Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.
- Nominated for 3 Oscars
- 3 nominations total
Frederick Worlock
- Dr. Heath
- (as Frederic Worlock)
Storyline
Did you know
- TriviaDue to the Hays Code, much of the film had to be watered down from the 1931 version. The character of Ivy Peterson had to be changed from a prostitute to a barmaid.
- GoofsAfter attacking Ivy in her room, Jekyll runs away from her house. As he approaches a carriage, his hat flies off and he keeps running around a corner. In the next shot, from the other end of the corner, his hat is securely on his head.
- Quotes
Mr. Edward Hyde: As you were leaving the room, you turned at the door, didn't you? And you said, "For a moment, I thought..." What did you think? What did you think? Did you think that Dr. Jekyll was falling in love with you? You, with your cheap little dreams? Or did you think, perhaps - that in him, you saw a bit of me, *Hyde*?
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsFeatured in You Can't Fool a Camera (1941)
- SoundtracksSee Me Dance the Polka
(uncredited)
Music and Lyrics by George Grossmith
Additional Lyrics by John Lee Mahin
Sung by Alice Mock in the "Palace of Frivolties" show
Reprised by Ingrid Bergman
Whistled by Spencer Tracy (whistling dubbed by Robert Bradford)
Featured review
For years I knew that Fredric March had won one of his Oscars for DR. JEKYLL AND MR. HYDE back in the '30s and always assumed that because of this his performance was superior to Spencer Tracy's.
But having just seen the Tracy-Bergman-Turner version, my opinion has changed. Whereas the make-up for March makes him look like a cheap monster in a Universal thriller and almost Simian, Tracy achieves a distinctly chilling effect simply through posture and facial expressions alone with a minimum of make-up. His first encounter with the barmaid Ivy (Ingrid Bergman) is beautifully done with both of them registering emotions as they play against each other--Tracy with a wicked gleam in his eye and Bergman trying to hide her fear. She creates a really sympathetic character, especially when she realizes the extent of her degradation. Her scenes with Tracy where he is sadistically taunting her remind one of the cat-and-mouse game she played with Charles Boyer in "Gaslight".
The B&W photography realistically captures Victorian London after dark with its swirling mists and street lamps. All of the performances are first rate except for an uncertain Lana Turner who has a pallid role and can do little with it.
The only flaws are the film's length--it takes too long to tell the tale with its long-winded speeches--and the leisurely pace under Victor Fleming's direction makes the horror more muted than it need be.
But having just seen the Tracy-Bergman-Turner version, my opinion has changed. Whereas the make-up for March makes him look like a cheap monster in a Universal thriller and almost Simian, Tracy achieves a distinctly chilling effect simply through posture and facial expressions alone with a minimum of make-up. His first encounter with the barmaid Ivy (Ingrid Bergman) is beautifully done with both of them registering emotions as they play against each other--Tracy with a wicked gleam in his eye and Bergman trying to hide her fear. She creates a really sympathetic character, especially when she realizes the extent of her degradation. Her scenes with Tracy where he is sadistically taunting her remind one of the cat-and-mouse game she played with Charles Boyer in "Gaslight".
The B&W photography realistically captures Victorian London after dark with its swirling mists and street lamps. All of the performances are first rate except for an uncertain Lana Turner who has a pallid role and can do little with it.
The only flaws are the film's length--it takes too long to tell the tale with its long-winded speeches--and the leisurely pace under Victor Fleming's direction makes the horror more muted than it need be.
Details
Box office
- Gross US & Canada
- $3,924,000
- Gross worldwide
- $5,125,180
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 1.37 : 1
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