Codex Borgia: Difference between revisions
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===29–46=== |
===29–46=== |
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Pages 29 through 46 of the codex constitute the longest section of the codex, and the most enigmatic. They apparently show a journey but the complex iconography and the lack of any comparable document have led to a variety of interpretations ranging from an account of actual historical events, to the passage of [[Quetzalcoatl]] -- as a personification of [[Venus]]{{Fact|date=February 2007}} -- through the underworld, to a "cosmic narrative of creation". The sequence apparently ends with a New Fire ceremony, marking the end of one 52-year cycle, and the start of another. |
Pages 29 through 46 of the codex constitute the longest section of the codex, and the most enigmatic. They apparently show a journey but the complex iconography and the lack of any comparable document have led to a variety of interpretations ranging from an account of actual historical events, to the passage of [[Quetzalcoatl]] -- as a personification of [[Venus]]{{Fact|date=February 2007}} -- through the underworld, to a "cosmic narrative of creation". The sequence apparently ends with a New Fire ceremony, marking the end of one 52-year cycle, and the start of another. |
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{{hidden|Images of pages 29–46|bg1=#ccccff| |
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{{reflist}} |
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==References== |
==References== |
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{{refbegin|indent=yes}}<!--BEGIN biblio format. If indent param. is used, Pls use a colon (:) instead of asterisk (*) for bullet markers in the references list --> |
{{refbegin|indent=yes}}<!--BEGIN biblio format. If indent param. is used, Pls use a colon (:) instead of asterisk (*) for bullet markers in the references list --> |
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: {{cite book |author={{aut|Milbrath, Susan}} |authorlink=Susan Milbrath |year=2013 |title= Heaven and Earth in Ancient Mexico: Astronomy and Seasonal Cycles in the Codex Borgia |series=The Linda Schele Series in Maya and Pre-Columbian Studies|location=Austin |publisher=[[University of Texas Press]] |isbn=978-0-292-74373-1 |oclc=783173291}} |
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: {{cite book |author={{aut|Boone, Elizabeth Hill}} |authorlink=Elizabeth Hill Boone |year=2007 |title=Cycles of Time and Meaning in the Mexican Books of Fate |series=Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture|location=Austin |publisher=[[University of Texas Press]] |isbn=978-0-292-71263-8 |oclc=71632174}} |
: {{cite book |author={{aut|Boone, Elizabeth Hill}} |authorlink=Elizabeth Hill Boone |year=2007 |title=Cycles of Time and Meaning in the Mexican Books of Fate |series=Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture|location=Austin |publisher=[[University of Texas Press]] |isbn=978-0-292-71263-8 |oclc=71632174}} |
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: {{cite journal |author={{aut|Brotherston, Gordon}} |authorlink=Gordon Brotherston |year=1999 |title=The yearly seasons and skies in the Borgia and related codices |url=http://www2.essex.ac.uk/arthistory/arara/issue_two/paper6.html |format=eJournal online text|journal=Arara: Art and Architecture of the Americas |location=Colchester, UK |publisher=[[University of Essex]] |volume=2 |issn=1465-5047 |oclc=163473451}} |
: {{cite journal |author={{aut|Brotherston, Gordon}} |authorlink=Gordon Brotherston |year=1999 |title=The yearly seasons and skies in the Borgia and related codices |url=http://www2.essex.ac.uk/arthistory/arara/issue_two/paper6.html |format=eJournal online text|journal=Arara: Art and Architecture of the Americas |location=Colchester, UK |publisher=[[University of Essex]] |volume=2 |issn=1465-5047 |oclc=163473451}} |
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Revision as of 03:01, 25 February 2013
The Codex Borgia (or Borgia Codex or Codex Yoalli Ehecatl) is a Mesoamerican ritual and divinatory manuscript. It is generally believed to have been written before the Spanish conquest of Mexico, somewhere within what is now today southern or western Puebla. The Codex Borgia is a member of, and gives its name to, the Borgia Group of manuscripts.
The codex is made of animal skins folded into 39 sheets. Each sheet is a square 27 cm by 27 cm (11x11 inches), for a total length of nearly 11 meters (35 feet). All but the end sheets are painted on both sides, providing 76 pages. The codex is read from right to left.
The Codex Borgia is named after the Italian Cardinal Stefano Borgia, who owned it before it was acquired by the Vatican Library. In 2004 Maarten Jansen and Gabina Aurora Pérez Jiménez proposed that it be given the indigenous name Codex Yoalli Ehecatl, Nahuatl for "Night and Wind", although it is not certain that its creators were Nahuas.[1]
History
The Codex Borgia was brought to Europe, likely Italy, some time in the early Spanish Colonial period. It was discovered in 1805 by Alexander von Humboldt among the effects of Cardinal Stefano Borgia. The Codex Borgia is presently housed in the Apostolic Library, the Vatican.
Contents
1–8
The first eight pages list the 260 day signs of the tonalpohualli (day sign), each trecena of 13 signs forming a horizontal row spanning two pages. Certain days are marked with a footprint symbol. Divinatory symbols are placed above and below the day signs.
Sections parallel to this are contained in the first eight pages of the Codex Cospi and the Codex Vaticanus B. However, while the Codex Borgia is read from right to left, these codices are read from left to right. Additionally, the Codex Cospi includes the Lords of the Night alongside the day signs.
-
Page 1 -
Page 2 -
Page 3 -
Page 4 -
Page 5 -
Page 6 -
Page 7 -
Page 8
9–14
Pages 9 to 13 are divided into four quarters. Each quarter contains one of the twenty day signs, its patron deity, and associated symbols.
Page 14 is divided into nine sections for each of the nine Lords of the Night. They are accompanied by a day sign and symbols indicating positive or negative associations.
-
Page 9 -
Page 10 -
Page 11 -
Page 12 -
Page 13 -
Page 14
15–17
Pages 15 to 17 depict deities associated with childbirth. Each of the twenty sections contains four day signs.
The bottom section of page 17 contains a large depiction of Tezcatlipoca, with day signs associated with different parts of his body.
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Page 15 -
Page 16 -
Page 17
18–21
-
Page 18 -
Page 19 -
Page 20 -
Page 21
22–28
-
Page 22 -
Page 23 -
Page 24 -
Page 25 -
Page 26 -
Page 27 -
Page 28
29–46
Pages 29 through 46 of the codex constitute the longest section of the codex, and the most enigmatic. They apparently show a journey but the complex iconography and the lack of any comparable document have led to a variety of interpretations ranging from an account of actual astronomical and historical events, to the passage of Quetzalcoatl -- as a personification of Venus[citation needed] -- through the underworld, to a "cosmic narrative of creation". The sequence apparently ends with a New Fire ceremony, marking the end of one 52-year cycle, and the start of another.
-
Page 29 -
Page 30 -
Page 31 -
Page 32 -
Page 33 -
Page 34 -
Page 35 -
Page 36 -
Page 37 -
Page 38 -
Page 39 -
Page 40 -
Page 41 -
Page 42 -
Page 43 -
Page 44 -
Page 45 -
Page 46
47–56
Pages 47 through 56 show a variety of deities, sacrifices, and other complex iconography.
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Page 47 -
Page 48 -
Page 49 -
Page 50 -
Page 51 -
Page 52 -
Page 53 -
Page 54 -
Page 55 -
Page 56
57–60
Pages 57 through 60 allowed the priest to determine the prospects for favorable and unfavorable marriages according to the numbers within the couple’s names.
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Page 57 -
Page 58 -
Page 59 -
Page 60
61–70
Pages 61 through 70 are similar to the first section, showing various day signs winding around scenes of deities. Each of the 10 pages shows 26 day signs.
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Page 61 -
Page 62 -
Page 63 -
Page 64 -
Page 65 -
Page 66 -
Page 67 -
Page 68 -
Page 69 -
Page 70
71–76
Page 71 depicts Tonatiuh, the sun god, receiving blood from a decapitated bird. Surrounding the scene are the thirteen Birds of the Day, corresponding to each of the thirteen days of a trecena. Page 72 depicts four deities with day signs connected to parts of their bodies. Each deity is surrounded by a serpent. Page 73 depicts the gods Mictlantecuhtli and Quetzalcoatl seated back to back, similar to page 56. They likewise have day signs attached to various parts of their bodies, and the entire scene is encircled by day signs.
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Page 71 -
Page 72 -
Page 73 -
Page 74 -
Page 75 -
Page 76
Notes
- ^ Jansen and Jiménez: p. 270.
783173291
References
- Milbrath, Susan (2013). Heaven and Earth in Ancient Mexico: Astronomy and Seasonal Cycles in the Codex Borgia. The Linda Schele Series in Maya and Pre-Columbian Studies. Austin: University of Texas Press. ISBN 978-0-292-74373-1. OCLC 783173291.
{{cite book}}: templatestyles stripmarker in|author=at position 1 (help)CS1 maint: numeric names: authors list (link) - Boone, Elizabeth Hill (2007). Cycles of Time and Meaning in the Mexican Books of Fate. Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture. Austin: University of Texas Press. ISBN 978-0-292-71263-8. OCLC 71632174.
{{cite book}}: templatestyles stripmarker in|author=at position 1 (help)CS1 maint: numeric names: authors list (link) - Brotherston, Gordon (1999). "The yearly seasons and skies in the Borgia and related codices" (eJournal online text). Arara: Art and Architecture of the Americas. 2. Colchester, UK: University of Essex. ISSN 1465-5047. OCLC 163473451.
{{cite journal}}: templatestyles stripmarker in|author=at position 1 (help)CS1 maint: numeric names: authors list (link) - Díaz, Gisele (1993). The Codex Borgia: A Full-Color Restoration of the Ancient Mexican Manuscript. New York: Dover. ISBN 0-486-27569-8. OCLC 27641334.
{{cite book}}: Unknown parameter|coauthors=ignored (|author=suggested) (help); templatestyles stripmarker in|author=at position 1 (help); templatestyles stripmarker in|coauthors=at position 1 (help)CS1 maint: numeric names: authors list (link) - Jansen, Maarten (2001). "Borgia, Codex". In David Carrasco (ed.). The Oxford encyclopedia of Mesoamerican cultures: The civilizations of Mexico and Central America. Vol. Vol. 1. Oxford and New York: Oxford University Press. pp. 94–98. ISBN 0-19-514255-1. OCLC 44019111.
{{cite encyclopedia}}: templatestyles stripmarker in|author=at position 1 (help)CS1 maint: numeric names: authors list (link) - Jansen, Maarten (2004). "Renaming the Mexican Codices". Ancient Mesoamerica. 15 (2). London and New York: Cambridge University Press: 267–271. doi:10.1017/S0956536104040179. ISSN 0956-5361. OCLC 89722889.
{{cite journal}}: Unknown parameter|coauthors=ignored (|author=suggested) (help); templatestyles stripmarker in|author=at position 1 (help); templatestyles stripmarker in|coauthors=at position 5 (help)CS1 maint: numeric names: authors list (link) - Nowotny, Karl Anton (2005). Tlacuilolli: style and contents of the Mexican pictorial manuscripts with a catalog of the Borgia Group. George A. Everett, Jr. and Edward B. Sisson (trans. and eds.), with a foreword by Ferdinand Anders. Norman: University of Oklahoma Press. ISBN 0-8061-3653-7. OCLC 56527102.
{{cite book}}: templatestyles stripmarker in|author=at position 1 (help)CS1 maint: numeric names: authors list (link)