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Cunningpal (talk | contribs) →Career: with whom she formed a duo ... must be the word intended, not 'duet'. |
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After the [[World War I]], she devoted herself to the teaching and promotion of music: she taught at the [[École Normale de Musique de Paris]], at the Académie Long-Thibaud and at the [[Schola Cantorum de Paris]]. She was a frequent lecturer in many conservatories around the world, working for the Ministry of Foreign Affairs: London, Amsterdam, Rome, Buenos Aires, and many more. She founded the ''Concours international d'interprétation et d'accompagnement'' (International Competition for Interpretation and Accompaniment) in Paris and Netherlands and the ''Académie de Chant et d'Art Lyrique'' (School of Voice and Lyric Arts), both of which bear her name. In Amsterdam, she founded the ''Concours Gabriel Fauré'' (Gabriel Fauré Competition).<ref>{{cite book|title=Handbook on International Study, Volume 2|date=1965|publisher=Institute of International Education|page=258|url=https://books.google.com/books?id=dtlHAQAAIAAJ|accessdate=30 July 2017}}</ref><ref name="Dictionnaire" />
In 1948 she was accompanied regularly by the pianist and composer [[Henriëtte Bosmans]] (1895–1952) with whom she formed a
In 1951 the composer [[Maurice Thiriet]] dedicated to Pérugia ''Fleurs'' (Flowers), 6 poems which he put in music according to the texts of Blanche Pierre-Biez. Noémie Pérugia sang them for the first time on May 24, 1951, accompanied on the piano by [[Jean-Yves Daniel-Lesur]].
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