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On Friday 11 October 2024, Talking Pictures TV broadcasts Cellar Club with Caroline Munro!

Intro – Hammer House of Mystery Ep13 Season 1 Episode 376 Episode Summary

The upcoming episode of “Cellar Club with Caroline Munro,” titled “Intro – Hammer House of Mystery Ep13,” promises to be an exciting addition to the series. Caroline Munro returns to guide viewers through another night filled with mystery and suspense. This time, the focus is on the intriguing story “Tennis Court,” directed by Cyril Frankel.

In this episode, Caroline will introduce the tale, setting the stage for the twists and turns that lie ahead. “Tennis Court” is expected to captivate audiences with its eerie atmosphere and unexpected plot developments. Fans of mystery and suspense will likely find themselves drawn into the story, eager to see how it unfolds.

As always, Caroline Munro’s charm and knowledge will enhance the viewing experience. Her passion for classic horror and mystery films shines through,...

Last year, New York's Quad Cinema paid tribute to Mario Bava with a 21-film, multi-day marathon, and this summer they're heating up the big screen once again with a two-part Hammer horror movies celebration, and we've been provided with the exclusive details on part 1 of their massive celebration of Hammer movies from 1956–1967.

Read the official press release below for all 32 titles (21 of which will be displayed in 35mm) in part 1 of the Quad's Hammer movie marathon, and keep an eye on their website for more information!

Press Release: May 30 - June 19 It's a chilling season at the Quad! Brace yourself for mummies, vampires, werewolves, and more with our extensive two-part retrospective celebrating Britain's genre studio powerhouse, Hammer Films

Throughout film history, many countries have had their own point-of-pride movie studios; Britain can claim several, whether as backlots or sites of creative capital. In Hammer Films, a genre-oriented counterpart to Ealing Films,...

With nearly two years of worthy Blu ray releases under their belt, ranging from traditional favorites like To Sir With Love to rare essentials like Jack Clayton’s The Pumpkin Eater, it can be said that UK’s Indicator has finally shed their rookie status. Their newest effort is Hammer Volume Two: Criminal Intent, a well-programmed package of that studio’s little seen crime films featuring two minor classics and a couple of honorable misfires, all in glorious black and white.

The Snorkel

1958 – 74 Minutes

Written by Peter Myers and Jimmy Sangster

Produced by Michael Carreras

Directed by Guy Green

Featuring the sloppiest killer this side of the Coen Brothers and the least curious investigator since Chief Wiggum, 1961’s The Snorkel, with its urbane villain and Riviera scenery, is positively Hitchcockian in its intent but definitely not in its execution.

Shadow of a Doubt dogs this story of a young teen...

By Tim Greaves

With Christmas 1970 on the horizon, the UK’s thrilling new sci-fi TV show UFO was well underway. Gerry and Sylvia Anderson's first live-action series, it was set in the future and revolved around the activities of the Supreme Headquarters Alien Defence Organisation (Shado), a covert agency presided over by Commander Ed Straker (Ed Bishop) to fend off alien attacks on mankind. As a wide-eyed 8-year-old I was hooked and I can recall wishing two things. One was that I could have one of the Dinky Toys’ missile-firing Shado Interceptors, which I thought then (and still think now) was the coolest among the incredible array of vehicles that appeared in the show; I’d not be nearly as forgiving today as I was back then that Dinky had manufactured it in garish green, where the ‘real’ ones on TV were white. The other wish was that I...

★★★☆☆ Cyril Frankel's The Witches (1966) has long been one of the overlooked works in Hammer's horror stable. Though attention may be drawn by the presence of writer Nigel Kneale in adapting Norah Lofts' novel The Devil's Own for the big screen, the lack of the studio's regular star talent (Cushing, Lee et al.) made it something of a curio. Kneale's subsequent criticism of the film for abandoning his humorous treatment in favour of conventional horror fare may also have led to its neglect. It is perhaps deserving of a little more attention, however, and StudioCanal are on hand to deliver a beautiful new restoration.

Joan Fontaine makes her final big screen appearance in the film playing the part of Gwen, a teacher convalescing in the pastoral British countryside. After a mental breakdown brought on by witch doctors plaguing an African missionary school at which she worked, she takes a...

Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.

Alphabetical list of titles by section including feature premiere status

Wp = Wp

Ep = European Premiere

IP = International Premiere

UK = UK Premiere

Gala’s

Opening Night

Captain Phillips, Paul Greengrass (Us) Ep

Closing Night

Saving Mr Banks, John Lee Hancock (Us/UK) Ep

Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...

Paul Henreid in ‘Casablanca’: Freedom Fighter on screen, Blacklisted ‘Subversive’ off screen Turner Classic Movies’ Star of the Month of July 2013, Paul Henreid, bids you farewell this evening. TCM left the most popular, if not exactly the best, for last: Casablanca, Michael Curtiz’s 1943 Best Picture Oscar-winning drama, is showing at 7 p.m. Pt tonight. (Photo: Paul Henreid sings "La Marseillaise" in Casablanca.) One of the best-remembered movies of the studio era, Casablanca — not set in a Spanish or Mexican White House — features Paul Henreid as Czechoslovakian underground leader Victor Laszlo, Ingrid Bergman’s husband but not her True Love. That’s Humphrey Bogart, owner of a cafe in the titular Moroccan city. Henreid’s anti-Nazi hero is generally considered one of least interesting elements in Casablanca, but Alt Film Guide contributor Dan Schneider thinks otherwise. In any case, Victor Laszlo feels like a character made to order for Paul Henreid,...

By Pd Smith

In this scholarly but lively survey of British crime films from the 1940s to the present day, Forshaw tracks down the ways in which the genre has offered "keen insights into the society of the day". Films such as Robert Hamer's It Always Rains on Sunday (1947) present an "unvarnished picture of crime and lives lived in quiet desperation", while the more recent Kidulthood (2005) by Noel Clarke shows that "alienated, disenfranchised youth" remains as central to the genre as in the 50s. From police corruption, dealt with in David Greene's The Strange Affair (1968), to paedophilia – the subject of Cyril Frankel's Never Take Sweets from a Stranger (1960) – crime films have consistently tackled subjects that mainstream film-makers have avoided: it is, argues Forshaw, "the cinema of the unacceptable". He considers class divisions, sexual taboos, censorship, corporate crime and violence, as well as the "grimly urban" settings of many of the films,...

Felllow Hammer film fans out there get ready to let out a shriek of joy. On April 6th Sony Pictures Home Entertainment is dropping six little seen classics from Hammer Films onto DVD as part of the The Icons of Suspense Collection, and 'Bidites they are asking for your help to pick out the box artwork...

From the Press Release "On April 6th Sony Pictures Home Entertainment (Sphe) opens the doors to the Hammer vault with the release of six films making their DVD debuts in The Icons of Suspense Collection Presents Hammer Films. Hammer Films made their name with monsters and vampires, but this third compilation from Sphe proves they could frighten the public without them. Topping the set is the uncut version of the futuristic classic These Are The Damned (aka The Damned, 1963), directed by the legendary Joseph Loseygr. Peter Cushing and Andre Morell match wits in Cash...

On April 6th Sony Pictures Home Entertainment is dropping six little seen classics from Hammer Films onto DVD as part of the The Icons of Suspense Collection, and you can help dress this digital body for its own funeral!

From the Press Release

"On April 6th Sony Pictures Home Entertainment (Sphe) opens the doors to the Hammer vault with the release of six films making their DVD debuts in The Icons of Suspense Collection Presents Hammer Films. Hammer Films made their name with monsters and vampires, but this third compilation from Sphe proves they could frighten the public without them. Topping the set is the uncut version of the futuristic classic These Are The Damned (aka The Damned, 1963), directed by the legendary Joseph Loseygr. Peter Cushing and Andre Morell match wits in Cash on Demand (1961). Oscar®-winning cinematographer Guy Green directed The Snorkel (1958), about a young girl who can’t...

A major new book about the history of Hammer films has just been published. One of Cinema Retro's London correspondents, Adrian Smith, was at the star-studded London book launch and brings you the inside story.

On the 27th October 2007 a crowd of Hammer film fans gathered at the Cine Lumiere in South Kensington, a stone’s throw from The Natural History Museum and the V&A. The occasion was the launch of The Hammer Story by film historians Marcus Hearn and Alan Barnes, and to celebrate a number of Hammer alumni were gathered to meet fans and sign autographs, along with the screening of three films rarely shown and not available commercially: A Case for P.C. 49 (1951), The Two Faces of Doctor Jekyll (1960) and Never take Sweets From a Stranger (1960).

Hammer documentary maker Don Fearney (left) talks with legendary screenwriter Jimmy Sangster. (Photo copyright Adrian Smith)

Amongst the guests was Jimmy Sangster,...