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Camilla Hjertø

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Camilla Hjertø

Goodreads Author


Born
in Storås, Trøndelag, Norway
Genre

Member Since
February 2018


Camilla Hjertø er født i 1976. Hun er oppvokst på Storås, ei bygd i Trøndelag, men bor nå i Haugesund. Hun liker å male, lese og skrive, og er særlig opptatt av personlige historier og sterke følelser, gjerne med innslag av magi, folklore, mytologi, sci-fi, skrekk og andre rariteter. Hun har tidligere bodd og studert i Trondheim, Bergen og Göteborg, og mye av handlingen i «nattØyne» utspiller seg i nettopp Bergen.

De senere årene har Camilla oppdaget fanfiction og fanart, og har blitt kjent med andre fans, skarpøyde lesere og talentfulle forfattere. Fanfiction har inspirert henne til å male og skrive igjen. Hun liker særlig friheten i det å leke med kjente karakterer, skru og vri på alle slags troper og sjangre, og lage nye historier.

Average rating: 4.5 · 18 ratings · 2 reviews · 8 distinct works
Hemmeligheter (nattØyne, #1)

4.50 avg rating — 4 ratings — published 2005
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Skjulte krefter (nattØyne, #2)

4.50 avg rating — 2 ratings — published 2005
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Ondskapens borg (nattØyne, #3)

4.50 avg rating — 2 ratings — published 2005
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Trusler fra fortiden (nattØ...

4.50 avg rating — 2 ratings — published 2005
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Skyer i horisonten (nattØyn...

4.50 avg rating — 2 ratings — published 2006
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Kjærlighet og død (nattØyne...

4.50 avg rating — 2 ratings — published 2006
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Ingen skygger uten lys (nat...

4.50 avg rating — 2 ratings — published 2006
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Oppgjørets time (nattØyne, #8)

4.50 avg rating — 2 ratings — published 2006
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More books by Camilla Hjertø…
Hemmeligheter Skjulte krefter Ondskapens borg Trusler fra fortiden Skyer i horisonten Kjærlighet og død Ingen skygger uten lys
(8 books)
by
4.50 avg rating — 18 ratings

A River of Golden...
Camilla Hjertø is currently reading
by A.K. Mulford (Goodreads Author)
bookshelves: currently-reading
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Molly House
Camilla Hjertø is currently reading
bookshelves: currently-reading
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Andrea Lawlor
“When women cover songs by men, they don’t swap the pronouns. Is this a.) a lack of anxiety about convention, b.) a biologically essential fluidity native to humans with vaginas and/or two X chromosomes, c.) rampant queerness among women singers, or d.) the universal male default?”
Andrea Lawlor, Paul Takes the Form of a Mortal Girl

Andrea Lawlor
“Paul liked to pick out the secretly cool people, people too cool to flash their coolness. The cool people were not always or even usually the same as the shiny people. Often someone shiny was too conventionally good-looking to be cool but they were still compelling, in terms of sheer wattage. Paul knew he wasn't good-looking enough to be shiny, but he could be cool in certain contexts. Cool was relational and conceptual; cool took work, cool was a meritocracy which, with all its flaws, he still preferred to the aristocracy of genetics.”
Andrea Lawlor, Paul Takes the Form of a Mortal Girl

Jane Austen
“I hate to hear you talk about all women as if they were fine ladies instead of rational creatures. None of us want to be in calm waters all our lives.”
Jane Austen, Persuasion

Jane Austen
“You pierce my soul. I am half agony, half hope...I have loved none but you.”
Jane Austen, Persuasion

Jane Austen
“I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W.

I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.”
Jane Austen, Persuasion

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