An unhappily married couple try to come between a happy one.An unhappily married couple try to come between a happy one.An unhappily married couple try to come between a happy one.
- Nominated for 1 Oscar
- 1 nomination total
Mary Bracken
- Girl
- (uncredited)
Sheila Bromley
- Colette's Downstairs Maid
- (uncredited)
Jack Byron
- Party Guest
- (uncredited)
Jack Chefe
- Party Guest
- (uncredited)
Lita Chevret
- Party Guest
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaA French-language version of the film ("One More Hour With You") was filmed simultaneously. Maurice Chevalier and Jeanette MacDonald (who both spoke French fluently) played the same parts as in the English version, and Lili Damita replaced Genevieve Tobin.
- Quotes
Dr. Andre Bertier: Madame! You may think I'm a coward. I am!
- Alternate versionsOriginal release prints of "One Hour With You" contained a number of scenes tinted in amber and blue (for interior and exterior night-time scenes). These tints were restored by UCLA, and the tinted version of the film was used in the laserdisc release "The Lubitsch Touch".
- ConnectionsReferenced in Hollywood: City of Celluloid (1932)
- SoundtracksOne Hour with You
(uncredited)
Music by Richard A. Whiting
Lyrics by Leo Robin
Performed by The Coconut Orchestra with vocal by Donald Novis
Sung by Genevieve Tobin and Maurice Chevalier
Sung by Charlie Ruggles and Jeanette MacDonald
Sung by Maurice Chevalier and Jeanette MacDonald
Featured review
Director Ernst Lubitsch made some marvelous films during the 1930s. Because they were so deftly created and the films seemed so magical and perfect, many have dubbed these films as having "the Lubitsch touch". Well, ONE HOUR WITH YOU does have many of these touches, but to me it just didn't have the magic that his best films, such as TROUBLE IN PARADISE, had--though it is still a very good film.
The film begins with a deliriously happy married couple, Maurice Chevalier and Jeanette MacDonald. They defy the stereotype that married people are dull and their love wanes--that is, until MacDonald's best friend, Mitzi (Genevieve Tobin), arrives. Mitzi is man-crazy and again and again Jeanette foolishly forces her husband to be with Mitzi alone. Eventually, he succumbs to her horny overtures--though the film seems to imply they didn't go very far. In retaliation, Jeanette grabs the first pipsqueak she can find (Charlie Ruggles) and sows a few (a very few) oats of her own. Can this couple survive? Will they live happily ever after? Sure, you betcha.
This film is a musical. While none of the numbers are especially memorable and occasionally Ms. MacDonald hit some notes that made my skin crawl, the songs were very good--very light and simple with excellent lyrics. In addition, at times the dialog was spoken in rhyme--though this confused me. At times, they rhymed beautifully (almost like a Dr. Seuss book) but then the dialog became much more normal. Later, they started rhyming again. I think they should have either stuck with this or dropped it altogether. As it was, it just seemed like they lost interest in this and forgot to keep rhyming. One thing I really did like, though, was how Chevalier occasionally broke character and spoke to the camera--like he was having a dialog with the audience. This was clever and the film had enough good moments to recommend it, but still it doesn't rank among the director's very best.
By the way, I saw this on DVD but was saddened to see it only had the American version. According to IMDb both MacDonald and Chevalier also filmed a French version at the same time, as Ms. MacDonald was apparently fluent in French!
The film begins with a deliriously happy married couple, Maurice Chevalier and Jeanette MacDonald. They defy the stereotype that married people are dull and their love wanes--that is, until MacDonald's best friend, Mitzi (Genevieve Tobin), arrives. Mitzi is man-crazy and again and again Jeanette foolishly forces her husband to be with Mitzi alone. Eventually, he succumbs to her horny overtures--though the film seems to imply they didn't go very far. In retaliation, Jeanette grabs the first pipsqueak she can find (Charlie Ruggles) and sows a few (a very few) oats of her own. Can this couple survive? Will they live happily ever after? Sure, you betcha.
This film is a musical. While none of the numbers are especially memorable and occasionally Ms. MacDonald hit some notes that made my skin crawl, the songs were very good--very light and simple with excellent lyrics. In addition, at times the dialog was spoken in rhyme--though this confused me. At times, they rhymed beautifully (almost like a Dr. Seuss book) but then the dialog became much more normal. Later, they started rhyming again. I think they should have either stuck with this or dropped it altogether. As it was, it just seemed like they lost interest in this and forgot to keep rhyming. One thing I really did like, though, was how Chevalier occasionally broke character and spoke to the camera--like he was having a dialog with the audience. This was clever and the film had enough good moments to recommend it, but still it doesn't rank among the director's very best.
By the way, I saw this on DVD but was saddened to see it only had the American version. According to IMDb both MacDonald and Chevalier also filmed a French version at the same time, as Ms. MacDonald was apparently fluent in French!
- planktonrules
- Feb 4, 2009
- Permalink
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Jedan sat ljubavi
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 18 minutes
- Color
- Aspect ratio
- 1.37 : 1
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