The International Film Festival Cinematik will welcome Peter Kerekes’s recently Venice-premiered film 107 Mothers [+leggi anche:
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intervista: Peter Kerekes
scheda film] on its domestic turf as the film will open the festival’s 16^th edition. Cinematik will celebrate Slovak cinema with further titles, led by Peter Bebjak’s Best Foreign-Language Oscar nominated film The Auschwitz Report [+leggi anche:
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intervista: Peter Bebjak
scheda film], Michaela Pavlátová’s animated drama My Sunny Maad [+leggi anche:
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intervista: Michaela Pavlátová
scheda film], father-daughter Hungarian-Slovak drama Wild Roots [+leggi anche:
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scheda film] by Hajni Kis, and Erika Hníková’s documentary Every Single Minute [+leggi anche:
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intervista: Erika Hníková
scheda film]. The competition section Cinematik.doc will present the latest crop of Slovak documentaries, including Miro Remo’s high-octane portrait of “an angry man” At Full Throttle [+leggi anche:
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intervista: Miro Remo
scheda film], Maia Martiniak’s exposé on birth trauma Unseen [+leggi anche:
intervista: Maia Martiniak
scheda film], Marek Janičík’s portrait of one of the most significant Slovak literary personalities of the 20^th century The Wandering Dutchman Ľubomír Feldek, and Lucia Kašová’s feature debut The Sailor [+leggi anche:
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scheda film].

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In addition to this focus on domestic titles, the festival’s section Magnified showcasing national cinemas will be highlighting Hungarian films: genre fare with crime thrillers Tall Tales, Valan – Valley of the Angels [+leggi anche:
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scheda film], vampire retro-comedy Comrade Drakulich [+leggi anche:
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intervista: Márk Bodzsár
scheda film] and Gábor Reisz’s poetical semi-autobiographic drama Bad Poems [+leggi anche:
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scheda film] will be accompanied by Szabolcs Hajdu’s Karlovy Vary Best Film winner It’s Not the Time of My Life [+leggi anche:
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intervista: Szabolcs Hajdu
scheda film]. Furthermore, the retrospective section Respect will be dedicated to Hungarian filmmaker Ildikó Enyedi, mapping her career with her shorts Mole and Invasion, her feature debut My 20^th Century, Simon, the Magician, Golden Bear-winning drama On Body and Soul [+leggi anche:
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intervista: Ildiko Enyedi
intervista: Ildiko Enyedi
intervista: Réka Tenki
scheda film], and her most recent work The Story of My Wife [+leggi anche:
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intervista: Ildikó Enyedi
scheda film].     

European arthouse fare is traditionally shown in the competition section Meeting Point Europe, rounding up films from current and previous festival seasons. Radu Jude’s Golden Bear-winning film Bad Luck Banging or Loony Porn [+leggi anche:
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intervista: Radu Jude
scheda film] and Alexandre Koberidze’s What Do We See When We Look at the Sky? [+leggi anche:
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intervista: Alexandre Koberidze
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scheda film], Jasmila Žbanić’s Quo Vadis, Aida? [+leggi anche:
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intervista: Jasmila Žbanić
scheda film] or Victor Kossakovsky’s Gunda [+leggi anche:
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scheda film]. More European films can be found scattered throughout the festival's line-up, such as Juja Dobrachkous' Bebia, à mon seul désir [+leggi anche:
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intervista: Juja Dobrachkous
scheda film] and Joachim Trier's The Worst Person in the World [+leggi anche:
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intervista: Joachim Trier
scheda film] in the Artistic Directors selection, animated film Fritzi: A Revolutionary Tale [+leggi anche:
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scheda film] and Michel Hazanavicius' The Lost Prince [+leggi anche:
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scheda film] in the section Other Spaces, and Paul Verhoeven's latest provocation Benedetta [+leggi anche:
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scheda film] and Valdimar Jóhannsson's Lamb [+leggi anche:
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intervista: Valdimar Jóhannsson
scheda film] in the section Paths of Glory.

The full line-up of the 16^th edition of the International Film Festival Cinematik in the Spa town of Pieštany, Slovakia is available here.