A mother-and-son team of strange supernatural creatures move to a small town to seek out a young virgin to feed on.A mother-and-son team of strange supernatural creatures move to a small town to seek out a young virgin to feed on.A mother-and-son team of strange supernatural creatures move to a small town to seek out a young virgin to feed on.
- Awards
- 5 wins
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaLyman Ward and Cindy Pickett, who played Tanya's parents, were also married in real life at the time of filming. (They had met when they appeared in Ferris Bueller's Day Off (1986), where they also played a married couple).
- GoofsWhen Tanya takes pictures through the SLR camera in the cemetery, she should have seen Charles in his true form since the image in an SLR viewfinder is bounced off a mirror.
- Quotes
Charles Brady: [stabs a policeman in the ear with a pencil] Cop-kebab!
- Crazy creditsCat's claws slash through the screen after the credits, exposing a green glow beyond.
- Alternate versionsTo obtain a more commercially viable M rating for its theatrical release in Australia, a majority of the film's violence and gorier moments were cut by Columbia TriStar Films. These cuts were later restored for an uncut R rated home video release.
- ConnectionsFeatured in Cinemania: Stephen King: O vasilias tou tromou (2009)
- SoundtracksSleep Walk
Written by Johnny Farina, Santo Farina and Ann Farina
Performed by Santo & Johnny
By Arrangement with Celebrity Licensing Inc.
Featured review
There's something about the b-grade sleeper "Sleepwalkers" that keeps me from liking it, but not enough to entirely hate it either. It kept me entertained, but I wasn't all that satisfied. Director Mick Garris' handling might come off stagy (which took any sense of atmosphere) with an almost TV-like feel, but remains crisp and well paced in its actions. Some imagery shows moments of creativity with the illustrative camera-work with its scopes and tilts. I just wished it had been much more darker in its visual styling. Stephen King would adapt his own book, where the premise creates a wickedly novel concept that would turn upon its sly tone with nonsensical and over-the-top dramatic lashings. This goes for its outrageous, if clumsy climax. While the jolts are grisly, they do come off quite risible with it being punctuated by sadistic heavy-handedness. The eccentric make-up FX is decently pulled off, even with some cheesy and blotchy trimmings. The script is rather ill-defined, but still has a neat touch of morbid humour and a sexual charge thanks to the seductively deranged performances by Alice Krige and Brian Krause in their mother and son relationship. Mädchen Amick is suitably appealing in the victim role. Ron Perlman makes a short, but commanding turn. Also keep a look out for some amusingly interesting cameos by Stephen King, Tobe Hooper, John Dante, John Landis, Clive Baker and Mark Hamill.
- lost-in-limbo
- Jan 29, 2010
- Permalink
Details
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $30,524,763
- Opening weekend US & Canada
- $10,017,354
- Apr 12, 1992
- Gross worldwide
- $30,524,763
- Runtime1 hour 31 minutes
- Sound mix
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