as many have in the past) to query about other potential projects. Written Backwards is not open at this time to fiction collections, poetry collections, novellas, novels, anthology ideas, or any other projects.

Written Backwards has always highlighted the work of diverse writers from around the world and will continue to do so, which is why this anthology will open for submissions and will pay professional rates (equal pay and promotion for all writers). While not many like the term “literary,” that is what this anthology is looking for: groundbreaking work that break normal conventions and will stand the test of time, propelling emerging and undiscovered writers into the mainstream.

If unfamiliar with previous Written Backwards anthologies that blend science fiction with other genres, it is highly recommended to read previous titles, such as Prisms and/or Adam’s Ladder (co-edited by Darren Speegle), Miscreations: Gods, Monstrosities & Other Horrors (co-edited by Doug Murano), the original You, Human, or any of the books in the Chiral Mad or Qualia Nous series. Familiarizing yourself with these works will better your chances of landing a spot in You, Human, Vol. 2.

All accepted works will meet active membership requirements for organizations such as the Science Fiction & Fantasy Writers Association (SFWA), the Horror Writers Association (HWA), and others.

Similar to previous Written Backwards anthologies, all contracts protect the writer.


TABLE OF CONTENTS (so far):

“Being I” / “Watching You” / “They Become One” by Linda D. Addison
“AI Chronicles: Properties of a Human Curse” by Eugen Bacon
“Time for a (R)Evolution! – A Documentary” by Sachin Baliga
“The Touch of an Old Friend’s Hand” by Scott Edelman
“One Brown Mouse” by Gary A. Braunbeck

Featuring an introduction by Maxwell Ian Gold.

More announcements soon!