Willa Cather Quotes
Quotes tagged as "willa-cather"
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“Pittsburgh was even more vital, more creative, more hungry for culture than New York. Pittsburgh was the birthplace of my writing.”
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“But the life of a Willa Cather, a Lillian Helman, and Virginia Woolf - - - would it not be a series of rapid ascents and probing descents into shades and meanings — into more people, ideas and conceptions? Would it not be in color, rather than black-and-white, or more gray? I think it would. And thus, I not being them, could try to be more like them: to listen, observe, and feel, and try to live more fully.”
― The Unabridged Journals of Sylvia Plath
― The Unabridged Journals of Sylvia Plath
“At any rate, that is happiness; to be dissolved into something complete and great.”
― My Ántonia
― My Ántonia
“she wanted to know what American writers I liked. "Hawthorne, Henry James, Emily Dickinson…" "No, living." Ah, well, hmm, let's see: how difficult, the rival factor being what it is, for a contemporary author, or would-be author, to confess admiration for another. At last I said, "Not Hemingway—a really dishonest man, the closet-everything. Not Thomas Wolfe—all that purple upchuck; of course, he isn't living. Faulkner, sometimes: Light in August. Fitzgerald, sometimes: Diamond as Big as the Ritz, Tender Is the Night. I really like Willa Cather. Have you read My Mortal Enemy?" With no particular expression, she said, "Actually, I wrote it.”
― Portraits and Observations: The Essays of Truman Capote
― Portraits and Observations: The Essays of Truman Capote
“Thackeray's a good writer and Flaubert is a great artist. Trollope is a good writer and Dickens is a great artist. Colette is a very good writer and Proust is a great artist. Katherine Anne Porter was an extremely good writer and Willa Cather was a great artist.”
― Conversations with Capote
― Conversations with Capote
“Art, like Nebraska, is a journey into thin air, a walk into whiteness, where you lose everything but yourself.”
― Willa Cather and the Politics of Criticism
― Willa Cather and the Politics of Criticism
“It had happened in a street in New Orleans. He had turned a corner and come upon an old woman with a basket of yellow flowers; sprays of yellow sending out a honey-sweet perfume. Mimosa--but before he could think of the name he was overcome by a feeling of place, was dropped, cassock and all, into a garden in the south of France where he had been sent one winter in his childhood to recover from an illness. And now this silvery bell note had carried him farther and faster than sound could travel.”
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