The last judgment

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THE NETHERLANDS | Joos van Cleve (Netherlandish, ca. 1485–1540/41). The Last Judgment, ca. 1520–25. The Metropolitan Museum of Art, New York. Bequest of Mr. and Mrs. Graham F. Blandy, 1940 (40.174.1) #WorldCup The Last Judgment, Art Sacre, European Paintings, Artwork Display, Custom Posters, Religious Art, Metropolitan Museum Of Art, Metropolitan Museum, Belle Photo

The Artist: For a biography of Joos van Cleve, see the Catalogue Entry for The Holy Family (32.100.57).The Subject of the Painting: The Last Judgment, representing the reappearance of Christ at the end of time to judge the living and the dead, is foretold in such biblical texts as Matthew 7:21–23, and 25:31–36; Luke 13: 23–28, and Revelation 20:11–12

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The Last Judgment (Central panel) / El Juicio Final // c. 1580 // Jacob de Backer // O.-L. Vrouwekathedraal, Antwerp The Last Judgement, The Last Judgment, Rennaissance Art, Jesus And Mary Pictures, Web Gallery, Baroque Art, Historical Painting, Biblical Art, 문신 디자인

Web Gallery of Art, image collection, virtual museum and searchable database of European fine arts (painting, sculpture, illumination) of the Romanesque, Gothic, Renaissance, Baroque, Neoclassicism, Romanticism, Realism, Impressionism periods (1000-1900), containing over 31.100 reproductions. Biographies, commentaries, guided tours, free postcard service, mobile version are provided.

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The Last Judgment Painting Christian, Temptation Of St Anthony, The Last Judgment, Judgment Day, Christ Is Risen, Bible History, Hieronymus Bosch, History Art, Art Bible

Around 1500, the Netherlander Hieronymus Bosch (ca. 1450-1516) created images of hell as a fantastical wasteland of torment that relied heavily on the hold that belief in monsters had on the imagination of his contemporaries. Pieter Huys was prominent among his many imitators. In this vision of the end of time, Christ, surrounded by angels and the apostles, sits in the heavens as judge. Below, in a blasted landscape, angels and demons battle for souls risen from the dead. In the foreground…

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