Italian religious architecture of the late Cinquecento is marked by an innovative interpretation of the canon of the central plan that generates a new type of Baroque church: the elongated central space. By building oval churches covered with oval domes, Jacopo Barozzi da Vignola (1507–1573) introduced a new pattern into the architectural shape grammar. The geometry of the oval figure gracefully combines the theoretical concept of cosmic centrality and the pragmatic necessities of liturgical…
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