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1-50 of 76
- Actress
- Writer
- Soundtrack
The daughter of a noted surgeon, Dana Wynter was born Dagmar Winter in Berlin, Germany, and grew up in England. When she was 16 her father went to Morocco, reportedly to operate on a woman who wouldn't allow anyone else to attend her; he visited friends in Southern Rhodesia, fell in love with it and brought his daughter and her stepmother to live with him there. Wynter later enrolled as a pre-med student at Rhodes University (the only girl in a class of 150 boys) and also dabbled in theatrics, playing the blind girl in a school production of "Through a Glass Darkly", in which she says she was "terrible."
After a year-plus of studies, she returned to England and shifted gears, dropping her medical studies and turning to an acting career. She was appearing in a play in Hammersmith when an American agent told her he wanted to represent her. She left for New York on November 5, 1953, "Guy Fawkes Day," a holiday commemorating a 1605 attempt to blow up the Parliament building. "There were all sorts of fireworks going off," she later told an interviewer, "and I couldn't help thinking it was a fitting send-off for my departure to the New World."
Wynter had more success in New York than in London, acting on TV (Robert Montgomery Presents (1950), Suspense (1949), Studio One (1948), among others) and the stage before "going Hollywood" a short time later. The willowy, dark-eyed actress appeared in over a dozen films, worked in "Golden Age" television (such as Playhouse 90 (1956)) and even co-starred in her own short-lived TV series, the globe-trotting The Man Who Never Was (1966). Married and divorced from well-known Hollywood lawyer Greg Bautzer, Wynter, once called Hollywood's "oasis of elegance", divided her time between homes in California and County Wicklow, Ireland until her death.- Actress
- Soundtrack
American leading lady whose sweet smile and sunny disposition made her the prototypical girl-next-door of American movies of the 1940s. Raised in semi-poverty in Bronx neighborhoods by her divorced mother, Allyson (nee Ella Geisman) was injured in a fall at age eight and spent four years confined within a steel brace. Swimming therapy slowly gave her mobility again, and she began to study dance as well. She entered dance contests after high school and earned roles in several musical short films. In 1938, she made her Broadway debut in the musical "Sing Out the News." After several roles in the chorus of various musicals, she was hired to understudy Betty Hutton in "Panama Hattie." Hutton's measles gave Allyson a shot at a performance and she impressed director George Abbott so much that he gave her a role in his next musical, "Best Foot Forward." She was subsequently hired by MGM to recreate her role in the screen version. The studio realized what it had in her and offered her a contract.
Her smoky voice and winning personality made her very popular and she made more than a score of films for MGM, most often in musicals and comedies. She became a box-office attraction, paired with many of the major stars of the day. In 1945, she married actor-director Dick Powell, with whom she occasionally co-starred. Following Powell's death from cancer in 1963, she retreated somewhat from film work, appearing only infrequently on screen and slightly more often in television films. Occasional nightclub appearances and commercials were her only other public performances since, and she died of pulmonary respiratory failure and acute bronchitis on July 8, 2006, after a long illness.- Actor
- Soundtrack
American actor, a tall, rugged television leading man of the 1960s and 70s, as well as a voice actor and occasional writer, not to be confused with the British actor of that name (1921-2003) who played M in several James Bond films. There was also Robert Howell Brown -- better known as Robert Lansing -- who arrived on the scene after Robin Adair MacKenzie Brown had already trademarked the 'Robert Brown' moniker in the Screen Actors Guild. Brown, the younger of two siblings born to parents William and Margaret in Trenton, New Jersey, was of English and Scottish ancestry. After wartime service in the U.S. Navy he studied acting under Lee Strasberg at the New School Dramatic Workshop (originally founded in 1940 by German theater director Erwin Piscator), alongside fellow alumni Rod Steiger and Walter Matthau. He made his debut both on Broadway and on the screen in 1948. He first appeared in several early anthology dramas on television and in a couple of B-movies. His first noteworthy role was as Sir Justin in the Roger Corman-directed gothic horror Tower of London (1962). He also had three guest spots on Perry Mason (1957) before being famously cast as a last-ditch replacement for John Drew Barrymore (whose 'no show' on the set resulted in a six-months suspension of his Screen Actors Guild membership) to play the part of alien scientist Lazarus in the Star Trek (1966) episode The Alternative Factor. While probably doing his best with the role -- given the short notice he had to come to grips with the intricate script -- Alternative Factor is generally ranked as one of the lesser entries in the franchise. Brown's luck did not improve the following year. Slated for the career-making role of Steve McGarrett in Hawaii Five-O (1968), he was dropped by producer Leonard Freeman at the eleventh hour in favour of Jack Lord.
Finally given a chance to shine, Brown was cast in the leading role of Jason Bolt, the extrovert boss of a lumberjacking outfit, in Here Come the Brides (1968), an off-beat western series said to have been inspired by the classic MGM musical Seven Brides for Seven Brothers (1954). It ran for two seasons, after which Brown had another starring role as the eponymous oceanographer of Primus (1971), a scuba-diving adventure set around Nassau in the Bahamas. This show was produced by Ivan Tors who had made his reputation in the aquatic arena with Sea Hunt (1958) and Flipper (1964). Primus fared rather less well in the ratings and was axed after just one season. Brown then made just a few more sporadic TV guest appearances before fading from the scene in 1994.- Actor
- Soundtrack
Robert Emhardt looked and sounded as if he had intentionally been created by some perverse god to play villains. Though rotund, he had hooded, lizard-like eyes and a drawling whine in his voice. The real Robert Emhardt, however, was a well-educated, cultured, generous man, not at all like the characters he often portrayed.
Robert Christian Emhardt was born in Indianapolis, Indiana. His father was C.J. Emhardt, a lawyer, judge, and onetime mayor of the city. The younger Emhardt received his early training as an actor in the theater at Butler University. He then went to London, England, where he gained experience at The London Academy of Dramatic Art in 1937-38, and played in repertory with the British Broadcasting Company while there.
While in England, he met the woman who would become his wife, the well-known English actress Silvia Sedeli. The couple would go on to have four children. Eventually he found himself understudying Sydney Greenstreet on an American tour. He stayed in the United States, debuting on Broadway in 1942 in "The Pirate." He went on to win the Critics' Circle Award as best supporting actor in "Life with Mother" (1948-49) and appeared in eleven other plays in New York until his last in 1959. He made his film debut in The Iron Mistress (1952), a fictionalized life of Jim Bowie starring Alan Ladd. Among his other memorable movies were 3:10 to Yuma (1957), Underworld U.S.A. (1961), and The Stone Killer (1973) with Charles Bronson. His favorite and probably best film role was as Shirley Knight's paunchy and gracious but ultimately insane father in The Group (1966).
Emhardt had a busy career. He also acted in 125 summer stock productions and 250 television programs, such as Have Gun - Will Travel (1957), The Untouchables (1959), Perry Mason (1957), Bonanza (1959), and six episodes of Alfred Hitchcock Presents (1955). He had a recurring role on the soap opera Another World (1964).
Emhardt was extremely active in St. Augustine's Episcopal Church in Santa Monica and gave a great deal of support to The Boy Scouts of America. In his spare time (Emhardt had spare time?) he followed sports and enjoyed ballet.
Robert Emhardt died due to heart failure on December 26, 1994, in Ojai, California.- American character actor specializing in villainous roles. Born in White Plains, New York to Herman E. and Franceska Lauter, he was raised in Denver, Colorado. Although it has been suggested that he appeared briefly in a couple of films during the Thirties, his real movie career began in 1946. He came to be a familiar presence in low-budget films, serials, and television programs in the 1950s, though he only once really came close to stardom, as one of the leads in the television series Tales of the Texas Rangers (1955). Most of his career was spent as a serviceable second lead or heavy, though he continued to play bit parts in larger pictures. The son of an artist, he devoted much of his energy late in life to his own painting and running an art gallery. He died in 1990.
- Music Department
- Composer
- Additional Crew
Elmer Bernstein was educated at the Walden School and New York University. He served in the US Army Air Corps in World War II, writing scores for the service radio unit. He also wrote and arranged musical numbers for Glenn Miller's Army Air Force Band. A prolific and respected film music composer, he was a protégé of Aaron Copland, who studied music with Roger Sessions and Stefan Wolpe. Bernstein worked in various artistic endeavors, including painting and the theatre and also performed as an actor and dancer. Among his early composition work were scores for United Nations radio programs and television and industrial documentaries. His original scores for films range over an enormous variety of styles, with his groundbreaking jazz score for The Man with the Golden Arm (1955), light musical comedies such as his Oscar-winning Thoroughly Modern Millie (1967) score, and perhaps his most familiar score, for the western The Magnificent Seven (1960). Between 1963 and 1969, Bernstein served as vice president of the Academy of Motion Picture Arts & Sciences.
A few years before before his death, he acquired something of a cult status among fans of English football when his familiar main theme for The Great Escape (1963) was adopted by them and hummed and played, lustily, during matches.- Actress
- Soundtrack
The entrancing and exotic-eyed "B"-level leading lady Jody Lawrance, whose 1950s career was spotty at best, provided lovely diversion from the manly adventure movies she helped bring to the screen. Personal turmoil and studio conflicts, however, ultimately hurt her career and the remainder of her life was spent out of the limelight.
She was born Nona Josephine Goddard in Fort Worth, Texas. Her childhood was troubled and disruptive. Parents Ervin S. ("Doc") and Eleanor (née Roeck) Goddard divorced while Jody was a child. Ervin, nicknamed "Doc" although he was not one, was an amateur inventor and research engineer at the Adel Precision Products Company at one point. Moving to California, he eventually married Grace McGee in 1937. Jody subsequently migrated to California and lived with her father and stepmother in their Van Nuys bungalow. Marilyn Monroe (then Norma Jeane Baker) was a foster child of her stepmother Grace, who knew Norma Jeane's mother when both worked for Columbia -- Grace as a film librarian and and Gladys as a film cutter. Jody and Norma Jeane lived together briefly in 1941-1942.
Jody went on to attend Beverly Hills High School (studying under Benno Schneider and his wife) and the Hollywood Professional School. Excelling as a swimmer, Jody's first shot was appearing in a water show operated by Larry Crosby, who was also a publicity manager for famous younger brother Bing Crosby.
The teenager was awarded her first on-camera professional part on the TV show "The Silver Theatre" in 1949. Because her real name, Nona Goddard, lacked glamour, she changed it to Jody (short for Josephine, her middle name) Lawrance (her maternal grandmother's maiden name). Jody's drama teacher Schneider managed to get her an introduction to Columbia. The studio took an immediate interest in the 19-year-old beauty and signed her to a 7-year contract at $250 per week.
Jody made four relatively strong films in 1951. She provided damsel-in-distress duty in her screen debut between up-and-coming screen hero John Derek and established villain Anthony Quinn in the spirited swashbuckler Mask of the Avenger (1951). This was followed by The Family Secret (1951) playing the altruistic fiance to a murder suspect (again, John Derek. Things looked even more promising when she co-starred an exotic love interest to robust Burt Lancaster in the Eastern adventure yarn Ten Tall Men (1951). Her final film that year was a horror opus portraying the fiance to Louis Hayward as the The Son of Dr. Jekyll (1951).
She started the following year off with the adventure film The Brigand (1952) opposite handsome, sliver-eyed Anthony Dexter, better known for his captivating Valentino-like looks than for his acting ability. In 1953 career problems surfaced when the studio assigned Jody, who had now completed six film projects, to a lackluster role in one of its minor musicals, a poor man's version of "On the Town" entitled All Ashore (1953) which starred sailors-on-leave Mickey Rooney, Dick Haymes and Ray McDonald. Peggy Ryan, Barbara Bates and Jody were cast as their the love interests. Set this time on California's Catalina Island instead of New York, Jody balked at the assignment while citing a lack of confidence in her singing and dancing abilities. She ask the studio to replace her but Columbia refused and the actress begrudgingly filmed the movie. Her "difficulty" with the studio on this assignment ultimately led to a break of her contract. Feeling overlooked by the studio at the time, she supposedly did not regret her release too much.
On her own, however, the quality of Jody's films declined markedly with her the "Poverty Row" independent film, the sub-par and highly distorted biographical piece Captain John Smith and Pocahontas (1953) again starring Anthony Dexter. It was revealed that Jody suffered a frightening allergic reaction on the set after dying her lighter hair jet black for the role. Among many other problems, the 23-year old, blue-eyed actress was quite miscast in the role of the much younger Indian maiden. The released film was a dismal failure and Jody's career suffered as a result.
Finding almost no offers in 1954-1955 and in order to make ends meet, Jody took on employment as an ice cream shop waitress near the UCLA campus in Los Angeles. The story goes that one day one of her customers was her former co-star Burt Lancaster. He came to her aid by introducing her to his friend, director Michael Curtiz, who reignited her career with his minor film noir The Scarlet Hour (1956) which starred Tom Tryon and had Jody playing a second femme role behind Carol Ohmart, who was being built up as Paramount's supposed answer to a difficult Marilyn Monroe at the time. Jody was promoted as one of the "Deb Stars of 1955" along with other hopefuls including Cathy Crosby, Anita Ekberg, Mara Corday, Marisa Pavan and Lori Nelson, among other lesser known actors.
Back on the boards again, Jody revived her look on screen as a blonde again. Things looked hopeful when Paramount Studios signed her to a contract, earning $300 a week. In the spiritual drama The Leather Saint (1956), she plays a platinum-blonde nightclub singer (and even sings a bit of "I'm in the Mood for Love" in the film) and temptress to (once again) John Derek whose Episcopal minister agonizes over his decision to box for money in order help medically finance church/community projects for special needs children.
Things fell apart once more, however, when Paramount released her the following year. It seems that the studio was perturbed when, while promoting her to the public as a sexy single, Jody resisted the cheesecake angle and also secretly married Bruce Tilton (1930-2007), an airplane parts company executive, in Las Vegas on April 7, 1956 and was pregnant. A daughter, Victoria, was born a year later.
She remained unproductive career-wise during this period of new marriage and more family. By April of 1958, however, the Tilton marriage had dissolved and a bitter custody suit ensued (in the end, Jody lost). While she returned to the screen, the pickings were slim. She landed minor parts in the Shirley Booth vehicle Hot Spell (1958) and Barry Sullivan film The Purple Gang (1959), and found isolated work on TV in such dramatic fare as "Perry Mason," "The Loretta Young Show" and "The Rebel". Her last screen role of any substance was the minor western Stagecoach to Dancers' Rock (1962) starring Martin Landau.
Jody met second husband Robert Wolf Herre and they married in November of 1962. Two children, Robert Jr. and Abigail ("Chrissy") were born from this relationship. Other than an isolated TV appearance on "The Red Skelton Show" in 1968, little was heard of Jody following this period until it was learned that she had died in Ojai, California on July 10, 1986, at age 55.- Actor
- Soundtrack
Woodrow Chambliss was born on 14 October 1914 in Bowie, Texas, USA. He was an actor, known for Then Came Bronson (1969), Gargoyles (1972) and Gunsmoke (1955). He was married to Erika Chambliss. He died on 8 January 1981 in Ojai, California, USA.- Phil Harvey was born on 11 May 1921 in Emporia, Kansas, USA. He was an actor, known for Touch of Evil (1958), The Tarnished Angels (1957) and The Land Unknown (1957). He died on 5 January 2021 in Ojai, California, USA.
- Actor
- Music Department
- Soundtrack
'Screamin' Scott' Simon was born on 9 December 1948 in Kansas City, Missouri, USA. He was an actor, known for Grease (1978), Grunt! The Wrestling Movie (1985) and The Fall Guy (1981). He was married to Deborah Richetta and Sarina Beges. He died on 5 September 2024 in Ojai, California, USA.- Director
- Producer
- Actor
David Greene had a varied early career, beginning with his first job as junior reporter for the Walthamstow Guardian. Life as a journalist was not to be his forte, however. During the years spanning the mid- to late 1930's, he tried his luck variously in the furniture removal business, as a deck hand and as a hospital porter, before signing on with the Merchant Navy at the onset of World War II. He lasted a year before being invalided out in 1941. Becoming affiliated with the Everyman Theatre in London as its publicity manager, he finally found his vocation in the acting profession and subsequently enrolled at RADA. From 1948, he performed in repertory which included a season or two at the Old Vic. Movies followed, with supporting roles in films like The Wooden Horse (1950).
While travelling through Canada with the touring Broadway Company of 'Anthony and Cleopatra' in 1952, Greene decided to accept an offer from the Canadian Broadcasting Company to join their television department. He emigrated officially in 1953, and moved to New York three years later. By the end of the decade, he had become one of the most sought-after TV directors in the business. Working on both sides of the Atlantic, he helmed episodes of popular action and adventure series like Sir Francis Drake (1961) and The Defenders (1961). He also directed the occasional feature. Three of these stand out.
His first, The Shuttered Room (1967), was a macabre story, loosely based on H.P. Lovecraft. Greene's eye for off-beat location, combined with his clever use of subjective camera technique, gave the film a striking visual sense and considerably heightened its suspense value. Sebastian (1968), with its stark Orwellian visions of London, was a stylish espionage thriller about code breaking that did not take itself all that seriously. It boasted an excellent cast, headed by Dirk Bogarde, Susannah York and Lilli Palmer, and was directed with style, fairly obscuring the numerous incongruities within the plot. Third of the trio, The Strange Affair (1968), was a gritty, somewhat unpleasant, tale of police corruption and obsession set in swinging 60's London. More overtly violent than its predecessors in the genre, it imported Greene's American experience into British film and is worth viewing chiefly for the director's taut handling.
Once again back in the U.S. from the mid-1970's, Greene directed several instalments of the popular miniseries Rich Man, Poor Man (1976) and then specialised in made-for-TV films, also occasionally working as producer or executive producer. Arguably, his most successful spell in the medium was between 1976 and 1979, winning three of his four Emmy Awards for Outstanding Directing of a Drama Series or Special. The oft-married Greene retired in 1999 and died in April 2003, aged 82.- Actress
- Soundtrack
A brassy, blue-eyed platinum blonde of the 1930s in the Jean Harlow tradition. Joan was the daughter of Hollywood cinematographer Charles Rosher and appeared as a child in Mary Pickford movies (on which her father worked as cameraman) billed as Dorothy Rosher. She acted in some amateur dramatics as well but seems to have had little professional training. However, The Times in 1929 referred to her "extraordinary speaking and singing voice" at this crucial period when sound pictures began to replace silent cinema. When she was signed by Universal for King of Jazz (1930), she adopted the stage name Joan Marsh. A fairly busy actress alternating leads and second leads throughout the decade and into the mid-40s, she is perhaps best remembered opposite Warner Oland in Charlie Chan on Broadway (1937) and as Dimples in Road to Zanzibar (1941). Long under contract to MGM, she was also featured in two Greta Garbo films, Inspiration (1931) and Anna Karenina (1935). In lighter fare her characters tended to have names like Beanie, Toots or Cuddles. It seems, Joan Marsh was also an accomplished dancer, especially adept at the two most popular dances of the era, the Charleston and the Black Bottom. On screen she performed a ballroom routine with Edward J. Nugent in Dancing Feet (1936). On radio, Joan replaced Beatrice Lillie as hostess of the musical variety show Flying Red Horse Tavern in 1936, as well providing the vocals for Lennie Hayton's Orchestra.
Joan's first husband was the screenwriter Charles Belden, her second, Captain John Morrill of Army Air Transport Command.
Her hobbies included horse riding, tennis and golf.
Joan retired from acting after her final picture for Poverty Row outfit Monogram in 1944 and in later years owned a Los Angeles stationary business, Paper Unlimited.- Music Department
- Composer
- Soundtrack
Inducted into the ASCAP Jazz Wall of Fame in 2009 and the Songwriters Hall of Fame a year later, Johnny Mandel is perhaps best known as the composer of the iconic M*A*S*H (1972) theme song, "Suicide is Painless". Born and raised in Manhattan, he was the son of a garment manufacturer and an opera singer. Music was a major part of his family (an uncle was a writer of show tunes). Johnny learned to play piano, trumpet and trombone in quick succession and was mentored in arranging by Van Alexander. He refined his natural abilities by completing studies at the Manhattan School of Music and the prestigious Juilliard School. By his mid-teens, he worked with big bands, starting professionally in 1943 with the orchestra of violinist Joe Venuti. He became noted in the era as one of the most accomplished arrangers (also doubling on trombone until 1954), working for some of the most popular swing outfits like Artie Shaw, Boyd Raeburn, Jimmy Dorsey, Charlie Barnet, Alvino Rey, and Buddy Rich. By the mid-50s, he devoted his time primarily to arranging and writing jazz compositions, among many others, for Stan Getz, Count Basie and Woody Herman. His songs include standards like "The Straight Life", "Summer Wishes, Winter Dreams" and the beautiful love theme for the motion picture The Sandpiper (1965), "The Shadow of Your Smile", which won him an Academy Award for Best Original Song (shared with lyricist Paul Francis Webster, with whom he also collaborated on An American Dream (1966)). Mandel has worked on numerous film and TV soundtracks as composer and/or conductor/orchestrator. As arranger, he worked with some of the most famous recording artists, including Quincy Jones, Frank Sinatra, Natalie Cole (her "Unforgettable" album) and Barbra Streisand. A five-time Grammy Award winner, Mandel was a member of ASCAP from 1956 and served on the Board of Directors from 1989.- Cinematographer
- Camera and Electrical Department
- Director
Floyd Delafield Crosby was born in 1899 to Fredrick Van Schoonhoven Crosby (1860-1920) and Julia Floyd Delafield (1874-1952). Floyd had one sibling, Katherine Van Rensselaer (Gregory). Floyd married Aliph Van Cortland Whitehead in 1940 and they had two children, Floyd Delafield Crosby (Ethan) in 1936 and David Crosby in 1940. Floyd and Aliph were divorced in 1960 and Floyd married Betty Cormack the same year. During World War II Crosby shot training films for pilots learning air routes and landing patterns all over the world (these films are vary difficult to find today and do not carry credits). Crosby left the military as a major in 1946. He enjoyed working on Hollywood "B" movies and shot many of them in the 1950s and 1960s, often for director Roger Corman. In the late 1960s he retired to live with his wife Betty in Ojai, CA. He passed away in 1986. More information about Floyd and his relationship with his family is available in his son David's autobiography "Long Time Gone".- Director
- Second Unit Director or Assistant Director
- Actor
Jesse Hibbs was born on 11 January 1906 in Normal, Illinois, USA. He was a director and assistant director, known for To Hell and Back (1955), All American (1953) and The Invaders (1967). He was married to Jane Margaret Story. He died on 4 February 1985 in Ojai, California, USA.- Perry MacFarlane was born on 17 June 1947 in Newburyport, Massachusetts, USA. Perry was married to Ron MacFarlane. Perry died on 16 July 2010 in Ojai, California, USA.
- David Ashrow was born on 8 December 1920 in Portland, Oregon, USA. He was an actor, known for Airwolf (1984), Misfits of Science (1985) and Simon & Simon (1981). He was married to June Allyson. He died on 23 April 2007 in Ojai, California, USA.
- Barbara Wooddell was born on 25 May 1910 in Lewiston, Illinois, USA. She was an actress, known for I Shot Jesse James (1949), The Great Jesse James Raid (1953) and State Department: File 649 (1949). She was married to Dr. Eric Valdemar Drimmer, Arthur Marcus Loew and Oscar Levant. She died on 16 January 1997 in Ojai, California, USA.
- Actress
- Soundtrack
Käthe von Nagy wanted to get married at the age of 16, therefore, her parents put her in the Santa Chrisitana Convent, near Vienna. After that, she worked in her father's office and besides started to secretly write short stories for newspapers. In Budapest, she studied acting, dancing and singing, but her parents were not very happy. In 1926, she went to Berlin to make movies. She got a small part in the film _Männer von der Ehe (1927)_ and _Wien, du Stadt meiner Träume (1927)_ "Vienna, City of My Dreams". In 1930, she went into talkies with Der Andere (1930). She also made the French version of "Bomben auf Monte Carlo" (1931). In the German film, Anna Sten played the part. In 1938, she played in "Finale" ("Die Unruhigen Mädchen", "Les Sourires de Vienne"). After that she made 6 films in France. Her last one was Die Försterchristl (1952), alongside Johanna Matz. She died of cancer in Hollywood.- Marie Sullivan was born on 14 May 1910 in Harrisburg, Pennsylvania, USA. She was an actress, known for Elvira: Mistress of the Dark (1988). She was married to Barry Sullivan. She died on 5 January 1991 in Ojai, California, USA.
- Producer
- Writer
Tom Lewis was born on 8 July 1901 in North Troy, New York, USA. He was a producer and writer, known for The Loretta Young Show (1953), Cause for Alarm! (1951) and El ídolo (1952). He was married to Loretta Young. He died on 20 May 1988 in Ojai, California, USA.- Writer
- Additional Crew
- Second Unit Director or Assistant Director
Christopher Trumbo was born on 25 September 1940 in Los Angeles, California, USA. He was a writer and assistant director, known for Dark Justice (1991), The Don Is Dead (1973) and Brannigan (1975). He was married to Nancy Escher. He died on 8 January 2011 in Ojai, California, USA.- Production Manager
- Animation Department
- Actor
Carman Maxwell was born on 27 December 1902 in Siloam Springs, Arkansas, USA. He was a production manager and actor, known for Congo Jazz (1930), Bosko's Picture Show (1933) and Cinderella (1922). He was married to Dorothy Thelma Hanson. He died on 22 September 1987 in Ojai, California, USA.- Casting Director
Mary Goldberg was a casting director, known for Amadeus (1984), Deep Rising (1998) and Alien (1979). She died on 7 September 2017 in Ojai, California, USA.- Leone James was an actress, known for McMillan & Wife (1971), Black Sheep Squadron (1976) and Dallas (1978). She was married to Guy Webster. She died on 6 November 2022 in Ojai, California, USA.