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== Starring role coming, October 2018 ==

:Where would this go? And when?

'''"Johnny English Strikes Again"''' (2018)
:https://www.hollywoodreporter.com/video/johnny-english-strikes-again-trailer-1100100
::https://www.rottentomatoes.com/m/johnny_english_strikes_again_2018/
:Cast. Rowan Atkinson. as Johnny English. Olga Kurylenko. as Ophelia. Ben Miller: as Bough. Jake Lacy. as Jason. '''Emma Thompson as PM Adam James;''' as Pegasus. Ben Miller. as Bough. David Mumeni. as Fabian. -- [[User:AstroU|AstroU]] ([[User talk:AstroU|talk]]) 15:03, 8 July 2018 (UTC)

Revision as of 15:03, 8 July 2018

Good articleEmma Thompson has been listed as one of the Media and drama good articles under the good article criteria. If you can improve it further, please do so. If it no longer meets these criteria, you can reassess it.
Article milestones
DateProcessResult
April 2, 2014Good article nomineeListed
Did You Know
A fact from this article appeared on Wikipedia's Main Page in the "Did you know?" column on April 8, 2014.
The text of the entry was: Did you know ... that Emma Thompson (pictured) garnered dual Academy Award nominations in 1993 for performances in The Remains of the Day and In the Name of the Father?

Template:Vital article

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Birthplace

@Escape Orbit: I just reverted you regarding Thompson's birthplace. My edit summary was cut short though (wish WP wouldn't let you enter text that doesn't actually fit!) so let me explain here. If you look above (Talk:Emma Thompson#Paddington?), I queried a long time ago where the idea that Thompson was born in Paddington comes from. None of the good interviews with her mention it, from what I recall. Now @All Hallow's Wraith: has found this source to suggest she was actually born in Hammersmith, and the facts there suggest it must be the right Emma Thompson: born in April-June 1959, with a mother's maiden name of Law (her mother is Phyllida Law). I personally think we should go with that source, unless a good one for Paddington can be found. I know that lots of websites state Paddington as her birthplace, but odds are that they are copying Wikipedia (even though, before I began expanding the article, we didn't give any source for it.) --Loeba (talk) 10:00, 7 October 2015 (UTC)[reply]

@Loeba:. Please see my discussion on All Hallow's Wraith talk page. My problem is that;
  • Finding these birth registration records amounts to original research. There is no guarantee that this record is about the subject of this article. There is a possibility that it is the wrong person, with a similar age and name. It's just a reasonable guess. Wikipedia shouldn't be about guesses.
  • The place of birth registration is a different thing from the place of birth.
If there's no good source for Paddington I've no objection to it being removed, but I have strong reservations about using familysearch as a source to replace it. --Escape Orbit (Talk) 11:23, 7 October 2015 (UTC)[reply]
If it was just Emma Thompson born 1959 Hammersmith, London you'd have a point but the fact that it states mother's maiden name Law I'd have thought would make it highly unlikely it was anybody else. I suggest we put the family record source in a footnote.♦ Dr. Blofeld 11:37, 16 October 2015 (UTC)[reply]
I don't question that. This record is almost certainly Thompson's birth registration. But fact is that Wikipedia has been shown to look foolish before in exactly this way. Some WP editor goes and does a bit research, ends up citing records belonging to someone else entirely. This is exactly why OR is not permitted. And it still remains fact that just because the birth was registered in an office in Hammersmith does not mean that she was born in Hammersmith. Paddington is perfectly possible, and what our reliable source says. --Escape Orbit (Talk) 11:55, 16 October 2015 (UTC)[reply]
I've now reverted this. It also appears that the New York Times source quite definitely says Paddington, so no reason to change it. Always happy to discuss if another good source to place of birth is found. --Escape Orbit (Talk) 15:33, 12 October 2015 (UTC)[reply]
The NYT source comes from Allrovi, and like I said they could just be copying wikipedia...I don't know, I basically just want to know where the Paddington idea originally came from. I'd feel a lot happier if it was actually mentioned in interview articles, then it would seem that Emma has verified it. But I guess you're right that we can't be the first source to radically declare something different... --Loeba (talk) 09:18, 16 October 2015 (UTC)[reply]

I suggest Hammersmith by default and a footnote saying NYT claims Paddington. Perhaps Aymatth2 can do a check to see which is mostly commonly cited. Which ever is we go with that and add a footnote saying xx claims. Sound good? Please no edit warring while we discuss though.♦ Dr. Blofeld 10:24, 16 October 2015 (UTC)[reply]

I disagree. And and that basis I'll revert to what it was originally. Please do not change before consensus. There is no evidence that Rovi just copied Wikipedia and the NYT appears to trust it, so why not Wikipedia? Otherwise on that basis no source could be trusted. I also refer you back to the three points I make above; researching birth registration records is original research, there is the slight possibility that this is not the Thompson you think it is, and place of registration does not necessarily equate to place of birth. --Escape Orbit (Talk) 10:49, 16 October 2015 (UTC)[reply]
Are there sources which state both Paddington and Hammersmith as her birthplace? If so then we need to decide which is most commonly cited and go with that by default and add a footnote to what else is claimed. Staking it all on the factual accuracy of one source if Hammersmith is also cited in reliable sources is irresponsible.♦ Dr. Blofeld 11:13, 16 October 2015 (UTC)[reply]

OK I've looked and aside from ancestry.com I don't see any reliable sources stating Hammersmith, so you appear to be right. Paddington does seem to always be cited. I've added a National Geographic source for reinforcement.♦ Dr. Blofeld 11:19, 16 October 2015 (UTC)[reply]

Thanks. Always happy to consider other, better, sources that differ. --Escape Orbit (Talk) 11:55, 16 October 2015 (UTC)[reply]
Mentioning the Ancestry source in a footnote is a good solution for now, I'm happy with that. --Loeba (talk) 15:11, 16 October 2015 (UTC)[reply]

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Age of father's death

Her father was 53 years old when he died. — Preceding unsigned comment added by 207.237.34.211 (talk) 13:01, 13 June 2016 (UTC)[reply]

How much to include of the Effie Grey court case?

Okay, this needs to come to the talk page now for some further discussion. B. Munn and I have reverted each other several times over the past few months regarding how much information should be in this article about the Effie Gray (film) infringement case. As you'll see, the film's article contains a lot of detail for people who are interested in the details of the case, but I don't think we should be giving a full summary here. Two or three times I have expanded the information slightly as a compromise but B Munn continues to add back the excessive detail. S/he claims that the information is "skewed" otherwise, but I see the shorter text as perfectly neutral and definitely sufficient.

To make it easy, here are the two versions. B Munn wants:

The drama Effie Gray, based on the true-life story of art critic John Ruskin's marriage, was written by Thompson but was subject to a copyright case before being cleared for cinemas. The American playwright Gregory Murphy claimed Effie Gray infringed on his play and screenplay The Countess, which deals with the same story and which Murphy says he submitted to Thompson and her husband Greg Wise to play the roles they subsequently played in Thompson's film.[129] In March 2013 a judge, after allowing Thompson to submit a second revised screenplay into evidence,[130] ruled that the works were "quite dissimilar in their two approaches to fictionalising the same historical events,"[131] but noted twelve significant similarities between Murphy's play and screenplay and Thompson's screenplay that could not be accounted for even after taking into consideration their "shared historical backgrounds."[132] Effie Gray was finally released in October 2014, to a modest reception.[133] Thompson appeared in the film, alongside her husband Greg Wise and actress Dakota Fanning, but declined to promote it,[134] as did Mr. Wise.[135]

I prefer:

The period drama Effie Gray, based on the true-life story of art critic John Ruskin's marriage and affair, was written by Thompson but was subject to a copyright case before being cleared for cinemas. The American playwright Gregory Murphy claimed that it was an infringement on his play The Countess, which deals with the same story,[129] but in March 2013 – after Thompson had submitted a second draft – a judge ruled that they were "quite dissimilar in their two approaches to fictionalising the same historical events".[130] Effie Grey was finally released in October 2014, to a modest reception.[131] Thompson also appeared in the film, alongside her husband Greg Wise and actress Dakota Fanning, but declined to promote it.[132]

We really need some input from other users now or we'll just go round in circles. To my eyes, these say the same thing but one version is simply more succinct. I really think a large paragraph going into all that detail is unnecessary for Thompson's article, especially when it's all there on the Effie Gray page if someone wants to know more (and we could always directly link to that section like "was subject to a copyright case"). I'm not trying to hide anything, I just don't want to give wp:undue weight and interrupt the flow of the article. I would also note that B Munn's entire contribution history comprises edits related to this court case, which suggests a strong personal interest (probably far beyond that of the average reader) and even makes me wonder if there is a personal investment in it. If that's the case, you should let us know per wp:COI. Oh, and re your edit summary: I didn't intentionally remove the link to The Countess - obviously I have no problem with that being there. It looks like that article was only created in April 2015, after I initially wrote the paragraph on the film, and I've just been pasting back material. Nothing malicious about it. Anyway - I'm really hoping for some external opinions on this. If no-one chips in I will open an RfC. --Loeba (talk) 20:59, 26 September 2016 (UTC)[reply]

Loeba, We went back and forth over this post back in April and came to an agreement. Are there external circumstances that have caused you to revise it now and to delete once more information that skews the court's ruling to give the misimpression that it was entirely in Ms. Thompson's favor? Or do you believe that by deleting the fact that the judge "noted twelve significant similarities between Murphy's play and screenplay and Thompson's screenplay that could not be accounted for even after taking into consideration their "shared historical backgrounds," gives a fair and balanced view of the court's ruling and Emma Thompson's rather more ambiguous role in the case? You say you did not intentionally remove the link to The Countess, but your revision shows you deleted information on both sides of the words, The Countess, thereby invalidating the link. You say my editing "suggests a strong personal interest (probably far beyond that of the average reader)." Which I think characterize the extent of your interest as well. Do you have a personal or professional connection to Ms. Thompson or any of her associates? B. Munn. — Preceding unsigned comment added by B. Munn (talk • contribs) 23:39, 26 September 2016 (UTC)[reply]

If the judge wrote those words, they would seem pertinent, as long as the overall finding in Thompson's favour remains clear. However, on reviewing the source, I cannot see any statement along the lines of "twelve significant similarities ... that could not be accounted for". What I do see is "..though a few of the more significant purported similarities warrant some discussion". Something being "more significant" is not the same as it being "significant", and they are described as being purported similarities. And indeed one of the similarities then discussed is specifically described as being "extremely insignificant". So it would appear that the collating of the similarities, and their description of them being "significant" and "unaccounted" is someone's analysis of the source material. Whose?
Please let me know if I've missed anything in the source. But otherwise I'd say that some of the content in the longer version is not supported by the cite, and has a hint of original research to it. --Escape Orbit (Talk) 16:45, 27 September 2016 (UTC)[reply]

@B. Munn: We didn't come to an agreement, I just didn't obsess over the page and in fact barely looked at my watchlist the past few months. But on Sunday I was doing some "housekeeping" and updating and noticed that this paragraph had got too detailed again. The link to The Countess got removed unintentionally because I went back through the article history to paste "my" version of the paragraph, which was initially written before the play's article was created. I think the shorter version is "fair and balanced", yes, because the judge ultimately ruled in Thompson's favour and he wouldn't have done that if he was greatly concerned about the similarities. Murphy's appeal was also rejected, so I'm pretty confident that there's little basis for his complaint and we can cover the court information swiftly. Nevertheless, I've added a mention of the second draft to put things in proper context. I do want to be accurate and if I was desperately looking to whitewash Thompson I would have tried to remove the content from Effie Gray article as well. That's not my motive - I'm concerned that we're waffling on and boring readers. But if Escape Orbit (thanks for contributing) is correct about the judge's statement being misrepresented then that's a strong reason not to include your information, and we may indeed need to look at the Eddie Gray article. At present, it's shamelessly trying to show that the court case was unfair and hinting that Thompson got away with plagiarism, even though there isn't a single good quality source that claims this. --Loeba (talk) 18:39, 27 September 2016 (UTC)[reply]

Loeba, Escape Orbit makes a very good argument, but let's face it, in the end, he/she is doing what he/she is accusing me of -- making his/her own "analysis of source material." The judge wrote (verabtim) in his ruling: "There are, however, some similarities between the works, even after controlling for their shared historical backgrounds." I changed the abstruse legalese of "even after controlling" to "even after taking into account." The point the judge was making was that there were many ahistorical, unique elements to Murphy's script that appeared also in Thompson's script. If the judge in this case had ruled on the evidence of infringement, Thompson would have lost this case. The judge chose instead to rule on the basis of "substantial similarity." I am reading all the court papers in this six-year-long legal saga and writing an in-depth article on the case for publication. You have convinced me there are too many points to give a brief account of this case on Ms. Thompson's Wikipedia page that might be fair, balanced and accurate to all parties concerned. I think your revised paragraph above answers the need for brevity and accuracy as far as it goes. I would ask that you change "second draft" to "revised draft" and that you reactivate the link to The Countess page. Thank you. B. Munn — Preceding unsigned comment added by B. Munn (talk • contribs) 22:17, 27 September 2016 (UTC)[reply]

It's worth noting that;
  • the word "significant" was unsupported and introduced by yourself.
  • in the paragraph above you interpret where the judge says "some similarities between the works" to mean "many ahistorical, unique elements" in common. The judgement specifically says these elements are "scène á faire", "very small" and "of little significance".
Your interpretation of the judgement is therefore open to question. You are, of course, free to introduce these opinions in the writing of your article, but not on Wikipedia. --Escape Orbit (Talk) 11:20, 28 September 2016 (UTC)[reply]
Escape Orbit, interesting. Thanks for looking closely at the court document. In light of this, could you perhaps take a look at Effie Gray (film)#Lawsuits and make sure it is unbiased and accurate? B Munn, thanks for being flexible about this and I hope you'll be more careful editing Wikipedia in the future. --Loeba (talk) 17:06, 28 September 2016 (UTC)[reply]

Loeba, I have taken your and Escape Orbit's criticisms of my post about the court battle over the film "Effie Gray" and have rewritten the information about the judge's finding re. similarities in the case. I have also reinserted the fact that the judge's ruling was based on a second revised screenplay. This was done to succinctly give a more balanced view of a a very complicated case. Please let me know if you or Escape Orbit have any problem with the edits. I am impressed with your encyclopedic knowledge not only of Emma Thompson, but of this rather insignificant court case, which compels me to ask a question I have already asked, but to which you have yet to respond: Do you have a personal or professional connection to Ms. Thompson or any of her associates? To which I would like to add the question: Have you corresponded with Ms. Thompson or any of her associates within the past two weeks? Thank you. I look forward to your response B. Munn — Preceding unsigned comment added by B. Munn (talk • contribs) 04:57, 29 September 2016 (UTC)[reply]

I've reworded things a little for the following reasons;
  • As stated above, the similarities are described as "purported" and the court judgement dismisses them all as insignificant. I don't see the value of therefore dwelling on them as they are details that do not feature in the final decision.
  • The only reason for focussing on these similarities would be if there was a subsequent challenge to the judgement based on them.
  • Following the judgement in the article by these details, however, does have an air of providing a challenge to it. They are not a challenge, but matters that were dismissed prior to the judgement. As a compromise, if they are to be mentioned at all, they should be mention first. Thereafter the judgement is the final word and a conclusion of the matter for the reader.
  • The word "unaccounted" is not in the judgement and suggests that Thompson has failed to account for these similarities. There is no evidence the judge ever asked her to account for these particular similarities, and we shouldn't be suggesting that she should have accounted for them.
I hope my changes addresses this to everyone's satisfaction. I'd also like to observe that, as a single purpose account, your suggestion that other editors have ulterior motives is just a bit silly. --Escape Orbit (Talk) 16:30, 1 October 2016 (UTC)[reply]

@B. Munn: I don't get it, you say you're now okay with the shorter version then add stuff straight back in? No, it can't stay because Escape Orbit has discovered that the case was being misrepresented. Even aside from my feeling that the paragraph was too detailed, it was also inaccurate. And lol, when have I ever implied I have an encyclopedic knowledge of the case? I sense a bit of snark. As for having a connection to Emma Thompson - I wish. --Loeba (talk) 14:07, 2 October 2016 (UTC)[reply]

Loeba, The entry, as you have rewritten it, is completely imbalanced. No one would suspect reading it, that the producers of Effie Gray (Thompson and Greg Wise among them) initiated this suit against Murphy. Now the similarities between the two scripts have been labeled by you as "insignificant." There was a reason the Court of Appeals reversed the lower court's ruling awarding $500,000 in legal fees to the producers of the film, and it was not because the twelve similarities between the two works were "insignificant." Because of your objection to "accounted for," I have inserted the Court's more prosaic "even after controlling for." Finally, you keep removing the fact that Emma Thompson was permitted by the judge to submit a second revised script, although this is a substantiated fact, and a point that was vigorously protested by Murphy's attorney, believing, not without reason, that contentious passages in Thompson's original script might be revised or removed. If Emma Thompson's Wikipedia page is not to be, or appear to be, a mere tool of her publicist, a more balanced review of this court case must be given and the few facts I have added are true and backed by newspaper accounts. Your intent seems to be to present the entire case in the most favorable light possible for Thompson. Why? A comprehensive, well-researched, fact-checked article, which I am writing for release in 2017 will provide a complete overview of this case. I hope you will read it. No snark implied regarding your "encyclopedic knowledge," which I genuinely believe you have. Re. your having a connection to Emma Thompson -- "I wish" -- does not answer my questions, so I will, with all due respect, ask them again: Do you have a personal or professional connection to Ms. Thompson or any of her associates? Have you corresponded with Ms. Thompson or any of her associates within the past three weeks? Thank you. B. Munn — Preceding unsigned comment added by B. Munn (talk • contribs) 20:06, 4 October 2016 (UTC)[reply]

Please try to address your comments to the correct person. It was I who last edited the article, not Loeba. And I did not label the similarities as "insignificant", Judge Thomas P. Griesa did, in his judgement. Yet you appear to determined to make the most of them, despite them playing no part in his judgement. You have to wonder how "comprehensive, well-researched, fact-checked" your article will be if it contains statements (e.g. "noted twelve significant similarities"), like you first added to the article, that are the precise opposite of what the source says.
I've done a minor edit, in line with what I said above. If the similarities are to be mentioned, they should be before the judgement's conclusion to make clear that they were both taken into consideration, and dismissed, before reaching a judgement. They should not be brought up as if they are an unanswered, unexamined, after-thought.
I have not, or ever have had, any connection with Emma Thompson, her agents or this case. I have no opinion on the merits of the case, having seen neither work and was not involved in the creation of either. My opinion on the case would be irrelevant anyway. I'm simply reading what the source document says. This is what is done on Wikipedia. --Escape Orbit (Talk) 12:53, 5 October 2016 (UTC)[reply]

@B. Munn: I see you're still obsessing over this case. I thought I was making a fair compromise by putting excess detail in a footnote - can we please keep it that way? I'd rather delete it altogether but I'm willing to compromise and it would be nice if you could do the same. --Loeba (talk) 17:25, 23 July 2017 (UTC)[reply]

@Loeba: Who's obsessing? This information has been available on this page since October 2016 -- after much debate at that time between you, myself and Escape Orbit. Why this sudden attempt to obfuscate important information by diminishing it to a footnote? You would "rather delete it all together." Really? By what authority would you take such a unilateral action? This is an important fact in this case supported by evidence?˜˜˜˜
Well once again I haven't logged into WP for many months, that's why it's a "sudden attempt". The discussion last time leant towards downplaying the significance of the court case - you were, and still are, the only one arguing for extra coverage (and apparently you were misrepresenting the facts all along anyway). That's why I've tried to trim it back again on my return. The text I put in a footnote is not an "important fact" in regards to this Emma Thompson page. It can go on the page about Effy Gray, the film. Taking a unilateral decision? On the contrary - I'm saying I would personally like to see it all deleted, but know it's fairer to compromise so I put it in a footnote instead. I also came here to discuss again rather than reverting, unlike you I might add. As for obsessing - it just amazes me that you haven't edited since April, yet almost as soon as I made that change you were back to revert it. It definitely suggests that you have an unusual interest in making sure this case gets detailed coverage on the article. Anyway, what do you say to my compromise? Loeba (talk) 18:48, 23 July 2017 (UTC)[reply]

Better photo in infobox?

It might just be me, but the infobox-sized version of this image is such that the black part of her earring looks like some kind of melanoma on her neck, unless one zooms in or looks really closely. But all of the other photos of her currently in this article are much older, low-res, or would need to be cropped since the focus is not on her face. Thoughts? Hijiri 88 (聖やや) 15:48, 24 December 2016 (UTC)[reply]

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Starring role coming, October 2018

Where would this go? And when?

"Johnny English Strikes Again" (2018)

https://www.hollywoodreporter.com/video/johnny-english-strikes-again-trailer-1100100
https://www.rottentomatoes.com/m/johnny_english_strikes_again_2018/
Cast. Rowan Atkinson. as Johnny English. Olga Kurylenko. as Ophelia. Ben Miller: as Bough. Jake Lacy. as Jason. Emma Thompson as PM Adam James; as Pegasus. Ben Miller. as Bough. David Mumeni. as Fabian. -- AstroU (talk) 15:03, 8 July 2018 (UTC)[reply]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Talk:Emma_Thompson&oldid=849374783"