PRODUCTION / FUNDING France / Belgium
Gilles Lellouche wagering on Beating Hearts
- The director of Sink of Swim is back with an XXL cast led by François Civil and Adèle Exarchopoulos in a movie produced by Trésor Films and Chi-Fou-Mi Productions, and sold by StudioCanal
Having kicked off on 9 May and scheduled to last 18 weeks, shooting on Beating Hearts [+see also:
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film profile] by Gilles Lellouche is now in full swing in northern France. This will be the third feature film directed by the actor after The Secret Adventures of Gustav Klopp (2004) and Sink or Swim [+see also:
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film profile] (unveiled out of competition at the 2018 Cannes Film Festival, awarded 10 César nominations in 2019 - notably in the Best Film and Best Director categories - and racking up 4.28 million admissions in France).
Introduced during Cannes’ Marché du Film as a sweeping, romantic, ultra-violent and musical love story which spans 20 years, and endowed with a budget of €32 million, this project is carried by a flamboyant cast, including, in lead roles, François Civil (nominated for the 2022 and 2023 Best Supporting Role Césars via The Stronghold [+see also:
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film profile] and Rise [+see also:
trailer
film profile], in the limelight this year in the two-part film The Three Musketeers: D’Artagnan [+see also:
film review
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film profile], as well as on Disney+ in A Place to Fight For, and soon to be seen in Pas de vague) and Adèle Exarchopoulos (awarded Cannes’ Palme d’Or in 2013 via Blue is the Warmest Colour [+see also:
film review
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interview: Abdellatif Kechiche
film profile], nominated for the 2023 Best Actress César thanks to Zero Fucks Given [+see also:
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interview: Emmanuel Marre and Julie Le…
film profile] and at her best this year in All Your Faces [+see also:
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film profile] and The Animal Kingdom [+see also:
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interview: Thomas Cailley
film profile], among other works; appearing on Netflix as of 1 November in Voleuses and returning next year in Planet B).
In on the action alongside them are Mallory Wanecque (nominated for 2023’s Best Female Newcomer César via The Worst Ones [+see also:
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interview: Romane Gueret and Lise Akoka
film profile]), Malik Frikah (Apaches: Gang of Paris [+see also:
trailer
film profile]), Alain Chabat (nominated for the Best Actor César in 1996, 1998 and 2007, and recently well-received in Incredible But True [+see also:
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interview: Quentin Dupieux
film profile]), Belgium’s Benoît Poelvoorde (nominated for the Best Actor César in 2005 and 2006, and gracing cinemas since 26 July in A Wonderful Girl [+see also:
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film profile]), Vincent Lacoste (awarded 2022’s Best Supporting Role César for Lost Illusions [+see also:
film review
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interview: Xavier Giannoli
film profile], nominated in the Best Actor category in 2015 and 2019, and toplining Un métier sérieux from 13 September), Élodie Bouchez (the recipient of the 1999 Best Actress César, nominated again in 2019 via In Safe Hands [+see also:
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film profile] and soon to be seen in En attendant la nuit), Karim Leklou (nominated for 2022’s Best Supporting Role César thanks to The Stronghold, recently at his absolute best in Sons of Ramses [+see also:
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interview: Clément Cogitore
film profile] and For My Country [+see also:
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interview: Rachid Hami
film profile], to name but two, and formerly showcased in Cannes via Vincent Must Die [+see also:
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interview: Stéphan Castang
film profile]), Raphaël Quenard (who caused a sensation this year in Junkyard Dog [+see also:
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film profile] and who’s hitting cinemas next week in Yannick [+see also:
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film profile]), Anthony Bajon (crowned Best Actor in Berlin 2018 via The Prayer [+see also:
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interview: Cédric Kahn
film profile], likewise brilliant in the series Reign Supreme [+see also:
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interview: Olivier Wotling
series profile]) and, last but not least, Jean-Pascal Zadi (awarded 2021’s Best New Hope César for Tout simplement noir [+see also:
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film profile]).
Adapted by Gilles Lellouche, Ahmed Hamidi, Julien Lambroschini (who were all nominated for 2019’s Best Screenplay César thanks to Sink or Swim) and Audrey Diwan (nominated for the 2015 Best Screenplay Lumière Award via The Connection [+see also:
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film profile] and for the 2022 Best Adapted Screenplay César via Happening [+see also:
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interview: Anamaria Vartolomei
film profile]) based on Neville Thompson’s novel of the same name, the story tells the tale of a boy called Clotaire who loves a girl called Jackie, and of a girl who has loved a boy since adolescence. It’s a love story thwarted by the vagaries of life but buoyed by an indestructibly strong love…
Beating Hearts is produced by Alain Attal on behalf of Trésor Films and by Hugo Sélignac for Chi-Fou-Mi Productions, in co-production with France 2 Cinéma, and Belgium’s Artémis Productions and Shelter Prod. Pre-purchased by Canal+, Netflix and France Télévisions, the feature film will be shot over the course of 18 weeks (in the Hauts-de-France and Provence-Alpes-Côte d'Azur regions, as well as in Belgium), wrapping on 15 September. Distribution in France and international sales will both be overseen by StudioCanal.
(Translated from French)
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