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Fanny Howe
Born	Fanny Quincy Howe (1940-10-15) October 15, 1940 (age 84) Buffalo, New York, U.S.
Occupation	Poet novelist short story writer
Notable awards	2005 Griffin Poetry Prize, 2001 Lenore Marshall Poetry Prize
Children	3
Relatives	Mary Manning, Susan Howe, Danzy Senna and R.H. Quaytman

Fanny Howe (born October 15, 1940 in Buffalo, New York) is an American poet, novelist, and short story writer.^[1][2] Howe has written more than 20 books of poetry and prose.^[3] Her major works include poetry such as One Crossed Out, Gone, and Second Childhood, the novels Nod, The Deep North, and Indivisible, and collected essays The Wedding Dress: Meditations on Word and Life and The Winter Sun: Notes on a Vocation.^[3]

She has received praise and official recognition: she was awarded the 2009 Ruth Lilly Poetry Prize^[4] by the Poetry Foundation. She also received the Gold Medal for Poetry from the Commonwealth Club of California^[5] In addition, her Selected Poems received the 2001 Lenore Marshall Poetry Prize for the Most Outstanding Book of Poetry Published in 2000 from the Academy of American Poets. She was a finalist for the 2015 International Booker Prize^[6] She has also received awards from the National Endowment for the Arts, the National Poetry Foundation, the California Council for the Arts, and the Village Voice. She is professor emerita of Writing and Literature at the University of California, San Diego. She lives in Cambridge, Massachusetts.

Howe was born in Buffalo, New York. Her father Mark De Wolfe Howe was then teaching at the state university law school. When her father Mark De Wolfe Howe left to join the fighting in World War II, her mother, Irish playwright Mary Manning, took Howe and her older sister Susan Howe to Cambridge, Massachusetts. There the family lived through the children's childhoods.^[7]

Her father eventually became a colonel and served in Sicily and North Africa. After the war he went to Potsdam to give legal advice in the reorganization of Europe.^[8] Returning to peacetime, her father continued his work as a lawyer and became a professor at Harvard Law School.

Howe's mother was an actress at the Abbey Theatre of Dublin for some time, before coming to the United States in 1935. She also wrote several plays to be performed there and at the Gate Theatre.^[8] Her maternal aunt was Helen Howe, a monologuist and novelist. Her sisters are Susan Howe, who also became a notable poet, and Helen Howe.

Fanny Howe attended Stanford University for three years. During this period in California she converted to Catholicism, attracted to priests who were living liberation theology, especially in the Americas. In 1961—the year she left Stanford—she married Frederick Delafield. They divorced two years later.^[9]

As a Civil Rights activist, she met and married activist Carl Senna in the 1970s. He is of African American-Mexican descent and is also a poet and writer. They had three children: Danzy Senna, who became a novelist and writes about growing up biracial and issues of race and class in the US; and sons Lucien Quincy Senna, and Maceo Senna. Howe and Senna separated when the children were young, and had a bitter divorce.

Howe is one of the most widely read of American experimental poets. Her writing career began during the 1960s with two paperback original pulp novels she published under the pseudonym Della Field.^[8] Known as "Nurse Novels," one book featured a nurse in the Vietnam War while the other was about a nurse living in San Francisco.^[10]

Howe has continued to publish novels throughout her career, including Lives of the Spirit/Glasstown: Where Something Got Broken (2005). She has also continued to publish essays. Some of her essays have been collected, including The Wedding Dress: Meditations on Word and Life (2003)

Poet Michael Palmer says:

Fanny Howe employs a sometimes fierce, always passionate, spareness in her lifelong parsing of the exchange between matter and spirit. Her work displays as well a political urgency, that is to say, a profound concern for social justice and for the soundness and fate of the polis, the "city on a hill". Writes Emerson, The poet is the sayer, the namer, and represents beauty. Here's the luminous and incontrovertible proof.^[11]

Joshua Glenn:

Fanny Howe isn't part of the local literary canon. But her seven novels about interracial love and utopian dreaming offer a rich social history of Boston in the 1960s and '70s.^[12]

Howe's prose poems, "Everything's a Fake" and "Doubt", were selected by David Lehman for the anthology Great American Prose Poems: from Poe to the Present (2003).^[13] Her poem "Catholic" was selected by Lyn Hejinian for the 2004 volume of The Best American Poetry.^[14]

Howe's Selected Poems won the 2001 Lenore Marshall Poetry Prize. On the Ground was on the international shortlist for the 2005 Griffin Poetry Prize. Howe received the 2009 Ruth Lilly Poetry Prize.^[4]

She was a judge for the 2015 Griffin Poetry Prize.

Howe has taught at Tufts University, Emerson College, Kenyon College, Columbia University, Yale University, Massachusetts Institute of Technology and Georgetown University.^[11]

• Eggs: poems, Houghton Mifflin, 1970
• The Amerindian Coastline Poem, Telephone Books Press, 1975, ISBN 0-916382-08-7
• Poem from a Single Pallet, Kelsey Street Press, 1980, ISBN 0-932716-10-5
• Alsace-Lorraine, Telephone Books Press, 1982, ISBN 0-916382-28-1
• For Erato: The Meaning of Life, 1984
• Robeson Street, Alice James Books, 1985, ISBN 978-0-914086-59-8
• Introduction to the World, Figures, 1986, ISBN 0-935724-21-4
• The Lives of a Spirit, Sun & Moon Press, 1987, ISBN 0-940650-95-9
• The Vineyard, Lost Roads Publishers, 1988, ISBN 978-0-918786-37-1
• [sic], Parentheses Writing Series, October 1988, ISBN 978-0-9620862-2-9
• The End, Littoral Books, 1992 ISBN 1-55713-145-7
• The Quietist, O Books, 1992, ISBN 978-1-882022-12-0
• O'Clock, Reality Street, 1995, ISBN 978-1-874400-07-3
• One Crossed Out, Graywolf Press, 1997, ISBN 978-1-55597-259-2
• Forged, Post-Apollo Press, 1999, ISBN 978-0-942996-36-4
• Selected Poems, University of California Press, 2000, ISBN 978-0-520-22263-2 (shortlisted for the Griffin Poetry Prize)
• Gone. University of California Press. 2003. ISBN 978-0-520-23810-7.
• Tis of Thee, Atelos, 2003, ISBN 978-1-891190-16-2
• On the Ground, Graywolf Press, 2004, ISBN 978-1-55597-403-9 (also shortlisted for the Griffin Poetry Prize)
• The Lives of a Spirit/Glasstown: Where Something Got Broken Nightboat Books, 2005, ISBN 978-0-9767185-1-2
• The Lyrics, Graywolf Press, 2007, ISBN 978-1-55597-472-5
• (with Henia Karmel-Wolfe and Ilona Karmel) A Wall of Two: Poems of Resistance and Suffering from Kraków to Buchenwald and Beyond, University of California Press, 2007, ISBN 978-0-520-25136-6
• Outremer, Poetry Magazine, September 2011, ISSN 0032-2032
• Come and See: Poems, Graywolf Press, 2011, ISBN 978-1-55597-586-9
• Second Childhood: Poems. Graywolf Press. 18 November 2014. pp. 29–. ISBN 978-1-55597-917-1.^[15]
• Love and I: Poems, Graywolf Press, 2019, ISBN 978-1-64445-004-8
• Manimal Woe, Arrowsmith Press, 2021, ISBN 978-1734641653^[16]

• West Coast Nurse (under the pseudonym Della Field), Avon, 1963, OCLC 38711773; Nurse Novels Publishing (republished in 2024)
• Vietnam Nurse (under the pseudonym Della Field), Avon, 1966
• Forty Whacks, Houghton Mifflin, 1969, ISBN 0-575-00560-2
• First Marriage HarperCollins, 1974, ISBN 0-380-01850-0
• Bronte Wilde, Avon Books, 1976, ISBN 978-0-380-00548-2
• Holy Smoke. University of Alabama Press. 1979. ISBN 978-0-914590-55-2.
• The White Slave, Avon Books, 1980, ISBN 978-0-380-45591-1
• In the Middle of Nowhere: A Novel. University of Alabama Press. 1984. ISBN 978-0-914590-83-5.
• The Deep North, Sun & Moon Press, 1988, ISBN 978-1-55713-025-9
• Famous Questions, Ballantine Books, 1989, ISBN 978-0-345-36177-6
• Saving History, Sun & Moon Press, 1993, ISBN 978-1-55713-100-3
• Nod, Sun & Moon Press, 1998, ISBN 1-55713-307-7
• Indivisible, Semiotext(e), 2000, ISBN 978-1-58435-009-5
• Economics: Stories, Flood Editions, 2002, ISBN 978-0-9710059-4-5
• Radical Love: 5 Novels, Nightboat Books, 2006, ISBN 978-0-9767185-3-6
• Night Philosophy, Divided Publishing, 2020, ISBN 978-1-9164250-2-6
• London-rose | Beauty Will Save the World, Divided Publishing, 2022, ISBN 978-1-7398431-1-3

• The Blue Hills, Avon, 1981, ISBN 0-380-78998-1
• Yeah, But Avon/Flare, August 1982, ISBN 978-0-380-79186-6
• Radio City Avon/Flare book, 1984, ISBN 978-0-380-86025-8
• Taking Care, Avon Books, 1985, ISBN 978-0-380-89864-0
• Race of the Radical, Viking Kestrel, 1985, ISBN 978-0-670-80557-0
• What Did I Do Wrong?, Illustrator Colleen McCallion, Flood Editions, 2009, ISBN 978-0-9819520-0-0

• The Wedding Dress: Meditations on Word and Life. University of California Press. 2003. ISBN 978-0-520-23840-4. fanny howe.
• The Winter Sun: Notes on a Vocation, Graywolf Press, 2009, ISBN 978-1-55597-520-3
• The Needle's Eye: Passing through Youth, Graywolf Press, 2016, ISBN 978-1-55597-756-6

• "On the Day the Blood Let Fall", Scott Bentley, Jacket 25, February 2004
• "The Clarity of Fanny Howe's Debut", Kimberly Lamm, University of Washington, Titanic Operas
• "Fellow Travelers", Karen Volkman, Boston Review, February/March 2004
• "Spiral-Walking", Janique Vigier, Bookforum, 17 February 2020

• Fanny Howe Informatarium
• Fanny Howe Papers
• Griffin Poetry Prize readings, including video clips
• Interview with Kenyon Review
• Fanny Howe page at Ploughshares includes links to Howe's contributions to Ploughshares that began in 1972 with an excerpt from an early novel. Since then she has been a consistent contributor of poems, essays, and non-fiction. Howe was the guest-editor for an edition of Ploughshares in 1974, and has contributed to this journal as recently as 2004.
• Bewilderment a talk by Fanny Howe, with an excerpt here from a longer version presented 9/25/98 on the Poetics & Readings Series, sponsored by Small Press Traffic at New College, San Francisco. Bewilderment was collected in The Wedding Dress (2003)
• Fanny Howe Interviewed by Jennifer Moxley for info on Jennifer Moxley (link here)
• "The Wedding Dress: Meditations On Word and Life", Leonard Schwartz, Jacket 28, October 2005