Waterloo Bridge
- 1931
- 1h 21m
IMDb RATING
7.4/10
3.3K
YOUR RATING
A prostitute's self-loathing makes her reluctant to marry an idealistic soldier during World War I.A prostitute's self-loathing makes her reluctant to marry an idealistic soldier during World War I.A prostitute's self-loathing makes her reluctant to marry an idealistic soldier during World War I.
Douglass Montgomery
- Roy Cronin
- (as Kent Douglass)
Rita Carlyle
- The Old Woman
- (as Rita Carlisle)
Billy Bevan
- Soldier on the Make
- (uncredited)
Symona Boniface
- Theatre Patron
- (uncredited)
Elspeth Dudgeon
- Elegant Dowager
- (uncredited)
Louise Emmons
- Passerby in Front of Theatre
- (uncredited)
Mary Gordon
- Distraught Woman on Stairway
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaEthel Griffies played (uncredited) the Landlady in BOTH Waterloo Bridge (1931) & Waterloo Bridge (1940). She was Mrs. Hobley in the earlier version and Mrs. Clark in the later version.
- GoofsAlthough the film is set in 1918 the cast are wearing early-1930s fashions
- Quotes
Roy Cronin: Is Miss Deauville in?
Mrs. Hobley: Oh, you're the young fella who was with her last night, aren't you? No, I'm afraid she isn't back yet.
Roy Cronin: Oh, you mean she's out shopping, or something?
Mrs. Hobley: Shopping's right!
- ConnectionsEdited into Show Business (1944)
- SoundtracksGod Save the King
Traditional; earliest known version by John Bull (1562-1628)
Sung at the music hall
Featured review
Waterloo Bridge (1931)
An amazing movie. Set in London during World War I, directed by the man who directed the original (and also amazing) Frankenstein, and with photography by the less known but first rate Arthur Edeson (Frankenstein, yes, but also Casablanca, no less). And throw in an astonishing actress, Mae Clarke, and you can see why it doesn't falter. She plays a struggling chorus girl and prostitute with snappy, lively believability. The lead male, Douglass Montgomery, playing a sweet hearted American soldier, is also a surprise face, totally charming, a perfect complement to Clarke. As characters, the young soldier's bright optimism brings out the best in the struggling but good hearted street girl.
The story is fast, and not completely predictable, and has a blow-out of an ending, really nice. Though set in the teens it feels modern (maybe too modern, historically). I never knew that London had a kind of Blitz experience in WWI, just as they would a decade after this film was released, and looking it up I found the Germans used zeppelins over London in the first war much the same was as they did (with planes) in WWII--to demoralize the civilian population. It adds tense excitement to the film throughout, and to the last scenes in particular, even if it isn't completely realistic (for some reason people don't scramble for cover even as the bombs are being dropped, maybe to portray that stiff upper lip thing).
Is this just a silly romance? No, no way, not when the two actors in it are so fresh and convincing, giving sparkling, nuanced performances miles away from the stiffness we associate with early sound films (or with many silent movies). This is a first rate and fast movie and honest, only 79 minutes long, with fully formed soundtrack and solid supporting cast (including a young Betty Davis, who is already confident and familiar as the sister of the leading man). The LeRoy remake of 1940 is a testimony to the strength of the story (and it is also really good). But if you want to see an early gem on its own terms, here it is. Highly recommended.
An amazing movie. Set in London during World War I, directed by the man who directed the original (and also amazing) Frankenstein, and with photography by the less known but first rate Arthur Edeson (Frankenstein, yes, but also Casablanca, no less). And throw in an astonishing actress, Mae Clarke, and you can see why it doesn't falter. She plays a struggling chorus girl and prostitute with snappy, lively believability. The lead male, Douglass Montgomery, playing a sweet hearted American soldier, is also a surprise face, totally charming, a perfect complement to Clarke. As characters, the young soldier's bright optimism brings out the best in the struggling but good hearted street girl.
The story is fast, and not completely predictable, and has a blow-out of an ending, really nice. Though set in the teens it feels modern (maybe too modern, historically). I never knew that London had a kind of Blitz experience in WWI, just as they would a decade after this film was released, and looking it up I found the Germans used zeppelins over London in the first war much the same was as they did (with planes) in WWII--to demoralize the civilian population. It adds tense excitement to the film throughout, and to the last scenes in particular, even if it isn't completely realistic (for some reason people don't scramble for cover even as the bombs are being dropped, maybe to portray that stiff upper lip thing).
Is this just a silly romance? No, no way, not when the two actors in it are so fresh and convincing, giving sparkling, nuanced performances miles away from the stiffness we associate with early sound films (or with many silent movies). This is a first rate and fast movie and honest, only 79 minutes long, with fully formed soundtrack and solid supporting cast (including a young Betty Davis, who is already confident and familiar as the sister of the leading man). The LeRoy remake of 1940 is a testimony to the strength of the story (and it is also really good). But if you want to see an early gem on its own terms, here it is. Highly recommended.
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- Dec 2, 2009
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Details
- Release date
- Country of origin
- Language
- Also known as
- Natt över London
- Filming locations
- Pasadena, California, USA(Wetherby house, exteriors)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $251,289 (estimated)
- Runtime1 hour 21 minutes
- Color
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