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Revision as of 21:25, 9 March 2019


This sandbox is in the article namespace. Either move this page into your userspace, or remove the {{User sandbox}} template. Charmian Johnson is a Canadian artist and independent curator based in Vancouver, BC.

Life and Career

Charmian Johnson was born in Prince Coupe, BC in 1939. She went to Delta High School in Delta, BC then the University of British Columbia to study ceramics from 1967-69. She studied under Glenn Lewis and Mick Henry.[1] She currently lives in Vancouver, BC.

Johnson worked as a high school teacher in Creston, BC, as well as an elementary school teacher in West Vancouver, BC.[2] In 1969, Charmian worked as a visiting professor in the Department of Fine Arts at the University of Saskatchewan. Following this, she became a regular guest lecturer at UBC in the Faculty of Education studio program from 1971-1977.[1] Johnson left her position at UBC in 1977 and decided to dedicate herself to ceramics. [1]

Artistic Practice

Charmian Johnson has been exhibiting her work since 1979.[3]She primarily works with ceramics but has also worked with ink on paper drawings[4][5] and painting. Having apprenticed with Glenn Lewis and Mick Henry during her graduate studies at UBC she is directly tied to their philosophies linked to Bernard Leach and Japanese Pottery.[1] Johnson went to St.Ives in the late 70s to continue with Leachian theory and document the Leach Pottery collection.[6] She is also influenced by Korean and Chinese ceramics, especially the glazing used in the Ming, Ying and Sung dynasties[1] .

She spent some time travelling around the world for artistic research then returned to Canada and began making a series of stoneware gargoyles. Throughout the 1980s and '90s, she changed focus to the production of pots, large bowls, ikebana vases and small boxes.[7]

Exhibitions

Solo

Johnson has had many solo exhibitions. In 1985 "An Exhibition of Bowls" was shown at The UBC Fine Arts Gallery in Vancouver, BC.[3] In 1987 she had a show at the Terra Cotta Gallery in Vancouver, BC titled "The Gargoyle Factory Does Not Often Appear[3]." This exhibition showcased her conceptual exploration of gargoyles. In 1989 her exhibition "Flora: Drawings by Charmian Johnson" was held at the Vancouver Art Gallery in Vancouver, BC.[3] Johnson later showcased more of her drawings in 2018 in a group exhibition. Her last solo show was in 2002. "Temoku: Iron Rich Glazes in Canadian Use." was exhibited at the Canadian Clay and Glass Museum in Waterloo, Ontario[3].

Group

Charmian Jonson has been a part of many group exhibitions, the first documented show being "Charmian Johnson and Ron David" in 2002 at the Pendulum Gallery in Vancouver, BC[3]. In 2003, Johnson continued to show her pottery in the group exhibition "Genius Loci" at The Clay and Glass Gallery in Waterloo, ON [8]. This exhibition showed a variety of eclectic pieces made of clay, glass or enamel placed in unconventional locations. Johnson's worked played with images of the imagination, and included her gargoyles, which popped out of the gallery's dark corners.[8] Johnson then went on to exhibit in 2004 at The Morris Helen and Belkin Gallery in Vancouver, BC).[1] "Thrown" showed Johnson's bowls, vases, jars, cups, boxes, plates, saucers, tea pots, and oven dishes in varied colours, shapes and sizes.[3] In total over one hundred of Charmian Johnson's ceramic pieces were featured.[3] Her most recent group exhibition was in 2018. "Nature", held at Catriona Jeffries Gallery in Vancouver, BC,exhibited her ink on paper drawings of botanicals. [4] Her many drawings were on the perimeter of the gallery. They were intricate, in black and white, and ranging in style from scientific illustration to graphic motif.[4]

Curated

Johnson dabbled in curation in 2004 with the exhibition "Thrown" held at The Morris Helen and Belkin Gallery. Johnson co-curated this exhibition with Lee Plested and Scott Watson.[6] This exhibition featured over 600 ceramics (including her own) that were influenced by or during the Leachian pottery movement in England. [1]

Publications

"Thrown" (2008)

Charmian Johnson wrote an essay titled “John Reeve: His Potter’s Marks”.[3] The book also included Glenn Allison's essay about Johnson titled "With Regard to Charmian Johnson and Her Bowls" which was previously shown in another catalogue.[3]

  1. ^ a b c d e f g "Thrown: Influences and Intentions of West Coast Ceramics". Morris and Helen Belkin Art Gallery. Retrieved 2019-03-07.
  2. ^ "Canadian Pottery – Charmian Johnson teapot – British Columbia – coll.#69". artshuttle:. Retrieved 2019-03-07.{{cite web}}: CS1 maint: extra punctuation (link)
  3. ^ a b c d e f g h i j Thrown. The Morris and Helen Belkin Gallery. 2008. ISBN 978-0-88865-803-6.
  4. ^ a b c Durey, Lucien. "Vancouver Report: Crafting a Way Out". Canadian Art. Retrieved 2019-03-07.
  5. ^ Witt, Andrew. ""Nature" at Catriona Jeffries". www.artforum.com. Retrieved 2019-03-07. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  6. ^ a b Milroy, Sarah (2004-03-15). "A licence to kiln". The Globe and Mail. Retrieved 2019-03-07.
  7. ^ Weaver, Jim (April 2011). "Charmain Johnson". Ceramics Monthly Magazine. 49, no.4: 63–64 – via Art Full Text (H.W. Wilson).
  8. ^ a b Eichhorn, Virginia (March 18, 2011). "Genius Loci" (PDF). The Clay and Glass. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)


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