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{{otheruses}}
{{Infobox_band
{{Books of the Old Testament}}
| band_name = Genesis
{{Books of Torah}}
| image = [[Image:Genesis Group.jpg|250px]]
| caption = Genesis, clockwise from left: Banks, Collins, Hackett, Rutherford, Gabriel
| years_active = [[1967]]–[[1999]] (Hiatus)
| origin = [[Godalming]], [[Surrey]]
| country = [[England]]
| music_genre = [[Progressive rock]]<br />[[Pop rock]]
| record_label = [[Decca Records]]<br />[[Charisma Records]]<br />[[ABC Records]]<br />[[Atco Records]]<br />[[Atlantic Records]]<br />[[Rhino Entertainment]]
| current_members = [[Mike Rutherford]]<br />[[Tony Banks (musician)|Tony Banks]]<br />
| past_members = [[Phil Collins]]<br />[[Peter Gabriel]]<br />[[Steve Hackett]]<br />[[John Mayhew]]<br />[[Anthony Phillips]]<br />[[John Silver]]<br />[[Chris Stewart (author)|Chris Stewart]]<br />[[Ray Wilson]]
| website = [http://www.genesis-music.com genesis-music.com]
}}
'''Genesis''' are a [[Grammy Award]] winning [[England|English]] [[progressive rock]] [[rock band|band]] formed in [[1967 in music|1967]]. The band's notable former members include [[Peter Gabriel]] and [[Phil Collins]], both of whom achieved additional success as solo artists and in other ventures. With approximately 150 million albums sold worldwide, Genesis is one of the top 30 highest selling recording artists of all time.<ref name=albumssold>http://www.atlanticrecords.com/collinsphil/about/</ref> The band is widely known for two distinctly different musical phases. Early on in their career, their complex song structures, elaborate instrumentation, and theatrical [[concerts|live shows]] made them one of the most revered bands of the 1970s progressive rock movement. Hallmarks of the band's music during this period included the 23-minute long "[[Supper's Ready]]" and the 1974 [[concept album]], ''[[The Lamb Lies Down on Broadway]]''. In the 1980s and beyond, their music took a distinct turn towards [[pop music|pop]], becoming considerably more [[hook (music)|hook]]-oriented and more accessible to the [[popular music|musical mainstream]]. This change of musical direction gave them their first [[United Kingdom|UK]] #1 album, ''[[Duke (album)|Duke]]'', as well as their only [[United States|US]] #1 single, "[[Invisible Touch (Song)|Invisible Touch]]".


'''Genesis''' ({{lang-he|בראשית}}, [[Greek language|Greek]]: Γένεσις, having the meanings of "birth", "creation", "cause", "beginning", "source" and "origin") is the first book of the [[Torah]], the first book of the [[Tanakh]] and also the first book of the [[Christianity|Christian]] [[Old Testament]]. As [[Jewish]] tradition considers it to have been written by [[Moses]], it is sometimes also called ''The First Book of Moses''. Fairly common among [[Abrahamic Religion|Abrahamic]] followers is the belief that the book was Divinely Inspired (written by God through a human), and is therefore Infallible.
Initially fronted by Peter Gabriel, Genesis has experienced several personnel changes over the years. Collins took over from Gabriel after the latter's departure from the group in 1975. After nearly two decades of being the band's frontman, Collins left the group in 1996 and was replaced by former [[Stiltskin]] singer [[Ray Wilson (musician)|Ray Wilson]] for the 1997 album ''[[Calling All Stations]]''. Due to the commercial failure of the album, and after three decades of activity, the band announced that it was on an indefinite [[hiatus]]. In the autumn of 2006, Peter Gabriel announced that Tony Banks, Phil Collins and Mike Rutherford were rehearsing together again.


In [[Hebrew language|Hebrew]], it is called בראשית (''B'reshit'' or ''Bərêšîth'', {{strong|7225}}), after the first word of the text in Hebrew (meaning "in the beginning"). This is in line with the pattern of naming the other four books of the [[Pentateuch]].
==History==
===The beginning: 1967&ndash;1969===
[[Image:Genesis 1967 lineup.jpg|thumb|left|250px|The original '''Genesis''' lineup in 1967, with [[Anthony Phillips]], [[Mike Rutherford]], [[Tony Banks (musician)|Tony Banks]], [[Peter Gabriel]] and [[Chris Stewart (author)|Chris Stewart]].]]
The band's origin lies in the late 1960s, when founding members [[Peter Gabriel]] and [[Tony Banks (musician)|Tony Banks]] were students at [[Charterhouse School]]. The original line-up consisted of Peter Gabriel (vocals), [[Anthony Phillips]] (guitar), Tony Banks (keyboards), [[Mike Rutherford]] (bass & guitar), and [[Chris Stewart (author)|Chris Stewart]] (drums).<ref name=completeguide>Welch, Cris. <u>The Complete Guide to the Music of Genesis</u>. London: Omnibus Press. 1995</ref> Genesis recorded its first album, [[1969 in music|1969's]] ''[[From Genesis to Revelation (album)|From Genesis to Revelation]]'', after striking a deal with [[Jonathan King]], an alum of their school and a songwriter and [[record producer|producer]] who had a hit single at the time called "Everyone's Gone to the Moon". King supposedly dubbed the band Genesis because it was the first serious band he had worked with, or the ''genesis'' of his career. As he recalled later — "I named them Genesis because I thought it was a good name...it suggested the beginning of a new sound and a new feeling".<ref name=king>[http://www.genesis-path.net/atww_G.html "And The Word Was ... GENESIS"]</ref>


== Introduction ==
The album was released by [[Decca Records]]. During the sessions, drummer Stewart left the band and was replaced by [[John Silver]]. The band recorded a series of songs reflecting the light pop style of the [[Bee Gees]], of whom King was very fond, and King assembled these tracks into a pseudo-[[concept album]], layering on [[string instrument|string arrangements]] into the music during production. The band's first single, "The Silent Sun" ({{audio|Genesis SilentSun.ogg|sample}}) was released in February 1968. The album sold poorly, and the band, feeling manipulated by King, told him they had broken up in order to get out of their contract with him.<ref name=fromgenesisto>King, Jonathan. "In the Beginning". ''[[From Genesis to Revelation]]'' (sleevenotes). 1993 release</ref> To this day, King asserts his responsibility for the band's subsequent success. He holds the rights to the songs on the ''From Genesis to Revelation'' album and has attempted to sell the rights for their re-recording.
Genesis begins by describing God's creation of the world, Adam and Eve and their banishment from the [[Garden of Eden]], the story of Cain and Abel, and the story of Noah and the great flood.


Chapter twelve begins with the call of Abram (later [[Abraham]]) and his then barren wife Sarai (later Sarah) from Ur (probably in Babylonia) to Canaan (Palestine). It contains the record of Abraham's acceptance by God, and of God's promise to him that through his seed all people on earth would be blessed (22:3). The book records the doings of his son [[Isaac]], and grandsons, [[Esau]] and [[Jacob]] (known as Israel), as well as their families. It ends with Jacob's descendants, the Israelites, in Egypt, in favour with the Pharaoh.
Genesis recruited a new drummer, [[John Mayhew]], playing occasional gigs until landing a new deal with [[Charisma Records]] founder [[Tony Stratton-Smith]]. Through live performances the band became known for hypnotic melodies that were often dark and haunting. Phillips left the band in [[1970 in music|1970]] after the release of ''[[Trespass (album)|Trespass]]'' because of ill health and [[glossophobia|stage fright]].<ref name=genesisfaq>Ostrich, Michael. [http://home.att.net/~los.endos/genesis/faq/faq.htm "Genesis Frequently Asked Questions List Version 2.6"]. [[21 December]] [[1998]]</ref> The departure of Phillips traumatised both Banks and Rutherford, as Phillips had been a founding member and a primary force behind the band turning professional. There was also doubt over whether Genesis could go on without him.<ref name=autodiscography>Young, John. [http://www.genesis-path.net/art82-03.html "Genesis Look at Themselves"] <u>Trouser Press Magazine</u>. March 1982</ref>


Genesis contains the historical presupposition and basis of the national religious ideas and institutions of Israel, and serves as an introduction to its history, laws, and customs. It is the composition of a writer (or set of writers, see [[documentary hypothesis]]), who has recounted the traditions of the Israelites, combining them into a uniform work, while preserving the textual and formal peculiarities incident to their difference in origin and mode of transmission.
Eventually, the remaining members renewed their commitment to Genesis, also deciding to fire drummer [[John Mayhew]] in the bargain. ''[[Trespass (album)|Trespass]]'' (1970) set the format for Genesis albums throughout the '70s. The album consisted of lengthy, sometimes operatic pieces and occasional very short, humorous numbers that typified the style of progressive rock of [[King Crimson]], [[Yes (band)|Yes]], and [[Gentle Giant]]. ''Trespass'' included elaborate arrangements and time signature changes — key elements that continued to be featured in Genesis's subsequent albums. ''Trespass'' featured the nine-minute "The Knife" which Gabriel, a believer in [[non-violence]] after having been influenced by a book on [[Mahatma Gandhi|Gandhi]], wrote showing "how all violent revolutions inevitably end up with a dictator in power".<ref name=genesisfaq />
{{Genesis timeline}}
[[Phil Collins]] joined Genesis on [[4 August]] [[1970]] after successfully impressing the other band members with his drumming skills during an audition at Gabriel's parents' house. The band continued as a four-piece before playing a few shows with guitarist [[Mick Barnard]]. As the band felt that Barnard was not up to their caliber of musicianship, they sought a proper replacement for Phillips.<ref name=autodiscography /> Late in 1970, [[Steve Hackett]], who performed in the band [[Quiet World]], placed an advertisement for a band in ''[[Melody Maker]]''. Hackett went to see Genesis in concert and enjoyed the type of music they were playing. The band liked the tone of the advertisement, and after a meeting at his parents' apartment, hired Hackett immediately.


== Authorship ==
===Peter Gabriel-led era: 1970&ndash;1975===
Genesis as a completed book makes no claims about its authorship; it is an article of Orthodox Jewish faith that the book was dictated, in its entirety, by God to [[Moses]] on [[Mount Sinai, Egypt|Mount Sinai]]. For a number of reasons, this view is no longer accepted by many biblical scholars and liberal [[Protestant]]s. Instead, they accept a theory whose roots are based on [[cultural evolution]] and [[philosophical naturalism]] which teaches that the text of Genesis as we see it today was redacted together around [[440 BC]] from earlier sources, namely the [[Sumerians]].
Collins and Hackett made their studio debut on the album ''[[Nursery Cryme]]'' (Originally Released November, 1971), which featured the epic "The Musical Box" ({{audio-nohelp|Genesis TheMusicalBox.ogg|sample}}) and Collins's first lead vocal performance on "For Absent Friends". ''[[Foxtrot (album)|Foxtrot]]'', released in October [[1972 in music|1972]], contained what many consider to be one of the group's most celebrated works<ref name=completeguide>Page 21</ref> — the 23-minute "[[Supper's Ready]]" ({{audio-nohelp|Genesis SuppersReady.ogg|sample}}) and the [[Arthur C. Clarke]]-inspired "Watcher of the Skies", that solidified Genesis’s reputation as songwriters and performers. Gabriel's flamboyant and theatrical stage presence, which involved numerous costume changes and surreal introductions to each song, made the band one of the most talked-about live acts in the early 70s UK rock scene.<ref name=gabrielnyt>[http://www.genesis-path.net/art72-74.html "Some New York Times Reviews '72-'74"]</ref>


[[Image:Genesis on egg cropped.jpg|thumb|left|150px|Bereshit aleph, or the first chapter of Genesis, written on an egg, in the [[Israel Museum]].]]
[[Image:Genesis_Peter_Gabriel.jpg|left|thumb|250px|Peter Gabriel painted his face white and partially shaved his head during the ''[[Selling England by the Pound]]'' tour in 1974.]] ''[[Selling England by the Pound]]'' followed in [[November]] [[1973 in music|1973]] and was well received by critics and fans.<ref name=sebtp>Malamut, Bruce. [http://www.genesis-path.net/artGM7403b.html "Selling England by the Pound"]. March 1974</ref> According to one biographical account, Gabriel was very conscious of lyrics and references that might suggest a slant towards American audiences. He was keen to avoid this and insisted that the album carry the title ''Selling England by the Pound'', also the title of the [[Labour Party (UK)|Labour Party]] manifesto at the time.<ref name=genesisbio>Bowler, Dray. "<u>Genesis: A Biography</u>". London: Sidwick & Jackson. 1992</ref> The album contained "Firth of Fifth" ({{audio-nohelp|Genesis FirthOfFifth.ogg|sample}}) and "I Know What I Like (In Your Wardrobe)", songs that remained part of Genesis's ''[[repertoire]]'' in future live performances. During this period, guitarist Hackett became one of the first to use the "[[tapping]]" technique normally credited to [[Eddie Van Halen]] and "[[sweep picking]]" popularized in the 80's by [[Yngwie Malmsteen]].<ref name=hacketttapping> Alspach, Steve. [http://www.musicstreetjournal.com/hackettinterview.htm "Interview with Steve Hackett"]</ref> These techniques were used in the song "Dancing with the Moonlit Knight".


== Use of the literal reading to date creation ==
Genesis ventured into a more ambitious project with the double disc [[concept album]] ''[[The Lamb Lies Down on Broadway]]'' ({{audio-nohelp|Genesis TheLamb.ogg|sample}}) (1974). The album was released [[November 18]], [[1974 in music|1974]]. The story features the supernatural journey of protagonist [[Rael (character)|Rael]], a [[Puerto Rican]] youth in [[New York City]], and his journey through a parallel reality. During his adventure, Rael encounters several bizarre characters such as ''The [[Lamia]]'', borrowed from [[Greek mythology]], and the ''Slippermen'' during some satirically twisted circumstances. Interpretation of the ''Lamb'' remains a matter of speculation as there is no official explanation of its meaning.
Based on the [[genealogy|genealogies]] in Genesis and later parts of the Bible, both religious [[Jew]]s and Christians have independently worked backwards to estimate the time of the [[creation (theology)|Creation]] of the world. This approach suggests Creation was around the beginning of the [[4th millennium BC]]. This dating is based on an entirely literal reading of the creation account: that the six days in which [[God]] created the heavens and the earth were 24-hour [[days]], that [[Adam and Eve|Adam, Eve]], and the [[Garden of Eden]] existed, and that a complete trace of events from Creation to a [[history|historically]] verifiable date is listed in the Biblical account.


Many scholars have questioned the accuracy of the historical account, and the use of such a retracing of the events presented in Genesis to date human history on earth has been rejected by the great majority of historians and archaeologists. Furthermore, independent scientific evidence from fields as diverse as [[cosmology]], [[geology]] and [[biology]] is entirely incompatible with the timeline described in Genesis (e.g. the [[Age of the Earth|age of the Earth]] is estimated as more than 4 billion years). This subject is further discussed in [[The Bible and history]] and [[Young Earth creationism]].
Rather than the lengthy tracks featured on prior albums, ''The Lamb Lies Down on Broadway'' collected many shorter tracks connected by a variety of [[segue]]s. This change was due to the album's production, as well as the appearance of bolder electronic keyboard sounds and a departure from songs featuring British themes to those that were [[United States|American]]. ''The Lamb Lies Down on Broadway'' strained relations between members of the group, particularly Banks and Gabriel. The other members of Genesis essentially wrote the music to ''The Lamb Lies Down on Broadway'' without Gabriel's participation (with the exception of "Counting Out Time" and "The Carpet Crawlers"). Gabriel focused on the story and its lyrics separately from his bandmates (with the exception of the song "The Light Dies Down on Broadway" written by Banks & Rutherford). Genesis embarked on a world tour promoting ''The Lamb Lies Down on Broadway'' and, since this was a [[concept album]], performed it in its entirety.


== Literal versus allegorical interpretations ==
Gabriel announced his departure from Genesis in [[August]] [[1975 in music|1975]], following the ''The Lamb Lies Down on Broadway'' tour. He felt estranged from the band, and his marriage and birth of his first child added to his personal strain. Gabriel explained his departure in a letter to fans entitled ''Out, Angels Out'':
Genesis begins with a creation narrative, or narratives. Because a literal reading of Genesis can be seen to conflict with widely accepted scientific theories such as the [[Big Bang]] and [[common descent]], many believers view the [[Creation according to Genesis|creation narratives]] presented in [[Allegorical interpretations of Genesis|Genesis as an allegory]]; however the non-literal view of creation did not begin with [[Charles Darwin]], but rather predated him by hundreds of years<ref name="augustine">{{cite journal | author=Davis A. Young | authorlink=Davis A. Young | title=The Contemporary Relevance of Augustine's View of Creation | journal=Perspectives on Science and Christian Faith | year=March 1988 | volume=40.1 | pages=42-45 | url=http://www.asa3.org/ASA/topics/Bible-Science/PSCF3-88Young.html }}</ref>.
:{{Cquote|The vehicle we had built as a co-op to serve our songwriting became our master and had cooped us up inside the success we had wanted. It affected the attitudes and the spirit of the whole band. The music had not dried up and I still respect the other musicians, but our roles had set in hard.<ref name=gabrieldnote>"Gabriel, Peter. [http://genesis-path.net/peters_letter.html Out, Angels Out - an investigation]" August 1975</ref>
}}Gabriel's first solo album (''[[Peter Gabriel (I)|Peter Gabriel]]'', [[1977 in music|1977]]) featured the single "[[Solsbury Hill (song)|Solsbury Hill]]", an allegory about his departure from Genesis.


Those who believe that the first eleven chapters are literal argue that the style of writing shares a literary style with other biblical writing often considered to be historical in nature and the text nowhere indicates that it is meant as anything other than a literal account <ref name="origins">{{cite journal | author=Gerhard F. Hasel | authorlink=Gerhard F. Hasel | title=The "days" of Creation in Genesis 1 : Literal "days" or figurative "periods/epochs" of time? | journal=Origins | year=1994 | volume=21(1) | pages=5-38 | url=http://www.grisda.org/origins/21005.htm}}</ref>. Such analyses, along with a strong tradition of [[Biblical inerrancy]], has led a significant number of religious individuals and organisations to reject man's theoretical accounts of the origin of life and the universe in favour of [[Young-Earth creationism]] or YEC. Those holding to the view of YEC, use the Genesis account of creation to provide alternative explanations to those of modern science on subjects including the origin of the universe, life and humankind.
During their live performances Genesis pioneered the use of Lasers and other light effects most of these were custom built by a dutchman named Theo Botschuijver. A special hand held unit channelled laser light and allowed Peter Gabriel to sweep the audience with various light effects.


There are also growing number of Christians and Jews who argue that the beginning ‎of ‎Genesis is not an account of the physical creation of the world; but, in keeping with ‎how they think ‎ancient Hebrews would have viewed this text, believe it is an account of God's ‎‎dissemination of order on a physical plane that was there before the narrative begins. ‎‎Some even decry any attempt as inaccurate that interprets the text as anything other than a bestowment of ‎‎order on the physical universe. [[Augustine of Hippo#Creation|Saint Augustine]] took this view in ''[[The Literal Meaning of Genesis]]'', but strongly rejected the suggestion that it represented an allegory; he took, instead, the position that in the Bible, "light" is continually used to mean order, enlightenment, or a higher plane of existence, and that similarly, "day" means an indeterminate interval of time defined by some central paradigm, as in the expression "dawn of a new day". From this point of view, he could reject as irrelevant the question of what was meant by the first three "days of Creation", when the sun and moon were not created until the fourth day, in favor of a "literal" interpretation that the universe was created all at once and then progressed from chaos through a "day when light was created", with light meaning understanding, order, etc. rather than electromagnetic radiation, followed by "a day when heaven was created", etc.[http://www.asa3.org/ASA/topics/Bible-Science/PSCF3-88Young.html]
===Phil Collins-led era: 1976&ndash;1996===
[[Image:Genesis Live in Buffalo 1983.jpeg|thumb|right|275px|Phil Collins performing "That's All" in [[Buffalo, New York|Buffalo, NY]], [[1983]]. Also visible are Mike Rutherford, Tony Banks and [[Daryl Stuermer]].]]
The group began auditioning lead singers without a clear idea about the kind of singer they were looking for, although they knew that they did not want a voice too dissimilar from Gabriel's. Phil Collins, whose backing vocals had featured previously in the Genesis sound of the Gabriel era, was given the job of coaching prospective replacements, including [[Jon Anderson]] of [[Yes (band)|Yes]]. "I really wanted to have a crack at it...[b]ut I wasn't about to ask. I wanted someone to ask me"<ref name=archive2>"Genesis Archive #2". <u>Gelring Limited</u>. Atlantic Recording Corporation. 2000</ref>, Collins recalled later in an interview. Eventually, Genesis settled with Collins as their new lead singer, hoping that their fans would be more forgiving if the new lead vocalist came from within the ranks.


Interestingly, Genesis is the most quoted book in the Old and New Testaments. In every instance, it is never in the context of metaphor or allegory or non-physical. Whether Moses himself in Exodus 20:11 correlating the 6 creation days to the 6 day workweek, David in Psalms or Jesus and Peter in the New Testament, Genesis Creation and events in Chapters 1-11, are assumed taken at face value to be literal historical fact not requiring interpretation or interpolation.
Genesis’s first post-Gabriel album, ''[[A Trick of the Tail]]'' ([[1976 in music|1976]]), was well received, outselling all previous Genesis albums. The album featured a markedly clearer production than previous albums, which came courtesy of new producer [[David Hentschel]], who had previously served as engineer on ''Nursery Cryme''. Another influential factor was that Collins, in the opinion of some, sounded "more like Gabriel than Gabriel did".<ref name=goldenslumbers>"[http://www.goldenslumbers.com/artist/collins.html A Father's Love]"</ref> The album featured "Ripples", "Dance on a Volcano" ({{audio-nohelp|Danceogg.ogg|sample}}) and "Entangled". Despite the success of ''Trick of the Tail'', the group remained concerned with their live shows considering Gabriel's elaborate performances. Collins felt confident that he could handle live vocal duties, but definitely needed another drummer while he sang. [[Bill Bruford]], drummer for [[Yes (band)|Yes]] and [[King Crimson]], offered to drum while Collins attended to vocal duties — a suggestion that was palatable to the band.<ref name=bruford>"[http://www.worldofgenesis.com/BillBruford-interview2005.htm An interview with Bill Bruford]"</ref>


== Christian views ==
Bruford joined on tour in 1976 as drummer. For their tours starting in 1977, the [[jazz fusion]]-trained [[Chester Thompson]], a veteran of [[Weather Report]] and [[Frank Zappa]], took over live drumming duties to allow Collins to concentrate on vocals. Collins’s approach to live Genesis shows differed from the more theatrical performances of Gabriel, and his interpretations of prior songs were lighter and subtler. Years later, Gabriel told Collins at the 1982 [[Milton Keynes]] reunion show that Collins sang the songs ''better'' than Peter, but never ''quite like'' him.<ref name=insidegenesis>Genesis. <u>Inside Genesis 1975-1980</u> Classic Rock Legends, 2004</ref> Also in 1976, Genesis recorded ''[[Wind & Wuthering]]'', released in December [[1976]]. This was the first of two Genesis albums to be recorded at the Relight Studios in [[Hilvarenbeek]], the [[Netherlands]].<ref name="completeguide" /> The album got its name from [[Emily Brontë]]'s novel ''[[Wuthering Heights]]'', whose last lines — "how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth" also inspired the names of the seventh and eighth tracks of the album.<ref name=scottmcmahon>Page 371</ref> The album featured "Blood on the Rooftops" and "Afterglow" ({{audio-nohelp|Genesis Afterglow.ogg|sample}}), as well as the complex multi-part suite "One for the Vine". The animated movie [[B.C. Rock]] featured bits of "Afterglow". The band signed with a new manager [[Tony Smith (manager)|Tony Smith]], and all their songs were thereafter published through his company, [[Hit & Run Music Publishing]].
There are numerous references to Genesis in the [[New Testament]]. These references assume an authoritative nature for Genesis. While none of these references explicitly state an author for Genesis there are several places which attribute the books of the law ([[Torah]]) to Moses (Mark 12:19, 26; Luke 24:27).


The author of the [[gospel of John]] uses language similar to that in Genesis 1 when personifying the speech of God as the eternal '''Logos''' (''[[Greek language|Greek]]: λογος "reason", "word", "speech"''), that is the origin of all things "with God", and "was God", and "became flesh and tabernacled among us". Many Christians interpret this as an example of [[apostle|apostolic]] teaching of the doctrine of the [[Trinity]] and the deity of [[Christ]]; it is primarily on the strength of John's testimony that Christians ascribe personality to the creative speech of God, and identify that personality with [[Jesus]] ([[Epistle to the Hebrews|Hebrews 1:2,3]], [[Epistle to the Colossians|Colossians 1:16,17]] are among other Biblical sources for the belief).
====Hackett's departure====
[[Image:Genesis Mike Phil Tony.jpg|left|thumb|250px|Genesis (clockwise): Mike Rutherford, Phil Collins and Tony Banks in May 1980.]]
Guitarist Steve Hackett had become increasingly disenchanted with the band by the time ''Wind & Wuthering'' was released.<ref name=hackett>"[http://www.worldofgenesis.com/SteveHackettInterview2001.htm Steve Hackett Interview]"</ref> Following the departure of Gabriel, he became the first band member to record a solo album. The freedom he experienced during the making of ''[[Voyage of the Acolyte]]'' (1975) led him to feel constricted at what he regarded as the confines of Genesis. Hackett wanted a quarter of the ''Wind & Wuthering'' album to be given over to his own material, which, according to Collins, was "a dumb way to work in a band context". <ref name=hackettdepart>"[http://www.g2online.co.uk/wind.htm Wind & Wuthering 1977 - Genesis Remember]"</ref> Genesis tried to placate him by giving extra songwriting credits on the two instrumental tracks "Unquiet Slumbers for the Sleepers..."/"...In That Quiet Earth" (originally intended to be a single track, composition credit to all four band members), but the Hackett-composed "Blood on the Rooftops" was never performed live by the band and his composition "Please Don't Touch" was rejected for inclusion on the LP. Following the release of the ''[[Spot the Pigeon]]'' E.P. (1977), consisting of extra tracks from the ''Wind & Wuthering'' sessions, Hackett left the band.


In addition to references to Genesis in the New Testament, Christian theologians (from the earliest Patristics to modern-day writers) have endlessly interpreted and debated the stories and images in Genesis, using a myriad of methods and theological perspectives. In fact, the interpretation of the first three books of Genesis remains a hotly contended issue among Christians today.
The ''[[Seconds Out]]'' live album of the [[1977 in music|1977]] tour became Hackett's final release with Genesis. Rutherford took over his guitar duties in the studio and would alternate guitar and bass duties with [[Daryl Stuermer]] for live performances. The group continued as a [[trio (music)|trio]], a fact reflected in the title of their [[1978 in music|1978]] album ''[[...And Then There Were Three...]]''. This album began another change away from 10-minute-plus progressive epics and towards shorter, more radio-friendly tracks. It yielded their first [[United States|American]] radio hit, "Follow You Follow Me" ({{audio-nohelp|Genesis FollowYouFollowMe.ogg|sample}}). The song's popularity caused ''...And Then There Were Three...'' to be the band's first US Gold selling album.


==Islamic views==
====A change in musical direction====
The Islamic view rejects<ref name="quranicstudies">http://www.quranicstudies.com/article22.html</ref> the Biblical account of [[Lot (Bible)|Lot]] offering his daughters to be gang-raped ([http://www.biblegateway.com/passage/?search=Genesis%2019;&version=31; Genesis 19:8])<ref>http://www.answering-christianity.com/bassam_zawadi/prophet_lots_offering.htm</ref> and later impregnating both of them due to excessive alcohol consumption ([http://www.biblegateway.com/passage/?search=Genesis%2019;&version=31; Genesis 19:30-36])<ref name="quranicstudies"/>. In general, according to the Qur'an the Prophets are infallible and cannot do anything wrong. Islam accepts the Torah in theory, but the view is that the existing text is not the original text.
[[Image:Genesis Collins81.jpg|thumb|250px|[[Phil Collins]] in concert with Genesis in October 1981.]]In 1979, Genesis almost lost Collins as he moved to [[Vancouver, Canada]] in an attempt to save his first marriage. However, two months and a divorce later, Collins returned to the UK and immersed himself in ''[[Duke (album)|Duke]]'' (1980). Collins later claimed that his marriage breakup accelerated his growth as a songwriter, and ''Duke'' became the first Genesis album with which he pulled equal songwriting weight with Banks and Rutherford. ''Duke'' continued the departure from the sounds and concepts that identified Genesis in the 1970s. Lengthy, complex themes and music gave way to shorter, more "accessible" pieces. The use of the [[drum machine]] was a consistent element in forthcoming Genesis albums as well as in Collins's solo albums. The more commercial ''Duke'' was well received by the mainstream media and was Genesis’s first UK Number 1 album, and the tracks "Misunderstanding" ({{audio-nohelp|Genesis Misunderstanding.ogg|sample}}) and "Turn it on Again" became two of the band's standbys.


Also, Islam says that the Qur'an serves the same purpose that the Torah was revealed for; And that both books are from the same source and originally of the same theme, but that the Torah could not remain long in its original form.
Genesis followed ''Duke'' with 1981's ''[[Abacab]]'', which featured [[horn section|horn]] and [[wind instrument]]s and a collaboration with [[Earth, Wind & Fire]] (EWF) on the track "No Reply at All" ({{audio-nohelp|Genesis NoReplyAtAll.ogg|sample}}). Much of the rehearsing for ''Abacab'' was done in the newly built Genesis studio — [[The Farm (recording studio)|The Farm]], in [[Surrey]], [[England]], where all four of Genesis’s subsequent albums were recorded.


== Main themes ==
''Abacab'' also featured a more forceful live drum sound from Collins, including the use of ''[[Gated reverb]]'' where the live (or artificially reverberated) sound is relayed through a [[noise gate]] set to rapidly cut off the sound when it reaches a particular threshold volume. This results in a powerful "live" sounding yet very controlled drum sound. This distinctive sound was originally developed by Peter Gabriel, Collins and co-producer/engineer [[Hugh Padgham]] when Collins was recording the backing track for "Intruder", the first song on Gabriel's 1980 solo album. This, as well as Padgham's production, had been apparent on ''[[Face Value]]'' (1981), Collins’ debut solo album. The "gated" drum sound would become an audio trademark of future Genesis and Collins albums.
*God created the world. God has called all objects and living beings into existence by his word.
*The universe when created was, in the judgment of God, good. Genesis expresses an optimistic satisfaction and pleasure in the world.
*God as a personal being, referred to in [[anthropomorph]]ic and [[anthropopath]]ic terms. God may appear and speak to mankind.
*Genesis gives no philosophically rigorous definition of God; its description is a practical and historical one. God is treated exclusively with reference to his dealings with the world and with man.
*Humankind is the crown of Creation, and has been made in God's image.
*All people are descended from Adam and Eve; this expresses the unity of the whole human race.
*The Earth possesses for man a certain moral grandeur; man must include God's creatures in the respect that it demands in general, by not exploiting them for his own selfish uses.
*God is presented as being the sole creator of nature, and as existing outside of it and beyond it.
*Some historians believe Genesis to be a more recent example of [[Monotheism|monotheistic belief]] than [[Zoroastrianism]], interpreting the commandment "have no other gods before me" as an artifact of early [[henotheism]] among the Jews -- i.e., as evidence that the ''Hebrews'' were not to worship the gods of other peoples, but only their own tribal god. On the other hand, Genesis, in its present form, purports to give a record of beliefs prior to any surviving religious texts, describing the worship of other gods and local deities as a gradual development among the nations, who departed from original monotheism.
*God created an eternal, unbreakable [[covenant]] with all mankind at the time of Noah; this is known as the [[Noachide covenant]]. This universal concern with all mankind is paralleled by a second covenant made to the descendants of [[Abraham]] in particular, through his son [[Isaac]], in which their descendants will be chosen to have a special destiny.
*The Jewish people are [[Chosen people|chosen to be in a special covenant]] with God; God says to Abraham "I will make of you a great nation, and I will bless you and make your name great; and you shall be a blessing. I will bless them that bless you, and curse him that curses you; and in you shall all families of the earth be blessed". God often repeats the promise that Abraham's descendants shall be as numerous as the stars in heaven and as the sand on the seashore.


The article on [[Biblical cosmology]] discusses the Bible's view of the cosmos, much of which derives from descriptions in Genesis.
===="Invisible Touch" and "The Way We Walk" tour====


== Summary ==
[[Image:Genesis-Land-of-confusion-single-cover.jpg|left|thumb|300px|Cover of the "[[Land of Confusion]]" single. The cover is inspired from the Beatles' album ''[[With the Beatles]]''. The guitar riff accompanying the song owes its debt to [[The Who]]'s [[Pete Townshend]] &mdash; subtly acknowledged in the line "''[[My Generation|[m]y generation]] will put it right''".<ref name=assortedinfo>[http://genesis-path.net/gendivart.html "Assorted pieces of insight into Genesis from assorted sources]</ref>]]In 1982, the band released the double live album ''[[Three Sides Live]]''. The U.S. version of this album had three sides of live material (hence the album's title) plus one side of studio tracks. The studio side included the song "Paperlate" ({{audio-nohelp|Genesis Paperlate.ogg|sample}}), again featuring the EWF horn section. In the UK, the three songs on the "Paperlate" side of the album had previously been released on the EP ''[[3 X 3]]''. This enabled the UK version of ''Three Sides Live'' to also contain further live material, albeit from earlier tours. The year was capped with Genesis performing in the company of Gabriel and Hackett under the name ''"[[Six of the best]]"'' for a one-off concert at the [[National Bowl|Milton Keynes bowl]] ({{audio-nohelp|Genesis MiltonKeynes.ogg|sample}}). The concert was hastily put together to help raise money for Gabriel's [[World of Music, Arts and Dance|WOMAD]] project, which was suffering from considerable financial hardship.<ref name=womad>"[http://www.genesis-path.net/art-82RS.html The 1982 Reunion Show Program Book]"</ref>
===Creation===
{{main|Creation (theology)|Creation according to Genesis}}


The creation narrative in Genesis can be split into two sections - the first section starts with an account of the [[Creation (theology)|Creation]] of the [[universe]] by God, which occurs in six days, the second section is more human-oriented, and less concerned with explaining how the Earth, its creatures and its features came to exist as they are today.
The [[eponymous]] ''[[Genesis (album)|Genesis]]'' (1983) album (sometimes referred to as "''Shapes''" for its game-piece cover) was their third consecutive number 1 album in the UK. The album featured radio friendly pieces such as "[[Mama]]" ({{audio-nohelp|Genesis Mama.ogg|sample}}) and "That's All". ''Genesis'' also re-introduced the band's flair for lengthy pieces in "Home by the Sea", which did particularly well in [[Asia]] for its use of the [[pentatonic scale]]. The album track "Just a Job to Do" became the theme song of the 1985 [[American Broadcasting Corporation|ABC]] detective drama ''[[The Insiders]]''.


Within the first chapter, in an order as written in the Bible: On the first day, God created heaven and Earth. God then created light. On the second day, God created the [[firmament of heaven]]. On the third day, God caused the appearance of dry land and then created plant life. On the fourth day, he created the Sun, moon, and the stars. On the fifth day, God made marine life and winged-animals. On the sixth day, God created land animals before creating man.
Genesis released their highest selling album, ''[[Invisible Touch]]'' (1986), at the height of Collins’s popularity as a solo artist. The album yielded five US Top 5 singles, "Throwing it All Away", "In Too Deep", "Tonight, Tonight, Tonight", "[[Land of Confusion]]" ({{audio-nohelp|Genesis LandOfConfusion.ogg|sample}}) and "[[Invisible Touch (Song)|Invisible Touch]]" ({{audio-nohelp|Genesis InvisibleTouch.ogg|sample}}). The title track went to #1 in the United States, the only Genesis song to do so (despite only climbing to #15 in the UK). In 1987, Genesis became the first band to sell out four consecutive nights at [[Wembley Stadium]] <ref name=wembley>[http://www.twronline.net/vaults.htm The Waiting Room Online]. 2005</ref>. Genesis were the first band to use [[Vari-Lite|Vari*Lite technology]],<ref name=varilite>[http://www.vari-lite.com/index.php?src=gendocs&link=Company Vari-Lite]. Vari*Lite</ref> [[Jumbotron]] screens and the Prism sound system, all of which are now standard features of arena rock concerts.
[[Image:Genesis Live- Land Of Confusion.jpg|thumb|250px|Genesis performing "[[Land of Confusion]]" in [[Concerts at Knebworth House|Knebworth]], [[England]] ([[August 2]], [[1992]]).]]


Chapter two mentions the seventh day of creation, the [[Sabbath]], where God rested and sanctified the day. The seventh day is generally not regarded as a day inside the context of biblical [[Six Days of Creation|creationism]].
Earlier that year, Collins saw a spoof of himself on ''[[Spitting Image]]'', a satirical British [[television]] show that featured politicians and celebrities in [[puppet]] form. Impressed with the representation, Collins and Genesis commissioned the show's creators, [[Peter Fluck]] and [[Roger Law]], to work on the video for "Land of Confusion". The video was a sarcastic commentary on [[The Cold War]], played to the perception of each coalition's leaders as being "trigger happy" with the [[nuclear warfare|nuclear]] "button". As well as puppet versions of Banks, Collins and Rutherford, the video also showed [[Ronald Reagan]] dressed as [[Superman]]. It was nominated for the [[Music Television|MTV]] "Video of the Year", losing to Gabriel's [[Sledgehammer (song)|Sledgehammer]].


Some may wonder whether it was this chapter of the Hebrew Bible that gives us our seven-day week, and may further speculate about the importance of the [[seven|number seven]]. However, research into the origin of the [[week]] tells us that it was widely spread throughout the ancient world, so widely that apart from claims such as Genesis, its origins cannot be determined with certainty.
"Tonight, Tonight, Tonight" was used in a [[Michelob]] commercial (as was Collins' "[[In the Air Tonight]]"), while "In Too Deep" was featured in the film ''[[Mona Lisa (film)|Mona Lisa]]''.<ref name=scottmcmahon>page 307</ref> The instrumental "The Brazilian" was used in the [[animated movie]] ''[[When the Wind Blows]]'' (whose score was written by [[Roger Waters]]).


The second section of the creation narrative explains that the earth was lifeless, how God brought moisture to the soil and how man was formed from the dust ([[Adam and Eve|Adam]] translates from Hebrew to mean 'Red Earth').
After a hiatus of five years, Genesis reconvened to release ''[[We Can't Dance]]'' in 1991 — Collins’s last studio album with the group. The album featured the successful singles "[[Jesus He Knows Me]]", "[[I Can't Dance]]", "[[No Son of Mine]]" ({{audio-nohelp|Genesis NoSonOfMine.ogg|sample}}), "[[Hold On My Heart]]", "[[Tell Me Why]]" and "[[Never A Time]]" (US release only) as well as lengthy pieces such as "Driving the Last Spike" and "Fading Lights". The album also included "Since I Lost You", which Collins wrote in memorial of the death of [[Eric Clapton]]'s son, Conor. After serving Genesis for over 25 years, Collins left the band in March 1996, stating:
:{{Cquote|Having been in Genesis for 25 years, I felt it time to change direction in my musical life. For me now, it will be music for movies, some jazz projects, and of course my solo career. I wish the guys in Genesis all the very best in their future. We remain the best of friends.<ref name=philquits>"[http://genesis-path.net/philquits.html Phil Quits Genesis!]".<u>Entertainment Wire</u>. 2006. [[28 March]] [[1996]]</ref>}}


===Ray Wilson Era: 1997&ndash;1998===
=== ===
[[Image:God2-Sistine Chapel.png|thumb|250px|God creates man]]
[[Image:Wilson Genesis.jpg|thumb|250px|[[Ray Wilson (musician)|Ray Wilson]] with [[Tony Banks (musician)|Tony Banks]] in the background, performing with Genesis in early 1998.]]
{{main|Adam and Eve}}
Rutherford and Banks elected to go on, and were able to fill in the gaps of missing members. Drumming duties were shared by [[Nir Zidkyahu]], an [[Israeli]] session drummer who had played with [[Hidden Persuaders (band)|Hidden Persuaders]], and [[Nick D'Virgilio]] from the progressive rock band [[Spock's Beard]].<ref name=genesisfaq /> The difference in the two play styles was noticeable, as D'Virgilio played softer, simple rhythms in comparison to Zidkyahu's pounding of the [[drums|skins]]. Regular touring guitarist Stuermer was touring, ironically enough, with Collins's solo tour. [[Anthony Drennan]], who had played with [[Paul Brady]] and [[The Corrs]], was recruited as a replacement. Finally, Banks and Rutherford replaced Collins with ex-[[Stiltskin]] singer and Pie-eater, [[Ray Wilson (musician)|Ray Wilson]]. Other considered performers included [[Paul Carrack]] from Rutherford's [[Mike and the Mechanics]] to ex-[[Marillion]] vocalist (and two-time Banks collaborator) [[Fish (singer)|Fish]]<ref name=carrack> Popke, Michael. [http://www.seaoftranquility.org/article.php?sid=274&mode=thread&order=0&thold=0 "Ray Wilson: 'I find George Bush quite frightening and capable of scary things.'"]. [[24 October]] [[2004]]</ref> to Gabriel. [[Kevin Gilbert]] was offered an audition just before he died tragically.<ref name=gilbert>Sine, Richard. [http://www.thedebster.com/gilbert/metro.html "All Rocked Out"].</ref> According to producer [[Nick Davis]], the only other serious candidate was David Langdon, who had never sung with a band before; hence Wilson got the job.<ref name=davis>[http://www.worldofgenesis.com/NickDavis-Interview-10-24-04.htm "Getting It Done In 5.1"]</ref>


God formed [[Adam and Eve|Adam]] out of earth ("adamah"), and set him in the [[Garden of Eden]], to watch over it. Adam is allowed to eat of all the fruit within it, except that of the "[[Tree of the Knowledge of Good and Evil]]". Of this tree, God tells them "thou shalt not eat of it: for in the day that thou eatest thereof thou shalt surely die."
The album ''[[Calling All Stations]]'' (1997) sold well in Europe, with the track "Congo" ({{audio-nohelp|Genesis Congo.ogg|sample}}) peaking at UK# 29. However, the album failed in America without reaching the Billboard Top 50. Genesis cancelled a planned American tour due to the album's commercial failure. Genesis has, for all intents and purposes, disbanded, but many of the members remain in regular contact. The 1970&ndash;75 lineup of Banks, Collins, Gabriel, Hackett and Rutherford, recorded a new version of "The Carpet Crawlers" ({{audio-nohelp|Genesis CarpetCrawl.ogg|sample}}), done over many separate sessions, for ''[[Turn it on Again: The Hits]]''. Collins, Banks and Rutherford performed an [[acoustic music|acoustic]] rendition of "[[I Can't Dance]]" at the Music Managers Forum in honor of their manager Tony Smith in 2000.<ref name=mmf>"[http://www.vh1.com/news/articles/1436908/20000913/story.jhtml Genesis: LET THERE BE PHIL]"</ref> Most of the original members were involved in the two ''Archive'' boxed-set compilations. [[Super Audio CD]] re-releases of most of Genesis’s studio albums have been announced, though they are still being mixed by Nick Davis.


God then brings all the animals to Adam (2:19). In verse 2:18, God says he will make ''a'' helper for Adam, singular, and then creates the animals. In 2:20, Adam studies all the animals and names them. He does not find his helpmate and notices that all the other animals have helpmates for them (the male and female). When Adam realizes this, God then puts him into a deep sleep, forms a woman from his side (or from his rib - the Hebrew is ambiguous) to be his companion (his helpmate). The first woman is later called "Eve".
==Reunion rumours==


Later, starting in verse 3:1, Eve was convinced by a talking [[Serpent (symbolism)|serpent]] to eat of the forbidden fruit. The serpent convinces her by saying "Ye shall not surely die: For God doth know that in the day ye eat thereof, then your eyes shall be opened, and ye shall be as gods, knowing good and evil." Although many think that Eve questioned the serpent wisely, a quick study of the scripture reveals otherwise. First, when Eve answers, starting in verse 3:2, she ''incorrectly'' quotes God. God told Adam he could ''freely'' eat of the fruit of ''every'' tree of the garden (2:16); Eve says "we may eat of the fruit of the trees of the garden", ignoring the freedom they had. In 3:3, she ''adds'' to what God said: "neither shall ye touch it", which God never told Adam. The second thing to note is that Adam is with Eve the ''whole time'' (3:6, "her husband with her"), including when she misquotes God's words, and does nothing about it (which is why he is ultimately blamed for the sin and not Eve). This turning from God is also considered the [[original sin]] in traditional [[Christian]] interpretation. As punishment, the ground is cursed, Adam and Eve become [[mortal]] (because they no longer have access to the [[Tree of Life]]), and they are driven out of the garden. The entrance to the garden is then guarded by ''[[cherub|cherubim]]'' with a flaming [[sword]].
Rumours of a Genesis reunion continue to resurface. In November 2005, Gabriel told the press that "the odds are better than ever before" of a Genesis reunion. Those comments followed reports by Collins that he was open to talks about reuniting. Steve Hackett confirmed that he had received a call from Genesis’s management about a possible reunion. However, at the end of November 2005, Genesis's management issued a statement in response to the growing speculation regarding Genesis members' activities saying, "There are no decisions by Genesis to perform anywhere whatsoever at this time. This situation will not alter in the next twelve months."<ref name=genesisstatement>[http://www.genesis-music.com/newsgenesis.htm#Statement "Statement from the members of Genesis"]. [[1 December]] [[2005]]</ref> In an April 2006 radio interview, Collins revealed that the band had discussed new live staging of ''The Lamb Lies Down on Broadway'' during their meeting in November 2005.<ref name=lambremake>[http://www.worldofgenesis.com/news-April06.htm "Phil Collins Sheds Light on Possible Genesis Reunion and 2005 Band Meeting"]. 2006. <u>Worldofgenesis.com</u>. [[18 April]] 2006</ref>


Adam and Eve initially have two sons named, [[Cain]] and [[Abel]]. There is a [[Chiastic structure]] in the first few verses relating Cain to Abel. Cain grows envious of the favor found by his brother before God, and slays him. The first murder is that of a brother. Cain is sentenced to wander over the earth as a fugitive. He finally settles in the [[land of Nod]].
According to Rolling Stone magazine ([[June 15]] [[2006]]) Genesis is now considering reuniting their classic five-man lineup for a tour in the near future. {{fact}}


Note: the stories of Adam and Eve and Cain and Abel also appear in the [[Qur'an]] (see [[Similarities between the Bible and the Qur'an]]).
Various sources, including Phil Collins himself in at least one interview, have confirmed that Collins, Banks and Rutherford have booked studio time in October 2006 to, as Collins put it, "see how it feels." Longtime Genesis producer and engineer Nick Davis has told fans on his web forum that the studio location is not the band's Fisher Lane Farm Studios in Surrey, and speculation has centered around a U.S.-based location, as Collins now lives in New York. No one has confirmed that a new album will result from the studio jam, but this method of creating new music - heading into the studio to improvise - is the same method that Banks, Collins and Rutherford used to write their last three albums together. {{fact}}


===From Adam to Noah===
On October 7th, Peter Gabriel announced via his website that "I think Tony, Mike and Phil are rehearsing now, just checking out whether they want to do something together. I'm not involved in this round, or this year. I have not ruled out being involved in the future, but right now I'm gonna focus on my own work". {{fact}}
{{main|Genealogies of Genesis}}
Cain, the son of Adam, builds the first known city in the Bible and calls it after the name of his son, [[Enoch]] (Genesis 4:17). Further down the line of genealogy, Lamech takes two wives (Genesis 4:19). Lamech's sons are the first dwellers in tents and owners of herds (Genesis 4:20, Jabal is called the "father of such as dwell in tents"), and they are the earliest inventors of musical instruments (Genesis 4:21) and workers in brass and iron (Genesis 4:22). These descendants of Cain know nothing about God (Genesis 4:16).


Another son of Adam, [[Seth]], has in the meantime been born to Adam and Eve in place of the slain Abel (Genesis 4:25). Seth's descendants never lose thought of God (Genesis 4:26). The tenth in regular descent is [[Noah]] (Genesis 5:1-29). Adam and Eve also have other sons and daughters (Genesis 5:4). In line with most of the other biblical characters born before the flood whose ages are provided, Adam lived until the age of 930 (Genesis 5:5).
==Inspiration and influences==


Chapter 5 provides a genealogy of descendants of Adam till Noah:
A wide range of music ranging from [[European classical music|classical music]] to mainstream rock and [[jazz]] influenced Genesis. Banks drew his influences from [[Alan Price]] of [[The Animals]], who, according to Banks, was "[t]he first person who made me aware of the organ in a rock context".<ref name=banksinfl1>[http://www.genesis-path.net/artMC7604.html "Genesis's Banks &mdash; A Current Account"]. <u>Beat Instrumental</u>. Apr. 1976</ref> Other organists included [[Procol Harum]]'s [[Matthew Fisher]] and the 1960s progressive rock band [[The Nice]]. Classical influences include [[Sergei Rachmaninoff|Rachmaninov]], [[Maurice Ravel|Ravel]], [[Gustav Mahler|Mahler]] and [[Dmitri Shostakovich|Shostakovich]].
{{Adam to Noah}}


=== Noah and the great flood ===
Many of their contemporaries and immediate predecessors — [[The Beatles]], [[The Rolling Stones]], [[Simon and Garfunkel]] — affected the band's music. Collins has cited [[Buddy Rich]] and the jazz outfit [[The Mahavishnu Orchestra]], while Gabriel's early career with Genesis was influenced by the music of [[Nina Simone]] and [[King Crimson]].<ref name=genesisfile>[http://www.genesis-music.com/161272mm.htm "The Genesis File"]. <u>Melody Maker</u>. 2006. [[16 December]] [[1972]]</ref> Musical arrangements on the band's first album ''From Genesis to Revelation'' were influenced by the works of The [[Moody Blues]], [[Family (band)|Family]], and The [[Bee Gees]] as Jonathan King was a self-professed admirer of their music. Though similar to the extent that both Gabriel and [[David Bowie]] relied on on-stage theatrical performances, neither claimed the other to be an influence.<ref name="gabrielbowie">[http://www.genesismuseum.com/mags/circus74.htm "Cartoons, Costumes, and the Myths of Genesis"]. <u>Circus</u>. Dec. 1974</ref>
In Genesis chapter 6, verse 2, the "sons of God" took "daughters of men" to be their wives. The human lifespan, numbered in centuries in the generations between Adam and Noah, is limited by God to 120 years (the Biblical "four score years and ten"). Giants - the [[Nephilim]] and [[Gibborim (biblical)|Gibborim]] - live on Earth among men. Angered by the violence of mankind, God determines to destroy His creation. He selects one man, [[Noah]], to survive, as Noah is a righteous man. God commands Noah to build an [[Ark]], and to take on it his family and representatives of the animals. The world is then destroyed by a cataclysmic [[Flood]], after which God enters into a [[covenant]] with Noah and his descendants, the entire human race, promising never again to destroy mankind in this way. Noah plants a vineyard (ix. 20), drinks wine, and falls into a drunken sleep. [[Ham, son of Noah|Ham]], son of Noah, sees his father naked and tells his brothers [[Shem]] and [[Japheth]]; Shem and Japheth then cover their father. When Noah awakes he places a curse on Ham's son [[Canaan]], saying that he and all his descendents shall henceforce be slaves to [[Shem]] and [[Japheth]] and their descendents.


=== The Tower of Babel ===
As a group that influenced the growth of the progressive rock genre, Genesis has been cited as an influence for many progressive rock groups such as [[Camel (band)|Camel]], [[Kansas (band)|Kansas]], [[Redrick Sultan]], [[It Bites]], [[IQ (band)|IQ]], [[Happy The Man]], [[Marillion]], [[Opeth]], [[Ange]] and [[Goblin (band)|Goblin]]. Several Genesis [[tribute band]]s such as [[Re-Genesis]], [[The Musical Box (band)|The Musical Box]] and [[In The Cage]] routinely perform Genesis’s older material from the "Peter Gabriel" era. Incidentally, Collins became the first artist to cover a Genesis song — "Behind The Lines", which he included as the third track of ''[[Face Value]]''.


Chapter 10 reviews the peoples descended from Japheth, Ham, and Shem. The dispersion of humanity into separate races and nations is described in the story of the [[Tower of Babel]]. Humanity is dispersed by a "confusion of tongues," which God brought about when men attempted to build a tower that should reach up to heaven (xi. 1-9). A genealogy is given of Shem's descendants.
Past members of Genesis have also "covered" Genesis material live on solo shows — Gabriel played "The Lamb Lies Down on Broadway" and "Back in NYC" while Hackett has performed "In That Quiet Earth", "Los Endos", "Horizons"<ref name=scottmcmahon /> and "Blood On The Rooftops". Hackett has also performed "I Know What I Like (In Your Wardrobe)" on solo tours and on tour with his short lived supergroup [[GTR (band)|GTR]] in 1986. Ray Wilson covered the biggest amount of Genesis Songs during his solo concerts. On his two solo live albums [[Live (ray wilson)|Live]] and [[Life and Acoustic]] you can find the Genesis songs "Carpet Crawlers", "Follow you Follow me", "[[I Can't Dance]]", "The Lamb lies down on Broadway", "[[No Son of Mine]]", "Shipwrecked" and "[[Mama (1983 song)|Mama]]". Surprisingly he also interpreted two solo career songs of his two predecessors in Genesis as he sang "[[In the Air Tonight]]" (Collins) and "[[Biko (song)|Biko]]" (Gabriel).
[[Jeff Buckley]] reworked "Back in NYC" on the [[posthumous]]ly released 1998 ''[[Sketches for My Sweetheart the Drunk]]''. The [[Sweden|Swedish]] [[death metal]] band [[In Flames]] covered "[[Land of Confusion]]" on ''[[Trigger (EP)]]'', as did [[Disturbed]] on their 2005 album ''[[Ten Thousand Fists]]''. Disco-pop band Alcazar, also from [[Sweden]], has covered parts of "[[Land of Confusion]] in their song [[This is the world we live in]]".


Note: the story of Noah also appears in the [[Qur'an]] (see [[Similarities between the Bible and the Qur'an]]).
{{See also|List of Genesis covers}}


==Album cover art==
== ==
Terah, who lives at [[Ur of the Chaldees]], has three sons, [[Abraham|Abram]], [[Nahor]], and [[Haran]]. Haran's son is [[Lot (Bible)|Lot]]. Nahor is married to [[Milcah]], and Abram to [[Sarah|Sarai]], who has no children. God directs Abram to leave his home. Abram obeys, emigrating with his entire household and Lot, his brother's son, to the land of Canaan. Here God appears to him and promises that the land shall become the property of his descendants.
[[Image:Foxtrot72.jpg|thumb|250px|The ''[[Foxtrot (album)|Foxtrot]]'' cover was designed by [[Paul Whitehead]].]]Genesis's album covers incorporated more complex and intricate art to reflect the themes presented in their albums. Their first album, ''From Genesis to Revelation'' was a plain black album cover with ''Genesis'' written in a green [[Gothic script|gothic]] [[typeface]] on the top left of the cover. The album covers of this album have changed with its numerous re-releases. Genesis's three subsequent album covers were developed by popular [[Charisma Records]] graphic artist [[Paul Whitehead]], who also developed the Charisma "[[Mad Hatter]]" logo. The ''Foxtrot'' album cover is popular among Genesis fans; the front cover depicts a feminine figure in a red dress with the head of a fox. Whitehead stated in an interview that [[Jimi Hendrix]]'s "[[Foxy Lady]]" was an inspiration for the character he created.<ref name=whitehead>[http://www.vandergraafgenerator.co.uk/paulw.htm "Paul Whitehead interview"]</ref> After Whitehead moved to [[Los Angeles]], Genesis signed with the reputed [[Hipgnosis]], whose artists had created high profile album covers for [[Pink Floyd]]'s ''[[Dark Side of the Moon]]'' and Led Zeppelin's ''[[Houses of the Holy]]''. Hipgnosis's first Genesis album cover was for ''The Lamb'', which for the first time in Genesis's history featured a male model. The model, credited simply as "Omar" on the album sleeve, portrayed the ''The Lamb'' protagonist "[[Rael (character)|Rael]]".


Abram is forced by a famine to leave the country and go to Egypt. The King of Egypt takes possession of the beautiful Sarai (whom Abram has misleadingly represented as his sister; she was in fact his half-sister). God smites the King with a disease, which the King recognizes as a sign from God; the King returns Sarai to Abram. Abram returns to Canaan, and separates from Lot in order to put an end to disputes about pasturage. He gives Lot the valley of the Jordan near Sodom. God again appears to Abram, and promises to him the whole country.
Through the rest of the 1970s, various Hipgnosis artists, of whom Colin Elgie contributed heavily, designed all Genesis studio albums. The ''Trick of the Tail'' album cover was representative of many of the characters in the album — the robber from "Robbery, Assault and Battery", the beast from the title track and a [[metaphor]]ic image of old age reminiscing about youth from the song "Ripples". Beginning with ''Duke'', Genesis albums featured caricatures designed by Bill Smith Studios. Genesis's highest selling album ''Invisible Touch'' featured the artwork of Assorted Images which had previously designed album covers for [[Duran Duran]] and [[Culture Club]]. The ''We Can't Dance'' cover features the work of Felicity Bowers — the cover is reminiscent of ''Wind & Wuthering'', and is presented in hazy [[watercolour]]. The ''Calling All Stations'' and the compilation ''Turn it on Again: The Hits'' covers were designed by [[Wherefore Art?]].


===Abram and Melchizedek===
==Criticism==
Lot is taken prisoner by invading kings from the East during a war between Amraphel, King of Shinar, and Bera, King of Sodom, with their respective allies. Abram pursues the victors with his armed retainers. Returning with his warband after rescuing Lot and his clan, Abram is met by [[Melchizedek]], the king and high priest of Salem (Jerusalem), who blesses him, and in return Abram gives him a [[tithe]] of his booty, refusing his share of the same. After this exploit God again appears to Abram and promises him protection, a rich reward, and numerous progeny. These descendants will pass four hundred years in servitude in a strange land; but after God has judged their oppressors they shall leave the land of their affliction, and the fourth generation shall return to Canaan.


=== Hagar and Ishmael ===
[[Image:Gabriel OldMan.jpg|left|thumb|250px|''"...brush back your hair, and let me get to know your face."''[[Peter Gabriel]] in costume as an old man. Gabriel's costumes illustrate the band's musical concepts.]]Genesis's progressive rock roots made them unlike many of their [[rock (music)|rock]] contemporaries such as [[Led Zeppelin]] or [[Black Sabbath]]. Indeed, one article in [[Q Magazine]] speaks of a 1977 [[Ray Lowry]] cartoon that depicted an arena of "either asleep, moribund,[or] comatose" fans watching Genesis perform live, with the band's name emblazoned on a banner above the stage reading "GENESNOOZE".<ref name=genesnooze>Maconie, Stuart. [http://www.genesis-path.net/art94-12 "Genesis: The Loathed and Loved"]. <u>Q Magazine</u>. Dec 1994.</ref> Much of the criticism surrounding the band in the 1970s was centred around progressive rock in general, which many dismissed as "intellectual" or "pretentious". Gabriel's theatrics appeared unpalatable to mainstream rock fans as well as many Genesis fans.<ref name=completeguide>Page 37</ref> This was exemplified during live performances of Gabriel's last Genesis album, ''The Lamb'', during which he appeared on stage as various characters in his storyline such as the Slipperman. The storyline for ''The Lamb'', which was independently developed by Gabriel, proved hard to understand and accept and caused friction within the band.<ref name=completeguide>Page 37</ref> Collins recalled later, "He'd be in a Slipperman costume trying to get a mike anywhere near his throat, and be out of breath - all twisted up. Towards the end I felt the singing wasn't really being heard; the songs weren't really being heard".<ref name=autodiscography />
Sarai is childless, so Sarai and Abram decide that they will produce an heir for Abram through his Egyptian handmaiden, [[Hagar]]. Abram takes her as a concubine and has a child with her, [[Ishmael]]. God again appears to Abram, and enters into a personal covenant with him securing Abram's future: God promises him a numerous progeny, changes his name to "[[Abraham]]" and that of Sarai to "[[Sarah]]," and institutes the [[circumcision]] of all males as an eternal sign of the covenant.


=== Sodom and Gomorrah ===
Genesis' transition from playing lengthy complex material to more compact, radio friendly material was not well received by many critics; one particular review of ''...And Then There Were Three...'' read, "[i]n short, this contemptible opus is but the palest shadow of the group's earlier accomplishments. Not only is the damage irreversible, it's been widely endorsed: ''...And Then There Were Three...'' is Genesis’s first U.S. gold record".<ref name=attwt>Bloom, Michael. [http://www.rollingstone.com/artists/genesis/albums/album/104990/rid/5944592/ "And Then There Were Three"]. RollingStone. [[10 August]] [[1978]]</ref> Collins himself has often been criticized for Genesis's transformation from a progressive rock outfit to a mainstream rock / [[pop music|pop]] band, playing much the same type of music that Collins did as a solo artist. "I don't feel we've bastardized the way we were", Collins said in an interview with ''Music Express''. "On a generous day I'll blame me for the change, but I just think it is us growing up, listening to different things".<ref name=collinsinterview>[http://www.philcollins.co.uk/musicexpress90.htm "Phil Collins Interviews"]. <u>Musical Express</u>. 1990</ref>
God sends Abraham three [[angel]]s, whom Abraham receives hospitably. They announce to him that he will have a son within a year, although he and his wife are already very old. Abraham also hears that God's messengers intend to execute judgment upon the wicked inhabitants of [[Sodom]] and [[Gomorrah]], whereupon he intercedes for the sinners, and endeavors to have their fate set aside. Two of the messengers go to Sodom, where they are hospitably received by Lot. The men of the city wish to have sexual relations with them. Lot offers up his two virginal daughters in place of the messengers. The men of Sodom refuse Lot's daughters. Having thus shown that they have deserved their fate, Sodom and Gomorrah are destroyed by [[fire and brimstone|fire-and-brimstone]].


Only Lot and his two daughters are saved. Lot's [[incest]]uous relationship with his daughters, which resulted in the births of Ammon and Moab, is also described.
==Discography==
{{Main|Genesis discography}}


Abraham journeys to Gerar, the country of Abimelech. Here once again he represents Sarah as his sister, and Abimelech plans to gain possession of her. He desists on being warned by God.
==Notes==
<div class="references-small">
<references/>
</div>


Note: the story of Lot and Sodom and Gomorrah also appears in the [[Qur'an]] (see [[Similarities between the Bible and the Qur'an]]).
==References==
<div class="references-small">
{{col-begin}}
{{col-2}}
* Welch, Cris. <u>The Complete Guide to the Music of Genesis</u>. London: Omnibus Press. 1995
* McMahan, Scott. [http://cyberreviews.skwc.com/genesis.html "The Genesis Discography &mdash; The scattered pages of a book by the sea"]. January 1998 Ed.
* Eder, Bruce. [http://www.billboard.com/bbcom/bio/index.jsp?&cr=artist&or=ASCENDING&sf=length&pid=4704&kw=Genesis "Genesis Biography"]. <u>All Music Guide</u>. 2006.
* Mitchell, Paul. [http://www.genesis-path.net/artJL7310b.html "The Book of Genesis"]. <U>Music Scene</u>. October 1973
* Welch, Chris. [http://www.genesis-path.net/artJH7508.html "Genesis to Revelation"]. <u>Melody Maker</u>. [[23 August]] [[1975]]
* Banks, Collins, Rutherford. [http://www.genesis-path.net/TP_75-82.html "Genesis Look At Themselves - An Autodiscography"]. <u>Trouser Press</u>. March 1982
* Welch, Chris. [http://www.genesis-music.com/23972MM.htm "THE BAND WHO WANT TO BE BOOED"]. <U>Melody Maker</u>. [[23 September]] [[1972]]


=== The birth of Isaac ===
{{col-2}}
At last the long-expected son is born, and receives the name of "[[Isaac]]" (''Itzhak'': "will laugh" in Hebrew). At Sarah's insistence [[Ishmael]] together with his mother Hagar is driven out of the house. They also have a great future promised to them by God. Abraham, during the banquet that he gives in honor of Isaac's birth, enters into a covenant with Abimelech, who confirms his right to the well [[Beersheba|Beer-sheba]].
* Genesis. <u>Inside Genesis 1975-1980</u> Classic Rock Legends, 2004

* Genesis. <u>Inside Genesis 1970-1975</u> Classic Rock Legends, 2005
The story of Isaac also appears in the [[Qur'an]] (see [[Similarities between the Bible and the Qur'an]]).
* Genesis. <u>Revelations on Broadway</u>.Archive 1967—75, 1998

* Genesis. <u>Archive #2. 1976—1992</u>. 2001
=== The near sacrifice of Isaac ===
* Genesis. <u>Genesis Archive, Vol.1: 1967-1975</u>. 2000
{{main|Near sacrifice of Isaac}}
{{col-end}}

</div>
Now that Abraham seems to have all his desires fulfilled, having even provided for the future of his son, God subjects him to the greatest trial of his faith by demanding Isaac as a sacrifice. Abraham obeys; but, as he is about to lay the knife upon his son, God restrains him, promising him numberless descendants. On the death of Sarah, Abraham acquires [[Machpelah]] for a family tomb. Then he sends his servant to Mesopotamia, Nahor's home, to find among his relations a wife for Isaac; and Rebekah, Nahor's granddaughter, is chosen. Other children are born to Abraham by another wife, Keturah, among whose descendants are the Midianites; and he dies in a prosperous old age.

Note: the story of the sacrifice also appears in the [[Qur'an]] (see [[Similarities between the Bible and the Qur'an]]).

=== Esau and Jacob ===
After being married for twenty years Rebekah has twins by Isaac: [[Esau]], who becomes a hunter, and [[Jacob]] (''Ya'akov'': "will follow"), who becomes a herdsman. Jacob persuades Esau to sell him his birthright, for which the latter does not care; notwithstanding this bargain, God appears to Isaac and repeats the promises given to Abraham. His wife, whom he represents as his sister, is endangered in the country of the Philistines, but King Abimelech himself averts disaster. In spite of the hostility of Abimelech's people, Isaac is fortunate in all his undertakings in that country, especially in digging wells. God appears to him at Beer-sheba, encourages him, and promises him blessings and numerous descendants; and Abimelech enters into a covenant with him at the same place. Esau marries Canaanite women, to the regret of his parents.

Rebekah persuades Jacob to dress himself as Esau, and thus obtain from his blinded by old age father the blessing intended for Esau. To escape his brother's vengeance, Jacob is sent to relations in Haran, being charged by Isaac to find a wife there. On the way God appears to him at night, promising protection and aid for himself and the land for his numerous descendants. Arrived at Haran, Jacob hires himself to Laban, his mother's brother, on condition that, after having served for seven years as a herdsman, he shall have for wife the younger daughter, Rachel, with whom he is in love. At the end of this period Laban gives him the elder daughter, Leah; Jacob therefore serves another seven years for Rachel, and after that six years more for cattle. In the meantime Leah bears him Reuben, Simeon, Levi, and Judah; by Rachel's maid Bilhah he has Dan and Naphtali; by Zilpah, Leah's maid, Gad and Asher; then, by Leah again, Issachar, Zebulun, and Dinah; and finally, by Rachel, Joseph. He also acquires much wealth in flocks.

=== Jacob wrestles with God ===
In fear of Laban, Jacob flees with his family, and soon becomes reconciled with Laban. On approaching his home he is in fear of Esau, to whom he sends presents. While sleeping, a being (variously regarded as God, an angel, or a man), appears to Jacob and [[wrestle]]s with him. The mysterious one pleads to be released before daybreak, but Jacob refuses to release the being until he agrees and announces to Jacob that he shall bear the name "Israel," which means "one who wrestled with God" and is freed.

The meeting with Esau proves a friendly one, and the brothers separate reconciled. Jacob settles at [[Shechem]]. His sons Simeon and Levi take vengeance on the city of Shechem, whose prince has [[rape]]d their sister [[Dinah]]. On the road from [[Bethel (Israel)|Bethel]], Rachel gives birth to a son, [[Benjamin]], and dies.

=== Joseph the dreamer ===
[[Joseph (dreamer)|Joseph]], Jacob's favorite son, is hated by his brothers on account of his dreams prognosticating his future dominion, and on the advice of [[Judah (biblical figure)|Judah]] is secretly sold to a caravan of Ishmaelitic merchants going to [[Egypt]]. His brothers tell their father that a wild animal has devoured Joseph. Joseph, carried to Egypt, is there sold as a slave to Potiphar, one of Pharaoh's officials. He gains his master's confidence; but when the latter's wife, unable to seduce him, accuses him falsely, he is cast into prison (xxxix.). Here he correctly interprets the dreams of two of his fellow prisoners, the king's butler and baker. When Pharaoh is troubled by dreams that no one is able to interpret, the butler draws attention to Joseph. The latter is thereupon brought before Pharaoh, whose dreams he interprets to mean that seven years of abundance will be followed by seven years of famine. He advises the king to make provision accordingly, and is empowered to take the necessary steps, being appointed second in the kingdom. Joseph marries Asenath, the daughter of the priest Poti-pherah, by whom he has two sons, Manasseh and Ephraim, who were blessed by Israel, Ephraim with Israel's right hand, Manassah with Israel's left. (xli.).

When the famine comes it is felt even in Canaan; and Jacob sends his sons to Egypt to buy grain. The brothers appear before Joseph, who recognizes them, but does not reveal himself. After having proved them on this and on a second journey, and they having shown themselves so fearful and penitent that Judah even offers himself as a slave, Joseph reveals his identity, forgives his brothers the wrong they did him, and promises to settle in Egypt both them and his father (xlii.-xlv.). Jacob brings his whole family, numbering 66 persons, to Egypt, this making, inclusive of Joseph and his sons and his wife, 70 persons. Pharaoh receives them amicably and assigns to them the [[land of Goshen]] (xlvi.-xlvii.). When Jacob feels the approach of death he sends for Joseph and his sons, and receives Ephraim and Manasseh among his own sons (xlviii.). Then he calls his sons to his bedside and reveals their future to them (xlix.). Jacob dies, and is solemnly interred in the family tomb at Machpelah. Joseph lives to see his great-grandchildren, and on his death-bed he exhorts his brethren, if God should remember them and lead them out of the country, to take his bones with them. The book ends with Joseph's remains being put "in a coffin in Egypt." This, however, does not imply that his family was unfaithful to his wishes, but rather this burial is only temporary. Obviously, they could not have left him unburied for the reaminder of their stay in Egypt. They do, in fact, take his bones with them on their journey and bury him at Shechem, a plot of ground already owned by their family (Joshua 24:32).


==See also==
==See also==
*[[Enûma Elish]]
*[[Best selling music artists]]
*[[List of Rock Instrumentals]]
*[[ of ]]
*[[List of Genesis medleys]]
*[[ ]]
*[[Patriarchal Age]]
*[[Generations of Adam]]
*[[Noah's Ark]]
*[[Tanakh]]
*[[The Bible and history]]
*[[The Hebrew Bible]]
*[[Origin belief]]
*[[Torah]]
*[[parsha|Torah portions]] in Genesis: [[Bereishit (parsha)|Bereishit]], [[Noach (parshah)|Noach]], [[Lech-Lecha]], [[Vayeira]], [[Chayei Sarah]], [[Toledot]], [[Vayetze]], [[Vayishlach]], [[Vayeshev]], [[Miketz]], [[Vayigash]], [[Vayechi]]
*[[Wife-sister narratives in Genesis]]
*[[Documentary hypothesis]]

==References==
<References/>

also:
*Dr. Cassuto, "Genesis Commentary" (A Jewish commentary.)
*Henry M. Morris, "The Genesis Record" (A mainstream Christian commentary.)
*Isaac M. Kikawada & Arthur Quinn, ''Before Abraham was – The Unity of Genesis 1-11''. Nashville, Tenn, 1985. (A challenge to the Documentary Hypothesis.)
*[[Nechama Leibowitz|Nehama Leibowitz]], ''New Studies in Bereshit, Genesis''. Jerusalem: Hemed Press, 1995. (A scholarly Jewish commentary employing traditional sources.)
*Cardinal Joseph Ratzinger (now [[Pope Benedict XVI]]), ''In the Beginning''. Edinburgh, 1995. (A Catholic understanding of the story of Creation and Fall.)
*Jean-Marc Rouvière, ''Brèves méditations sur la création du monde''. L'Harmattan Paris, 2006.
*Nahum M. Sarna, ''Understanding Genesis''. New York: Schocken Press, 1966. (A scholarly Jewish treatment, strong on historical perspective.)
*Nahum M. Sarna, ''The JPS Torah Commentary: Genesis''. Philadelphia: Jewish Publication Society, 1989. (A maintream Jewish commentary.)
*E. A. Speiser, ''Genesis, The Anchor Bible''. Volume 1. Garden City, New York: Doubleday & Company, 1964. (A translation with scholarly commentary and philological notes by a noted Semitic scholar. The series is written for laypeople and specialists alike.)
*Bruce Vawter, ''On Genesis: A New Reading''. Garden City, New York: Doubleday & Co., 1977. (An introduction to Genesis by a fine Catholic scholar. Genesis was Vawter's hobby.)
*Avivah Gottlieb Zornberg, ''The Beginning of Desire: Reflections on Genesis''. New York: Doubleday, 1995. (A scholarly Jewish commentary employing traditional sources.)


==External links==
==External links==
Online versions and translations of Genesis:
{{commons|Genesis (band)}}
* [http://www.genesis-music.com Official Genesis homepage]
* [http://www.philcollins.co.uk Official Phil Collins homepage]
* [http://www.petergabriel.com Official Peter Gabriel homepage]
* [http://www.stevehackett.com Official Steve Hackett homepage]
* [http://www.anthonyphillips.co.uk Official Anthony Phillips homepage]
* [http://www.raywilson.co.uk Official Ray Wilson homepage]
* [http://www.worldofgenesis.com World Of Genesis] Up to date news in the world of Genesis.
* [http://www.genesis-music.com/links.htm Authorised Genesis links]
* Books and articles about Genesis are listed on the pages of [http://www.progbibliography.de/ Progressive Rock Bibliography]


*[[Judaism|Jewish]] translations:
{{Template:Genesis}}
** [http://www.mechon-mamre.org/e/et/et0101.htm Genesis at Mechon-Mamre] (Jewish Publication Society translation)
** [http://bible.ort.org/books/pentd2.asp?ACTION=displaypage&BOOK=1&CHAPTER=1 Genesis (The Living Torah)] Rabbi [[Aryeh Kaplan]]'s translation and commentary at Ort.org
**[http://www.chabad.org/library/archive/LibraryArchive2.asp?AID=6289 Bereishit-Genesis (Judaica Press)] translation with [[Rashi]]'s commentary at Chabad.org
** [http://www.mechon-mamre.org/p/pt/pt0101.htm בראשית ''Bereishit'' - Genesis] ([[Hebrew language|Hebrew]] - English at Mechon-Mamre.org)
* [[Christian]] translations:
* [http://www.gospelhall.org/bible/bible.php?passage=Genesis+1 ''Online Bible'' at GospelHall.org]
** [http://www.anova.org/sev/htm/hb/01_genesis.htm ''Genesis'' at The Great Books] (New Revised Standard Version)
** [http://st-takla.org/pub_oldtest/01_gen.html Genesis in Arabic] (from St-Takla.org)
** [http://en.wikisource.org/wiki/Bible%2C_King_James%2C_Genesis ''Genesis'' at Wikisource] (Authorised/King James Version)
* Translations identifying sources according to the [[documentary hypothesis]]:
**[[Wikisource:Bible, English, King James, Documentary Hypothesis, Genesis|Genesis with sources highlighted, at Wikisource]]
* [http://www.biblegateway.com ''Bible Gateway 35 languages/50 versions'' at GospelCom.net]
* [http://unbound.biola.edu ''Unbound Bible 100+ languages/versions'' at Biola University]


===See also===
{{featured article}}
* [http://www.jewishencyclopedia.com/view.jsp?artid=137&letter=G&search=Genesis Book of ''Genesis'' article] (Jewish Encyclopedia)
* [http://www.threetwoone.org/diagrams/offspring-adam-2x-00.gif A detailed chart of Adam's descendents, as told in the book of ''Genesis'']
* [http://www.plymouthbrethren.org/passage.asp?passage_id=1 Genesis from the Biblical Resource Database]
* [[The Genesis According to Spiritism]]
* [http://www.psyche.com/psyche/genesis/genesis1_1-5.html Yom Echad: Hypertext Genesis 1:1]


===Other Sites===
[[Category:Art rock musical groups]]
* [http://myjewishlearning.com/texts/Weekly_Torah_Commentary/bereishit_index.htm MyJewishLearning.com's] text studies and commentaties on Bereshit, Genesis 1:1 - 6:8
[[Category:English musical groups]]
*[http://www.dinur.org/1.html?rsID=219 The Jewish History Resource Center] Project of the Dinur Center for Research in Jewish History, The Hebrew University of Jerusalem
[[Category:Genesis]]
* [http://www.biblicalstudies.org.uk/genesis.php BiblicalStudies.org.uk] Extensive bibliography, on-line articles and books.
[[Category:Peel Sessions artists]]
* [http://www.gnosticteachings.org/index.php?option=com_content&task=category&sectionid=8&id=76&Itemid=66 The Esoteric Book of Genesis]
[[Category:Peter Gabriel]]
* [http://www.slate.com/id/2141050/ "what happens when an ignorant person actually reads the book on which his religion is based"], Slate.com deputy editor David Plotz' multipart diary
[[Category:Phil Collins]]
[[Category:Steve Hackett]]
[[Category:]]
[[Category:Progressive rock groups]]
[[Category: ]]
[[Category:Bible]]
[[Category:Christian texts]]
[[Category:Spiritual books]]
[[Category:Year of work unknown]]


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Revision as of 16:05, 14 October 2006

Template:Books of the Old Testament Template:Books of Torah

Genesis (Hebrew: בראשית, Greek: Γένεσις, having the meanings of "birth", "creation", "cause", "beginning", "source" and "origin") is the first book of the Torah, the first book of the Tanakh and also the first book of the Christian Old Testament. As Jewish tradition considers it to have been written by Moses, it is sometimes also called The First Book of Moses. Fairly common among Abrahamic followers is the belief that the book was Divinely Inspired (written by God through a human), and is therefore Infallible.

In Hebrew, it is called בראשית (B'reshit or Bərêšîth, 7225), after the first word of the text in Hebrew (meaning "in the beginning"). This is in line with the pattern of naming the other four books of the Pentateuch.

Introduction

Genesis begins by describing God's creation of the world, Adam and Eve and their banishment from the Garden of Eden, the story of Cain and Abel, and the story of Noah and the great flood.

Chapter twelve begins with the call of Abram (later Abraham) and his then barren wife Sarai (later Sarah) from Ur (probably in Babylonia) to Canaan (Palestine). It contains the record of Abraham's acceptance by God, and of God's promise to him that through his seed all people on earth would be blessed (22:3). The book records the doings of his son Isaac, and grandsons, Esau and Jacob (known as Israel), as well as their families. It ends with Jacob's descendants, the Israelites, in Egypt, in favour with the Pharaoh.

Genesis contains the historical presupposition and basis of the national religious ideas and institutions of Israel, and serves as an introduction to its history, laws, and customs. It is the composition of a writer (or set of writers, see documentary hypothesis), who has recounted the traditions of the Israelites, combining them into a uniform work, while preserving the textual and formal peculiarities incident to their difference in origin and mode of transmission.

Authorship

Genesis as a completed book makes no claims about its authorship; it is an article of Orthodox Jewish faith that the book was dictated, in its entirety, by God to Moses on Mount Sinai. For a number of reasons, this view is no longer accepted by many biblical scholars and liberal Protestants. Instead, they accept a theory whose roots are based on cultural evolution and philosophical naturalism which teaches that the text of Genesis as we see it today was redacted together around 440 BC from earlier sources, namely the Sumerians.

Bereshit aleph, or the first chapter of Genesis, written on an egg, in the Israel Museum.

Use of the literal reading to date creation

Based on the genealogies in Genesis and later parts of the Bible, both religious Jews and Christians have independently worked backwards to estimate the time of the Creation of the world. This approach suggests Creation was around the beginning of the 4th millennium BC. This dating is based on an entirely literal reading of the creation account: that the six days in which God created the heavens and the earth were 24-hour days, that Adam, Eve, and the Garden of Eden existed, and that a complete trace of events from Creation to a historically verifiable date is listed in the Biblical account.

Many scholars have questioned the accuracy of the historical account, and the use of such a retracing of the events presented in Genesis to date human history on earth has been rejected by the great majority of historians and archaeologists. Furthermore, independent scientific evidence from fields as diverse as cosmology, geology and biology is entirely incompatible with the timeline described in Genesis (e.g. the age of the Earth is estimated as more than 4 billion years). This subject is further discussed in The Bible and history and Young Earth creationism.

Literal versus allegorical interpretations

Genesis begins with a creation narrative, or narratives. Because a literal reading of Genesis can be seen to conflict with widely accepted scientific theories such as the Big Bang and common descent, many believers view the creation narratives presented in Genesis as an allegory; however the non-literal view of creation did not begin with Charles Darwin, but rather predated him by hundreds of years[1].

Those who believe that the first eleven chapters are literal argue that the style of writing shares a literary style with other biblical writing often considered to be historical in nature and the text nowhere indicates that it is meant as anything other than a literal account [2]. Such analyses, along with a strong tradition of Biblical inerrancy, has led a significant number of religious individuals and organisations to reject man's theoretical accounts of the origin of life and the universe in favour of Young-Earth creationism or YEC. Those holding to the view of YEC, use the Genesis account of creation to provide alternative explanations to those of modern science on subjects including the origin of the universe, life and humankind.

There are also growing number of Christians and Jews who argue that the beginning ‎of ‎Genesis is not an account of the physical creation of the world; but, in keeping with ‎how they think ‎ancient Hebrews would have viewed this text, believe it is an account of God's ‎‎dissemination of order on a physical plane that was there before the narrative begins. ‎‎Some even decry any attempt as inaccurate that interprets the text as anything other than a bestowment of ‎‎order on the physical universe. Saint Augustine took this view in The Literal Meaning of Genesis, but strongly rejected the suggestion that it represented an allegory; he took, instead, the position that in the Bible, "light" is continually used to mean order, enlightenment, or a higher plane of existence, and that similarly, "day" means an indeterminate interval of time defined by some central paradigm, as in the expression "dawn of a new day". From this point of view, he could reject as irrelevant the question of what was meant by the first three "days of Creation", when the sun and moon were not created until the fourth day, in favor of a "literal" interpretation that the universe was created all at once and then progressed from chaos through a "day when light was created", with light meaning understanding, order, etc. rather than electromagnetic radiation, followed by "a day when heaven was created", etc.[1]

Interestingly, Genesis is the most quoted book in the Old and New Testaments. In every instance, it is never in the context of metaphor or allegory or non-physical. Whether Moses himself in Exodus 20:11 correlating the 6 creation days to the 6 day workweek, David in Psalms or Jesus and Peter in the New Testament, Genesis Creation and events in Chapters 1-11, are assumed taken at face value to be literal historical fact not requiring interpretation or interpolation.

Christian views

There are numerous references to Genesis in the New Testament. These references assume an authoritative nature for Genesis. While none of these references explicitly state an author for Genesis there are several places which attribute the books of the law (Torah) to Moses (Mark 12:19, 26; Luke 24:27).

The author of the gospel of John uses language similar to that in Genesis 1 when personifying the speech of God as the eternal Logos (Greek: λογος "reason", "word", "speech"), that is the origin of all things "with God", and "was God", and "became flesh and tabernacled among us". Many Christians interpret this as an example of apostolic teaching of the doctrine of the Trinity and the deity of Christ; it is primarily on the strength of John's testimony that Christians ascribe personality to the creative speech of God, and identify that personality with Jesus (Hebrews 1:2,3, Colossians 1:16,17 are among other Biblical sources for the belief).

In addition to references to Genesis in the New Testament, Christian theologians (from the earliest Patristics to modern-day writers) have endlessly interpreted and debated the stories and images in Genesis, using a myriad of methods and theological perspectives. In fact, the interpretation of the first three books of Genesis remains a hotly contended issue among Christians today.

Islamic views

The Islamic view rejects[3] the Biblical account of Lot offering his daughters to be gang-raped (Genesis 19:8)[4] and later impregnating both of them due to excessive alcohol consumption (Genesis 19:30-36)[3]. In general, according to the Qur'an the Prophets are infallible and cannot do anything wrong. Islam accepts the Torah in theory, but the view is that the existing text is not the original text.

Also, Islam says that the Qur'an serves the same purpose that the Torah was revealed for; And that both books are from the same source and originally of the same theme, but that the Torah could not remain long in its original form.

Main themes

  • God created the world. God has called all objects and living beings into existence by his word.
  • The universe when created was, in the judgment of God, good. Genesis expresses an optimistic satisfaction and pleasure in the world.
  • God as a personal being, referred to in anthropomorphic and anthropopathic terms. God may appear and speak to mankind.
  • Genesis gives no philosophically rigorous definition of God; its description is a practical and historical one. God is treated exclusively with reference to his dealings with the world and with man.
  • Humankind is the crown of Creation, and has been made in God's image.
  • All people are descended from Adam and Eve; this expresses the unity of the whole human race.
  • The Earth possesses for man a certain moral grandeur; man must include God's creatures in the respect that it demands in general, by not exploiting them for his own selfish uses.
  • God is presented as being the sole creator of nature, and as existing outside of it and beyond it.
  • Some historians believe Genesis to be a more recent example of monotheistic belief than Zoroastrianism, interpreting the commandment "have no other gods before me" as an artifact of early henotheism among the Jews -- i.e., as evidence that the Hebrews were not to worship the gods of other peoples, but only their own tribal god. On the other hand, Genesis, in its present form, purports to give a record of beliefs prior to any surviving religious texts, describing the worship of other gods and local deities as a gradual development among the nations, who departed from original monotheism.
  • God created an eternal, unbreakable covenant with all mankind at the time of Noah; this is known as the Noachide covenant. This universal concern with all mankind is paralleled by a second covenant made to the descendants of Abraham in particular, through his son Isaac, in which their descendants will be chosen to have a special destiny.
  • The Jewish people are chosen to be in a special covenant with God; God says to Abraham "I will make of you a great nation, and I will bless you and make your name great; and you shall be a blessing. I will bless them that bless you, and curse him that curses you; and in you shall all families of the earth be blessed". God often repeats the promise that Abraham's descendants shall be as numerous as the stars in heaven and as the sand on the seashore.

The article on Biblical cosmology discusses the Bible's view of the cosmos, much of which derives from descriptions in Genesis.

Summary

Creation

The creation narrative in Genesis can be split into two sections - the first section starts with an account of the Creation of the universe by God, which occurs in six days, the second section is more human-oriented, and less concerned with explaining how the Earth, its creatures and its features came to exist as they are today.

Within the first chapter, in an order as written in the Bible: On the first day, God created heaven and Earth. God then created light. On the second day, God created the firmament of heaven. On the third day, God caused the appearance of dry land and then created plant life. On the fourth day, he created the Sun, moon, and the stars. On the fifth day, God made marine life and winged-animals. On the sixth day, God created land animals before creating man.

Chapter two mentions the seventh day of creation, the Sabbath, where God rested and sanctified the day. The seventh day is generally not regarded as a day inside the context of biblical creationism.

Some may wonder whether it was this chapter of the Hebrew Bible that gives us our seven-day week, and may further speculate about the importance of the number seven. However, research into the origin of the week tells us that it was widely spread throughout the ancient world, so widely that apart from claims such as Genesis, its origins cannot be determined with certainty.

The second section of the creation narrative explains that the earth was lifeless, how God brought moisture to the soil and how man was formed from the dust (Adam translates from Hebrew to mean 'Red Earth').

Adam and Eve

God creates man

God formed Adam out of earth ("adamah"), and set him in the Garden of Eden, to watch over it. Adam is allowed to eat of all the fruit within it, except that of the "Tree of the Knowledge of Good and Evil". Of this tree, God tells them "thou shalt not eat of it: for in the day that thou eatest thereof thou shalt surely die."

God then brings all the animals to Adam (2:19). In verse 2:18, God says he will make a helper for Adam, singular, and then creates the animals. In 2:20, Adam studies all the animals and names them. He does not find his helpmate and notices that all the other animals have helpmates for them (the male and female). When Adam realizes this, God then puts him into a deep sleep, forms a woman from his side (or from his rib - the Hebrew is ambiguous) to be his companion (his helpmate). The first woman is later called "Eve".

Later, starting in verse 3:1, Eve was convinced by a talking serpent to eat of the forbidden fruit. The serpent convinces her by saying "Ye shall not surely die: For God doth know that in the day ye eat thereof, then your eyes shall be opened, and ye shall be as gods, knowing good and evil." Although many think that Eve questioned the serpent wisely, a quick study of the scripture reveals otherwise. First, when Eve answers, starting in verse 3:2, she incorrectly quotes God. God told Adam he could freely eat of the fruit of every tree of the garden (2:16); Eve says "we may eat of the fruit of the trees of the garden", ignoring the freedom they had. In 3:3, she adds to what God said: "neither shall ye touch it", which God never told Adam. The second thing to note is that Adam is with Eve the whole time (3:6, "her husband with her"), including when she misquotes God's words, and does nothing about it (which is why he is ultimately blamed for the sin and not Eve). This turning from God is also considered the original sin in traditional Christian interpretation. As punishment, the ground is cursed, Adam and Eve become mortal (because they no longer have access to the Tree of Life), and they are driven out of the garden. The entrance to the garden is then guarded by cherubim with a flaming sword.

Adam and Eve initially have two sons named, Cain and Abel. There is a Chiastic structure in the first few verses relating Cain to Abel. Cain grows envious of the favor found by his brother before God, and slays him. The first murder is that of a brother. Cain is sentenced to wander over the earth as a fugitive. He finally settles in the land of Nod.

Note: the stories of Adam and Eve and Cain and Abel also appear in the Qur'an (see Similarities between the Bible and the Qur'an).

From Adam to Noah

Cain, the son of Adam, builds the first known city in the Bible and calls it after the name of his son, Enoch (Genesis 4:17). Further down the line of genealogy, Lamech takes two wives (Genesis 4:19). Lamech's sons are the first dwellers in tents and owners of herds (Genesis 4:20, Jabal is called the "father of such as dwell in tents"), and they are the earliest inventors of musical instruments (Genesis 4:21) and workers in brass and iron (Genesis 4:22). These descendants of Cain know nothing about God (Genesis 4:16).

Another son of Adam, Seth, has in the meantime been born to Adam and Eve in place of the slain Abel (Genesis 4:25). Seth's descendants never lose thought of God (Genesis 4:26). The tenth in regular descent is Noah (Genesis 5:1-29). Adam and Eve also have other sons and daughters (Genesis 5:4). In line with most of the other biblical characters born before the flood whose ages are provided, Adam lived until the age of 930 (Genesis 5:5).

Chapter 5 provides a genealogy of descendants of Adam till Noah: Template:Adam to Noah

Noah and the great flood

In Genesis chapter 6, verse 2, the "sons of God" took "daughters of men" to be their wives. The human lifespan, numbered in centuries in the generations between Adam and Noah, is limited by God to 120 years (the Biblical "four score years and ten"). Giants - the Nephilim and Gibborim - live on Earth among men. Angered by the violence of mankind, God determines to destroy His creation. He selects one man, Noah, to survive, as Noah is a righteous man. God commands Noah to build an Ark, and to take on it his family and representatives of the animals. The world is then destroyed by a cataclysmic Flood, after which God enters into a covenant with Noah and his descendants, the entire human race, promising never again to destroy mankind in this way. Noah plants a vineyard (ix. 20), drinks wine, and falls into a drunken sleep. Ham, son of Noah, sees his father naked and tells his brothers Shem and Japheth; Shem and Japheth then cover their father. When Noah awakes he places a curse on Ham's son Canaan, saying that he and all his descendents shall henceforce be slaves to Shem and Japheth and their descendents.

The Tower of Babel

Chapter 10 reviews the peoples descended from Japheth, Ham, and Shem. The dispersion of humanity into separate races and nations is described in the story of the Tower of Babel. Humanity is dispersed by a "confusion of tongues," which God brought about when men attempted to build a tower that should reach up to heaven (xi. 1-9). A genealogy is given of Shem's descendants.

Note: the story of Noah also appears in the Qur'an (see Similarities between the Bible and the Qur'an).

Abram and Sarai

Terah, who lives at Ur of the Chaldees, has three sons, Abram, Nahor, and Haran. Haran's son is Lot. Nahor is married to Milcah, and Abram to Sarai, who has no children. God directs Abram to leave his home. Abram obeys, emigrating with his entire household and Lot, his brother's son, to the land of Canaan. Here God appears to him and promises that the land shall become the property of his descendants.

Abram is forced by a famine to leave the country and go to Egypt. The King of Egypt takes possession of the beautiful Sarai (whom Abram has misleadingly represented as his sister; she was in fact his half-sister). God smites the King with a disease, which the King recognizes as a sign from God; the King returns Sarai to Abram. Abram returns to Canaan, and separates from Lot in order to put an end to disputes about pasturage. He gives Lot the valley of the Jordan near Sodom. God again appears to Abram, and promises to him the whole country.

Abram and Melchizedek

Lot is taken prisoner by invading kings from the East during a war between Amraphel, King of Shinar, and Bera, King of Sodom, with their respective allies. Abram pursues the victors with his armed retainers. Returning with his warband after rescuing Lot and his clan, Abram is met by Melchizedek, the king and high priest of Salem (Jerusalem), who blesses him, and in return Abram gives him a tithe of his booty, refusing his share of the same. After this exploit God again appears to Abram and promises him protection, a rich reward, and numerous progeny. These descendants will pass four hundred years in servitude in a strange land; but after God has judged their oppressors they shall leave the land of their affliction, and the fourth generation shall return to Canaan.

Hagar and Ishmael

Sarai is childless, so Sarai and Abram decide that they will produce an heir for Abram through his Egyptian handmaiden, Hagar. Abram takes her as a concubine and has a child with her, Ishmael. God again appears to Abram, and enters into a personal covenant with him securing Abram's future: God promises him a numerous progeny, changes his name to "Abraham" and that of Sarai to "Sarah," and institutes the circumcision of all males as an eternal sign of the covenant.

Sodom and Gomorrah

God sends Abraham three angels, whom Abraham receives hospitably. They announce to him that he will have a son within a year, although he and his wife are already very old. Abraham also hears that God's messengers intend to execute judgment upon the wicked inhabitants of Sodom and Gomorrah, whereupon he intercedes for the sinners, and endeavors to have their fate set aside. Two of the messengers go to Sodom, where they are hospitably received by Lot. The men of the city wish to have sexual relations with them. Lot offers up his two virginal daughters in place of the messengers. The men of Sodom refuse Lot's daughters. Having thus shown that they have deserved their fate, Sodom and Gomorrah are destroyed by fire-and-brimstone.

Only Lot and his two daughters are saved. Lot's incestuous relationship with his daughters, which resulted in the births of Ammon and Moab, is also described.

Abraham journeys to Gerar, the country of Abimelech. Here once again he represents Sarah as his sister, and Abimelech plans to gain possession of her. He desists on being warned by God.

Note: the story of Lot and Sodom and Gomorrah also appears in the Qur'an (see Similarities between the Bible and the Qur'an).

The birth of Isaac

At last the long-expected son is born, and receives the name of "Isaac" (Itzhak: "will laugh" in Hebrew). At Sarah's insistence Ishmael together with his mother Hagar is driven out of the house. They also have a great future promised to them by God. Abraham, during the banquet that he gives in honor of Isaac's birth, enters into a covenant with Abimelech, who confirms his right to the well Beer-sheba.

The story of Isaac also appears in the Qur'an (see Similarities between the Bible and the Qur'an).

The near sacrifice of Isaac

Now that Abraham seems to have all his desires fulfilled, having even provided for the future of his son, God subjects him to the greatest trial of his faith by demanding Isaac as a sacrifice. Abraham obeys; but, as he is about to lay the knife upon his son, God restrains him, promising him numberless descendants. On the death of Sarah, Abraham acquires Machpelah for a family tomb. Then he sends his servant to Mesopotamia, Nahor's home, to find among his relations a wife for Isaac; and Rebekah, Nahor's granddaughter, is chosen. Other children are born to Abraham by another wife, Keturah, among whose descendants are the Midianites; and he dies in a prosperous old age.

Note: the story of the sacrifice also appears in the Qur'an (see Similarities between the Bible and the Qur'an).

Esau and Jacob

After being married for twenty years Rebekah has twins by Isaac: Esau, who becomes a hunter, and Jacob (Ya'akov: "will follow"), who becomes a herdsman. Jacob persuades Esau to sell him his birthright, for which the latter does not care; notwithstanding this bargain, God appears to Isaac and repeats the promises given to Abraham. His wife, whom he represents as his sister, is endangered in the country of the Philistines, but King Abimelech himself averts disaster. In spite of the hostility of Abimelech's people, Isaac is fortunate in all his undertakings in that country, especially in digging wells. God appears to him at Beer-sheba, encourages him, and promises him blessings and numerous descendants; and Abimelech enters into a covenant with him at the same place. Esau marries Canaanite women, to the regret of his parents.

Rebekah persuades Jacob to dress himself as Esau, and thus obtain from his blinded by old age father the blessing intended for Esau. To escape his brother's vengeance, Jacob is sent to relations in Haran, being charged by Isaac to find a wife there. On the way God appears to him at night, promising protection and aid for himself and the land for his numerous descendants. Arrived at Haran, Jacob hires himself to Laban, his mother's brother, on condition that, after having served for seven years as a herdsman, he shall have for wife the younger daughter, Rachel, with whom he is in love. At the end of this period Laban gives him the elder daughter, Leah; Jacob therefore serves another seven years for Rachel, and after that six years more for cattle. In the meantime Leah bears him Reuben, Simeon, Levi, and Judah; by Rachel's maid Bilhah he has Dan and Naphtali; by Zilpah, Leah's maid, Gad and Asher; then, by Leah again, Issachar, Zebulun, and Dinah; and finally, by Rachel, Joseph. He also acquires much wealth in flocks.

Jacob wrestles with God

In fear of Laban, Jacob flees with his family, and soon becomes reconciled with Laban. On approaching his home he is in fear of Esau, to whom he sends presents. While sleeping, a being (variously regarded as God, an angel, or a man), appears to Jacob and wrestles with him. The mysterious one pleads to be released before daybreak, but Jacob refuses to release the being until he agrees and announces to Jacob that he shall bear the name "Israel," which means "one who wrestled with God" and is freed.

The meeting with Esau proves a friendly one, and the brothers separate reconciled. Jacob settles at Shechem. His sons Simeon and Levi take vengeance on the city of Shechem, whose prince has raped their sister Dinah. On the road from Bethel, Rachel gives birth to a son, Benjamin, and dies.

Joseph the dreamer

Joseph, Jacob's favorite son, is hated by his brothers on account of his dreams prognosticating his future dominion, and on the advice of Judah is secretly sold to a caravan of Ishmaelitic merchants going to Egypt. His brothers tell their father that a wild animal has devoured Joseph. Joseph, carried to Egypt, is there sold as a slave to Potiphar, one of Pharaoh's officials. He gains his master's confidence; but when the latter's wife, unable to seduce him, accuses him falsely, he is cast into prison (xxxix.). Here he correctly interprets the dreams of two of his fellow prisoners, the king's butler and baker. When Pharaoh is troubled by dreams that no one is able to interpret, the butler draws attention to Joseph. The latter is thereupon brought before Pharaoh, whose dreams he interprets to mean that seven years of abundance will be followed by seven years of famine. He advises the king to make provision accordingly, and is empowered to take the necessary steps, being appointed second in the kingdom. Joseph marries Asenath, the daughter of the priest Poti-pherah, by whom he has two sons, Manasseh and Ephraim, who were blessed by Israel, Ephraim with Israel's right hand, Manassah with Israel's left. (xli.).

When the famine comes it is felt even in Canaan; and Jacob sends his sons to Egypt to buy grain. The brothers appear before Joseph, who recognizes them, but does not reveal himself. After having proved them on this and on a second journey, and they having shown themselves so fearful and penitent that Judah even offers himself as a slave, Joseph reveals his identity, forgives his brothers the wrong they did him, and promises to settle in Egypt both them and his father (xlii.-xlv.). Jacob brings his whole family, numbering 66 persons, to Egypt, this making, inclusive of Joseph and his sons and his wife, 70 persons. Pharaoh receives them amicably and assigns to them the land of Goshen (xlvi.-xlvii.). When Jacob feels the approach of death he sends for Joseph and his sons, and receives Ephraim and Manasseh among his own sons (xlviii.). Then he calls his sons to his bedside and reveals their future to them (xlix.). Jacob dies, and is solemnly interred in the family tomb at Machpelah. Joseph lives to see his great-grandchildren, and on his death-bed he exhorts his brethren, if God should remember them and lead them out of the country, to take his bones with them. The book ends with Joseph's remains being put "in a coffin in Egypt." This, however, does not imply that his family was unfaithful to his wishes, but rather this burial is only temporary. Obviously, they could not have left him unburied for the reaminder of their stay in Egypt. They do, in fact, take his bones with them on their journey and bury him at Shechem, a plot of ground already owned by their family (Joshua 24:32).

See also

References

  1. ^ Davis A. Young (March 1988). "The Contemporary Relevance of Augustine's View of Creation". Perspectives on Science and Christian Faith. 40.1: 42–45.{{cite journal}}: CS1 maint: year (link)
  2. ^ Gerhard F. Hasel (1994). "The "days" of Creation in Genesis 1 : Literal "days" or figurative "periods/epochs" of time?". Origins. 21(1): 5–38.
  3. ^ a b http://www.quranicstudies.com/article22.html
  4. ^ http://www.answering-christianity.com/bassam_zawadi/prophet_lots_offering.htm

also:

  • Dr. Cassuto, "Genesis Commentary" (A Jewish commentary.)
  • Henry M. Morris, "The Genesis Record" (A mainstream Christian commentary.)
  • Isaac M. Kikawada & Arthur Quinn, Before Abraham was – The Unity of Genesis 1-11. Nashville, Tenn, 1985. (A challenge to the Documentary Hypothesis.)
  • Nehama Leibowitz, New Studies in Bereshit, Genesis. Jerusalem: Hemed Press, 1995. (A scholarly Jewish commentary employing traditional sources.)
  • Cardinal Joseph Ratzinger (now Pope Benedict XVI), In the Beginning. Edinburgh, 1995. (A Catholic understanding of the story of Creation and Fall.)
  • Jean-Marc Rouvière, Brèves méditations sur la création du monde. L'Harmattan Paris, 2006.
  • Nahum M. Sarna, Understanding Genesis. New York: Schocken Press, 1966. (A scholarly Jewish treatment, strong on historical perspective.)
  • Nahum M. Sarna, The JPS Torah Commentary: Genesis. Philadelphia: Jewish Publication Society, 1989. (A maintream Jewish commentary.)
  • E. A. Speiser, Genesis, The Anchor Bible. Volume 1. Garden City, New York: Doubleday & Company, 1964. (A translation with scholarly commentary and philological notes by a noted Semitic scholar. The series is written for laypeople and specialists alike.)
  • Bruce Vawter, On Genesis: A New Reading. Garden City, New York: Doubleday & Co., 1977. (An introduction to Genesis by a fine Catholic scholar. Genesis was Vawter's hobby.)
  • Avivah Gottlieb Zornberg, The Beginning of Desire: Reflections on Genesis. New York: Doubleday, 1995. (A scholarly Jewish commentary employing traditional sources.)

Online versions and translations of Genesis:

See also

Other Sites