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A group of graduate students conduct a sleep deprivation study in the 80s, but something goes terribly wrong with a test subject. After their department is shut down, the team moves forward in secret - only this time on themselves.

In this witty comedy from teen director Emily Hagins, young Kate visits a local comic convention and falls for good-hearted vampire Paul, but her friends are worried when she suddenly starts displaying eerie, undead qualities of her own.

Grow Up, Tony Phillips may take place on Halloween, but it has nothing to do with horror movies and everything to do with that crystalline moment in time everyone has when they realize life marches forward and they're the youngest they'll ever be. It's a coming-of-age story, but this isn't an indie drama about a boy becoming a man. It's a comedy about Tony Phillips, a guy who doesn't think childhood passions should have an expiration date. This won't be teenage life as viewed from an adult's nostalgia-tinted rear view mirror. This is in every sense a teen's story told from the perspective of actual teenagers, both behind and in front of the camera. That means no hyper-meta dialogue, no larger-than-life scenarios, and no over-the-top style. This is all straight from Emily's heart.

An ambitious teen conducts an ancient ritual to enact petty revenge on those who she believes have wronged her.

A man trapped by his own darkness seeks an escape.

A new twist on the "call is coming from inside the house" urban legend, that showcases how technology can get in the way of a good old fashioned murder.