Alfred stieglitz

Alfred Stieglitz. Scurrying Home. 1894. Photogravure. 7 3/8 × 5 3/8" (18.7 × 13.7 cm). Transferred from The Museum of Modern Art Library, New York. 405.1976. © 2024 Estate of Alfred Stieglitz / Artists Rights Society (ARS), New York. Photography

Alfred Stieglitz art dealer, publisher, advocate for the Modernist movement in the arts, and, arguably, the most important photographer of his time. Stieglitz was the son of Edward Stieglitz, a German Jew who moved to the United States in 1849 and went on to make a comfortable fortune in the

View Portrait of Georgia, No.1 (1923) By Stieglitz Alfred; gelatin silver contact print, flush–mounted on card, mounted on larger card; image/sheet/flush mount: 4 5/8 x 3 5/8 (11.8 x 9.2 cm.) secondary mount: 13 3/8 x 10 1/4 in. (34 x 26 cm.); Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.

First published in 1921 with the caption "Watch your step!" in the single issue of Marcel Duchamp and Man Ray’s magazine New York Dada, Stieglitz’s surreal portrait was a happy accident. Attempting to capture the modern character of Dorothy True, a friend of Georgia O’Keeffe, Stieglitz made two exposures: a conventional, full-face portrait and a view of one artfully posed leg

Alfred Stieglitz | Spring Showers, 1900/01. Artist: Alfred Stieglitz American, 1864–1946.

Download Image of 066- Alfred Stieglitz, c.1916. Free for commercial use, no attribution required. Erotische Fotografie 1890-1920 Alfred Stieglitz was an American photographer and modern art promoter. He was born in Hoboken, New Jersey in 1864 and died in 1946. He is considered one of the most important figures in the history of photography and played a major role in promoting photography as a fine art form. Stieglitz began his career as a photographer in the late 19th century, and over the…

Alfred Stieglitz, one of the greatest pillars of American art photography, photographed Lake Como at the end of the nineteenth century

Alfred Stieglitz

Through Alfred Stieglitz's dedicated photographic work of a half century, he tirelessly promoted photography as a fine art, gathering around him first Pictorialist and then modernist photographers.

Blindman's Buff, 1898