I'm reading DC Comics' output from January 1980 (cover date) to Crisis! This week, I'm looking at the comics released on the week of Novenber 10, 1983.
New Teen Titans #39: Acting on information provided by Bethany Snow, the Teen Titans invade an Alaskan base of Brother Blood's cult and find proof he's got members of Congress and other political figures in his pocket. Terra secretly reports the Titans' activities (complete with video from a contact lens camera) to the Terminator and then engages in a very serious training exercise where he's really impressed with her power. At the next Titans meeting, Kid Flash formally announces that he is leaving the team to focus on college. After goodbyes are said, Robin drops the bombshell (unless you've read Batman #368) that he's giving up his costumed identity too—not because he is retiring, but because he intends to take on a new one to step out of Batman's shadow. He just doesn't know what that will be yet, so he proposes Donna as field leader until he figures it out. With Terra there when all this is happening, the Terminator now knows Robin's and Kid Flash's identities.
Batman #368: Moench and Newton/Alcala pick up where last month's issue of Detective left off with Bruce and Jason discussing codenames for him. Dick shows up and solves the problem, but announcing his retirement as Robin, bequeathing the identity to Jason. Weirdly, Jason abandons his updated version of the Robin outfit with long pants, for the shorts and elf-shoes look. Later, Batman and Robin go out on their first patrol and discover that Crazy Quilt is out and must be looking for revenge against Robin. Trying to protect his new sidekick, Batman leaves Robin behind to investigate some multi-colored lights. It's a ruse, though, and once Robin is alone, he's attacked by Crazy Quilt, who can't tell this is a new Robin. When Batman realizes he has been tricked, he returns to Robin, only to find him lying motionless, and he assumes the Boy Wonder has been killed.
Arak Son of Thunder #30: Randall's cover seems to be an homage to Conan the Barbarian #100. The Thomases and Randall/Forton pick up where last issue left off. Arak, having lost his will and become a priest of Artemis, is about to kill his friend Satyricus. Suddenly, a literal bolt of lightning out of the blue strikes the grove containing the Temple of Artemis and restores Arak's mind. Maximus, the wizard who intends to use the satyr blood to grant himself immortality sends his soldiers to attack. While Arak fights them, the sorcerer heads for the golden bough because once he touches it with the axe wet with satyr blood, he'll become immortal.
The Amazons try to stop him, but he overcomes them with magic, transforming them into their lioness forms and sending them to kill Arak. Arak is forced to kill all but Dyanna who was too strong to be controlled. She moves to thwart Maximus, jumping onto the golden bough and breaking it--and its magic. Arak then beheads the raging wizard. Dyanna disappears into the forest, the last survivor of her people.
In the Valda backup by the Thomases and Randall/Yeates, Valda is forced to make a deal with Baledor where she most wear the cursed suit of (ahistorical) armor which will control her mind. However, that gives Malagigi and opening, and he causes a rogue wave to destroy Baledor's castle. Still, he is imprisoned, and Valda remains in thrall leading us to the point where they entered Arak's saga.
Flash #330: Cavalieri joins Bates on scripting. After visiting Fiona in rather over-the-top psychiatric hospital (she's in 4-point restraints in a padded room) and teaching a lesson to a crooked employee planning to sell her story to the tabloids for money, the Flash agrees to look into the disappearance of the kid, Angelo Torres, for the police department. Grodd lures the Flash into another dimension, where the amplified mind-power of Angelo Torres and the the powers Grodd has given the Vultures gang members lead to the Flash's super-speed being slowly siphoned away so he's vulnerable. Infantino's stylization of the environment of the alternate dimension is the most interesting part of the issue.
G.I. Combat #262: The Mercenaries again get the cover. The story by Kanigher/Vicatan, continues and this trip to Cambodia is easily the most fantastic adventure we've seen yet. A room full of cobras is mundane compared to the river monster and yeti that turn out before this thing is done. As we most Mercenaries yarns, they wind up doing good (mostly) and also wind up not getting paid what they thought.
The first Haunted Tank story has the brass deciding to add a fifth crewman to the tank, and they choose Sgt. Craig's son. Craig tries to ride him hard to get him to request a transfer, but the kid sticks with it and wins his place after the two of them help a trapped Maquis leader escape the Nazis. In the second story, Rick is haunted by death of a young man he shot in a hunting accident before the war. The past becomes present, when he finds the older brother of that man also in the vicinity and stalking him for revenge. The two have to team up to escape a shack surrounded by Germans, but the other man still promises vengeance.
In the last story by Kasdan/Cruz an ammo truck driver with a lifelong fear of explosives wins a pyrrhic victory over fear when he gives his life ramming his truck into a German tank.
Nathaniel Dusk #1: MacGregor and Colan present a straightforward detective story. The art is interesting, because it looks as if it wasn't inked, but just colored from Colan's tight pencils. Anyway, it's January 31, 1934. P. I. Nathaniel Dusk has been working a divorce case, and as he heads to his office from a newsstand, two thugs (Gugenheim and Pichano) are watching him from a car. After delivering news of her husband's adultery to his client, Mrs. Grant Morrison (!), he goes out for drinks with his girlfriend Joyce and the thugs follow. Gugenheim goes into the bar, but Dusk had apparently already spotted the tail and confronts him. They fight, but Gugenheim's ferocity surprises Dusk, and the thug gets aways. After spending the rest of the evening with Joyce at her place, Dusk returns to his office to find the thugs waiting. Gugenheim calls "Blondie" telling him to "go to work." The thugs then take Dusk at gunpoint to the top of a building and after all scuffle, knock him over the edge.
Omega Men #11: Slifer and Smith/DeCarlo have Primus and the others bring Harpis to Raggashoon where she used to be employed as a sex worker so her form boss, Mama Madame, can use psychodrama to cure her nervous breakdown. Surprisingly, that seems to work. Before then though, we get to see the origins of Harpis and Demona, and to some degree the Omega Men as a team. Harpis' and Demona's backstory what with forced physical transformation via Blackfire's experimentation, and sexual assault by her troops is pretty dark, but she gets a happy ending (sort of) by being reunited with her lost love who didn't die but just became a cyborg.
Star Trek #1: Barr and Sutton/Villagran bring the maroon uniform era of the Star Trek films to comics. This is the third American comics series for Star Trek, following Gold Key's and Marvel's. It comes between Star Trek II (1982) and III (June 1984). Klingon cruisers surprise and destroy USS Gallant in the Neutral Zone, leading to the death of all the crew, including Captain Bearclaw and Science Officer Bryce.
Kirk (again in command of Enterprise) and his old crew (minus the deceased Spock) are sent to the Neutral Zone. The ship also carries new crew members including Ensigns Bearclaw and Bryce, each of whom blames the other's father for their father's death. At the Neutral Zone, after an engagement with the Klingons, they discover how the cruisers are able to appear and disappear--the Klingon's have found a way to stabilize a wormhole. And at the other end is a Klingon space station.
There's also a subplot with a Klingon Ensign, Konom, who seems uncomfortable with his people's actions and surreptitiously helps Enterprise. All in all, it's a very Trekian story, compared to what we've seen in comics before.
Superman #392: Bates/Maggin and Swan/Hunt bring this storyline to a weird conclusion. Not because Srakka's (the ameboid parasite controlling Vartox) plot to use Lana to draw Superman into a fight where he can become Srakka's new host fails, but because Vartox's spirit? essence? in the body of Lana's stalker is part of saving the day, and Lana declares both Vartox and stalker guy her heroes. She's going to get the stalker guy a job at the TV station! Now, I misinterpreted his actions last issue, so looking back he isn't as malevolent figure as I thought. But he's still a guy she pushed off a balcony (accidentally) and he kept coming! And he's a guy with a Lana manikin in a room in his apartment he talks to as if she's real! Doesn't seem wise to be encouraging him, I don't think.
