The Limits of Control: Difference between revisions
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* ''[[La Vie de Bohème|Scènes de la vie de bohème]]'' by [[Henri Murger]] |
* ''[[La Vie de Bohème|Scènes de la vie de bohème]]'' by [[Henri Murger]] |
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* ''[[La bohème]]'' by [[Giacomo Puccini]] |
* ''[[La bohème]]'' by [[Giacomo Puccini]] |
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* ''[[Gentlemen Prefer Blondes]]'' by Howard |
* ''[[Gentlemen Prefer Blondes]]'' by Howard (also the song ''[[Diamonds Are A Girl's Best Friend]]'' from the film) |
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==References== |
==References== |
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Revision as of 06:09, 5 October 2012
| The Limits of Control | |
|---|---|
 Promotional film poster | |
| Directed by | Jim Jarmusch |
| Written by | Jim Jarmusch |
| Produced by | Stacey Smith Gretchen McGowan |
| Starring | Isaach De Bankolé Bill Murray Tilda Swinton Gael García Bernal |
| Cinematography | Christopher Doyle |
| Edited by | Jay Rabinowitz |
| Music by | Boris |
Production companies | Entertainment Farm PointBlank Films |
| Distributed by | Focus Features (United States) Revolver Entertainment (United Kingdom) PiX Incorporated (Japan)[1] |
Release date |
|
Running time | 116 minutes[2][3] |
| Country | United States |
| Languages | English Spanish French Chinese Arabic |
| Box office | $1,395,030[4] |
The Limits of Control is a 2009 American film written and directed by Jim Jarmusch, starring Isaach De Bankolé as a lone wolf assassin, carrying out a job in Spain. Filming began in February 2008, and took place on location in Madrid, Seville and Almeria, Spain. The film was distributed by Focus Features.[5] It received mixed reviews, and as of June 15, 2010, has a 41% rating on the review aggregator Rotten Tomatoes,[6] having been criticized for its slow pace and inaccessible dialogue while praising its beautiful cinematography and its ambitious scope.
Plot
In an airport, Lone Man (Isaach De Bankolé) is being instructed on his mission by Creole (Alex Descas). The mission itself is left unstated and the instructions are cryptic, including such phrases as "Everything is subjective," "The universe has no center and no edges; reality is arbitrary," and "Use your imagination and your skills." After the meeting in the airport he travels to Madrid and then on to Seville, meeting several people in cafés and on trains along the way.
Each meeting has the same pattern: he orders two espressos at a cafe and waits, his contact arrives and in Spanish asks, "You don't speak Spanish, right?" in different ways, to which he responds, "No." The contacts tell him about their individual interest such as molecules, art or film, then the two of them exchange matchboxes. A code written on a small piece of paper inside each matchbox, which Lone Man reads and then eats. These coded messages lead him to his next rendezvous.
He repeatedly encounters a woman(Paz de la Huerta) who is always either completely nude or wearing only a transparent raincoat. She invites him to have sex with her but he declines, stating that he never has sex while he is working. One phrase that Creole, the man in the airport tells him is repeated throughout the movie: "He who thinks he is bigger than the rest must go to the cemetery. There he will see what life really is: a handful of dirt." This phrase is sung in a flamenco song in a club in Seville at one point in his journey.
In Almeria, he is given a ride in a pickup truck by a companion of Mexican (Gael Garcia Bernal), on which the words La vida no vale nada ('life is worth nothing') are painted, a phrase Guitar (John Hurt) says to him in Seville, and he is taken to Tabernas desert. There, lies a fortified and heavily guarded compound. After observing the compound from afar, he somehow penetrates its defenses and waits for his target inside the target's office. The target (Bill Murray) asks how he got in, and he answers, "I used my imagination." After the murder with a guitar string, he rides back to Madrid, where he locks away the suits he has worn throughout the movie and changes back into a sweatsuit bearing the national flag of Cameroon. Before exiting the train station onto a crowded sidewalk he throws away his last matchbox.
Film references
The Limits of Control sometimes references other films. For example, when Lone Man meets Blonde she discusses classic Hitchcock and Welles films. His first meeting with the Nude echoes the beginning of Jean-Luc Godard’s Contempt.[7]
Isaach De Bankolé exchanges matchboxes throughout the film with "Le Boxeur" ("The Boxer" in French) written on them, the name of his character in the film White Material.
When Lone Man sees a poster in Seville for a movie that features Blonde, it is called "Un Lugar Solitario", the Spanish title of the Humphrey Bogart film "In a Lonely Place".
Cast
- Isaach De Bankolé as Lone Man
- Bill Murray as American
- Tilda Swinton as Blonde
- Gael García Bernal as Mexican
- Hiam Abbass as Driver
- Paz de la Huerta as Nude
- Alex Descas as Creole
- John Hurt as Guitar
- Youki Kudoh as Molecules
- Jean-François Stévenin as French
- Luis Tosar as Violin[8]
Soundtrack
| No. | Title | Artist | Length |
|---|---|---|---|
| 1. | "Intro" | Bad Rabbit | 0:13 |
| 2. | "Fuzzy Reactor" | Boris with Michio Kurihara | 3:42 |
| 3. | "Saeta" | La Macarena | 2:17 |
| 4. | "Sea Green Sea" | Bad Rabbit | 4:11 |
| 5. | "Feedbacker" (TLOC Edit) | Boris | 3:32 |
| 6. | "Por Compasión: Malaguenas" | Manuel el Sevillano | 2:03 |
| 7. | "Farewell" | Boris | 7:29 |
| 8. | "N.L.T." | Sunn O))) & Boris | 3:46 |
| 9. | "El Que Se Tenga Por Grande" | Carmen Linares | 3:21 |
| 10. | "Dawn" | Bad Rabbit | 1:41 |
| 11. | "You on the Run" | The Black Angels | 4:50 |
| 12. | "Omens and Portents 1: The Driver" (TLOC Edit) | Earth and Bill Frisell | 2:44 |
| 13. | "El Que Se Tenga Por Grande" | Talegón de Córdoba & Jorge Rodriguez Padilla | 3:54 |
| 14. | "Blood Swamp" (TLOC Edit) | Sunn O))) & Boris | 4:33 |
| 15. | "Schubert 2. Adagio [String Quintet in C, D.956]" (TLOC Edit) | Ensemble Villa Musica | 5:16 |
| 16. | "Daft Punk Is Playing at My House" | LCD Soundsystem | 5:15 |
| 17. | Untitled (TLOC Edit) | Boris | 1:04 |
Cultural references mentioned in the dialogue
- Suspicion by Alfred Hitchcock
- Stalker by Andrei Tarkovsky
- The Lady from Shanghai by Orson Welles
- La Vie de Bohème by Aki Kaurismäki
- La vida no vale nada by Rogelio A. González
- Scènes de la vie de bohème by Henri Murger
- La bohème by Giacomo Puccini
- Gentlemen Prefer Blondes by Howard Hawks (also the song Diamonds Are A Girl's Best Friend from the film)
References
- ^ "The Limits of Control". PiX Incorporated. Retrieved 2009-12-09.
- ^ "The Limits of Control". Internet Movie Database. Retrieved 2011-02-22.
- ^ "The Limits of Control". Rotten Tomatoes. Retrieved 2011-02-22.
- ^ "The Limits of Control (2009)". Box Office Mojo. Retrieved 2009-08-01.
- ^ Masters, Charles (2008). "Jarmusch and Murray reunite for road thriller". Reuters. Retrieved 2008-06-22.
{{cite web}}: Unknown parameter|month=ignored (help) - ^ "The Limits of Control (2009)". Rotten Tomatoes. Retrieved 2009-08-01.
- ^ [1]
- ^ Miller, Winter (2008). "Jim Jarmusch tests 'Limits of Control'". Variety. Retrieved 2008-06-22.
{{cite web}}: Unknown parameter|month=ignored (help)
External links
- The Limits of Control at AllMovie
- The Limits of Control at Box Office Mojo
- The Limits of Control at IMDb
- The Limits of Control at Rotten Tomatoes
- The Limits of Control at PiX Incorporated Template:Ja icon
- The Limits of Control Special Site by PiX Incorporated Template:Ja icon
- The Limits of Control at The Jim Jarmusch Resource Page
- ALTERED STATES: Gavin Smith interviews Jim Jarmusch from Film Comment May/June 2009 issue.