Sex, Drugs, and Cocoa Puffs Quotes

“Life is rarely about what happened; it's mostly about what we think happened.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Every relationship is fundamentally a power struggle, and the individual in power is whoever likes the other person less.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Everybody is wrong about everything, just about all the time.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“But whenever I meet dynamic, nonretarded Americans, I notice that they all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living. And someone needs to take the fall for this. So instead of blaming no one for this (which is kind of cowardly) or blaming everyone (which is kind of meaningless), I'm going to blame John Cusack.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“I once loved a girl who almost loved me, but not as much as she loved John Cusack.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Important things are inevitably cliche, but nobody wants to admit that.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Though I obviously have no proof of this, the one aspect of life that seems clear to me is that good people do whatever they believe is the right thing to do. Being virtuous is hard, not easy. The idea of doing good things simply because you're good seems like a zero-sum game; I'm not even sure those actions would still qualify as 'good,' since they'd merely be a function of normal behavior. Regardless of what kind of god you believe in--a loving god, a vengeful god, a capricious god, a snooty beret-wearing French god, or whatever--one has to assume that you can't be penalized for doing the things you believe to be truly righteous and just. Certainly, this creates some pretty glaring problems: Hitler may have thought he was serving God. Stalin may have thought he was serving God (or something vaguely similar). I'm certain Osama bin Laden was positive he was serving God. It's not hard to fathom that all of those maniacs were certain that what they were doing was right. Meanwhile, I constantly do things that I know are wrong; they're not on the same scale as incinerating Jews or blowing up skyscrapers, but my motivations might be worse. I have looked directly into the eyes of a woman I loved and told her lies for no reason, except that those lies would allow me to continue having sex with another woman I cared about less. This act did not kill 20 million Russian peasants, but it might be more 'diabolical' in a literal sense. If I died and found out I was going to hell and Stalin was in heaven, I would note the irony, but I couldn't complain. I don't make the fucking rules.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Being interesting has been replaced by being identifiable.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Do you know people who insist they like 'all kinds of music'? That actually means they like no kinds of music.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“In and of itself, nothing really matters. What matters is that nothing is ever in and of itself.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“There are two ways to look at life. The first view is that nothing stays the same and that nothing is inherently connected, and that the only driving force in anyone's life is entropy. The second is that everything pretty much stays the same (more or less) and that everything is completely connected, even if we don't realize it.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Every one of Joel's important songs--including the happy ones--are ultimately about loneliness. And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's 'lonely lonely,' like the way it feels when you're being hugged by someone and it somehow makes you sadder.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Contrary to what you may have heard from Henry Rollins or/and Ian MacKaye and/or anyone else who joined a band after working in an ice cream shop, you can't really learn much about a person based on what kind of music they happen to like. As a personality test, it doesn't work even half the time. However, there is at least one thing you can learn: The most wretched people in the word are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Pundits are always blaming TV for making people stupid, movies for desensitizing the world to violence, and rock music for making kids take drugs and kill themselves. These things should be the least of our worries. The main problem with mass media is that it makes it impossible to fall in love with any acumen of normalcy. There is no 'normal,' because everybody is being twisted by the same sources simultaneously. ”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“The strength of your memory dictates the size of your reality”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Here is the easiest way to explain the genius of Johnny Cash: Singing from the perspective of a convicted muderer in the song "Folsom Prison Blues,: Cash is struck by pangs of regret when he sits in his cell and hears a distant train whistle. This is because people on that train are "probably drinkin' coffee." And this is also why Cash seems completely credible as a felon: He doesn't want freedom or friendship or Jesus or a new lawyer. He wants coffee. Within the mind of a killer, complex feeling are eerily simple. This is why killers can shoot men in Reno just to watch them die, and the rest of us usually can't.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Because when push comes to shove, we really don't want to have sex with our friends... unless they're sexy. And sometimes we do want to have sex with our blackhearted, soul-sucking enemies... assuming they're sexy.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Everyone knows that the Internet is changing our lives, mostly because someone in the media has uttered that exact phrase every single day since 1993. However, it certainly appears that the main thing the Internet has accomplished is the normalization of amateur pornography. There is no justification for the amount of naked people on the World Wide Web, many of whom are clearly (clearly!) doing so for non-monetary reasons. Where were these people fifteen years ago? Were there really millions of women in 1986 turning to their husbands and saying, 'You know, I would love to have total strangers masturbate to images of me deep-throating a titanium dildo, but there's simply no medium for that kind of entertainment. I guess we'll just have to sit here and watch Falcon Crest again.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“When exactly did every housewife in America become a whore?”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Whenever I can’t sleep, I like to lie in the darkness and pretend I’ve been assassinated. I’ve found this is the best way to get comfortable. I imagine I’m in the coffin at my funeral, and people from my past are walking by my corpse and making comments about my demise.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Outcasts may grow up to be novelists and filmmakers and computer tycoons, but they will never be the athletic ruling class.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“The Sims is an escapist vehicle for people who want to escape to where they already are, which is why I thought this game was made precisely for me.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Who Am I? Or (Perhaps More Accurately) Who Else Could Be Me?”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“The goal of being alive is to figure out what it means to be alive.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Should she stick with the nice, sensitive guy who treats her well (Ben Stiller), or should she roll the dice with the frustrating boho bozo who treats her like crap (Ethan Hawk)? Winona made the kind of romantic decision most people my age would have made in 1994: She pursued a path that was difficult and depressing, and she did so because it showed the slightest potential for transcendence.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“No woman will ever satisfy me. I know that now, and I would never try to deny it. But this is actually okay, because I will never satisfy a woman, either. Should I be writing such thoughts? Perhaps not. Perhaps it’s a bad idea. I can definitely foresee a scenario where that first paragraph could come back to haunt me, especially if I somehow became marginally famous.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Everything said about Gen Xers--both positive and negative--was completely true. Twenty-somethings in the nineties rejected the traditional working-class American lifestyle because (a) they were smart enough to realize those values were unsatisfying, and (b) they were totally fucking lazy. Twenty-somethings in the nineties embraced a record like Nirvana's Nevermind because (a) it was a sociocultural affront to the vapidity of the Reagan-era paradigm, and (b) it fucking rocked. Twenty-somethings in the nineties were by and large depressed about the future, mostly because (a) they knew there was very little to look forward to, and (b) they were obsessed with staring into the eyes of their own self-absorbed sadness. There are no myths about Generation X. It's all true.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“I remember saying things, but I have no idea what was said. It was generally a friendly conversation.” —Associated Press reporter Jack Sullivan, attempting to recount a 3 A.M. exchange we had at a dinner party and inadvertently describing the past ten years of my life.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Everyone who loves pro basketball assumes it's a little fixed. We all think the annual draft lottery is probably rigged, we all accept that the league aggressively wants big market teams to advance deep into the playoffs, and we all concede that certain marquee players are going to get preferential treatment for no valid reason. The outcomes of games aren't predeteremined or scripted but there are definitely dark forces who play with our reality. There are faceless puppet masters who pull strings and manipulate the purity of justice. It's not necessarily a full-on conspiracy, but it's certainly not fair. And that's why the NBA remains the only game that matters: Pro basketball is exactly like life.”
― Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto