Eduardo Montes-Bradley

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Eduardo Montes-Bradley (born 9 July 1960) is a documentary filmmaker best known for Evita, Rita Dove: An American Poet, and Harto The Borges. His most recent films were Black Fiddlers and Daniel Chester French: American Sculptor[1]

Eduardo Montes-Bradley
Montes-Bradley, 2017
Born (1960-07-09) July 9, 1960 (age 64)
Occupations
  • Filmmaker
  • photographer
  • writer
Years active1979–present
Notable workHarto The Borges, Julian Bond, Rita Dove, Evita
SpouseSoledad Liendo
RelativesEduardo Bradley, Enrique Ferrarese
Websitewww.montesbradley.com

Life

Montes-Bradley was born in Córdoba. He moved to New York in 1979 as US correspondent for El Heraldo del Cine[2][3] In 1986, with the support of Menahem Golan, he started The Entertainment Herald.[4][5] In 1989, he produced and co-wrote SmoothTalker, starring Stuart Whitman,Burt Ward, and Sydney Lassik. A year later, he wrote and directed Double Obsession Columbia Tri-Star.[6] starring Maryam D'Abo, Margaux Hemingway, Scott Valentine and Frederick Forrest,[7]. In 1997 Montes-Bradley directed "Soriano"[8][9] first in a series on Latin American writers produced by Contrakultura Films.[10] Other titles, such as Samba On Your Feet,[11][12] explored Caribbean and Afro-Brazilian cultures.[11][12] In 2008 Montes-Bradley co-founded Heritage Film Project.[13][14][15]

Filmography

Non Fiction

 
Carolina Chocolate Drops
 
Montes-Bradley with Rivera and crew members
 
Lineup of Samba veterans in the favelas of Rio during the filming of Samba on your Feet
  • Leon Rozitchner's Window, (La Ventana de Leon Rozitchner, USA, 2008)[101][102] Anecdotical documentary with philosopher León Rozitchner.*
  • The Unanimous Night (USA, 2018).
  • Dialogue and Moisture, (USA, 2018).[103]
  • Child of the Forest. HFP, 2014. Based on the memories of Holocaust survivor Yona Bromberg as she recalls her ordeal during the Holocaust in Rokitno[104]
  • American Manifesto, 2005.[105]
  • Che: Rise & Fall, USA 2006. [106], Germany release in 2007, NatGeo premier in Latin America, 2006. The film portrays the life of Ernesto Guevara through conversations with [107] Alberto Granado,[108] and members of his military entourage such as Alberto Castellanos, Enrique Oltuski, Argudín Mendoza, Enrique "Pombo" Villegas. Locations: Havana, Congo, Bolivia.
  • Samba On Your Feet USA – Brazil, 2005. The 60 min. documentary explores the behind the scenes of Carnival in Rio[109][110] Samba On Your Feet includes archival material and interviews with iconic figures of Carnival and Samba [111][112] Distributed by Filmmakers Library, Alexander Street Press. Samba On Your Feet gained the recognition of African American Studies.[113][114][115]
  • Ismael Viñas: Witness of a Century.[79] Film based on the recollections of Ismael Viñas founder of Movimiento de Liberación Nacional (MALENA),[116]. Viñas appears in front of the camera after twenty-six years in exile.[117] in the early 1920s. The film was acclaimed and criticized by extremist elements on the right and on the left, where the Ismael Viñas portrayed in the Documentary was perceived as betraying the ideology he once embraced.[118][119] Directed by Montes-Bradley as Diana Hunter.
  • The Great Pretender. Official Selection of the International Film Festival of Buenos Aires (BAFICI), 2007. Released in Uruguay as "No a los papelones".[120] The film presents the case of Nahuel Maciel, who impersonated a Mapuche to further his credibility in journalism. He fabricated interviews with Gabriel García Márquez, Umberto Eco, Mario Vargas Llosa and John Paul II. [121][122][123] On the director's request the film did not participate "in competition" to avoid further turmoil.[124] In April 2008, the film was released on DVD in Argentina by Editorial Perfil, an opposition to the government media outlet.
  • Crónicas Mexicas, 2004 follows the trail of Hernán Cortés from Veracruz to Tenochtitlan. Writer Martín Caparrós is the omnipresent protagonist of this journey through geography and time.
  • Tríptico Vertical, USA 1986.

Experimental

  • Frogments, (USA, 2000). Experimental work on images captured by Julio Cortázar in 8 mm and verses by Allen Ginsberg. The gestation of this short film was part of the dialogue between the director and Aurora Bernárdez during the investigation period that ended with Cortázar: notes form a documentary (2002) and Cortázar without a beard (Random House Mondadori, 2004). (3').[125]
  • Freedom, (USA, 1986). Experimental work based on images captured by Montes-Bradley in 8 mm in and around Los Angeles, Chicago, and Miami in which the filmmaker highlights the marginal precariousness of those who survive in the streets of the most prosperous nation. In this short film, the United States emerges as a society with the same conflicts as developing countries. (3').

Fiction

 
Production still: Margaux Hemingway

El sekuestro (Feature Film). Miami Beach: Iruña Films. 1997. (The KidNapping) Satire-Farce.[126] El Sekuestro is a parody of a revolutionary movement in a fictitious Latin America banana republic. Starring Tobias Meincke as Bruno; Sandra Ballesteros as Carmen; Adam Black as Mario; Luis Fernández as Luis; Lázaro Pérez as Renato Cefalú, and Rodolfo Rani. Filmed in South Beach in 1995.

Double Obsession (Feature Film). Boulder: TriStar Columbia. 1992. Thriller. Starring Margaux Hemingway, Beth Fisher, Scott Valentine, Jamie Horton, Maryam D'Abo and Frederic Forrest. Edited by John Venzon. TriStar Columbia, 1992. Film on location at the University of Colorado, Boulder. Written in collaboration with Jeffrey Delman and Rick Marx.[127][128][129][130][131]

Smoothtalker (Feature Film). Boulder: TriStar Columbia. 1990. Thriller, Film Noire. USA, 1992. Starring Blair (Lisa) Weikgenant as Lisa Charles, Peter Crombie as Jack Perdue, Stuart Whitman as Lt. Gallagher, Sidney Lassick, Joe Guzaldo, Paul Raci as Peri and Burt Ward. Edited by Sandra Adair. Executive Producer Javier Gracia. Score by Tony Roman; Production Design by Brian Densmore. US Release: June 18, 1992[132]

Music videos

Bibliography

Habeas corpus: Peter Paul Weinschenk, alias Pablo Tabernero. Buenos Aires, Argentina: 34th Mar del Plata International Film Festival, INCAA. 2019. pp. 144 : photographs, 23 cm.Ideography, Biographical approach to Peter Paul Weinschenk, life and works of Pablo Tabernero, cinematographer of Prisioneros de la tierra directed by Mario Soffici.

Los dedos del huracán. Short story. Children Literature. Included on "De Ola en Ola 3" School Textbook for Third Grade. Group Macmillan. Editorial Estrada S.A., Buenos Aires, Argentina. Illustrated by Eugenia Nobati. p. 62–67[138]

Montes-Bradley, Eduardo (2012). La resurreción de Ocantos. Los Angeles, CA. pp. 62 Hard Cover : illustrations, 23 cm. ISBN 978-1449907402.{{cite book}}: CS1 maint: location missing publisher (link) Bio-bibliographical essay on Carlos María Ocantos.[139][140]

Cortázar sin barba. Madrid: Random House Mondadori. 2005. pp. 394 Hard Cover : illustrations, 23 cm. ISBN 84-8306-603-3. Biography of Julio Cortázar including a genealogical study.[141][142] First edition by Editorial Sudamericana, Argentina 2004. Third edition by Pesódromo 21 in 2014.[143][144][145]

Água No Terceiro Milenio. Brasilia Montevideo: Bianchi Editores Ediciones Pilar, Collección Señales de Vida. 2000. pp. 318, 21 cm. ISBN 9974-663-17-2. Bilingual Anthology of Short Stories. Selection of awarded works at the Literary Award "Agua no terceiro Milenio",[146] Brazil. Published in Portuguese and Spanish. Pilar Editors, Brasília, 2000. P. 142, 143, 144. Includes the short story "Das schwerste gewicht" previously published in "Ya se que todo es mentira" (1999), Editorial del Nuevo Extremo, Buenos Aires 1999.[147]

'Osvaldo Soriano': Un retrato. Buenos Aires: Grupo Editorial Norma. 2000. pp. 171 Rustic. ISBN 9879334353. Sperling & Kupfer Editori, Milan, Italy, 2001, 164pp. Translated by Gina Maneri. Collection: Continente Desaparecido, directed by Gianni Minà ISBN 88-200-3201-5. Includes conversations with Ariel Dorfman, Eduardo Galeano, Ana María Shua, Martín Caparrós, Fernando Birri, Aida Bortnik, Roberto Cossa, Liliana Hecker, Federico Luppi, Hector Olivera, Nico Orengo, Dalmiro Saenz, Gianni Minà, and others.[148][149] This book is based on the homonymous documentary film by the author.[150] Includes correspondence with Adolfo Bioy Casares, Julio Cortázar, and Juan Gelman.[151][152]

Ya se que todo es mentira. Buenos Aires: Editorial del Nuevo Extremo. 1999. p. 200. ISBN 950-9681-85-7. (trad. I know It's All Lies). Some of the short stories included have been previously published in literary magazines. Foreword by Osvaldo Bayer. 199 pp. 23 cm.[153] Foreword by Osvaldo Bayer. Design by Oscar "Negro" Díaz.

'Senxo', Selected Poems. Editorial Grupo Archivo de Comunicación, New York City, 1984. Foreword by Armando Tejada Gómez. Out of print.

Journalism

Montes-Bradley has contributed to El País, Babelia,[154] Les cinemas de la Amerique Latine[155] by the Association Rencontres Cinémas d'Amérique Latine de Toulouse France; La Jornada, México; the monthly review Latinoamérica e Tutto il Sud dell Mondo, Italy; and in Argentina to the literary magazine Esperando a Godot; the art-magazine Revista Lote, Venado Tuerto, Suplemento Radar published by Página/12, El Amante de cine, "Diario Perfil," "Revista Ñ" Clarin,[156] Critica de Argentina; and La Nación. Montes-Bradley was a frequent collaborator with the literary blog "Nación Apache."

Photography

Montes-Bradley's photography has been recognized by the National Council on Public History with the "Outstanding Public History Project Award" as part of the exhibit "The Mere Distinction of Colour" produced by James Madison's Montpelier.[157] His work appeared in The Atlantic,[158] The Washington Post,[159] La Nacion,[160] The New York Times,[161]The Independent,[162] Deutsche Welle,[163] Diario Clarin[164] other newspapers[165] and magazines[166] as well as commemorative books such as "Escenas de la memoria. La Casa Argentina en la voz de sus antiguos residentes",[167][168] and "Aventura Turnberry Jewish Center 20th Anniversary".[169] His portraits and filmed interviews with Research and Clinical Faculty are preserved at the Claude Moore Health Sciences Library, the University of Virginia under The Eduardo Montes-Bradley Photograph and Film Collection.[170]

Awards and honors

Appearances in other media

  • Margaux Hemingway Bio-documentary on Margaux Hemingway produced for the series E! True Hollywood Story by E! Entertainment Television.[174] USA, 1996.
  • Jorge Giannoni. NN, ése soy yo (NN, The One in the Picture Is Me). Documentary film by Gabriela Jaime on Jorge Giannoni[175] Argentina, 2000.[176]
  • Derrumbe. Guebel, Daniel (Fiction). Random House Mondadori, 2012. Eduardo Montes-Bradley is EMB, a fictional character.
  • Mis escritores muertos. Guebel, Daniel (Fiction). Random House Mondadori, 2012. Eduardo Montes-Bradley is EMB, a fictional character.[177]
  • Zenitram. A film by Luis Barone. Montes-Bradley plays the part of a physician in a surreal context. Argentina, 2010.[178]
  • Man maste ju leva. Actor. Directed by Margareta Vinterheden. Sweden, 1978.

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Notes

  1. Roca, Pilar Las vidas paralelas de Montes-Bradley Grupo Archivo de Comunicación. New York, 2010. University of Virginia Libraries; University of Virginia Library; UVa Library [22]
  2. Abos, Alvaro Xul Solar: Pintor del misterio. Sudamericana, 2004. p. 289
  3. Lindner, Franco Cooke: El heredero maldito de Perón: la biografía. Editorial Sudamericana, 2006
  4. Arnold, Jorge Revista de critica literaria latinoamericana.. Latinoamericana Editores.
  5. Nagy-Zekmi, Silvia Moros en la costa: Orientalismo en America Latina. Iberoamericana.p. 192.
  6. Sebreli, Juan JoseEl tiempo de una vida: Autobiografía. Editorial Sudamericana, 2005
  7. "Reviews on Latin American and Chinese Art by Eduardo Montes-Bradley" Art and Wealth [23]
  8. Bustos, Graciela Audiovisuales de combate: Acerca del Videoactivismo Contemporáneo. Published by Centro Cult. de España, Bs.As., 2006. p. 83
  9. Kriger, Clara / Spadaccini, Silvana Páginas de cine. Archivo General de la Nación, República Argentina, 2003. p. 103
  10. Tiempo de hoy. Published by Ediciones Tiempo, S.A., Spain, 2005. p. 84
  11. Mazzeo, Miguel / Ramb, Ana María Osvaldo Bayer: Miradas sobre su obra. C.C.C., ED. del Inst. Movilizador de Fondos Coo., 2003. p. 96
  12. Neifert, Agustin, Del papel al celuloide: Escritores argentinos en el cine. La Crujía Ediciones, 2003. pp. 48, 49, 54.
  13. Di Benedetto, Antonio and Lebenglik, Fabian El Pentágono: Novela en forma de cuentos. Adriana Hidalgo Editores, 2005. p. 13
  14. Aguilar, Gonzalo Moisés Otros mundos: Ensayo sobre el nuevo cine argentino. Santiago Arcos Editor, 2006. pp. 228, 130, 231.
  15. Fernandez Naval, F.X. Respirar por el idioma: (los Gallegos y Julio Cortázar). Contributor Emilia Veiga Torre. Editorial Corregidor, 2007. pp. 14, 38, 192
  16. Versants. By Collegium Romanicum. Published by L'age d'homme, 2001. 262, 266.
  17. Nelson Bayardo and José Pedro Rilla Carlos Gardel: A la luz de la historia. Editorial Aguilar, 2000. p. 117
  18. María Gabriela Barbara, Cittadini. Vindicaciones del infinito.Fundación Internacional Jorge Luis Borges, 2003. p. 38
  19. Neifert, Agustín. Del papel al celuloide Edition: illustrated. La Crujía Ediciones, 2003
  20. Mesa Gancedo, Daniel Avatares del personaje artificial en la novela Argentina de los 90. America Latina Hy, 30, 2002, Ediciones Universidad de Salamanca. p. 168.
  21. Neyret, Juan Pablo. Para textos bastan y sobran. La conformación del espacio paratextual en Triste, solitario y final, de Osvaldo Soriano. Universidad Nacional de Mar del Plata.
  22. Sainz Borgo, Karina. "Julio Cortázar: franquista en Buenos Aires, marxista en Estados Unidos y burgués en Cuba" [24]
  23. Montes-Bradley, Eduardo. "Notes On Myself" [25]
  24. Les cinemas de la Amerique Latine
  25. Alexander Street Press
  26. Greenacord [26][permanent dead link]
  27. Thomas Osgood Bradley Foundation TOBF
  28. Mar del Plata Film Festival [27]