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325 pages, Hardcover
First published February 22, 2022
"I was angry, but not at you. I was angry at the fate I'd been given. Because I realized that for you to have what you want, I'd have to lose the only thing I'd ever wanted"
We’ve all read a novel where the protagonist starts seemingly completely normal until they’re suddenly thrust into a new world and discover that only they have the power to fix the universe. Mina is no less the same, the ever so virtuous girl who doesn't feel pretty and to an extent, can be overbearing.
There are a plethora of other tropes in YA fiction and just because it was overdone, does not mean authors should steer clear of it because when it was done well — it can be good. Just... not Mina. Sometimes I wonder why Axie Oh didn't just stick with Sim Cheong as the Sea Bride just like the myth since the story seems to revolve quite a lot around Sim Cheong. Taking into consideration that she's a supporting character that is barely significant. It just doesn't add up. Though, I understand if she's trying to remodel and offer a different alternative from the original piece. Axie Oh just had a poor way to portray it.
This book has the potential to be amazing but there were too many details that were left out. Worlds are systems but most of the time, I had no idea what the Lords and Goddesses were supposed to serve nor were they given a delineation to their existence. What's the Spirit Realm in profundity or the motives of the villains? Like, why does the House of Crane and Tiger wants to kill Shin and had the Imugi do that? Why do they even have ill intentions towards Sea God? You can’t just pigeonhole people into being evil. Heritage or class isn’t what makes someone “bad” or the “villain” — it’s their motives and thoughts that do. So when Axie just writes them as evil because they’re associated with someone that is, I feel like she's not giving justice to her characters.
I also don't truly understand why Shin and Mina were bounded in the first place despite the revelation in the end. Everything is tied but at the same time, they are not. How can the Goddess of Moon and Memory takes place of the Goddess of Motherhood and Children just because Mina said she had it in her to be kind? What happened to the real Goddess of Motherhood and Children? No longer a goddess? Or mayhaps Axie Oh just forgot of her total existence, I bet.
Why does Shin suddenly forget Mina when spirits don't forget when they turned one? Why did the Sea God lose his memories when he offered his soul to the Emperor? Who made them forget? No, listen, the list is just neverending which only concludes that this book has such poor worldbuilding. The short pages probably didn't help too, because it does feel rushed.
Not gonna lie. This book pretty much checks all the boxes of what sticks as an amateur. The conversation was so calculated and unnatural. I bet if it's a real-life conversation, it's just gonna be crickets because it was so awkward 💀 The way it continues does not have the string that should tell it was a linkage to a previous conversation. Things happen without a logical reason (this is a retold myth, it shouldn't be logical! I know, but at least try to connect the dot and make it more believable).
It's no news that I love Shin; but do I enjoy the romance? Fairly so. There wasn't enough build-up between Shin and Mina. They didn't start on a good foot until they were bounded. And later, they fell in love... like are they really in love? Or the prospect of them being soulmates is what makes them fall in love. We never know. I don't feel the connection.
As for the age gap? Yeah, I kinda get that this is fantasy and we have lots of romance with such big age gap but considering that Mina is a 16 years old is kind of... off-putting. Still and all, I stand with my viewpoint that Shin hard carried the book! He's swoon-worthy when he's whipped. Like, we love a man who is whipped, even when thing is incoherent 😭
Mina’s village is ravaged by severe storms since decades. To appease the Sea God, a pretty young girl is thrown in to the sea to serve as his “bride” so that someday, he will choose the right bride and be appeased, thereby ending the calamities. This year, it’s the turn of Shim Cheong, the most beautiful girl in the village to be the Sea God’s bride. However, Cheong is in love with Joon, Mina’s beloved older brother. To keep the two lovers united, Mina makes a last minute sacrifice and throws herself into the sea.
Swept away to the Spirit realm by an underwater dragon, Mina is stunned to see that the Sea God is in an enchanted sleep. All she has for company is three strange young men – Shin, Namgi and Kirin – and a few spirits. But whom can she trust and who is out to get her? Will she able to serve her purpose and save her village?
The story is written in the first person perspective of Mina.
‘That's just like a human to think the world revolves around you, to think the rivers are for you, the sky, the sea is for you. You are just one of many parts of the world, and in my opinion, the one that blights them all.’
’Your people suffer not because of any great will of the gods, but because of their own violent acts. They wage the wars that burn the forests and fields. They spill the blood that pollutes the rivers and streams. To blame the gods is to blame the land itself. Look upon your reflection to find your enemy.’
“I am the maker of my own destiny.”
“Then there are the girls like my sister, who want to be the Sea God’s bride because it hurts too much to be themselves.”
“I wonder if it happens in a day, for your fate to change. Or if it takes longer for your life to be stolen from you.”
“Sometimes you don’t find family in your own blood, but elsewhere.”
“I was angry, but not at you. I was angry at the fate I’d been given. Because I realized that in order for you to have what you want, I’d have to lose the only thing I’ve ever wanted.”
“Do you know how much I love you, Miki?” Dai whispers softly. “Even I don’t know. My love for you is endless. Deep and endless, like the sea.”
“Stories are both an escape from the truths of the world and the only way to see them clearly.”